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LUCAS LECHOWSKI (+1) 443 722 2723 Composer / Violinist / Guitarist [email protected]
LUCAS LECHOWSKI (+1) 443 722 2723 Composer / Violinist / Guitarist [email protected] www.lucaslechowski.com Featured Projects / Credits: ‘Cedar & Vine ‐ Initiation Dialogue’ 2011 Composer, Violinist Collaborative project with the Eurythmist Gail Langstroth ‘A Sense of Water’ 2011 Composer Short Documentary Movie about the photographer Connie Imboden (produced by Buzz LLC.) ‘Good Fellas of Baltimore’ 2011 Composer TV Series, Fox 45 (dir. André Robinson) ‘Sketches from Virtual Spaces’ 2011 Composer, Coauthor Multimedia project exploring the virtual architecture and the sounds of cyberspace ‘Heist’ 2011 Composer Short Movie, (dir. Justin Hartough) ‘Invitation to Migration’ 2011 Composer Interactive Art Installation (with Ran Zeimer ands Edna Kurtz Emmet) ‘Fear of Flying Flight School’ 2011 Composer Short Movie, Zany Zone Productions (dir. Marlene Zechman and Erik K. Myers) ‘The Belle of Baltimore’ 2011 Composer TV Series Pilot, Absolute Independent Pictures, (dir. Jeanie Clark) ‘Looking for the Pony’ 2010 Composer Play by Andrea Lepcio, Venus Theatre (dir. Catherine Tripp) ‘Mechanical Ballet' 2007 Composer, Performer Ferdinand Leger’s ‘Mechanical Ballet’, Skoczów Film Festival ‘Marzenia sie nie spelniają’ 2007 Composer Comedy, Datura Studios, (dir. Leszek Buzderewicz, Magdalena Duszczyk) Lucas Lechowski 1 ‘Ja w Podroży’, songs by Agnieszka Osiecka 2007 Arranger, Performer Musical, Polish Theatre (dir. by Rafal Sawicki) ‘Futurological Congress’ 2007 Composer Multimedia Monodrama based on the Futurological Congress By Stanislaw Lem (dir by Rafal Sawicki) ‘Hello’ 2004 ‐ 2007 Composer, Performer Multimedia experimental project improvisation of music and images Proclaimed by the critics as a ‘great debut’ on the young Polish jazz scene. ‘Number 0’ 2006 Composer, Performer Original songs recorded and performed experimentally with the use of samplers Musical ‘Szczesliwi Ludzie’ 2007 Performer Dir. -
Uniwersytet Muzyczny Fryderyka Chopina
UNIWERSYTET MUZYCZNY FRYDERYKA CHOPINA JM Rektor prof. zw. Ryszard Zimak Prorektor ds. artystycznych prof. nadzw. Klaudiusz Baran Środa na Okólniku ff Roman Lasocki skrzypce Kamila Wąsik-Janiak skrzypce Bartosz Bednarczyk fortepian Małgorzata Wasiucionek skrzypce Szymon Krzeszowiec skrzypce Piotr Sałajczyk fortepian Izabella Szałaj- Zimak skrzypce Robert Morawski fortepian Sala Koncertowa, Warszawa, ul. Okólnik 2 9 marca 2016, środa, godz. 1900 Program WITOLD RUDZIŃSKI (1913–2004) Ricercar sopra “Roman Lasocki” (1981) na skrzypce solo (opr. Roman Lasocki) ROMAN LASOCKI skrzypce ROBERT SCHUMANN (1810–1856) I Sonata a-moll op. 105 (1851) na skrzpce i fortepian I. Mit leidenschaftlichem Ausdruck II. Allegretto III. Lebhaft MAURICE RAVEL (1875–1937) Tzigane M. 76 (1922–1924) w oryginalnej wersji na skrzypce i fortepian KAMILA WĄSIK-JANIAK skrzypce BARTOSZ BEDNARCZYK fortepian KAROL SZYMANOWSKI (1882–1937) Taniec z baletu „Harnasie” (op. 55, 1923–1931) w transkrypcji skrzypcowej Pawła Kochańskiego (1931) IZABELLA SZAŁAJ-ZIMAK skrzypce ROBERT MORAWSKI fortepian Przerwa SIERGIEJ PROKOFIEW (1891–1953) 5 melodii op. 35 bis (1920) na skrzypce i fortepian 1. Andante 2. Lento, ma non troppo 3. Animato, ma non allegro 4. Andantino, un poco scherzando 5. Andante non troppo HENRYK WIENIAWSKI (1835–1880) Fantazja na tematy z opery „Faust” Charles’a Gounoda op. 20 (ok. 1865) na skrzypce i fortepian MAŁGORZATA WASIUCIONEK skrzypce PIOTR SAŁAJCZYK fortepian WITOLD LUTOSŁAWSKI (1913–1994) Partita (1984) w oryginalnej wersji na skrzypce i fortepian 1. Allegro giusto 2. Ad libitum 3. Largo 4. Ad libitum 5. Presto SZYMON KRZESZOWIEC skrzypce PIOTR SAŁAJCZYK fortepian Roman Lasocki Jeden z najwybitniejszych skrzypków polskich swego pokolenia. Studia z wyróżnieniem ukończył w PWSM w Łodzi, w klasie profesora Franciszka Jamrego, a Jego Mistrzami byli później: André Gertler, Henryk Szeryng, Tadeusz Wroński, Stanisław Lewandowski. -
Nordsending Works for String Trio & Duo Nørgårdper Sørensenbent Hellsteniushenrik Saariahokaija Trio Aristos
NORDSENDING WORKS FOR STRING TRIO & DUO NØRGÅRDPER SØRENSENBENT HELLSTENIUSHENRIK SAARIAHOKAIJA TRIO ARISTOS SZYMON KRZESZOWIEC VIOLIN ALEXANDER ØLLGAARD VIOLA JAKOB KULLBERG CELLO SØRENSEN, Bent (b.1958) Gondole for violin, viola and cello (2010) (Wilhelm Hansen) 18'44 1 I. La Gondola che balla il valzer (The Waltzing Gondola) 0'55 2 II. Gondola dei sogni (Gondola in Dreams) 3'43 3 III. La Gondola con il vestito dei fiori (The Gondola with the Flowery Dress) 2'32 4 IV. Gondola dell’amore (Love’s Gondola) 3'30 5 V. Lugubre gondola (Sinister Gondola) 7'53 NØRGÅRD, Per (b.1932) Strings for violin, viola and cello (1992) (Wilhelm Hansen) 14'53 6 I. Moderato 6'15 7 II. Allegro 1'36 8 III. Adagio 2'35 9 IV. Presto 4'21 SAARIAHO, Kaija (b.1952) Cloud Trio for violin, viola and cello (2009) (Chester Music Ltd) 16'39 10 I. Calmo, meditato 2'47 11 II. Sempre dolce ma energico, sempre a tempo 3'41 12 III. Sempre energico 2'58 13 IV. Tranquillo ma sempre molto espressivo 6'55 2 NØRGÅRD, Per Tjampuan ‘Where the Rivers meet’ (Wilhelm Hansen) 11'52 Six Movements for violin and cello (1992) 14 1. Sostenuto, molto affettuoso – attacca – 2'05 15 2. Poco con moto affettuoso 0'37 16 3. Con moto sostenuto – attacca – 1'15 17 4. Più mosso 3'13 18 5. Andantino leggiero, un poco rubato 2'45 19 6. Presto frenético 1'51 HELLSTENIUS, Henrik (b.1963) 20 Rift for violin, viola and cello (2014) (Wilhelm Hansen) 9'20 NØRGÅRD, Per 21 Pastorale from Babette’s Feast (Wilhelm Hansen) 6'16 for violin, viola and cello (1988) Lento TT: 78'49 Trio Aristos Szymon Krzeszowiec violin Alexander Øllgaard viola Jakob Kullberg cello 3 Nordsending Nordsending was the name given by southern Norwegian people of the late Medieval and Early Modern period to magical attacks from the sorcerous sub- Arctic and Arctic. -
CCMA Coleman Competition (1947-2015)
THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
GREGOR PIATIGORSKY Written by S
AN IMPORTANT NOTE FROM Johnstone-Music ABOUT THE MAIN ARTICLE STARTING ON THE FOLLOWING PAGE: We are very pleased for you to have a copy of this article, which you may read, print or save on your computer. You are free to make any number of additional photocopies, for johnstone-music seeks no direct financial gain whatsoever from these articles; however, the name of THE AUTHOR must be clearly attributed if any document is re-produced. If you feel like sending any (hopefully favourable) comment about this, or indeed about the Johnstone-Music web in general, simply vis it the ‘Contact’ section of the site and leave a message with the details - we will be delighted to hear from you ! GREGOR PIATIGORSKY written by S. and S. Applebaum for Celloheaven GREGOR PIATIGORSKY PART A – Biographical Details By Celloheaven One of the pre-eminent string players of the 20th century, Gregor Piatigorsky was born in Ukraine in 1903, and died in Los Angeles in 1976. His international solo career lasted over 40 years, and especially during the 1940's and early 1950's he was the world's premier touring cello virtuoso -- Casals was in retirement, Feuermann had died, and the three artists who were to succeed Piatigorsky (Starker, Rose, and Rostropovich) were still in their formative stages. His one true peer, Fournier, was limited in his travelling abilities by polio. Thus, Piatigorsky had the limelight almost to himself. He was gregarious, loved to travel and perform anywhere, and he hobnobbed as easily with farmers in small towns as he did with Toscanini, Stravinsky, Rubenstein, and Schoenberg. -
A Great Wave in the Evolution of the Modern Cellist: Diran Alexanian and Maurice Eisenberg, Two Master Cello Pedagogues from the Legacy of Pablo Casals
A GREAT WAVE IN THE EVOLUTION OF THE MODERN CELLIST: DIRAN ALEXANIAN AND MAURICE EISENBERG, TWO MASTER CELLO PEDAGOGUES FROM THE LEGACY OF PABLO CASALS by Oskar Falta B.Mus., Robert Schumann Hochschule, 2014 M.Mus., Royal Academy of Music, 2016 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Orchestral Instrument) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) November 2019 © Oskar Falta, 2019 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: A Great Wave in the Evolution of the Modern Cellist: Diran Alexanian and Maurice Eisenberg, Two Master Cello Pedagogues from the Legacy of Pablo Casals submitted by Oskar Falta in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Orchestral Instrument Examining Committee: Eric Wilson, Music Co-supervisor Claudio Vellutini, Music Co-supervisor Michael Zeitlin, English Languages and Literatures University Examiner Corey Hamm, Music University Examiner Jasper Wood, Music Supervisory Committee Member ii Abstract Pablo Casals (1876-1973) ranks amongst the most influential figures in the history of the violoncello. Casals never held a permanent teaching position, neither did he commit his teaching philosophy to paper. This thesis examines three selected aspects of expressive tools: intonation, vibrato, and portamento – as interpreted by Casals – and defines how they are reflected in methods of two cellists with first-hand access to Casals's knowledge: Diran Alexanian (1881-1954) and Maurice Eisenberg (1900-1972). The first chapter presents two extensive biographical accounts of these authors. -
AM Jascha Heiftez Film Interviewees FINAL
Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #AmericanMasters American Masters Jascha Heifetz: God’s Fiddler Premieres nationwide Thursday, April 16 at 8 p.m. and Friday, April 17 at 9 p.m. on PBS (check local listings) Film Interviewees (in order of appearance) Ivry Gitlis , Israeli violinist, UNESCO Goodwill Ambassador Itzhak Perlman , child prodigy violinist Arthur Vered , Heifetz biographer John Anthony Maltese , Heifetz biographer, Albert Berry Saye Professor and head of the department of political science, University of Georgia Ayke Agus , child prodigy violinist and pianist, Heifetz’ student, accompanist and longtime companion Saulius Sondeckis , Lithuanian violinist Galina Kopytova , Author, Jascha Heifetz: Early Years in Russia Sergei Stadler , Russian violinist Nathaniel Rosen , American cellist, former faculty member at the USC Thornton School of Music and the Manhattan School of Music Ida Haendel , Polish child prodigy violinist Seymour Lipkin , concert pianist, piano and chamber music faculty member of The Curtis Institute of Music and The Juilliard School, Artistic Director of The Kneisel Hall Chamber Music Festival and School in Blue Hill, Maine Marvin Gross , Heifetz’s lawyer for the 40+ years Heifetz lived -
Carmel Music Society
Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna -
Academy of Music It
5., 0132,7 BROOKLYN ACADEMY OF MUSIC IT BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L Fisher, Leonard Garment, Elisabeth Gotbaum, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti. OFFICERS Harvey Lichtenstein President and Chief Executive Officer Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development ADMINISTRATIVE OFFICE STAFF Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager 1 David Perry Mail Clerk FINANCE Perry Singer Accountant Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Marketing Coordinator SAM Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press II Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative 11 Diana Robinson Press Assistant Tom Caravaglia House Photographer PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro -
Quartet for the End of Time
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Quartet for the End of Time ROBERT McDUFFIE, Violinist NATHANIEL ROSEN, Cellist GERVASE DE PEYER, Clarinetist SANTIAGO RODRIGUEZ, Pianist TUESDAY EVENING, NOVEMBER 29, 1988, AT 8:00 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN Olivier Messiaen 80th Birthday Celebration Sonata for Violin and Cello ......................................... RAVEL Allegro Trcs vif Lent Vif, avec entrain "Contrasts" for Violin, Clarinet, and Piano ......................... BARTOK Verbunkos (Recruiting Dance) Pihend (Relaxation) Sebes (Fast Dance) INTERMISSION Quartet for the End of Time .................................... MESSIAEN Liturgie de cristal; bien modere, en poudroiment harmonieux Vocalise, pour 1'ange qui annonce la fin du temps; robuste, modere Abime des oiseaux; lent, expressif et triste Intermede; decide, modere, un peu vif Louange a 1'Eternite de Jesus; infiniment lent, extatique Danse de la fureur, pour les sept trompettes; decide, vigoureux, granitique, un peu vif Fouillis D'arcs-en-ciel, pour 1'ange qui annonce la fin du temps; revenur, presque lent Louange a rimmortalite de Jesus; extremement, lent et tendre, extatique The Quartet for the End of Time appears by arrangement with Jonathan Wentworth Associates, Ltd. Robert McDuffte is represented by Columbia Artists Management, Inc. Gervase de Peyer is represented by Jonathan Wentworth Associates, Ltd. Santiago Rodriguez and Nathaniel Rosen are represtnted by Shaw Concerts. Cameras and recording devices are not allowed in the auditorium. Halls Cough Tablets, courtesy of Warner-Lambert Company, are available in the lobby. Twelfth Concert of the 110th Season Twenty-sixth Annual Chamber Arts Series PROGRAM NOTES Sonata for Violin and Cello ................................ MAURICE RAVEL (1875-1937) Perhaps Mozart's two magnificent Duo Sonatas for Violin and Viola were among the stimuli for Ravel's Sonata for Violin and Cello (also originally entitled Duo). -
Niklas Sivelöv Pianist & Composer
Niklas Sivelöv Pianist & Composer Niklas Sivelöv has around 50 piano concertos in his repertory. 5 of those are his own compositions. Collaborated with: Paavo Berglund, Jukka-Pekka Saraste, Esa-Pekka Salonen, Okko Kamu, Janos Fürst, Kazufumi Yamashita Kristjan Järvi, Sakari Oramo, Thomas Dausgaard, Jorma Panula, Alan Gilbert, Andrew Grams, Mario Venzago Markus Lethinen, Niklas Willén, Leif Segerstam, Kees Bakels, Sachio Fujioka, Eivind Aadland, Petter Sundqvist Giancarlo Andretta, Horia Andrescu, Ovidiu Balan, Mats Rondin, Yan Wang, Mika Eichenholz, Florian Totan Eric Ericsson, Garry Walker, Grzegorz Nowak, Simon Gaudenz. a.o With orchestras such as: Stockholm Radio Symphony Orchestra, Royal Stockholm Philarmonic Orchestra, Gothenburg Symphony Orchestra, Danish National Symphony Orchestra, Copenhagen Philarmonic MDR Orchestra Leipzig, Orchestre de la Suisse Romande, Rheinische Filarmonie Koblenz, Winterthur Stadtsorkester, Prague Radio Symphony Orchestra Helsingborg Symphonic Orchestra, Malmö Sympony Orchestra, Bukarest Philarmonic Orchestra Tonhalle Orkester Zurich Orkester Norden, Estonian National Symphony Orchestra, Turku Philarmonic Orchestra, Norrbottens Chamber Orchestra Swedish Chamber Orchestra, Sundsvall Chamber Orchestra, Aarhus Symphonic Orchestra, Banatul Philarmonic of Timisoara, Västerås Sinfonietta, Norrlandsoperan Symphony Orchestra Constanta Symphony Orchestra, Osnabrück Symphony Orchestra, Odense Symphony Orchestra, South Denmark Philarmonic, Neubrandenburger Philarmonie a.o Collaborates with musicians such as: Leonid