SCIENCE FICTION JOURNAL 4 VIEWPOINT ETHEBLINE Our Reviewers
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Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
Presented to the Graduate Council of the North
A COMPARISON OF THREE TECHNIQUES OF TEACHING LITERATURE: SILENT READING, SOLO PERFORMANCE, AND READERS THEATRE DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By David R. Maberry, B. A., M. A. Denton, Texas December, 1975 Maberry, David R., A Comparison of Three Techniques of Teaching Literature: Silent Reading, Solo Performance, and Readers Theatre. Doctor of Philosophy (College Teaching: Speech Communication and Drama), December, 1975, 231 pp., 17 tables, bibliography, 35 titles. The problem of this study was a comparison of the re- sponses of students to three techniques of teaching litera- ture: silent reading, solo performance, and readers theatre. Students in three classes of grade nine and students in three classes of grade eleven were selected at three high schools in the north Texas area. There was a total of three hundred seventy-one students involved in the experiment. Each of the three classes at each grade level in each high school received three presentations of three short stories. Each class read one short story silently; each class heard one short story presented by solo performance; and each class heard one short story presented in the technique of readers theatre. Immediately after each presentation the students were administered a semantic differential to deter- mine which technique of presentation stimulated the most appreciation of literature. At the same time they were ad- ministered a short objective test of ten items to determine which technique achieved more comprehension. Ten days later all students received the same test over all three stories to determine which technique stimulated the most retention. -
Ray Bradbury Theater
The Ray Bradbury Theater Episode Guide Compiled by Loren Heisey ([email protected]) June 14, 1993 page 1 THE RAY BRADBURY THEATER EPISODE GUIDE Guide revision history Version 1.0: Original release (06/07/92) Version 1.1: Minor update (07/05/92) Added support for printing with the ms macros and with cawf. Version 2.0: Update (06/14/93) Added fifth production episodes. Changed order of HBO episodes. Miscellaneous other changes. This guide is for personal use only and may be distributed freely. No charge may be made for this document beyond the costs of printing and distribution. page 2 June 14, 1993 THE RAY BRADBURY THEATER EPISODE GUIDE Table of Contents I. HBO Produced Episodes 4 II. USA First Production 7 III. USA Second Production 11 IV. USA Third Production 17 V. USA Fourth Production 20 VI. USA Fifth Production 22 VII. Episode Title List 27 VIII. Alphabetical Episode Title List 29 IX. Principle Credits 31 X. Notes 36 June 14, 1993 page 3 THE RAY BRADBURY THEATER EPISODE GUIDE I. HBO produced episodes Introduction by Ray Bradbury "People ask where do you get your ideas. Well right here. All this is my Martian landscape. Somewhere in this room is an African veldt. Just beyond perhaps is a small Illinois town where I grew up. And I’m surrounded on every side by my magicians toyshop. I’ll never starve here. I just look around, find what I need, and begin. I’m Ray Bradbury, and this is" The Ray Bradbury Theater. "Well then, right now what shall it be. -
Fragmentary Futures: Bradbury's Illustrated Man Outlines--And Beyond
2015 Fragmentary Futures: Bradbury's Illustrated Man Outlines--and Beyond Jonathan R. Eller Indiana University-Purdue University Indianapolis Indianapolis, Indiana, USA IUPUI ScholarWorks This is the author’s manuscript: This article was puBlished as Eller, Jonathan R. “Fragmentary Futures: Bradbury's Illustrated Man Outlines--and Beyond” The New Ray Bradbury Review 4 (2015): 70- 85. Print. No part of this article may Be reproduced, stored in a retrieval system, transmitted, or distriButed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Kent State University Press. For educational re-use, please contact the Copyright Clearance Center (508-744- 3350). For all other permissions, please contact Carol Heller at [email protected]. https://scholarworks.iupui.edu Fragmentary Futures: Bradbury’s Illustrated Man Outlines—and Beyond “I believe first drafts, like life and living, must be immediate, quick, passionate. By writing a draft in a day I have a story with a skin around it.” Ray Bradbury’s creative coda originated long before he fashioned this concise version of it for his December 1964 Show magazine interview. His daily writing habit had become a quotidian fever by the early 1940s, and he soon learned to avoid interruptions from any other voices—including his own rational judgments. Each day became a race between subconscious inspiration and the stifling effects of his own self-conscious thoughts—the more logical thought patterns that he desperately tried to hold at bay during the few hours it would take him to complete an initial draft. Bradbury was convinced that the magic would dissolve away if he failed to carry through on a story idea or an opening page at first sitting, and it’s not surprising that his Show interview coda came with a cautionary corollary: “If one waits overnight to finish a story, quite often the texture one gets the next day is different. -
Hollow Earth 101
307-8 Winter/Spring 2013-2014 SFRA Editor A publicationRe of the Scienceview Fiction Research Association Chris Pak University of Birmingham, Edgbaston, Birmingham, B15 2TT, UK. In this issue [email protected] SFRA Review Business Managing Editor Introductions ........................................................................................................2 Lars Schmeink Universität Hamburg, Institut für Anglis- tik und Amerikanistik, Von Melle Park 6 SFRA Business 20146 Hamburg. Meanwhile, at the EC HQ . ............................................................................2 [email protected] Upcoming Joint WisCon/SFRA ..........................................................................3 Making Connections ............................................................................................4 Nonfiction Editor Dominick Grace Brescia University College, 1285 Western Feature Interview Rd, London ON, N6G 3R4, Canada An Interview with Frederick Turner ..................................................................5 phone: 519-432-8353 ext. 28244. [email protected] Feature 101 Assistant Nonfiction Editor Hollow Earth 101 ................................................................................................13 Kevin Pinkham The Nursing Profession in the Fictional Star Trek Future. ...........................23 College of Arts and Sciences, Nyack College, 1 South Boulevard, Nyack, NY 10960 Nonfiction Reviews phone: 845-675-4526845-675-4526. Parabolas of Science Fiction ...............................................................................27 -
Edward E. Marsh Ephemera Collection MS-0524
http://oac.cdlib.org/findaid/ark:/13030/c85q51mp No online items Edward E. Marsh Ephemera Collection MS-0524 Kim Schwenk Special Collections & University Archives 12/18/2015 5500 Campanile Dr. MC 8050 San Diego, CA 92182-8050 [email protected] URL: http://library.sdsu.edu/scua Edward E. Marsh Ephemera MS-0524 1 Collection MS-0524 Contributing Institution: Special Collections & University Archives Title: Edward E. Marsh Ephemera Collection Creator: Marsh, Edward E. Identifier/Call Number: MS-0524 Physical Description: 142.98 Linear Feet Date (inclusive): 1930-2014 Language of Material: English . Scope and Contents The Edward E. Marsh Ephemera Collection is largely comprised of over 30 loose-leaf, matching leather binders of collected ephemera, pulps, magazines, art, and manuscripts from key figures in the development of the science fiction and pop culture, including Forrest J. Ackerman, Robert Heinlein, Frank Herbert, Ray Bradbury, Isaac Asimov, and Jules Verne. The collection also contains original artwork from prominent science fiction illustrators such as Kelly Freas, Frank Frazetta, and Gerry Grace as well as sculptural works by Anne Fewell. Original limited ephemera from both film and literary works: Battlefield Earth, Dune, and Blade Runner are also included. The collection is divided into nine series: Edward E. Marsh Golden Age of Science Fiction Library Binders, Ephemera Enclosures, Edward E. Marsh Author Library Binders, Edward E. Marsh Artist Library Binders, Original Artwork, Sculptural Works, Film Memorabilia and Collectibles, Artifacts, and Awards. The Edward E. Marsh Golden Age of Science Fiction Library Binders are arranged alphabetically by author name with binder contents described at the item level and notes signed and limited edition copies. -
Ecopolitical Transformations and the Development of Environmental
Ecopolitical Transformations and the Development of Environmental Philosophical Awareness in Science Fictional Narratives of Terraforming. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Chris Pak. September 2012. 2 Abstract This thesis examines the motif of terraforming from Wells’ War of the Worlds (1898) to James Cameron’s film Avatar (2009) in order to assess the dialogical development of ecological themes and its imbrication with politics in science fictional narratives of terraforming. It tracks the growth of the theme in four distinct phases that are contextualised by a short history of terraforming in the introductory first chapter. Chapter two examines the appearance of proto-terraforming and proto- Gaian themes in British scientific romance and American pulp sf prior to Jack Williamson’s coining of the term “terraform” in 1942. Environmental philosophical concepts of nature’s otherness, Lee’s Asymmetry, Autonomy and No-Teleology Theses and notions of identification with nature are examined in this connection to illustrate the character of these texts’ engagement with environmental philosophy and ecopolitics. Chapter three examines the development of the terraforming theme in primarily American 1950s terraforming stories and explores how the use of elements of the American Pastoral are deployed within the discourse of sf to consider the various ways in which the political import of terraforming is imagined. Chapter four explores the impact of the environmental movement of the 1960s in terraforming stories of the 1960s-1970s. Beginning with a consideration of the use of Gaian images in characterisations of alien ecologies, this chapter then progresses to consider a parallel strand of terraforming stories that transform the themes of the 1950s texts in the light of the impact of the 1960s environmental movement. -
I I I I I I I I I I I I I I I I
I Thesis/Dissertation Sheet I Australia's -1 Global UNSW University I SYDN�Y I Surname/Family Name Dempsey Given Name/s Claire Kathleen Marsden Abbreviation for degree as give in the University calendar MPhil Faculty UNSW Canberra I School School of Humanities and Social Sciences Thesis Title 'A quick kiss in the dark from a stranger': Stephen King and the Short Story Abstract 350 words maximum: (PLEASE TYPE) There has been significant scholarly attention paid to both the short story genre and the Gothic mode, and to the influence of significant American writers, such as Edgar Allan Poe, Nathaniel Hawthorne and H.P. Lovecraft, on the evolution of these. However, relatively little consideration appears to have been offeredto the I contribution of popular writers to the development of the short story and of Gothic fiction. In the Westernworld in the twenty-firstcentury there is perhaps no contemporary popular writer of the short story in the Gothic mode I whose name is more familiar than that of Stephen King. This thesis will explore the contribution of Stephen King to the heritage of American short stories, with specific reference to the American Gothic tradition, the I impact of Poe, Hawthorneand Lovecrafton his fiction, and the significance of the numerous adaptations of his works forthe screen. I examine Stephen King's distinctive style, recurring themes, the adaptability of his work I across various media, and his status within American popular culture. Stephen King's contribution to the short story genre, I argue, is premised on his attention to the general reader and to the evolution of the genre itself, I providing as he does a conduit between contemporary an_d classic short fiction. -
ABC Complete Collection 9-1-10 PB
Complete Collection 2010‐2011 School Year List subject to change. Current at 9/1/10 Biography Historical Fiction Business PhilosoPhilosophyphy Classic Literature Politics Fiction Science Fiction History Study Aids 1,001 Audiobooks on Every School Computer & iPod ® p: 800‐637‐6581 f: 800‐551‐1169 books@perma‐bound.com www.perma‐bound.com #455632 AudioBook Classroom Complete Collection 2010‐2011 organized by SUBJECT (list subject to change) Title Author(s) PubDate Subject A Beautiful Mind Sylvia Nasar, Anna Fields 2009 Biography Alexander the Great and His Time Agnes Savill, Nadia May 2004 Biography Anne Morrow Lindbergh Susan Hertog, Marguerite Gavin 2009 Biography April 4, 1968 Michael Eric Dyson, Michael Eric Dyson 2008 Biography Back in Action Cpt. David Rozelle, Patrick Lawlor 2005 Biography Being Martha Lloyd Allen, Patrick Lawlor 2006 Biography Bing Crosby Gary Giddins, Edward Lewis 2004 Biography California Characters Charles Hillinger, Dennis McKee 2007 Biography Campaigning with Grant Horace Porter, Noah Waterman 2008 Biography Che Guevara Jon Lee Anderson, Armando Durán 2009 Biography Chosen by a Horse Susan Richards, Lorna Raver 2008 Biography Disturber of the Peace William Manchester, Anthony Heald 2008 Biography Divided Soul David Ritz, Dion Graham 2008 Biography Doris Lessing Carole Klein, Anna Fields 2009 Biography Edmund Burke Russell Kirk, Jeff Riggenbach 2006 Biography Endurance Alfred Lansing, Simon Prebble 2009 Biography Florence Nightingale Laura E. Richards, Anna Fields 2005 Biography George Washington John R. Alden, Grover Gardner 2006 Biography Geronimo, His Own Story Geronimo, S. M. Barrett, Pat Bottino 2008 Biography Goodbye, Darkness William Manchester, Barrett Whitener 2007 Biography Harry S. Truman Robert H. Ferrell, Jeff Riggenbach 2009 Biography Hope and Honor General Sid Shachnow, Jann Robbins 2005 Biography I Am Potential Patrick Henry Hughes, Paul Michael Garcia 2008 Biography Indestructible Jack Lucas, D. -
THE CENTER for RAY BRADBURY STUDIES: a CASE STUDY in SUSTAINING a SINGLE AUTHOR ARCHIVE Jason Michael Aukerman Submitted To
THE CENTER FOR RAY BRADBURY STUDIES: A CASE STUDY IN SUSTAINING A SINGLE AUTHOR ARCHIVE Jason Michael Aukerman Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Program of American Studies, Indiana University December 2020 Accepted by the Graduate Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee ______________________________________ Jonathan R. Eller, Ph.D., Chair ______________________________________ Heather K. Calloway, Ed.D. October 30, 2020 ______________________________________ Philip K. Goff, Ph.D. ______________________________________ Raymond J. Haberski, Jr., Ph.D. ii © 2020 Jason Michael Aukerman iii DEDICATION For my daughters, Brynne and Bryar. May you find your bliss and follow it always. iv ACKNOWLEDGEMENT Many wonderful people have played critical roles in helping me complete this degree and dissertation. Before anyone else, I need to express my absolute gratitude to my wife, Karla, and my daughters, Brynne and Bryar. All three of them have sacrificed greatly so that I could pursue this endeavor. There is no way that this would have been possible if I did not have the full support of my family. Without the support of my parents, it would not have been possible for me to leave a secure job and pursue a terminal degree in the humanities. I will always be grateful for their support in every form as I pursued the things that I love. I was fortunate to have a dissertation committee who helped me navigate numerous obstacles that occurred while completing this dissertation, while never once adding an obstacle to my degree completion path. -
Conversations with Ray Bradbury Steven Louis Aggelis
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 Conversations with Ray Bradbury Steven Louis Aggelis Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES CONVERSATIONS WITH RAY BRADBURY By STEVEN AGGELIS A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2003 Copyright © 2003 Steven Aggelis All Rights Reserved The members of the Committee approve the dissertation of Steven Aggelis defended on 22 September 2003. __________________________ R. Bruce Bickley, Jr. Professor Directing Dissertation __________________________ Leo Sandon Outside Committee Member __________________________ William T. Lhamon, Jr. Committee Member __________________________ Joseph McElrath, Jr. Committee Member Approved: __________________________ Hunt Hawkins, Chair, Department of English __________________________ Donald Foss, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above-named committee members. ii TABLE OF CONTENTS Introduction v Chronology xxiv Abstract xxxii Preface 1 The Market Is Not the Story: An Interview with Ray Bradbury (1948) R. Walton Willems 3 Sum and Substance: With Ray Bradbury and Herman Harvey (1962) Herman Harvey 6 A Portrait of Genius: Ray Bradbury (1964) Show 12 Ray Bradbury: Cassandra on a Bicycle -
TO the CHICAGO ABYSS by Ray Bradbury
Including Venture Science Fiction SPECIAL RAy BRADBURY SECTION Introduction 5 Bradbury: Prose Poet in the Age of Space WILLIAM F. NOLAN 7 Bright Phoenix RAY BRADBURY 23 To the Chicago Abyss RAY BRADBURY 30 Index to Works of Ray Bradbury WILLIAM F. NOLAN 40 Mrs. Pigafetta Swims Well R. BRETNOR 52 Ferdinand Feghoot: LXII GRENDEL BRIARTON 58 Newton Said JACK THOMAS LEAHY 59 Underfollow JOHN JAKES 65 Now Wakes the Sea J. G, BALLARD 76 Watch the Bug-Eyed Monster DON WHITE 86 Treaty In Tartessos KAREN ANDERSON 91 Books AVRAM DAVIDSON 96 Science: Just Mooning Around ISAAC ASIMOV 100 No Trading Voyage (verse) DORIS PITKIN BUCK 111 Nifia Sol FELIX MARTI-IBANEZ 113 In this issue • .• Coming next month 4 F&Sf Marketplace 129 Cover by ]oe Mugnaini (see page 4) The Magazine of Fantasy and Science Fiction, Volume 24, No. 5, Whole No. 144, May 1963. Published monthly by Mel'cury Press, Inc., at 40¢ a cop;y. Amutal s11bscriptio11 $4.50 in U. S. and Possessions, $5.00 in Canada and the Pan American Union; $5.50 in all other countries. P11blication office, 10 Ferry Street, Concord, N. H. Editorial and general mail sho11ld be sent to 341 East 53rd St., New York 22, N. Y. Seco"d Class postage paid at Concord, N. H. Printed in U. S. A. © 1963 by Mercury Press, Inc. All rights~ including translations into other languages, reserved. Submi.tsions must be accom panied bf stamped, self-addressed ell'uelopes; the P~tblislwr assumes no responsibility for return o 1wsolicited manuscripts. Joseph W.