VII Międzynarodowy Konkurs Muzyczny Im. Michała Spisaka The

Total Page:16

File Type:pdf, Size:1020Kb

VII Międzynarodowy Konkurs Muzyczny Im. Michała Spisaka The VII Międzynarodowy Konkurs Muzyczny im. Michała Spisaka Specjalności: skrzypce, altówka, wiolonczela Bazylika NMP Anielskiej w Dąbrowie Górniczej Akademia Muzyczna im. Karola Szymanowskiego w Katowicach 14-23 września 2013 ...myślę stale o Zagłębiu i Dąbrowie Górniczej, bo przecież nie zapomina się nigdy swego rodzinnego miasta (słowa Michała Spisaka z listu do Jana Ziemby) The 7th Michał Spisak International Music Competition Disciplines: violin, viola, cello Basilica of St. Mary of the Angels in Dąbrowa Górnicza Karol Szymanowski Academy of Music in Katowice 14-23 September 2013 ...I constantly think of Zagłębie and Dąbrowa Górnicza, because, after all, you can never forget your hometown (Michał Spisak’s words from a letter to Jan Ziemba) Patronat Honorowy Konkursu The Honour Patronage of the Competition: Bogdan Zdrojewski Minister Kultury i Dziedzictwa Narodowego Minister of Culture and National Heritage Zbigniew Podraza Prezydent Miasta Dąbrowa Górnicza Mayor of Dąbrowa Górnicza prof. Tomasz Miczka Rektor Akademii Muzycznej im. Karola Szymanowskiego w Katowicach Rector of the Karol Szymanowski Academy of Music in Katowice Organizatorzy Konkursu / Organizers of the Competition: Urząd Miejski w Dąbrowie Górniczej City Hall in Dąbrowa Górnicza www.idabrowa.pl, www.spisak.idabrowa.pl Akademia Muzyczna im. Karola Szymanowskiego w Katowicach Karol Szymanowski Academy of Music in Katowice www.am.katowice.pl Pałac Kultury Zagłębia w Dąbrowie Górniczej Zagłębie Palace of Culture in Dąbrowa Górnicza www.palac.art.pl Marcin Bazylak Pełnomocnik Prezydenta Miasta / Plenipotentiary of the City Mayor Przewodniczący Komitetu Organizacyjnego Konkursu / Chairman of the Organizing Committee of the Competition prof. Zygmunt Tlatlik Dyrektor Artystyczny Konkursu / Artistic Director of the Competition prof. Paweł Głombik Przewodniczący Jury / Chairman of the Jury adt Damian Walentek Sekretarz Konkursu oraz Sekretarz Jury / Secretary of the Competition and Secretary of the Jury Małgorzata Majewska Dyrektor Pałacu Kultury Zagłębia w Dąbrowie Górniczej Director of Pałac Kultury Zagłębia in Dąbrowa Górnicza Regina Gowarzewska Rzecznik Prasowy Konkursu / Press spokesperson of the competition Publicysta, komentator muzyczny / Publicist, music commentator Spis treści Patronat Honorowy Konkursu ......................................................................................... 2 Organizatorzy Konkursu ................................................................................................... 2 Słowo wstępne .................................................................................................................... 4 Michał Spisak (1914-1965) ................................................................................................ 6 Dąbrowa Górnicza ...........................................................................................................10 Pałac Kultury Zagłębia .....................................................................................................13 Sinfonia Varsovia ..............................................................................................................15 Soliści .................................................................................................................................18 Orkiestra Symfoniczna Filharmonii Zabrzańskiej .......................................................30 Kalendarium Konkursu ...................................................................................................37 Komitet Honorowy ..........................................................................................................39 Komitet Organizacyjny ....................................................................................................42 Urząd Miejski w Dąbrowie Górniczej Jury Konkursu ...................................................................................................................43 City Hall in Dąbrowa Górnicza Uczestnicy Konkursu .......................................................................................................63 www.idabrowa.pl, www.spisak.idabrowa.pl Regulamin Konkursu .....................................................................................................213 Sponsorzy ........................................................................................................................225 Patronat medialny ..........................................................................................................225 A table of contents Honour Patronage of the Competition ............................................................................ 2 Organizers of the Competition ......................................................................................... 2 Preface .................................................................................................................................. 4 Michał Spisak (1914-1965) ................................................................................................ 6 Dąbrowa Górnicza ...........................................................................................................10 The Zagłębie Palace of Culture .......................................................................................13 Sinfonia Varsovia ..............................................................................................................15 Soloists ...............................................................................................................................18 The Symphony Orchestra of Zabrze Philharmonic .....................................................30 Schedule of the Competition ..........................................................................................37 Honour Committee ..........................................................................................................39 Organizing Committee of the Competition .................................................................42 Jury of the Competition ...................................................................................................43 Competition Participants ................................................................................................63 Competition Rules..........................................................................................................213 Sponsors ...........................................................................................................................225 The media patronage ......................................................................................................225 Szanowni Państwo, Ladies and Gentlemen, To już siódma edycja Międzynarodo- This is already the seventh edition of wego Konkurs Muzycznego poświęco- the International Music Competition na wybitnemu polskiemu kompozytoro- dedicated to an outstanding Polish com- wi wywodzącemu się z naszego miasta. poser coming from our city. Michał Spi- Michał Spisak był bardzo ambitnym sak was a very ambitious and talented i utalentowanym człowiekiem. Mimo man. He achieved great success despite wielu problemów zdrowotnych osiągnął many health problems. It was the sup- wielki sukces. Pomogło mu wsparcie bli- port of his loved ones and his great de- skich i jego wielka determinacja. Udo- termination that helped him. He proved wodnił, że talent poparty ciężką pra- that talent backed by hard work bring the cą wynosi na szczyty. Jego sukces miał best results. His success had an interna- wymiar międzynarodowy. Organizu- tional range. Organising this competition jąc ten konkurs chcemy uczcić pamięć we would like to commemorate and pay i oddać hołd wielkiemu talen- tribute to the composer’s great talent. In towi kompozytora. Stwarza- addition, we offer young people an op- my także młodym ludziom okazję portunity to display their skills and to do prezentowania swych umiejętności i meet another artistic challenge. podejmowania kolejnych artystycznych wyzwań. Years ago, when we decided to expand the range of the competition, we did not Przed laty, gdy postanowiliśmy rozsze- expect that Dąbrowa Górnicza would be rzyć zasięg konkursu nie spodziewaliśmy visited by young people from the whole się, że do Dąbrowy Górniczej będą przy- world. This is wonderful that this year’s jeżdżać młodzi ludzie z całego świata. To competitors include brilliant musicians wspaniałe, że wśród tegorocznych uczest- not only from Poland but also from Chi- ników mamy znakomitych muzyków nie na, Korea, Ukraine, Russia, the USA, tylko z Polski ale z Chin, Korei, Ukrainy, Germany, Great Britain or Holland. For Rosji, USA, Niemiec, Wielkiej Brytanii many of them, participation in our com- czy Holandii. Dla wielu z nich udział w petition may become an onset of a fantas- naszym konkursie może być początkiem tic career, others already have many suc- pięknej kariery, inni na swym koncie cesses to their credit. This will be great mają już spore sukcesy. Wielką przyjem- pleasure to watch their artistic rivalry. nością będzie możliwość uczestniczenia w ich artystycznych zmaganiach. I invite all music lovers to Bazylika NMP (Basilica of the Holy Virgin Mary) Wszystkich miłośników muzy- in Dąbrowa Górnicza for an Inaugural ki zapraszam do dąbrowskiej bazy- Concert and Laureates’ Concert finish- liki NMP na Koncert Inauguracyjny ing the music rivalry when the best musi- i wieńczący muzyczne zmagania Koncert cians of this year edition are to be known. Laureatów, kiedy to poznamy najlepszych Both concerts, as well as auditions taking muzyków tegorocznej
Recommended publications
  • Sounds of War and Peace: Soundscapes of European Cities in 1945
    10 This book vividly evokes for the reader the sound world of a number of Eu- Renata Tańczuk / Sławomir Wieczorek (eds.) ropean cities in the last year of the Second World War. It allows the reader to “hear” elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experi- ences of violence, threats and death. Exploiting to the full methodologies and research tools developed in the fields of sound and soundscape studies, the Sounds of War and Peace authors analyse their reflections on autobiographical texts and art. The studies demonstrate the role urban sounds played in the inhabitants’ forging a sense of 1945 Soundscapes of European Cities in 1945 identity as they adapted to new living conditions. The chapters also shed light on the ideological forces at work in the creation of urban sound space. Sounds of War and Peace. War Sounds of Soundscapes of European Cities in Volume 10 Eastern European Studies in Musicology Edited by Maciej Gołąb Renata Tańczuk is a professor of Cultural Studies at the University of Wrocław, Poland. Sławomir Wieczorek is a faculty member of the Institute of Musicology at the University of Wrocław, Poland. Renata Tańczuk / Sławomir Wieczorek (eds.) · Wieczorek / Sławomir Tańczuk Renata ISBN 978-3-631-75336-1 EESM 10_275336_Wieczorek_SG_A5HC globalL.indd 1 16.04.18 14:11 10 This book vividly evokes for the reader the sound world of a number of Eu- Renata Tańczuk / Sławomir Wieczorek (eds.) ropean cities in the last year of the Second World War. It allows the reader to “hear” elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experi- ences of violence, threats and death.
    [Show full text]
  • Maciej Fra˛Ckiewicz Accordion «
    MACIEJ FRA˛CKIEWICZ ACCORDION « »WAM-IATIONEN. MOZART WAM-IATIONEN. MOZART MACIEJ FRA˛CKIEWICZ Wolfgang Amadeus Mozart (1756–1791) [01] Adagio und Rondo KV 617 . 11:08 [02] Fantasie KV 608 . 08:45 [03] Adagio und Allegro KV 594. 09:07 [04] Andante KV 616. 07:03 [05] 12 Variationen über „Ah, vous dirais-je, Maman” ....................... 11:37 [06] Adagio KV 356 . .. 04:23 Piotr Tabakiernik (*1986) [07] WAM-iationen**. 13:17 total . .. 65:51 Maciej Fra˛ckiewicz Accordion Łukasz Długosz Flute ∙ Sebastian Aleksandrowicz Oboe ∙ Katarzyna Budnik-Gała˛zka Viola ∙ Marcin Zdunik Violoncello ∙ Grzegorz Stopa Accordion ** Ersteinspielung/world premiere recording MACIEJ FRA˛ CKIEWICZ Maciej Fra˛ckiewicz (*1988 Białystok, Polen) studierte von Als Solist spielte Fra˛ckiewicz u.a. mit den Warschauer Philharmonikern, 2007 bis 2012 an der Fryderyk Chopin Musikuniversität in dem Nationalen Polnischen Rundfunk-Sinfonieorchester Kattowitz, dem Warschau bei Klaudiusz Baran und legte dort die Bachelor- und Polnischen Rundfunk-Sinfonieorchester Warschau, den Bochumer Sym- Masterprüfungen im Fach Akkordeon ab. Während eines Eras- phonikern, dem Philharmonischen Staatsorchester Mainz, dem Beetho- mus-Aufenthaltes 2011/12 an der Escola Superior de Música de ven Orchester Bonn unter Leitung von u.a. José Maria Florêncio, Jacek Catalunya in Barcelona studierte er bei Iñaki Alberdi. Im Anschluss Kaspszyk, Krzysztof Urbanski, Lukas Vis, Marek Mos, Benjamin Schwartz, machte er sein Konzertexamen bei Grzegorz Stopa an der Hoch- Herman Bäumer, Rasmus Baumann, Bassem Akiki und Renato Rivolta. schule für Musik in Detmold und absolvierte von 2016 bis 2018 den Mit Rezitals war er bisher zu Gast z.B. bei Folefest in Lissabon, den Let- Exzellenzstudiengang Konzertexamen an der Folkwang Universität tischen Neue Musik Tagen in Riga, dem Moskauer Herbst, bei Neue Hori- der Künste in Essen bei Mie Miki.
    [Show full text]
  • LUCAS LECHOWSKI (+1) 443 722 2723 Composer / Violinist / Guitarist [email protected]
    LUCAS LECHOWSKI (+1) 443 722 2723 Composer / Violinist / Guitarist [email protected] www.lucaslechowski.com Featured Projects / Credits: ‘Cedar & Vine ‐ Initiation Dialogue’ 2011 Composer, Violinist Collaborative project with the Eurythmist Gail Langstroth ‘A Sense of Water’ 2011 Composer Short Documentary Movie about the photographer Connie Imboden (produced by Buzz LLC.) ‘Good Fellas of Baltimore’ 2011 Composer TV Series, Fox 45 (dir. André Robinson) ‘Sketches from Virtual Spaces’ 2011 Composer, Coauthor Multimedia project exploring the virtual architecture and the sounds of cyberspace ‘Heist’ 2011 Composer Short Movie, (dir. Justin Hartough) ‘Invitation to Migration’ 2011 Composer Interactive Art Installation (with Ran Zeimer ands Edna Kurtz Emmet) ‘Fear of Flying Flight School’ 2011 Composer Short Movie, Zany Zone Productions (dir. Marlene Zechman and Erik K. Myers) ‘The Belle of Baltimore’ 2011 Composer TV Series Pilot, Absolute Independent Pictures, (dir. Jeanie Clark) ‘Looking for the Pony’ 2010 Composer Play by Andrea Lepcio, Venus Theatre (dir. Catherine Tripp) ‘Mechanical Ballet' 2007 Composer, Performer Ferdinand Leger’s ‘Mechanical Ballet’, Skoczów Film Festival ‘Marzenia sie nie spelniają’ 2007 Composer Comedy, Datura Studios, (dir. Leszek Buzderewicz, Magdalena Duszczyk) Lucas Lechowski 1 ‘Ja w Podroży’, songs by Agnieszka Osiecka 2007 Arranger, Performer Musical, Polish Theatre (dir. by Rafal Sawicki) ‘Futurological Congress’ 2007 Composer Multimedia Monodrama based on the Futurological Congress By Stanislaw Lem (dir by Rafal Sawicki) ‘Hello’ 2004 ‐ 2007 Composer, Performer Multimedia experimental project improvisation of music and images Proclaimed by the critics as a ‘great debut’ on the young Polish jazz scene. ‘Number 0’ 2006 Composer, Performer Original songs recorded and performed experimentally with the use of samplers Musical ‘Szczesliwi Ludzie’ 2007 Performer Dir.
    [Show full text]
  • Interpreting Tempo and Rubato in Chopin's Music
    Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings.
    [Show full text]
  • Opus Ext Work Label Number Disc Ensemble
    Opus ext Work Label Number Disc Ensemble Conductor Soloist(s) Recorded Format Issued 1 String Trio Orion ORS 75191 19 Endre Granat, v; Leonard Pennario, 1973 LP 1973 p; Nathaniel Rosen, c 1 String Trio Cambria CD-1034 40 Endre Granat, v; Leonard Pennario, 1973 CD 1988 p; Nathaniel Rosen, c 1 String Trio Naxos 8.572903 116 Tippett Quartet November CD 2013 22-24, 2011 2 Piano Quintet Orion ORS 75191 19 Endre Granat & Sheldon Sanov, v; 1973 LP 1973 Milton Thomas, vl; Nathaniel Rosen, c; Leonard Pennario, p 2 Piano Quintet Cambria CD-1034 40 Endre Granat & Sheldon Sanov, v; 1973 CD 1988 Milton Thomas, vl; Leonard Pennario, p; Nathaniel Rosen, c 3 Rhapsody for Cello Laurel LR-842CD 38 Parry Karp, c; Howard Karp, p 1988 CD 1988 3 Rhapsody for Cello Naxos 8.572285 107 Budapest Mariusz Smolij Mark Kosower, c September CD 2010 Concert 12-14, 2009 Orchestra MÁV 4 a Variations on a Westminster XWN 18805/ 11 Vienna State Miklós Rózsa Denes Zsigmondy, v 1959 LP 1959 Hungarian Peasant WST 14035 Opera O Song 4 a Variations on a Westminster WG-8353 23 Vienna State Miklós Rózsa Denes Zsigmondy, v 1959 LP 1977 Hungarian Peasant Gold Opera O Song 4 a Variations on a ReDiscovery RD135 92 Vienna State Miklós Rózsa Denes Zsigmondy, v 1959 CD 2008 Hungarian Peasant Opera O Song 4 a Variations on a Chandos CHAN 108 BBC Philarmonic Rumon Gamba Jennifer Pike, v June 16-17, CD 2011 Hungarian Peasant 10674 2009 Song 4 Variations on a Orion ORS 73127 17 Endre Granat, v; Ervin Herbst, p 1973 LP 1973 Hungarian Peasant Song 4 Variations on a Ember (UK) ECL 9043 22 Endre
    [Show full text]
  • Biografia Olejniczak
    JANUSZ OLEJNICZAK Nato a Breslavia, ha studiato a Varsavia e Łódź con Luiza Walewska, Ryszard Bakst e Zbigniew Drzewieck, poi a Parigi e in Svizzera con Witold Małcużyński. Si è diplomato alla High School of Music di Varsavianel 1974 nel corso di Barbara Hesse-Bukowska, e ha continuato gli studi con Victor Merzhanov a Varsavia e Paul Badura-Skoda a Essen (1977-78). Fu il più giovane vincitore premiato all’ottavo International Fryderyk Chopin Piano Competition nel 1970; venne inoltre premiato al Concorso internazionale Alfredo Casella a Napoli. Janusz Olejniczak ha suonato nelle più importanti sale concerto di Europa, delle Americhe, di Asia e Australia, tra cui la Filarmonica di Berlino, il Teatro Colón di Buenos Aires, la Salle Pleyel di Parigi, la Suntory Hall di Tokyo, il Lincoln Center di Washington, la Tonhalle di Düsseldorf, il Concertgebouw di Amsterdam. Per quattro anni ha insegnato alla Music Academy di Cracovia. Ha anche fatto parte di numerose giurie nelle competizioni di piano, e ha presieduto corsi di perfezionamento in Canada, Giappone, Colombia, e all’Accademia Mozart di Salisburgo. Il suo repertorio è centrato sull’opera di Chopin, Bach, Schubert, Schumann e Liszt. È famoso anche per le sue interpretazioni delle opere del ventesimo secolo, tra cui Debussy, Ravel (Concerto in G), Prokofiev, Messiaen, Henryk Mikołaj Górecki, Wojciech Kilar, e Witold Lutosławski. È un appassionato di musica da camera, e sono note le sue apparizioni in orchestre dirette da Witold Rowicki, Andrzej Markowski, Kazimierz Kord, Antoni Wit, Jerzy Maksymiuk, Tadeusz Strugała, Charles Dutoit, Andrzej Borejko, Grzegorz Nowak, Jacek Kaspszyk, Marek Pijarowski, Marek Moś e molti altri.
    [Show full text]
  • Symphony and Symphonic Thinking in Polish Music After 1956 Beata
    Symphony and symphonic thinking in Polish music after 1956 Beata Boleslawska-Lewandowska UMI Number: U584419 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584419 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Declaration This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signedf.............................................................................. (candidate) fa u e 2 o o f Date: Statement 1 This thesis is the result of my own investigations, except where otherwise stated. Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed:.*............................................................................. (candidate) 23> Date: Statement 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed: ............................................................................. (candidate) J S liiwc Date:................................................................................. ABSTRACT This thesis aims to contribute to the exploration and understanding of the development of the symphony and symphonic thinking in Polish music in the second half of the twentieth century.
    [Show full text]
  • Yoshiko Hirata
    Program About the Performers Polonaise in A-flat Major, Op. 53 Tomasz Robak Tomasz Robak “Heroique” Polish-American pianist Tomasz Robak began playing Nick-named the “Heroic Polonaise” and sometimes referred to as the the piano at age six. Currently, Mr. Robak is pursuing a “Drum Polonaise,” this piece is one of Chopin’s most popular works. Bachelor of Music in Piano Performance degree at The majestic composition takes advantage of the piano’s wide range of Rice University’s Shepherd School of Music, studying notes, and the tempos vary from free, sweeping melodies to rapid under Dr. Robert Roux. Mr. Robak is a graduate of scales. Whitney M. Young Magnet High School and the Merit School of Music in Chicago. During his high school Scherzo No. 1 in B minor, Op. 20 years, Mr. Robak was a laureate of local (CPS) and A dark, dramatic composition, this piece begins at a lightning-quick state (NFSHSA) piano competitions. One of his most important teachers pace. A slower middle section in B Major is followed by a virtuosic in recent years was Abraham Stokman from the Music Institute of ending including ten-note chords and arpeggiated flights spanning Chicago, who led him through a very successful college audition season. nearly the entire keyboard. In early 2008, Mr. Robak was featured on Chicago’s 98.7 WFMT program “Introductions” where his performance of a work of Chopin has been Polonaise-Fantasie, Op. 61 Mio Nakamura rebroadcast on several occasions. He has performed at various venues including Duncan Recital Hall at Rice University, Lilly Hall at the This work opens with a polonaise-style section boasting complex University of Indianapolis, Nichols Hall in Evanston, Merit School of harmonies and many key changes.
    [Show full text]
  • Cracovia Cantans
    8th INTERNATIONAL KRAKOW CHOIR FESTI VAL Cracovia Cantans VIII Krakowski Międzynarodowy Festiwal Chóralny „Cracovia Cantans” Kraków, 08–11.06.2017 www.krakowchoirfestival.pl Jury Włoszech, Japonii, Korei, Norwegii, Hiszpanii, France, Germany, Japan, USA, United Kingdom przewodniczący / the head of the jury Szwecji, Tajwanie, USA i Wenezueli. Zaproszony and Sweden. Takes part as a jury in composition Warszawa, Polska / Warsaw, Poland Prof. Romuald Twardowski na IV Światowym Sympozjum Muzyki Chóralnej and interpretation competitions for choirs, in Kompozytor i pedagog; Composer and lecturer born in Vilnius. He studied w Sydney, Australia (sierpień 1996 r.) Javier Busto Arezzo, Rimini and Nuoro­Cerdeña (Italy), Antalya ur. 17 czerwca 1930 piano and composition in Julius Juzeliunas’ class at otrzymał Złotą Odznakę w swoim rodzinnym mieście, (Turkey), Baden (Österreich), Debrecen (Hungary), roku w Wilnie. Studia State Academy of Music of Lithuanian SRR in Vilnius. Donostia­san Sebastián (1999), oraz w 2012 roku Ejea de los Caballeros (Spain), Hamar (Norway), Las kompozytorskie ukończył His composing studies he continued in Warsaw nagrodę Orfeón Donostiarra & University of the Palmas de G.C. (Spain), Maasmechelem (Belgium), w roku 1960 w Pań­ Academy of Music in years in Bolesław Woytowicz Basque Country. Maribor (Slovenia), Mérida (Venezuela), Montserrat stwowej Wyższej Szkole class. In year 1963 and 1966 he studied Gregorian Born in Hondarribia (Basque Country­spain) in (Catalunya­spain), Neerpelt (Belgium), Riga (Latvia), Muzycznej w Warszawie chant and medieval polyphony in Nadia Boulanger 1949. Graduated in Medicine by the University of Split (Croatia), Takarazuka (Japan), Tours (France), u Bolesława Woytowicza. class in Paris. He is a laureate of many prizes and Valladolid.
    [Show full text]
  • Muzyka W Natolinie
    Muzyka w Natolinie Uroczysty koncert z okazji Narodowego Święta Niepodległości JANUSZ WAWROWSKI SKRZYPCE GRZEGORZ SKROBIŃSKI FORTEPIAN Profesor Irena Protasewicz Prowadzenie koncertu 14 listopada 2017 JANUSZ WAWROWSKI PROGRAM SKRZYPCE Wirtuoz skrzypiec, laureat Fryderyka 2017 za album solowy Sequenza i jedyny polski skrzypek z wieloletnim kontraktem płytowym z prestiżową Grażyna Bacewicz wytwórnią Warner Classics. Zaledwie kilka dni temu ukazała się jego najnowsza nagrana ze Stuttgarter Philharmoniker pod dyrekcją Daniela II Sonata na skrzypce solo (1958 r.) Raiskina. Album Brillante zawiera II Koncert skrzypcowy Henryka Adagio Wieniawskiego oraz Fantazję szkocką Brucha i wydany został nakładem Warner Classics. Presto Występował z większością polskich orkiestr, zaś za granicą prezentował się między innymi w Filharmonii Berlińskiej, Konserwatorium im. Piotra Czajkowskiego w Moskwie, wiedeńskim Musikverein, Concertgebouw w Rotterdamie, Stuttgarter Philharmoniker oraz w Litewskiej Filharmonii Narodowej. Występował pod batutą między innymi Conrada van Alphena, Ignacy Jan Paderewski Łukasza Borowicza, Gabriela Chmury, Jacka Kaspszyka, Jerzego Maksymiuka, Mykoly Diadiury, Douglasa Bostocka, Tomáša Netopila, Sonata a-moll op. 13 na skrzypce i fortepian Agnieszki Duczmal, Juozasa Domarkasa, Daniela Raiskina oraz Allegro con fantasia Antoniego Wita. Oprócz płyt Brillante (2017) i Sequenza (2016), nakładem Warner Intermezzo - Andantino Classics ukazał się także nominowany do Fryderyków album skrzypka Aurora (2014). Finale - Allegro molto quasi
    [Show full text]
  • CUL Keller Archive Catalogue
    HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles.
    [Show full text]
  • AUGUST 2013 LIST BLU-RAY NEW RELEASES Other Special Offers Still Available…
    tel 0115 982 7500 fax 0115 982 7020 AUGUST 2013 LIST See inside for valid dates Dear Customer Times are tough in many businesses at the moment, and this has been reflected in the record industry recently with the demise of some large distributors around the world. Harmonia Mundi’s Spanish arm and Qualiton in the US are two names that have sadly folded, but it is the loss of Codaex in Europe that has now affected the UK market due to the knock on consequences to Codaex UK. Although technically a separate company, several labels unfortunately became nervous and ‘jumped ship’, meaning that they had to take the difficult decision to cease trading in mid-July. Codaex UK have long supplied many independent labels including Haenssler, MDG and Pentatone, plus most of the popular historical labels such as Archipel, Andromeda, Gala, Myto, Preiser and Australian Eloquence. They provided us with excellent service over the years and will be sorely missed. Some of these labels already have new arrangements in place, and we hope that the rest will follow very soon. Watch this space... On a brighter note, we have managed to find plenty of special offers to present you with this month! See our Chandos Sale on pp.7-9, great reductions on Karajan recordings on p.10, plus much more from labels such as Orfeo, Audite, Naxos, Decca and DG. New releases are a little slim on the ground, but Harmonia Mundi certainly aren’t holding back, releasing brand new discs from both Isabelle Faust and Stile Antico - both can be found on p.2.
    [Show full text]