Guide 5779 | 2018-2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Biblical Interpretation in the Age of Superheroes by Nicholaus Pumphrey
Biblical Interpretation in the Age of Superheroes By Nicholaus Pumphrey In 1938 Superman literally jumped off the pages of a comic book and into American culture. The world’s strongest and soon to be most famous superhero was created within the context of a nation suffering from the Great Depression and on the verge of entering a global war. How does this super-being impact American culture and does he influence how we read the Bible? Action Comics No. 1, 1938. Within five years, over 70 million people would be reading comic books about Superman or related to him. Superman’s debut in Action Comics #1 was followed by his appearance on radio, in cartoons, and eventually in movies and on television. While comic books have had ups and downs in sales, the superhero related medium has had an undeniable influence on Americans, child and adult alike. The concept of hero has shifted from a larger-than-life, flawed demi-god to a sci-fi, costumed character that can do no wrong. But biblical undertones remain inescapable. Scholars often point to his creators, Jerry Siegel and Joe Shuster, and their Jewish background as a sign that the Bible directly influenced Superman’s creation, and then influenced the readers. Superman’s origin narrative depicts parents of a dying civilization sending their child in a spaceship (a futuristic reed basket) only to grow up and become a savior of another world. The child is also uniquely strong and only stoppable by a single weakness. Siegel himself noted that Samson and other biblical figures played a prominent role in Superman’s development. -
YCJC-Newsletter-Jan-2007
CONGREGATION ETZ CHAIM P.O. BOX 905 KENNEBUNK, ME 04043 JANUARY 2007/5767 York County Jewish Community News Lithograph Available Tri color lithographs of the banner designed for the Saco Museum exhibit will soon be available for purchase. Get more information from our website or express your inter- est in purchasing by writing to <[email protected]> SHALOMAN COMES TO BIDDEFORD Enthusiastic audiences Many of the Hebrew School welcomed Al Wiesner, the creator students have followed his of the first Jewish superhero, adventures by checking out copies Shaloman, to Congregation Etz of the comic books from the Chaim on November 16th. complete collection in our Al traced the beginnings of synagogue library. comic books in America, noting Al Wiesner’s visit was that several of the original artists supported by a grant to Etz Chaim were Jewish. He believes the Community Education by the Sam success of Shaloman followed the L. Cohen Foundation. establishment of the state of -------------------------------------------- Israel, making the world ready for a physically powerful Jewish figure. Shaloman Trivia Responding to the distress call Answers on back page “Oy vay!”, Shaloman emerges from 1. Does Shaloman wear a cape? 5. What is the mountain named? a rocky topped mountain in Israel. 2. What shape is his belt? Why? He is easily identified by his 6. Who is his arch enemy? 3. What is his nickname? rippling muscles, kipa and large 7. Which person in Al Wiesner’s 4. From which letter is he formed? letter Shin on his chest. life looks like this arch enemy? 36 BACON STREET BIDDEFORD, ME <WWW.ETZCHAIMME.ORG> PAGE 1 CONGREGATION ETZ CHAIM P.O. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
When the Superheroes Emerged in the Late 1930S and Early 1940S They
Kameshia Shepherd The Superhero Genre: Exhibitions Which Explore the Identities, Costumes, and Missions of the Superheroes When the superheroes emerged in the late 1930s and early 1940s they had dual identities, sidekicks, powers and abilities, arch-villains, a costume, a moral code, and a top-secret headquarters but a lawsuit in 1940 established identity, power, and mission as the fundamental attributes of the superhero genre. According to Peter Coogan in Superhero: The Secret Origin of a Genre, Judge Learned Hand estab- lished these three elements in a copyright and infringement lawsuit between two comic book companies. In the case of Detective Comics, Inc. v. Bruns Publica- tions, Inc., DC Comics filed a suit which claimed that Bruns Publication’s super- hero Wonder Man was a duplicate of their character Superman. Judge Learned Hand agreed and stated in his ruling that Wonder Man copied Superman’s dual identities, various powers, and pro-social mission. Based on this copyright law- suit, Coogan argued that Judge Hand had unknowingly provided the definitional characteristics of a superhero.1 Coogan took Judge Hand’s interpretation a step further by combing all of the elements of Hand’s verdict to comprise his own definition. Coogan’s superhero is: A heroic character with a selfless, pro-social mission; with superpowers-extraordinary abilities, advanced technology, or highly developed physical, mental, or mystical skills; who has a superhero identity embodied in a codename and iconic costume, which typi- cally expresses his [or her] biography, -
Jewish Comics; Or, Visualizing Current Jewish Narrative
I Jewish Comics + Jewish Comics; Or, Visualizing Current Jewish Narrative Derek Parker Royal Executive Editor, Philip Roth Studies Over the past several years, there has been rapidly growing interest in Jews and comics-not comics of the Groucho Marx, Woody Allen, and Jerry Seinfeld variety, but those as presented on the paneled pages of the newspaper funnies, comic books, and graphic novels.1 In the past four years alone, there have been no less than seven tides devoted exclusively to the history and analysis ofJews and comic art, and these books do not even include the many recent com ics-related texts with substantive portions devoted to specific Jewish authors.2 1"Graphic novel" is a term that is not without its problems, but I am using it here not only because of its widespread common use, but also to distinguish it from comic books as a publication format or delivery system. In this sense, "comics" applies to the medium as a whole, regardless of the form it takes (e.g., the editorial cartoon, the single-panel gag, the newspaper comic strip, the comic book, and the graphic novel). Furthermore, I use "graphic novel" to refer to long-form comics-as opposed to the typical American comic book which runs 32-36 pages-regardless of genre. This could include long works of fictional comics that are "novelistic" in scope, collected issues of previously published comic books or strips, comic memoirs, comics-based journalism, and even expository comics. 2Recenr books devoted solely to Jews and comics include Simcha Weinstein, Up, Up, and Oy -
Chabad-Lubavitch Centers 12/29/08 6:59 PM
Results for Zip Code: 11213 - Chabad-Lubavitch Centers 12/29/08 6:59 PM HOME | CONTACT US | DONATE Experience MyChabad.org. Sign up for Free! LOGIN ASK THE RABBI CENTERS Search Chabad.org Join our Weekly Email List Email Address Chabad.org » Centers Find a Center Global Directory Search results for Zip Code: 11213 Campus Directory Find a Chabad-Lubavitch center near you Hebrew Schools Map of Results: Camp Directory Search by Country: Event Directory USA Advanced Search -- Select a State -- Search by City: Society & Living Enter a City Lifecycles Holidays Search by Zip Code: Find centers within 50 miles of: Daily Life & Practice Enter a Zip Code (USA) Ideas & Beliefs Search by Name: Spirituality Enter a Family Name Mitzvot for Mumbai Parshah WHAT CAN I DO? Library 10,709 Mitzvot Added Browse Subjects Advanced Search Add Your Mitzvah Displaying results 1 to 25 of 143 Next 25 Audio Classes Video 1. Lubavitch World Headquarters Adult Education Women Address: 770 Eastern Parkway Email Brooklyn, NY 11213 USA Map Campus Chabad House Kids Phone: 718-774-4000 Local Time: 7:58 PM (GMT -5) Chabad House The Rebbe Print Fax: 718-774-2718 Jewish Community Center View All Sections More Info Rabbi Yehuda Krinsky » Jewish Learning Institute Approximate Distance from Zip Code 11213: 0.0 miles Kollel Calendar Library Magazine 2. Agudas Chassidei Chabad Russian Jewry Center News Address: 770 Eastern Parkway Brooklyn, NY 11213 USA Social Services Subscribe Phone: 718-604-0011 Yeshivah for Beginners - About Local Time: 7:58 PM (GMT -5) Email Men Fax: 718-493-1931 Other Languages Map Rabbi Avrohom Shemtov Shop Print Donate More Info Upcoming Classes Ask the Rabbi Approximate Distance from Zip Code 11213: 0.0 miles Worldwide.. -
Jewish Gator Guide the Heart of Jewish Life at UF Springvolume 8 2008 – ISSUE 2 at the UNIVERSITY of FLORIDA Dear Friends, Shalom!
vwwc Jewish Gator Guide The Heart of Jewish Life at UF SpringVOLUME 8 2008 – ISSUE 2 AT THE UNIVERSITY OF FLORIDA Dear Friends, Shalom! It is with great pleasure that we present you with our annual spring semester guide. This guide will allow you to keep track of our popular Shabbat and Holiday schedule as well as present a kaleidoscope of the famous programs we offer at the Center, including classes, Shabbatons and social programs. The college years are a critical stage in development when students exercise their independence and make many of the decisions that will help shape their lives. Jewish involvement at this point in a student’s life is not merely a luxury, it is absolutely essential. As a Jewish home away from home for every Jewish student, we offer a non-judgmental, open and friendly beacon of light amidst an array of political agendas, counter-cultures, missionaries and isms all vying for the student’s body and mind. Through blending traditional values with contemporary techniques, we are able to help people connect to their roots as they discover meaning in living Jewishly and develop an appreciation for their heritage and proudly identify with Judaism. We are one address where students feel comfortable and can turn to for everything from a homemade bowl of chicken soup Friday night to a Torah class or a philosophical discussion during the week. On a personal level, we are open and accepting with unconditional love and care we are available 24/7 for counseling or just a welcoming friendly chat. We welcome you to join with us. -
3 Weeks Liberator 5778 Final.Cdr
L B”H THE A N O I T A N LIBERATOR The Magazine of Life for Jews Isolated from their Communities VOL. XXII NO. 6 - TAMMUZ-AV 5778 - SUMMER 2018 THE THREE WEEKS REMEMBERING THE DESTRUCTION OF THE HOLY TEMPLE Three Weeks Laws and Customs (4) Prison News Articles (8) Week in Review (17) Your Enlightening Experiences (38) Correspondence Courses (45) Aleph Offerings (52) Features VOL. XXII NO. 5 1 IYAR-SIVAN 5778 / MAY-JUNE 2018 1 B”H L THE A N O I T A N LIBERATOR The Magazine of Life for Jews Isolated from their Communities VOL. XXII NO. 6 - TAMMUZ-AV 5778- JULY-AUGUST 2018 Correspondence from the Lubavitcher Rebbe, Rabbi Menachem M. Schneerson, O.B.M. By the Grace of G-d 20 Tammuz, 5711, Brooklyn, N.Y. Greeting and Blessing: The National Liberator . The time in which we find ourselves is referred to as “the is published bi-monthly by Three Weeks,” a time period that recalls the time of the The Aleph Institute 9540 Collins Avenue, destruction of [the Beis HaMikdash]. We must remember what Surfside, Florida 33154 the Gemara (Talmud) teaches us — that the primary reason for Tel: (305) 864-5553 Fax: (305) 864-5675 the destruction was “unwarranted hatred.” Since we all desire www.aleph-institute.org Copyright © 2018, and hope for the true and Ultimate Redemption in the The Aleph Institute. immediate future, we must invest special energy in eradicating All rights reserved. Opinions expressed in the the factor that led to the destruction. This means putting National Liberator do not necessarily reflect opinions or special emphasis on ahavas Yisrael, the love of our fellow Jew. -
B's'd' Divrei Torah from Internet on Parshas Va'eirah
B'S'D' "Take your staff and throw it before Pharaoh. It will be a snake." (7:9) Nothing influences a person more than his surroundings. Even the most DIVREI TORAH FROM INTERNET decadent and corrupt soul will change for the better when placed in a ON PARSHAS VA'EIRAH - 5756 positive and elevating environment. And even the most noble soul will suffer spiritual decline and eventual collapse when subjected to an [email protected] atmosphere of corruption and degradation. Moshe wished to convey to Pharaoh that even though the Jewish People had INTERNET TORAH ADDRESSES: E-mail commands: "Help" or "Lists" or "Subscribe <listname> been reduced by the corruption of Egypt to the point where they were barely [<your_name>]" to following addresses: [email protected] or [email protected] or recognizable as human, nevertheless, when freed from this spiritual [email protected] or [email protected] or [email protected]. World Wide Web sites: http://shamash.nysernet.org or http://www.jer1.co.il or http://www.torah.org cesspool they would ascend to the highest levels to be giants of the soul. or http://www.chabad.org or http://yu1.yu.edu Moshe demonstrated this to Pharaoh by taking `the staff of G-d,' - a symbol of the highest spiritual elevation which was used in performing the greatest signs and miracles and on which was carved the Shem Hameforash (the explicit Name of Hashem) - and casting it down, throwing it onto the From: "Ohr Somayach <[email protected]>" floor. But Moshe did not just throw the staff anywhere, he threw it To: CShulman, " " Highlights of the Torah weekly port.. -
At the University of Florida
vwwc HIGH HOLIDAY FALL SEMESTER200 GUIDE7 & AT THE UNIVERSITY OF FLORIDA Dear Friends, Shalom! As we begin our eighth year serving Jewish life at UF and throughout the greater North central Florida region, it is with great pleasure that we once again present you with our annual fall semester guide. This guide will allow you to keep track of our popular High Holiday schedule as well as present a kaleidoscope of the famous programs we offer at the Jewish Student and Community Center. The college years are a critical stage in development when students exer- cise their independence and make many of the decisions that will help shape their lives. Jewish involvement at this point in a student’s life is not merely a luxury, it is absolutely essential. Chabad at UF has become a Jewish home away from home for thousands of students. We are one address where every Jewish student can turn to for everything from a homemade bowl of chicken soup Friday night to a Torah class or a philosophical discussion during the week. We are a non-judgmen- tal, open and friendly beacon of light amidst an array of political agendas, counter-cultures, missionaries and isms all vying for the student’s body and mind. Through blending traditional values with contemporary techniques, we are able to help people connect to their roots as they discover meaning in living Jewishly and develop an appreciation for their heritage and proudly identify with Judaism. On a personal level, we are available 24/7 for counseling or just a welcom- ing friendly chat. -
The Jewish Comic Book Industry, 1933-1954
“THE WHOLE FURSHLUGGINER OPERATION”: THE JEWISH COMIC BOOK INDUSTRY, 1933-1954 By Sebastian T. Mercier A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of History – Doctor of Philosophy 2018 ABSTRACT “THE WHOLE FURSHLUGGINER OPERATION”: THE JEWISH COMIC BOOK INDUSTRY, 1933-1954 By Sebastian T. Mercier Over the course of the twentieth century, the comic book industry evolved from an amateur operation into a major institution of American popular culture. Comic books, once considered mere cultural ephemera or quite simply “junk,” became a major commodity business. The comic book industry emerged out of the pulp magazine industry. According to industry circulation data, new comic book releases increased from 22 in 1939 to 1125 titles by the end of 1945. Comic book scholars have yet to adequately explain the roots of this historical phenomenon, particularly its distinctly Jewish composition. Between the years of 1933 and 1954, the comic book industry operated as a successful distinct Jewish industry. The comic book industry emerged from the pulp magazine trade. Economic necessity, more than any other factor, attracted Jewish writers and artists to the nascent industry. Jewish publishers adopted many of the same business practices they inherited from the pulps. As second-generation Jews, these young men shared similar experiences growing up in New York City. Other creative industries actively practiced anti-Semitic hiring procedures. Many Jewish artists came to comic book work with very little professional experience in cartooning and scripting. The comic book industry allowed one to learn on the job. The cultural world comic books emerged out of was crucially important to the industry’s development.