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Edinburgh Festival News Snippets 2012-2013
Home Festival History News Pre-Festival Stuff Festival Time Newbie? Witterings Links Site Map News Snippets - August 2012 to August 2013 2011-2012 | 2010- 2011 | 2009-2010 Edinburgh International Festival 2013 statistics posted September 2nd, 2013. updated September 3rd, 2013. Edinburghguide.com provides the released figures for the 2013 festival. In essence, the number of tickets issued rose from 141,544 in 2012 to 158,500 this year. However, box office income was down from £2.83m in 2012 to £2.43m. It is claimed that a greater number of free and discounted tickets account for these changes. The EIF states that 80% of all tickets were "sold" with 48% of performances being sold out. A later article appeared in The Stage. Venue news from Summerhall, Assembly Roxy & Traverse posted August 30th, 2013. The Herald has been reporting over the last couple of days that the company which runs the Summerhall venue is currently being pursued by HMRC for unpaid income tax and VAT amounting to around £200K. Thom Dibdin mentions that Assembly Roxy is to receive a grant of £30K from Creative Scotland to help it to turn the venue into a permanent 200 seater theatre. He also relays the statement made by Orla O'Loughlin on the BBC's programme to celebrate 50 years of the Traverse that they are considering a new home. The programme can be found on the BBC's iPlayer. Edinburgh Festival Fringe 2013 statistics posted August 27th, 2013. The 2013 Edinburgh Festival Fringe finished yesterday. As has become traditional the Fringe Society published this year's statistics part way through the final day. -
In-Focus Report on the Main Five Broadcasters
Diversity and equal opportunities in television In-focus report on the main five broadcasters Publication Date: 27 September 2018 Contents Section 1. Introduction 1 2. How diverse is the BBC Public Television Service? 3 3. How diverse is Channel 4? 15 4. How diverse is ITV? 27 5. How diverse is Sky? 39 6. How diverse is Viacom? 51 7. Social Mobility – Recommendations from the Bridge Group 60 Annex A1. Guidance from the Bridge Group 62 Diversity and equal opportunities in television: In-focus report on the main five broadcasters 1. Introduction 1.1 This In-focus report provides more in-depth analysis across each of the main five broadcasters1 and should be read in conjunction with the main report. 1.2 Each section gives an overview of the six protected characteristics for which we collected data, showing profiles for all UK employees across each broadcaster. The top row (purple) shows profiles for gender, racial group and disability, for which data provision was mandatory. The bottom row (blue) shows profiles for age, sexual orientation and religion or belief, for which provision was voluntary. 1.3 Though broadcasters were not required to provide the information requested on a voluntary basis, we consider these to be equally important characteristics that should be monitored to effectively assess how well equal opportunities are being promoted across the industry. We made it clear in our information request that, to provide context and transparency, we would be publishing information on who did and didn’t provide the data requested. 1.4 -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Coffeeville Edits
Christopher Welsh 1005 Inland Lane McKinney, TX 75070 (approximately 14,700 words) 407-574-3423 [email protected] Coffeyville By C.E.L. Welsh Harry slowed his breathing. Across from him, no more than twenty 20 paces away, a man aimed a gun at his heart and meant to fire. Harry wanted to keep his eyes on the gun barrel, that dot of empty blackness that would spit out a metal slug with his name on it, but he knew he should be watching the man's shoulders, his chest, his stomach; —all key areas where a man might tense, moments before he pulled the trigger. He should, but he couldn't. Harry watched none of these areas. Instead, he fixed on the gunman's eyes. Each of his His eyes where washeterochromatic; each a different color. That alone wouldn't be enough to draw in Harry, to cause him to risk making a mistake at this very crucial moment; it was the quality—the nature—of the heterochromatic eyes that drew him in. The right eye was a pale blue that reflected and amplified the stage lights surrounding them, seeming to shine under it's its own power. The left eye was a dull, steely gray that pulled light in, muting it, and causing the right eye to practically glow in the contrast. In addition, the man's eyes radiated something akin to hate...was it bitterness? Disgust? Whatever it was, the crowd surrounding the men seemed sure that the man with the gun had every intention of firing when the moment was right. -
Kicking Off with Comedy Central's Roast of Rob Lowe
Media Release: Tuesday August 23, 2016 Get ready for a feast of Roasts on Foxtel Kicking off with Comedy Central’s Roast of Rob Lowe Tuesday September 6 at 8.30pm Express from the US on The Comedy Channel Hollywood heartthrob Rob Lowe is treated with his very own special Roast – and considering the skeletons in Lowe's closet, which include struggles with alcohol and an affair with Princess Stephanie of Monaco – the Roasters should have no problem finding topics to poke fun at. Comedy Central’s Roast of Rob Lowe will premiere Tuesday September 6 at 8.30pm Express from the US on The Comedy Channel. Known for his roles in St Elmo’s Fire, Wayne’s World, the Austin Powers franchise, The West Wing, Brothers & Sisters, Parks & Recreation, The Grinder and many, many more – Lowe has been a handsome fixture of our small and silver screens since the early 1980s. Get ready for Lowe’s dirty laundry to be aired when the Roasters spill the beans on his movie star lifestyle and brat pack antics. Comedy Central’s Roast of Rob Lowe will assemble a dais of comedians and celebrities, along with Roast Master David Spade (Saturday Night Live, Joe Dirt, Just Shoot Me!, Rules of Engagement), to take down the ageless sex symbol one burn at a time. The first round of Roasters confirmed include one of the UK's most distinctive comedians Jimmy Carr, Saturday Night Live’s Pete Davidson, actress and Lowe’s co- star Bo Derek, former NFL quarterback Peyton Manning, comedic actor Rob Riggle, and Roast alumni Jeff Ross. -
Survival Guide
Edinburgh Festivals SURVIVAL GUIDE Introduction by Alexander McCall Smith INTRODUCTION The original Edinburgh Festival was a wonderful gesture. In 1947, Britain was a dreary and difficult place to live, with the hardships and shortages of the Second World War still very much in evidence. The idea was to promote joyful celebration of the arts that would bring colour and excitement back into daily life. It worked, and the Edinburgh International Festival visitor might find a suitable festival even at the less rapidly became one of the leading arts festivals of obvious times of the year. The Scottish International the world. Edinburgh in the late summer came to be Storytelling Festival, for example, takes place in the synonymous with artistic celebration and sheer joy, shortening days of late October and early November, not just for the people of Edinburgh and Scotland, and, at what might be the coldest, darkest time of the but for everybody. year, there is the remarkable Edinburgh’s Hogmany, But then something rather interesting happened. one of the world’s biggest parties. The Hogmany The city had shown itself to be the ideal place for a celebration and the events that go with it allow many festival, and it was not long before the excitement thousands of people to see the light at the end of and enthusiasm of the International Festival began to winter’s tunnel. spill over into other artistic celebrations. There was How has this happened? At the heart of this the Fringe, the unofficial but highly popular younger is the fact that Edinburgh is, quite simply, one of sibling of the official Festival, but that was just the the most beautiful cities in the world. -
A Sheffield Hallam University Thesis
Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
ICLA 2016 – Abstracts Group Session Panels Content Computational Comparative Literature
ICLA 2016 – Abstracts Group Session Panels, July 17th, 2016 ICLA 2016 – Abstracts Group Session Panels Content Computational Comparative Literature. Corpus-based Methodologies ................................................. 5 16082 - Assia Djebar et la transgression des limites linguistiques, littéraires et culturelles .................. 7 16284 - Pictures for Everybody! Postcards and Literature/ Bilder für alle! Postkarten und Literatur . 11 16309 - Talking About Literature, Scientifically..................................................................................... 14 16377 - Sprache & Rache ...................................................................................................................... 16 16416 - Translational Literature - Theory, History, Perspectives .......................................................... 18 16445 - Langage scientifique, langage littéraire : quelles médiations ? ............................................... 24 16447 - PANEL Digital Humanities in Comparative Literature, World Literature(s), and Comparative Cultural Studies ..................................................................................................................................... 26 16460 - Kolonialismus, Globalisierung(en) und (Neue) Weltliteratur ................................................... 31 16499 - Science et littérature : une question de langage? ................................................................... 40 16603 - Rhizomorphe Identität? Motivgeschichte und kulturelles Gedächtnis im -
Presenting at the Edinburgh Festival Fringe
Presenting at the Edinburgh Festival Fringe ARTS COUNCIL OF NEW ZEALAND TOI AOTEAROA March 2017 Edinburgh Fringe Festival | General Planning March 2017 1 Guide to presenting A message from the British Council The Edinburgh Festivals, which take place in August in Scotland each year, are the premiere global arts markets, at the Edinburgh enabling artists and producers to sell works which can go on to tour internationally for years. Festival Fringe To support New Zealand’s wonderful artists, arts companies We have collated advice and tips to and organisations to access the festivals and form connections in a big way through the Momentum programme help you prepare a general plan for helps confirm Edinburgh as the Arts Capital of the world. the Edinburgh Festival Fringe. All this More importantly, though, it contributes to the significant information has been generously provided difference that the arts make to a world where voices count, and where creativity explores, nurtures and expresses the by New Zealand artists and companies notion of connection. In these troubled times, it is connection, who have performed at the festival and/or not exclusion, that will make the difference. participated in the Momentum Programme, It is our privilege to be able to support the artists and a capability building programme jointly communities who, through their endeavours, all hold a mirror to our humanity. supported by Creative New Zealand, British Council and Creative Scotland. Graham Sheffield Director Arts Supporting New Zealand artists and British Council companies at Edinburgh Creative New Zealand is proud to support New Zealand artists and companies at the Edinburgh Festivals. -
Radio 4 Extra Listings for 27 January – 2 February 2018 Page 1 of 8
Radio 4 Extra Listings for 27 January – 2 February 2018 Page 1 of 8 SATURDAY 27 JANUARY 2018 Series 3, Episode 2Gyles Brandreth chairs the scandals quiz Jan Ravens and guests chart the journey of changing attitudes to with Anthony Holden, Lucy Moore, Richard Herring and female satire. Recorded with an audience in the BBC Radio SAT 00:00 The Scarifyers (b007wv3h) Louise Doughty. From October 2005. Theatre of Broadcasting House in London. The Thirteen Hallows, Episode 4Professor Dunning and his SAT 04:30 After Henry (b007jnzw) Ever since Donald Trump dubbed Hillary Clinton a 'nasty knightly friend Glewlwyd Gafaelfawr are captured and taken to Series 2, The TeapotEleanor wants a video player but how can woman' during a presidential debate, women the world over King Arthur's final resting place: Barry Island, in Wales. With she raise the cash?. have embraced the term as a battle-cry and responded not only shadowy forces both home and abroad ranged against them, can Simon Brett's comedy about three generations of women - with a viral campaign on social media but with Nasty Woman T- Harry Crow and the mysterious Mr Merriman save them? struggling to cope after the death of Sarah's GP husband - who shirts, perfumes and cocktails. This spirited response chimes The Scarifyers follows the exploits of 1930s ghost-story writer never quite manage to see eye to eye. with a long tradition of feisty female comedians on the radio. Professor Dunning and retired policeman Harry Crow, who Starring Prunella Scales as Sarah, Joan Sanderson as Eleanor, In a sometimes frank discussion, Jan and her guests - Kiri together investigate weird mysteries under the auspices of top- Benjamin Whitrow as Russell, Gerry Cowper as Clare and Pritchard-McLean, Lauren Pattison and the BBC's radio secret government department MI:13. -
Edinburgh Festival News Snippets
Home Festival History News Pre-Festival Stuff Festival Time Newbie? Witterings Links Site Map News Snippets - August 2008 to August 2009 2007-2008 | 2006-2007 Fringe 2009 ticket sales and other statistics posted September 1st, 2009. Initial statistics have been put out by the Fringe Society for the 2009 festival. They are summarised in The Guardian and The Scotsman. The headline figure is a new record of 1.85m tickets sold. This beats the previous record of 1.7m in 2007 by 9%. Other stats include: 18,901 performers in 34,265 performances of 2,098 shows; comedy made up 35% of the overall programme, theatre 28% and music 16%. While there is no breakdown of audience figures so far the feedback from some venues appears to indicate that increases in attendances at comedy shows may well be attributable to the Scots. As previously stated, despite apprehension in various quarters buoyant ticket sales are not totally unexpected this year. 2010 and 2011 will be more problematic years as the effects of the recession impact on employment numbers. Comedy is least likely to be affected as its audience tends to be younger and is more likely to have the necessary disposable income. Fringe venues complain about costs posted August 30th, 2009. The Scotsman reported that Fringe chief, Kath Mainland, is to meet venue chiefs who are concerned about rising costs and the future viability of medium-sized venues. More on the expense of putting on shows at the festival posted August 30th, 2009. This time it is Tommy Sheppard, director of The Stand Comedy Club, writing in The Scotsman on the difficulties faced by comedians. -
A Free Monthly Guide to Music, Art, Theatre & Literature in Stroud
Issue #2 May 2015 A free monthly guide to Music, Art, Theatre & Literature in Stroud Photo: James Kriszyk EDITORS’ NOTE WELCOME TO THE SECOND ISSUE OF GOOD ON PAPER – YOUR NEW FREE MONTHLY GUIDE TO MUSIC CONCERTS, ART EXHIBITIONS, THEATRE PRODUCTIONS AND CONTENTS LITERATURE EVENTS IN STROUD... For this month’s issue we’ve had a little more time to 4 - 5 Music: Trading Post focus in on the design so you may notice some small changes and improvements. We have also amassed 6 - 9 Music: Listings a new horde of contributing writers including Jess 10 - 11 Arts: Select Festival Bracey, Helen Elliott-Boult, Siobain Drury and Jamie Baldwin, all providing you with in-depth information 12 - 13 Arts: Site Festival Open Studios on arts festivals, a time-honoured local record shop 14 - 15 Arts: Listings and a soon to be released anthology of short stories featuring the work of over fifty authors. 16 Theatre: Previews 17 Theatre: Listings They join our regular theatre columnist John Bassett from Spaniel in the Works Theatre Company and our 18 Literature: Stroud Short Stories resident photographer James Kriszyk. 19 Literature: Listings In other news we are happy to announce that Good 20 - 21 Exhibition Space: Kerry Phippen On Paper will be curating an event as part of this 22 Contacts and Stockists year’s Stroud Fringe Festival! Due to take place in the grand Centre for Science and Art building on Lansdown we will be putting together an evening of music, art, theatre and literature representing each section of the magazine. More info coming soon..