The Day It Rained Forever
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Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
What's Happening at the IJA ?
THE INTERNATIONAL JUGGLERS’ ASSOCIATION October 2007 IJA e-newsletter editor: Don Lewis (email: [email protected]) Renew at http://www.juggle.org/renew What’s Happening at the IJA ? In This Issue: 2008 Lexington IJA Festival Help Wanted Have You Moved, or Gotten a New Email Address? Treasury Remember, the only way to ensure that you don't miss a World Juggling Day single issue of JUGGLE magazine is to give us your new Marketing the IJA address. The USPS will generally not forward JUGGLE Joggling Record magazine. Insurance To update your mailing address, email, or phone, please Regional Festivals send email to [email protected] or call TurboFest - Quebec City 415-596-3307 or write to: IJA, PO Box 7307, Austin, TX 78713-7307 USA. World Circus Year 2008 IJA Festival, Lexington, Kentucky The Hyatt is connected to the convention center. The convention center has a food court and shops and they are Lexington Notes by Richard Kennison open on a daily basis. There is a vibrant downtown area right Everyone, around the convention center. I just spent two days in Lexington, KY. I am very thrilled to tell The convention center contact person, the hotel contact person you that I think it is a wonderful site. I will not go into long and the theatre contact person are all professional and excited details here but: that we are coming. Bond Jacobs—the visitors bureau contact You can park your car (for free if you stay the the Hyatt) and person is an asset and will go the extra mile for us. -
Fargo Convention Well Worth the Journey
August 1980 Vol. 32 No. 5 Membership—1,200 1981 Convention Site—Cleveland, OH, Case Western Reserve University Fargo convention well worth the journey In anticipation of sharing talent and watching jugglers in the crowded party room witti the promise Benefit shows for crowds at the NDSU student some of the best jugglers in North America at work, of greater support if the IJA would return to Fargo union, the Red River Mall, a Shrine club and a 475 people trekked through mid July heat to Faigo, nextyear. Reaction was not positive, and conven- nursing home demonstrated IJA’s appreciation ND, site of the 33rd IJA annual convention, tioneers later voted Cleveland. OH, as the 1981 for the hospitality, There, close by the geographical center of the site (see page 6). The convention ran smoothly, and largely on time. continent, they witnessed the basics—like 3-ball High-rise lodging contained two-story foyer areas and 5-club cascades—and the outer limits of jug that were ideal for juggling. The university food gling skill, as demonstrated by Michael Kass’s prize service fed 165 jugglers three times day, and cater winning performance of club kick-ups. The same ed a pleasant outdcxar "buffalo" barbeque at Troll- lure of communion with fellow jugglers has drawn wood Park on Saturday. this group together annually since 1947, when The Saturday morning parade included many the founding fathers formed the group during a other area groups, and was aired by NBC news convention of the international Brotherhood of on a late-night broadcast. -
HISTORY and STAGE METHOD of JUGGLING with HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine
INNOVATIVE SOLUTIONS IN MODERN SCIENCE № 2(11), 2017 UDC 792 (792.7) HISTORY AND STAGE METHOD OF JUGGLING WITH HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine Research the methods of teaching juggling tricks by the big and small hula hoops, due to rising demand for hula hoops in recent years. Hula hoops acquire much popularity both abroad and in Ukraine, and are used not only in school, gymnastics and emotional pleasure, but also in a circus and juggling sports. Also highlights the main directions in the juggling with their features and how the juggling acts itself directly on human health. Also will be examined where this fascinating art form came to us, how it developed, and what kinds acquired in the present. Keywords: hula hoops, juggling, "track", stage technique, white substance, "helicopter". Problem definition and analysis of researches. Today juggling reached incredible development. There is no country where people would not be interested in juggling. There are a lot of conventions and juggling competitions, where people come from all over the world and share experiences with each other. But it should be noted, that there aren’t so much professional juggling schools. And if we talk about juggling by hula hoops, we can admit that there aren’t so much real experts in this field. Peter Bon, Tony Buzan in collaboration with Michael J. Gelb, Luke Burridge, Alexander Kiss, Paul Koshel and many others have written about all kinds of juggling, but left unattended hula hoops juggling. That is why in this article will be examples of author’s tricks with large and small hula hoops with a detailed description. -
Presented to the Graduate Council of the North
A COMPARISON OF THREE TECHNIQUES OF TEACHING LITERATURE: SILENT READING, SOLO PERFORMANCE, AND READERS THEATRE DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By David R. Maberry, B. A., M. A. Denton, Texas December, 1975 Maberry, David R., A Comparison of Three Techniques of Teaching Literature: Silent Reading, Solo Performance, and Readers Theatre. Doctor of Philosophy (College Teaching: Speech Communication and Drama), December, 1975, 231 pp., 17 tables, bibliography, 35 titles. The problem of this study was a comparison of the re- sponses of students to three techniques of teaching litera- ture: silent reading, solo performance, and readers theatre. Students in three classes of grade nine and students in three classes of grade eleven were selected at three high schools in the north Texas area. There was a total of three hundred seventy-one students involved in the experiment. Each of the three classes at each grade level in each high school received three presentations of three short stories. Each class read one short story silently; each class heard one short story presented by solo performance; and each class heard one short story presented in the technique of readers theatre. Immediately after each presentation the students were administered a semantic differential to deter- mine which technique of presentation stimulated the most appreciation of literature. At the same time they were ad- ministered a short objective test of ten items to determine which technique achieved more comprehension. Ten days later all students received the same test over all three stories to determine which technique stimulated the most retention. -
Ray Bradbury Theater
The Ray Bradbury Theater Episode Guide Compiled by Loren Heisey ([email protected]) June 14, 1993 page 1 THE RAY BRADBURY THEATER EPISODE GUIDE Guide revision history Version 1.0: Original release (06/07/92) Version 1.1: Minor update (07/05/92) Added support for printing with the ms macros and with cawf. Version 2.0: Update (06/14/93) Added fifth production episodes. Changed order of HBO episodes. Miscellaneous other changes. This guide is for personal use only and may be distributed freely. No charge may be made for this document beyond the costs of printing and distribution. page 2 June 14, 1993 THE RAY BRADBURY THEATER EPISODE GUIDE Table of Contents I. HBO Produced Episodes 4 II. USA First Production 7 III. USA Second Production 11 IV. USA Third Production 17 V. USA Fourth Production 20 VI. USA Fifth Production 22 VII. Episode Title List 27 VIII. Alphabetical Episode Title List 29 IX. Principle Credits 31 X. Notes 36 June 14, 1993 page 3 THE RAY BRADBURY THEATER EPISODE GUIDE I. HBO produced episodes Introduction by Ray Bradbury "People ask where do you get your ideas. Well right here. All this is my Martian landscape. Somewhere in this room is an African veldt. Just beyond perhaps is a small Illinois town where I grew up. And I’m surrounded on every side by my magicians toyshop. I’ll never starve here. I just look around, find what I need, and begin. I’m Ray Bradbury, and this is" The Ray Bradbury Theater. "Well then, right now what shall it be. -
WORKSHOP SCHEDULE IJA Festival, Sparks, Nevada, July 26 - August 1, 2010
WORKSHOP SCHEDULE IJA Festival, Sparks, Nevada, July 26 - August 1, 2010. For updates, see http://www.juggle.org/festival Tuesday, July 27 8:00am Joggling Competition 9:00am IJA College Credit Meeting -- Don Lewis 10:00am 3 Club Tricks -- Don Lewis (BEG) 10:00am Siteswap 101 -- Chase Martin (and Jordan Campbell) 10:00am Stretching and Increasing Your Flexibility -- Corey White 11:00am Blind Thows & Catches -- Thom Wall 11:00am Five Balls the Easy Way -- Dave Finnigan 11:00am Jammed Knot Knotting Jam -- John Spinoza 12:00pm 3/4 Ball Freezes -- Matt Hall 12:00pm Basic Hoop Juggling Technique -- Carter Brown 12:00pm Poi -- Sam Malcolm (BEG) 1:00pm Special Workshop -- Kris Kremo 1:00pm 180's/360's/720's -- Josh Horton & Doug Sayers 1:00pm Club Passing Routine -- Cindy Hamilton 1:00pm Tennis Ball/Can Breakout -- Dan Holzman 2:00pm Intro to Ball Spinning -- Bri Crabtree 2:00pm Multiplex Madness for Passing -- Poetic Motion Machine 3:00pm Fun/Simple Club Passing Patterns for 3/4/5 -- Louis Kruk 3:00pm 2 Diabolo Fundamentals and Combos -- Ted Joblin 3:00pm Kendama -- Sean Haddow (BEG/INT) 4:00pm Beginning Contact Juggling -- Kyle Johnson 4:00pm Diabolo Fundamentals -- Chris Garcia (BEG-ADV) Wednesday, July 28 9:00am IJA College Credit Meeting -- Don Lewis 9:00am YEP 1: Basic Techniques of Teaching Juggling -- Kim Laird 10:00am 3 Ball Esoterica -- Jackie Erickson (BEG/INT) 10:00am 5 Ball Tricks -- Doug Sayers & Josh Horton (INT/ADV) 10:00am YEP 2: How To Develop a Youth Program -- Kim Laird 11:00am Claymotion -- Jackie Erickson 11:00am Scaffolding: -
Jughead Eligibility 2019 JUGHEADS to IJA Festival Ft. Wayne, in • June
Jughead Eligibility 2019 JUGHEADS to IJA Festival 1. Membership in Ultimate Club, or Ft. Wayne, IN • June 24–30 2. Special permission for Elite members. Thank you for attending this informational meeting on our 23nd trip to the Internation- al Jugglers’ Association (IJA) Festival! This year’s IJA will be in Ft. Wayne, IN, and we’ll be taking 14–16 U.C./Elite Jugheads with Wendy Arneberg, 1–2 parent chaperones, Trip Cost and Coach Ben Hestness leading rehearsals on Tuesday & Wednesday and the tech. time and performance on Thursday. Paul will be staying back this year to hold one more JUGHEADS IJA Festival Package week of summer camps. We’ve heard from a couple of parents who may be interested (All-inclusive except for food and any in chaperoning this year’s festival; we’ll continue the conversation (or let’s start one) if checked baggage) you’re interested. Please feel free to ask questions at any point throughout the meet- $1,275 ing. Paul & Wendy will linger afterwards for personalized Q & A. Includes: Round trip flight, lodging, full IJA About the Festival: The IJA was founded in 1947 to “render assistance to fellow jug- Festival Package (gym pass, show tickets, glers.” The IJA Festival is an all-around juggling experience, featuring appearances by T-shirt, membership dues), JH tuition, and some of the best jugglers in the world. Aside from brushing shoulders with the stars, group outing (Escape Room). we attend daily workshops, participate in and/or watch games (endurance, speed Committment & Payment Plan passing, combat, etc.), competitions (Joggling, Numbers, Juniors, Individuals, Teams, March 1 : $275 (Down Payment) Individual Props, Busking Competition, X-Juggling), and have “open juggling” for about April 15: $500 4–6 hours every day. -
Ellsworth American : October 9, 1907
Vofc. ■ LOCAL AFFA IHS. jtn escort. He left Duluth Tuesday and MEETING. writers’ exchange, substantially as arrived here Friday afternoon, being sev- (JIT? ported in The Ambrican last week. > .r:.,iriiitiiiiR»miiititiiiuaimuimtumtiHiiiiiiimmiiuiiiuttiiitfiiiiut« enty hours on the road, making only one mid the members of the oommittee > NIW AOVKRT1SKMKNTS THI» WRFK. NEW ROUTE FORPOWERTRANS ■top- in Portland over night. pleased with the improvements at > Maine Central R R -Change In time-table. MISSION LINE. Franklin street engine house, the Eastern (Jo—Fall schedule. The subject of the Unitarian Woman's Steamship in beii w i Hancock County Savings Bank, | Viuol. Alliance for the seasoruwill be “Selections eerioos deficiency, their minds, lO STATE STREET, ELLSWORTH, ME. Te> ement to let. UL OH LITTLW WORK DON* telegraphic fire alarm system. Catharine Fretz at Sentiment ana Kedecticn trom tne DloCuhoiu.., Commenced buelnem M»y 1, 1873. Mary Ausin—Notice., A contract from the New Englandr E H Grecly—Notice of foreclosure. / Poeto”. The opening meeting will be held —ROLLS OF ACCOUNTS—RK0B8S TO Exec notice—Est Edward Uinaida. A Co. was received t ** phone Telegraph —Est Hannah H Lclandv. at tbe parsonage Wednesday, Oct. 16, at 3 NKZT MONDAY. and the n; autho l —Est Isaiah Young. p. m., with selections from Shakespeare approved, mayor Admr notice—Est I»I Collins. to sxecata the tame on lie half of the Lucy and Milton. Business session at 2.30 m. Lost—Binding-chain. • p. 3h2% ! Wanted—liar wood. Monday evening’s meeting of the board It provides for a tree telephone for > -Senator Hale is on a Miss A F f ill among the passengers Hight—New millinery. -
IJA Festival RFP 2024 R2
International Jugglers’ Association FESTIVAL SITE REQUIREMENTS 2024 updated 2019-08 INTERNATIONAL JUGGLERS’ ASSOCIATION FESTIVAL SITE REQUIREMENTS introduction August, 2019 The International Jugglers' Association holds one event a year, it’s a week long, and it’s awesome. If we bring our event to your city, you will love having us there, you’ll miss us when we leave, and you’ll want us to come back again soon. We are now seeking a host city for our festival in 2024. Unfortunately, no one gets paid to attend a juggling convention. Everyone coming to an IJA festival is paying their own way, and most of them are traveling thousands of miles to attend our celebra- tion. Therefore, we are laser-focused on affordability of the festi- val venues, lodging and meals for our jugglers spending the week at the IJA festival. We will consider destinations for our future festivals only if all the economic and logistical factors look promising and can offer real affordability in lodging rates. Casino resorts, beach or mountain resorts and corporate conference centers generally do not provide us with the mix of affordability, choice and facilities we need for a successful week. Please see the accompanying materials for specifics on the require- ments for our festival, and some additional background informa- tion. Please note that this festival requirements document is extensive, but there are very few “show-stopper” items in it; i.e., we can work without or around nearly any item on the list if the bal- ance of your proposal is very attractive. I would be pleased to speak to you by phone to discuss how your city and facilities can fit into our plans for a future festival, before you begin preparing a formal proposal. -
The Lighter Spring 2018
The Lighter Volume 64 Article 1 Issue 2 The Lighter Spring 2018 April 2017 The Lighter Spring 2018 Follow this and additional works at: https://scholar.valpo.edu/lighter Recommended Citation (2017) "The Lighter Spring 2018," The Lighter: Vol. 64 : Iss. 2 , Article 1. Available at: https://scholar.valpo.edu/lighter/vol64/iss2/1 This Full Issue is brought to you for free and open access by the Department of English at ValpoScholar. It has been accepted for inclusion in The Lighter by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Via Incensa Issue 62 Volume 2 Editor’s Note for The Lighter Spring 2018 If you’re willing to dive this deep: this book breathes. Feel the reoccurring doubt accompanied by religion— as it should be— floating over pleas for awareness. Our universal ceiling has descended into the pages to mingle with glitter, death, potatoes, and coffee. Loneliness and creativity creep out of homes to whisper a vulnerable “come closer” to nature, to magic, to us, to the elderly flowers taking a final bow. Please follow the crowns of heads pointing to the hopeful seeds sleeping in the spine of The Lighter. Yours in peace and literary love, All submissions remain anonymous throughout the selection process. The Lighter welcomes submissions from all undergraduate, graduate, and law students of Valparaiso University, regardless of race, gender, religious creed, or sexual orientation. The Editor assumes responsibility for the contents of this publication. The views expressed in these works do not represent any official stance of Valparaiso University. -
Festival Brochure
The Festival on One Page Check for updates in each day’s festival newsletter and listen for late-breaking announcements in the gym. tuesday Registration & IJA Table Open (Gym)............................................................................... 9am - 4pm Open Juggling (Gym)................................................................................................................... All Day Workshops (See Workshop Schedule).......................................................................... 10am - 5pm Special Workshop, Stefan Sing............................................................................................ 1pm - 3pm -3-*8):-:0-6>-5-A:$06="8-9-5:):165)33............................................................... 7pm 18- 1/0: 68:0"):16.................................................................................... dusk till about 11pm wednesday 6//315/0)4716590179605)890)33$%8)+2....................................................... 8am - 12pm Open Juggling (Gym)................................................................................................................... All Day Registration & IJA Table Open (Gym)............................................................................... 9am - 4pm Workshops (See Workshop Schedule).......................................................................... 10am - 5pm North American Kendama Open (Auditorium)........................................................ 11am - 12pm Special Workshop, Stefan Sing...........................................................................................