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The Place of the Guitar in the Musical History of Yugoslavia
Guitar Compositions from Yugoslavia volume I Copyright © Syukhtun Editions 2002 THE PLACE OF THE GUITAR IN THE MUSICAL HISTORY OF YUGOSLAVIA Uroš Dojcinovic Prologue A phenomenon increasingly present in the contemporary music of the former Yugoslav republics is the guitar. It is by no means an exaggeration to say that today a large part of the creative and interpretative work being done in our music is focused on the expressive possiblities of this plucked-string instrument. The classical guitar has already had such a long history in all the ex-Yugoslav republics, that no one would deny the esteemed place that it now occupies. On the contrary, the exploitation and appreciation of the guitar still are enjoying a marked upswing, despite the tragic developments in the 1990s which finally caused the collapse of Yugoslavia. But before taking a brief look at the guitar history of the former Yugoslavia, I feel the necessity of summarizing the general history of the area which is the subject of this volume. Prior to 1918, various foreign influences were imposed on the region of the Balkan peninsula which was later to form the nation of Yugoslavia. These influences also included oppression by the various foreign authorities. The idea of Yugoslav union was first born during the 19th century along with the appearance of economic contact with Europe. In October of l918 Croatia separated from the Austro- Hungarian Empire, and during the Croatian Congress proclaimed the SCS-state (Serbia-Croatia-Slovenia). Along with Croatia, Serbia and Slovenia, the state was later joined by Bosnia, Hercegovina, Montenegro and Vojvodina. -
1 Bibliografija – Bibliography 1969- , Arti Musices
1 BIBLIOGRAFIJA – BIBLIOGRAPHY 1969- , ARTI MUSICES ARTI MUSICES HRVATSKI MUZIKOLOŠKI ZBORNIK CROATIAN MUSICOLOGICAL REVIEW BIBLIOGRAFIJA - BIBLIOGRAPHY (1969- ) IZVORNI ZNANSTVENI ČLANCI / ORIGINAL SCIENTIFIC PAPERS; PRETHODNA PRIOPĆENJA / PRELIMINARY PAPERS; KRATKA PRIOPĆENJA / SHORT PAPERS, STRUČNI ČLANCI / EXPERT PAPERS, PREGLEDNI ČLANCI / REVIEW PAPERS, REFERATI / CONFERENCE PAPERS, SAŽECI MAGISTARSKIH I DOKTORSKIH RADOVA U MUZIKOLOGIJI / SUMMARIES OF M.A. AND Ph.D. THESES IN MUSICOLOGY, RECENZIJE, PRIKAZI, INFORMACIJE O PUBLIKACIJAMA / REVIEWS AND INFORMATION ON PUBLICATIONS, IZVJEŠTAJI / REPORTS, GRAĐA ZA POVIJEST HRVATSKE GLAZBE / DATA FOR HISTORY OF CROATIAN MUSIC, HRVATSKA GLAZBENA TERMINOLOGIJA / CROATIAN MUSICAL TERMINOLOGY, MISCELLANEA, INTERVJU / INTERVIEW, RASPRAVE / DISCUSSIONS, BIBLIOGRAFIJE/DISKOGRAFIJE / BIBLIOGRAPHIES/DISCOGRAPHIES PRVI MUZIKOLOŠKI KORACI / FIRST MUSICOLOGICAL STEPS 2 BIBLIOGRAFIJA – BIBLIOGRAPHY 1969- , ARTI MUSICES 1. IZVORNI ZNANSTVENI ČLANCI – ORIGINAL SCIENTIFIC PAPERS ANDREIS, Josip: Albertijev «Dijalog». O 350-godišnjici objavljivanja (Summary: Giorgio Alberti's Dialogue – 350th Anniversary), 1 (1969) 91-104. ANDREIS, Josip: Glazba u Hrvatskoj enciklopediji s kraja prošlog stoljeća (Summary: Music in the Croatian Encyclopaedia at the End of the 19th Century; Zusammenfassung: Musik in der Kroatischen Enzyklopädie vom Ende des 19. Jahrhunderts), 13/1 (1982) 11-16. ANDREIS, Josip: Musicology in Croatia, Sp. issue 1 (1970) 7-45. ANDREIS, Josip: Muzikologija u Hrvatskoj u razdoblju -
Matica Srpska Department of Social Sciences Synaxa Matica Srpska International Journal for Social Sciences, Arts and Culture
MATICA SRPSKA DEPARTMENT OF SOCIAL SCIENCES SYNAXA MATICA SRPSKA INTERNATIONAL JOURNAL FOR SOCIAL SCIENCES, ARTS AND CULTURE Established in 2017 1 Editor-in-Chief Časlav Ocić (2017‒ ) Editorial Board Nenad Makuljević (Belgrade) Dušan Rnjak (Belgrade) Katarina Tomašević (Belgrade) Editorial Secretary Jovana Trbojević Language Editors Biljana Radić Bojanić Tamara Verežan Jovana Marinković Olivera Krivošić Sofija Jelić Proof Reader Aleksandar Pavić Articles are available in full-text at the web site of Matica Srpska http://www.maticasrpska.org.rs/ Copyright © Matica Srpska, Novi Sad, 2017 SYNAXA СИН@КСА♦ΣΎΝΑΞΙΣ♦SYN@XIS Matica Srpska International Journal for Social Sciences, Arts and Culture 1 NOVI SAD 2017 Publication of this issue was supported by City Department for Culture of Novi Sad WHY SYNAXA? In an era of growing global interdependence and compression of history, any sort of self-isolation might not only result in provincialization, peripheraliza- tion, or self-marginalization, but may also imperil the very survival of nations and their authentic cultures. In the history of mankind, ethno-contact zones have usually represented porous borders permeable to both conflict and cooperation. Unproductive conflict has been, by default, destructive, while the fruitful in- tersection and intertwining of cultures has strengthened their capacities for creative (self)elevation. During all times, especially desperate and dehuma- nizing ones, cultural mutuality has opened the doors of ennoblement, i.e., offered the possibility of bringing meaning to the dialectic of the conflict between the universal material (usually self-destructive) horizontal and the specific spiritual (auto-transcending) vertical. It would be naïve and pretentious to expect any journal (including this one) to resolve these major issues. -
Multikulturalnost U Nastavi Glazbene Kulture
Multikulturalnost u nastavi glazbene kulture Bučko, Ana Undergraduate thesis / Završni rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Pula / Sveučilište Jurja Dobrile u Puli Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:137:589389 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-03 Repository / Repozitorij: Digital Repository Juraj Dobrila University of Pula Sveučilište Jurja Dobrile u Puli Muzička akademija u Puli ANA BUČKO MULTIKULTURALNOST U NASTAVI GLAZBENE KULTURE Završni rad Pula, 17. rujan 2019. godine Sveučilište Jurja Dobrile u Puli Muzička akademija u Puli ANA BUČKO MULTIKULTURALNOST U NASTAVI GLAZBENE KULTURE Završni rad JMBAG: 0283011973 , redoviti student Studijski smjer: Glazbena pedagogija Predmet: Metodika nastave glazbe 2 Znanstveno područje: Društvene znanosti Znanstveno polje: Pedagogija Znanstvena grana: Glazbena pedagogija Mentorica: Izv. prof. dr. sc. Sabina Vidulin Komentorica: Doc. dr. sc. Dijana Drandić Pula, 17. rujan 2019. godine IZJAVA O AKADEMSKOJ ČESTITOSTI Ja, dolje potpisana Ana Bučko, kandidat za prvostupnika Glazbene pedagogije ovime izjavljujem da je ovaj Završni rad rezultat isključivo mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na objavljenu literaturu kao što to pokazuju korištene bilješke i bibliografija. Izjavljujem da niti jedan dio Završnog rada nije napisan na nedozvoljen način, odnosno da je prepisan iz kojega necitiranog rada, te da ikoji dio rada krši bilo čija autorska -
The Invention of Musical Illyrism
Prejeto / received: 19. 1. 2016. Odobreno / accepted: 3. 2. 2016 THE INVENTION OF MUSICAL ILLYRISM STANISLAV TUKSAR Hrvatska akademija znanosti i umjetnosti Izvleček: Star rimski izraz »Illiricum«, ki ga je Abstract: The ancient Roman term “Illyricum”, Katoliška cerkev v 17. stoletju uporabljala za pro- reintroduced by the Catholic Church in the vince Dalmacija, Hrvaška, Bosna in Slavonija, seventeenth century to denote the provinces of so ideologi hrvaškega narodnopreporodnega Dalmatia, Croatia, Bosnia and Slavonia, was gibanja »ponovno izumili« v tridesetih letih 19. “re-invented” by the ideologists of the Croatian stoletja kot nadnacionalni konstrukt. Izraz so National Revival movement in the 1830s as a v glasbi na Hrvaškem v 19. stoletju uporabljali supra-national construct. It was also used in tudi številni skladatelji, izvajalci, muzikologi, music by many composers, performers and občinstvo in mediji. musicologists, as well as broader audiences and public media in nineteenth-century Croatia. Ključne besede: ilirizem, Hrvaška, južnoslovan- Keywords: Illyrism, Croatia, South Slavic area, sko področje, glasba, koncept »kulturni narod«. music, “cultural-national” concept. In identifying the idea of “Illyrism” as applied in nineteenth-century Croatian musical culture, it seems useful to first present the genesis of the term itself and its usage in both Croatian and South-Slavic, as well as in the broader regional cultural and social history. In this, the long temporal development in its construction manifests a multi-layered character, unveiling the complex parallel structure of its sometimes elusive and vague denotations and meanings. It is well known that the term itself, mostly in the form of the noun “Illyricum” (→ Illyria Romana, Illyria Barbara), was used in ancient Rome to geographically denote its province from 167 BC to 10 AD along the eastern shores of the Adriatic Sea and its hinterlands.1 Between AD 10 and 35 Roman administrators dissolved the province of Illyricum and divided its lands between the new provinces of Pannonia and Dalmatia. -
Dalmatian Pop Songs in the Folklore Practice of the Inhabitants of the Island of Murter
Nar. umjet. 32/1, 1995, pp. 219—235, V. Milin-urin, Dalmatian Pop Songs in the... Original Scientific Paper UDK 784:398(497.5 Murter) Received: 17.2.1995 DALMATIAN POP SONGS IN THE FOLKLORE PRACTICE OF THE INHABITANTS OF THE ISLAND OF MURTER VEDRANA MILIN-URIN Fakultet prirodoslovno-matematikih znanosti i odgojnih podruja, Split This paper is part of broader research which I conducted with the objective of analysing the theme Spontaneous Singing on the Island of Murter - Continuity and Changes.1 During the period between 1975 and 1989, I observed and took part in various occasions of performance of music, so as to get to know the musical world of the island of Murter2 through varied repertoire. The research was directed to situations of spontaneous music practice i.e. direct musical communication within small groups of people, and commenced from the assumption that such situations provide the fullest opportunities for perceiving the dynamic musical world of the people, their interests, musical experiences and needs. The repertoire performed at the free choice of the singers demonstrates both their relation towards the musical tradition of their own environment, and towards music adopted from other folklore regions and also from the field of popular music. During research I recorded a total of 846 musical examples, 504 of them being of different songs. Four basic groups can be differentiated, as regards musical style characteristics, in the musical repertoire: 1. traditional local songs; 2. songs from other folklore regions; 3. Dalmatian klapa songs; and, 4. Dalmatian pop songs. Although I shall be concentrating in this paper primarily on the adoption of Dalmatian pop songs, and paying attention to the differences in the style of their performance in the original (composed) and 1 My master's thesis defended in 1991 at the Academy of Music in Sarajevo bears the same title. -
The Dalmatian Folklore Urban Song As the Subject of Ethnomusicological Research
Nar. umjet. 48/1, 2011, pp. 211242, J. Beziþ, The Dalmatian Folklore Urban Song UDK 784.4:39](497.5) JERKO BEZIý THE DALMATIAN FOLKLORE URBAN SONG AS THE SUBJECT OF ETHNOMUSICOLOGICAL RESEARCH The task of this contribution is to point to the complexity of the Dalmatian folklore urban song [dalmatinska folklorna gradska pjesma] as a musical phenomenon, and to show, taking into account all the research conducted so far, why the Dalma- tian folklore urban song is the subject of ethnomusicological research. The songs in question can be represented by themselves by the following, quite well-known verses: Niti san ja seljanka, Neither am I a peasant girl, niti san varoanka! Nor a town girl! Vengo san ja rojena Conversely, I was born u luci kraj obale. in a port on the coast. (Oj, Marjane , see music example No. 1) The Dalmatian folklore urban song is not the best term. Not having a better one, in this paper this term denotes a song that lives freely, being accepted, performed and transmitted further in towns, small towns and bigger settlements of the coastal and island Dalmatia therefore, in villages as well. During the 20th century it gradually and more often appears also in villages that are very far away from urban centres. I introduce the adjective folklore instead of folk [narodna] or vernacular [puĀka] because I can determine the subject of this paper, the Dalmatian folklore urban song, more clearly according to its way of life existence among people in terms of its free acceptance and transmission than to its rather different bearers and also different listeners who accept this song. -
De Musica Disserenda Letnik/Year XII Št./No
MUZIKOLOŠKI INŠTITUT ZNANSTVENORAZISKOVALNI CENTER SAZU De musica disserenda Letnik/Year XII Št./No. 1 2016 Ljubljana 2016 DMD_12_TXT_FIN.indd 1 7. 06. 2016 12:16:44 De musica disserenda ISSN 1854-3405 © 2016, Muzikološki inštitut ZRC SAZU Izdajatelj / Publisher: Muzikološki inštitut ZRC SAZU Mednarodni uredniški svet / International advisory board: Zdravko Blažeković (New York), Bojan Bujić (Oxford), Ivano Cavallini (Palermo), Marc Desmet (Saint-Etienne), Janez Matičič (Ljubljana), Andrej Rijavec (Ljubljana), Stanislav Tuksar (Zagreb) Uredniški odbor / Editorial board: Matjaž Barbo, Nataša Cigoj Krstulović, Metoda Kokole, Jurij Snoj, Katarina Šter Glavni in odgovorni urednik / Editor-in-chief: Jurij Snoj Urednika De musica disserenda XII/1/ Editors of De musica disserenda XII/1: Nataša Cigoj Krstulović, Ivano Cavallini Naslov uredništva / Editorial board address: Muzikološki inštitut ZRC SAZU, Novi trg 2, p. p. 306, 1001 Ljubljana, Slovenija E-pošta / E-mail: [email protected] Tel. / Phone: +386 1 470 61 97 http://mi.zrc-sazu.si Revija izhaja s podporo Javne agencije za Raziskovalno dejavnost RS. The journal is sponsored by the Slovenian Research Agency. Cena posamezne številke / Single issue price: 6 € Letna naročnina / Annual subscription: 10 € Naročila sprejema / Orders should be sent to: Založba ZRC, p. p. 306, 1001 Ljubljana, Slovenija E-pošta / E-mail: [email protected] Tel. / Phone: +386 1 470 64 64 Tisk / Printed by: Collegium graphicum, d. o. o., Ljubljana Naklada / Printrun: 150 De musica disserenda je muzikološka znanstvena revija, ki objavlja znanstvene razprave s področja muzikologije ter z muzikologijo povezanih interdisciplinarnih področij. Izhaja dvakrat letno. Vsi prispevki so anonimno recenzirani. Revija je v celoti vključena v Open Journal System in besedila dostopna tudi v dLib.si. -
SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET Ana Žalac Običaji I
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the University of Rijeka SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET Ana Žalac Običaji i kultura hrvatskih krajeva u udžbeničkoj literaturi za Hrvatski jezik (DIPLOMSKI RAD) Rijeka, 2017. SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET Odsjek za kroatistiku Ana Žalac Matični broj: 0009062830 Običaji i kultura hrvatskih krajeva u udžbeničkoj literaturi za Hrvatski jezik (DIPLOMSKI RAD) Diplomski studij: Hrvatski jezik i književnost/Povijest Mentor: prof. dr. sc. Karol Visinko Rijeka, 2017. Sadržaj: 1. Uvod .................................................................................................................... 1 I. 2. Kultura i uloga kulture ............................................................................................ 3 2.1. Kulturni „mozaik“ ........................................................................................................... 3 2.2. Tradicijska kultura i kulturna baština .............................................................................. 4 3. Kultura hrvatskih krajeva – značajke hrvatske kulture .................................................. 5 3.1. Bogatstvo hrvatske kulture .............................................................................................. 5 3.2. Tradicijska kultura hrvatskih krajeva .............................................................................. 5 4. Hrvatska kultura i običaji u osnovnim školama Republike Hrvatske .............................. -
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>ATI IOMPO: fe^jS .00 is :PH HAYDN CO '.H.HADQW HAROLD REEVES, Music and .Musical Honks. 210, SHAFTESBURV AVENI ;\ JOSEPH HAYDN From an Engraving by W. Datiiell after G. Dance, R.A. A CROATIAN COMPOSER NOTES TOWARD THE STUDY OK JOSEPH HAYDN BY W. H. HADOW, M.A. Fellow of Worcester College, Oxford " ' Author of Studies in Modern Music LONDON SEELEY AND CO. LIMITED STREE 38 GREAT RUSSELL 1897 TO W. R. MORFILL A small return for much assistance and encouragement PREFACE. THE materials for this essay have been almost from two works Dr. entirely gathered by Frantisek S. Kuha, the one his collection other a of South-Slavonic Folksongs, the Indeed, so pamphlet upon Joseph Haydn. I indebted to them that the essay greatly am it been would not have been written had them to the reader more possible to present that has been added is a cer- directly. All a certain tain re-arrangement of the data, and amount of commentary and exposition, which to a few supplementary facts happen state have come within my reach. I should I saw that during a recent visit to Croatia, me full Dr. Kuhac; who most kindly gave use of his results, and permission to make with much valuable augmented the gift information. 6 PREFACE. It is not for me to determine how far the subject will be of interest to English readers. We have somewhat forgotten Haydn : we do not always attach great importance to abstract problems. But I venture to think that the practical issue is not insignificant, and that in any case the question of histori- cal truth is one which demands some con- sideration and regard. -
Turbofolk U Dubrovniku: Mladi, Tranzicija I Životni Stilovi
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Zagreb Repository Sveučilište u Zagrebu Fakultet političkih znanosti Diplomski studij novinarstva Marin Kalauz TURBOFOLK U DUBROVNIKU: MLADI, TRANZICIJA I ŽIVOTNI STILOVI DIPLOMSKI RAD Zagreb, 2018. Sveučilište u Zagrebu Fakultet političkih znanosti Diplomski studij novinarstva TURBOFOLK U DUBROVNIKU: MLADI, TRANZICIJA I ŽIVOTNI STILOVI Mentor: doc.dr.sc. Zlatan Krajina Student: Marin Kalauz DIPLOMSKI RAD Zagreb, Rujan, 2018. Izjava o autorstvu rada i poštivanju etičkih pravila u akademskom radu: Izjavljujem da sam diplomski rad Turbofolk u Dubrovniku: Mladi, tranzicija i životni stilovi, koji sam predao na ocjenu mentoru doc. dr. sc. Zlatanu Krajini, napisao samostalno i da je u potpunosti riječ o mom autorskom radu. Također, izjavljujem da dotični rad nije objavljen ni korišten u svrhe ispunjenja nastavnih obaveza na ovom ili nekom drugom učilištu, te da na temelju njega nisam stekao ECTS bodove. Nadalje, izjavljujem da sam u radu poštivao etička pravila znanstvenog i akademskog rada, a posebno članke 16-19. Etičkoga kodeksa Sveučilišta u Zagrebu. Marin Kalauz SAŽETAK 1. UVOD................................................................................................................................................. 1 2. NASTANAK I RAZVOJ TURBOFOLKA ...................................................................................... 2 2.1. Pojmovno određenje i nastanak turbofolka ............................................................................. -
Običaji I Kultura Hrvatskih Krajeva U Udžbenikoj Literaturi Za Hrvatski Jezik
Običaji i kultura hrvatskih krajeva u udžbenikoj literaturi za hrvatski jezik Žalac, Ana Master's thesis / Diplomski rad 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet u Rijeci Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:930141 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-06 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET Ana Žalac Običaji i kultura hrvatskih krajeva u udžbeničkoj literaturi za Hrvatski jezik (DIPLOMSKI RAD) Rijeka, 2017. SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET Odsjek za kroatistiku Ana Žalac Matični broj: 0009062830 Običaji i kultura hrvatskih krajeva u udžbeničkoj literaturi za Hrvatski jezik (DIPLOMSKI RAD) Diplomski studij: Hrvatski jezik i književnost/Povijest Mentor: prof. dr. sc. Karol Visinko Rijeka, 2017. Sadržaj: 1. Uvod .................................................................................................................... 1 I. 2. Kultura i uloga kulture ............................................................................................ 3 2.1. Kulturni „mozaik“ ........................................................................................................... 3 2.2. Tradicijska kultura i kulturna baština .............................................................................