University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 5-2016 Jewish Liturgy in Music Rachel A. Brown University of Tennessee - Knoxville,
[email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the Ethnomusicology Commons, Jewish Studies Commons, Liturgy and Worship Commons, Musicology Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Brown, Rachel A., "Jewish Liturgy in Music" (2016). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/1899 This Dissertation/Thesis is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact
[email protected]. Jewish Liturgy in Music Rachel Brown Chancellor’s Honors Program Thesis Project University of Tennessee Fall 2015 2 Part I: The History and Evolution of Jewish Liturgical Music The phrase “Jewish liturgical music,” for most observant Jews, most likely conjures up an image of a Friday night or a Saturday morning Shabbat service in a synagogue sanctuary. The Ark that holds the Torah scrolls sits majestically on the bimah beneath the Ner Tamid, the “Eternal Light.” The cantor (or, in the case of my childhood synagogue, the lay leader) stands at the podium on the bimah and dovens the service, while the rabbi follows along, greeting latecomers to the service.