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Muzikološki Z B O R N I K L I MUZIKOLOŠKI ZBORNIK MUSICOLOGICAL ANNUAL L I / 2 ZVEZEK/VOLUME L J U B L J A N A 2 0 1 5 MZ_2015_1_FINAL.indd 1 13.5.2015 12:44:22 Izdaja • Published by Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani Glavni in odgovorni urednik • Editor-in-chief Jernej Weiss (Ljubljana) Asistentka uredništva • Assistant Editor Tjaša Ribizel (Ljubljana) Uredniški odbor • Editorial Board Matjaž Barbo (Ljubljana) Aleš Nagode (Ljubljana) Svanibor Pettan (Ljubljana) Leon Stefanija (Ljubljana) Andrej Rijavec (Ljubljana), častni urednik • honorary editor Mednarodni uredniški svet • International Advisory Board Michael Beckermann (Columbia University, USA) Nikša Gligo (University of Zagreb, Croatia) Robert S. Hatten (Indiana University, USA) David Hiley (University of Regensburg, Germany) Thomas Hochradner (Mozarteum Salzburg, Austria) Bruno Nettl (University of Illinois, USA) Helmut Loos (University of Leipzig, Germany) Jim Samson (Royal Holloway University of London, UK) Lubomír Spurný (Masaryk University Brno, Czech Republic) Katarina Tomašević (Serbian Academy of Sciences and Arts, Serbia) John Tyrrell (Cardiff University, UK) Michael Walter (University of Graz, Austria) Uredništvo • Editorial Address Oddelek za muzikologijo Filozofska fakulteta Aškerčeva 2, SI-1000 Ljubljana, Slovenija e-mail: [email protected] http://revije.ff.uni-lj.si/MuzikoloskiZbornik Prevajanje • Translations Urban Šrimpf Cena posamezne številke • Single issue price 10 EUR Letna naročnina • Annual subscription 20 EUR Založila • Published by Znanstvena založba Filozofske fakultete Univerze v Ljubljani Za založbo • For the publisher Branka Kalenić Ramšak, dekanja Filozofske fakultete Tisk • Printed by Birografika Bori d.o.o., Ljubljana Naklada 300 izvodov • Printed in 300 copies Rokopise, publikacije za recenzije, korespondenco in naročila pošljite na naslov izdajatelja. Prispevki naj bodo opremljeni s kratkim povzetkom (200–300 besed), izvlečkom (do 50 besed), ključnimi besedami in kratkimi podatki o avtorju. Nenaročenih rokopisov ne vračamo. Manuscripts, publications for review, correspondence and annual subscription rates should be sent to the editorial address. Contributions should include a short summary (200–300 words), an abstract (not more than 50 words), keywords and a short biographical note on the author. Unsolicited manuscripts are not returned. Izdajo zbornika je omogočila Javna Agencija za Raziskovalno dejavnost Republike Slovenije With the support of the Slovenian Research Agency © Univerza v Ljubljani, Filozofska fakulteta, 2015 MZ_2015_1_FINAL.indd 2 13.5.2015 12:44:22 Vsebina • Contents Jernej Weiss In Celebration 7 Dalibor Davidović Branches Veje 9 Marko Motnik Excudebat Leonhardus Formica: Leonhard Formica (Lenart Mravlja) und seine Musikdrucke Excudebat Leonhardus Formica: Leonhard Formica (Lenart Mravlja) in njegovi glasbeni tiski 27 Thomas Hochradner Einem Wunder auf der Spur: Die Mozarts und das Miserere von Gregorio Allegri Na sledi čudežu: Mozarta in Misesere Gregorija Allegrija 41 Helmut Loos Beethoven und der Fortschrittsgedanke Beethoven in misel napredka 57 Michael Walter Komponist und Dirigent: Verdi und Mariani Skladatelj in dirigent: Verdi in Mariani 69 MZ_2015_1_FINAL.indd 3 13.5.2015 12:44:22 Nico Schüler Rediscovering Forgotten Composers with the Help of Online Genealogy and Music Score Databases: A Case Study on African-American Composer Jacob J. Sawyer (1856–1885) Ponovno odkrivanje pozabljenih skladateljev s pomočjo spletne genealogije in podatkovnih baz glasbenih del: Vzorčna raziskava afriško-ameriškega skladatelja Jacoba J. Sawyerja (1856–1885) 85 John Tyrrell From Rubinstein to Rebikov: influences of Russian composers on Janáček Od Rubensteina do Rebikova: vplivi ruskih skladateljev na Janáčka 99 Lubomír Spurný Pavel Haas: “Janáček's Most Talented Student” Pavel Haas: »najbolj nadarjeni Janáčkov učenec« 119 Niall O’Loughlin Characterization in the Operas of Penderecki Karekterizacija v operah Pendereckega 127 Tatjana Marković Narrations of a nation: Montenegrin self-representation through (re)construction of cultural memory Naracija naroda: črnogorska samoreprezentacija skozi (re)konstrukcijo kulturnega spomina 139 Melita Milin Cultural isolation of Yugoslavia 1944–1960 and its impact on the sphere of music: the case of Serbia Kulturna izolacija Jugoslavije med letoma 1944 in 1960 ter njen vpliv na področje glasbe: primer Srbije 149 MZ_2015_1_FINAL.indd 4 13.5.2015 12:44:22 Bruno Nettl What Are the Great Discoveries of Your Field? Informal Comments on the Contributions of Ethnomusicology Kaj so velika odkritja tvojega področja? Neformalni komentarji k prispevkom etnomuzikologije 163 Jeff Todd Titon Ethnomusicology as the Study of People Making Music Etnomuzikologija kot preučevanje ljudi, ki ustvarjajo glasbo 175 Engelbert Logar Der slawische Anteil am Bestand des Blasmusikarchives der Universität für Musik und darstellende Kunst in Graz Slovanski delež repertoarja godb na pihala v arhivu Univerze za glasbo v Gradcu 187 Jasmina Talam Creation, Transmission and Performance: Guslars in Bosnia and Herzegovina Ustvarjanje, prenos in izvajanje: guslarji v Bosni in Herzegovini 203 Imensko kazalo • Index 223 Avtorji • Contributors 245 5 MZ_2015_1_FINAL.indd 5 13.5.2015 12:44:22 MZ_2015_1_FINAL.indd 6 13.5.2015 12:44:22 J.WEISS • IN CELEBRATION Jernej Weiss In Celebration Just as Slovene musicology occupies a prestigious place among other leading Slo- vene scientific disciplines, so the Musicological Annual holds a similar position among academic publications. On this occasion, let me point out some of the most important achievements that helped to establish the Annual’s prominent position. In the 50 years of its existence, some of the most important domestic and foreign scholars of musicology and ethnomusicology wrote for the Musicological Annual. In the 5 decades, as many as 61 issues were published, containing 631 articles, 63 sum- maries of MA degrees, PhDs and habilitation theses as well as 7 other texts. 294 authors from 29 countries in 7 languages contributed to the journal. The firm basis that was formed by the previous editors-in-chief and the editors of special issues enabled the Musicological Annual to become internationally recognized and part of key citation databases. Even more important is the fact that with its two issues per year (mixed or thematic) the Annual maintains a tradition of continuous publishing, disseminates knowledge of state-of-the-art scholarly findings and through this fortifies its key role around the core of musicological and ethnomusicological scholarly efforts. The striving for scholarly excellence has been the main constant of all previous editors-in-chief: professor emeritus Dr. Andrej Rijavec, professor Dr. Matjaž Barbo and of course the founder and longtime editor of the Annual, Slovene Academy member, professor emeritus Dr. Dragotin Cvetko. Each of them worked untiringly for the An- nual and tried to the best of their abilities to promote the journal’s good reputation in Slovenia and abroad. The Musicological Annual has presented topics that were discussed by contempo- rary musicology and invited the most important domestic and foreign researchers to contribute to the journal’s relevance. What is more, the Annual has furthered the musi- cological discourse in Slovene and clarified or even established domestic terminology that can only be achieved with regular and extensive use of the field’s distinctive lan- guage. In future this will remain, along with furthering the journal’s international repu- tation, one of the main objectives of the Musicological Annual: the constant search of harmony between the musicological world and the domestic scholarly achievements through the deepening of scholarly insights on the one hand and the constant enrich- ment of the Slovene musicology vocabulary on the other. The tasks ahead are endless but worth the effort, difficult but nevertheless attainable and without a doubt neces- sary for a healthy development of a national scholarly discipline. 7 MZ_2015_1_FINAL.indd 7 13.5.2015 12:44:22 MUZIKOLOŠKI ZBORNIK • MUSICOLOGICAL ANNUAL LI/2 At the end of this prelude to the complex matter that follows may I, as editor, sin- cerely thank all our past contributors and express special gratitude to the authors of the contributions to the two special anniversary issues, the Editorial Board, the Assis- tant Editor, the International Advisory Board, the translators, the proofreaders and of course all the previous editors and other collaborators of the Annual for their relent- less work. To all the domestic and foreign subscribers as well as to all other readers of the Musicological Annual goes a promise that the makers of the journal will continue to do all they can to achieve scholarly excellence and international recognition of the oldest Slovene scholarly publication devoted to musicology. 8 MZ_2015_1_FINAL.indd 8 13.5.2015 12:44:22 D. DAVIDOVIĆ • BRANCHES UDK 78.04.07Cage DOI: 10.4312/mz.51.1.9-25 Dalibor Davidović Akademija za glasbo, Univerza v Zagrebu Music Academy, University of Zagreb Branches Veje Prejeto: 17. januar 2015 Received: 17th January 2015 Sprejeto: 31. marec 2015 Accepted: 31st March 2015 Ključne besede: anarhija, programska glasba, im- Keywords: Anarchy, Program music, Improvisation, provizacija, poezija, znanje (v glasbi) Poetry, Knowledge (in music) IZVLEČEK ABSTRACT Članek, ki za svojo osnovo vzame pogovor med Joh- Taking the conversation between John Cage and nom Cageom in Geoffreyjem Barnardom – izdanim Geoffrey
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