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Bibliographie Zupfmusik A Bibliographie Zupfmusik A Abbott, D./Segerman, E.: The Cittern in England before 1700. In: The Lute Society Journal XVII (1975), S. 24-48 Abondance, F.: Catalogue sommaire des guitares du Musée Instrumental du Conservatoire de Paris. In: Guitares. Chefs-d'oeufre des collections de France. Paris 1980, S. 307-316 Abt, John: The biography of Valentine Abt: Mandoline and harp virtuoso, composer, and teacher, 1873 – 1942. 2. überarb. Aufl., Ford Lauderdale 2003 Accornero, Giovanni: La chitarra - quattro secoli di capolavori. Torino 2008 Ackermann, Peter: Studien zur Kotomusik von Edo. [Diss.], Basel 1986 [2 Bde] Adelson, Robert: ‘For a woman when she is young and beautiful’: the harp in eighteenth-century France. In: Kreutziger-Herr, Annette/Losleben, Katrin [Hg.]: History – herstory: Alternative Musikgeschichten. Köln u.a. 2009, S. 314-335 Adelson, Robert: Rediscovering Cousineau's fourteen-pedal harp. In: The Galpin Society journal, Bd. 63 (2010), S. 159-178 Adelson, Robert: The Viscountess de Beaumont's harp and music album (1780). In: The Galpin Society journal, Bd. 62 (2009), S. 159-166, 196-197 Adelson, Robert/Letzter, Jacqueline: ‘For a woman when she is young and beautyful’: the harp in eighteenth-century France. In: Kreutziger-Herr, Annette/Losleben, Katrin [Hg.]: History – herstory. Alternative Musikgeschichten. Köln u.a. 2009, S. 314-335 Adkins, Cecil D.: The Theory and Practice of the Monochord. [Diss.], University of Iowa 1963 Adriaansz, Willem: Introduction to shamisen kumiuta. Buren 1978 Adriaansz, Willem: The Danmono and Kumiuta Traditions in Japanese Koto Music. [Diss.], University of California at Los Angeles 1965 Aguado y García, Dionisio: Sämtliche Stücke mit erklärendem Text aus der Gitarren- Schule 1843 ‚Nuevo método para guitarra’, Madrid 1843, herausgegeben von Karl Scheit. Wien 1988 Ahlert, Daniel/Schwab, Birgit: Aus der neuen Welt. Neue Werke für Mandoline und Gitarre aus Amerika. In: Concertino 61/4 (2008), S. 196-199 Ahrens, Christian [Hg.]: 31. Tage Alter Musik in Herne. 9. bis 12. November 2006. Streich- und Zupfinstrumente, Musikinstrumenten-Messe. Laute und Theorbe. Herne 2006 Ahrens, Christian: Lauten, Harfen, Violinen. Eine Musikinstrumentenausstellung der Stadt Herne. Herne 1984 Ahrens, Christian: Schnecke, Frosch und Wirbel. Eine Musikinstrumentenausstellung der Stadt Herne. Streich- und Zupfinstrumente in- und ausländischer Werkstätten. Bücher, Noten, Schallplatten. LaFrance enchanteresse, Zehn Konzerte des Westdeutschen Rundfunks Köln vom 1. bis 4. Dezember 1988. Herne 1988 Ahrens, Christian: Zur Rezeption der Gitarre in Deutschland im 18. und 19. Jahrhundert. In: Bach & Schubert. Beiträge zur Musikforschung. Jahrbuch der Bachwoche Dill 1999, S. 23-30 Aigner, Albert: Gitarrenmusik des 20. Jahrhunderts auf Tonträgern. In: Froese, Reinhard/Stern, Erika [Hg.]: Die Gitarre auf dem Weg ins 21. Jahrhundert. Bedeutung und Perspektiven im deutschsprachigen Raum. Bd 1, Trossingen 2002, S. 99-115 1 Aigner, Albert/Kreidler, Dieter/Dausend, Gerd-Michael: Interview mit dem Duett Konzertant. In: Zupfmusik-Magazin 41/4 (1988), S. 107-109 Albano, Michele: L’arpa. Accenni storico didattici. Napoli 1888 Albrecht, Adalbert: Neue Volkstümliche Gitarreschule. Vorliegende Gitarre- oder Lautenschule ist ein für Jedermann sehr leicht faßliches Unterrichtswerk für Liederbegleitung usw. sowie Solospiel. 2. erw. Aufl., München 1950 Albert, Heinrich: Neue Mandolinen-Schule. Für den Selbstunterricht besonders geeignet. Leipzig 1925 Albert, Heinrich: Moderner Lehrgang des künstlerischen Gitarrespiels für Lehrzwecke und zum Selbstunterricht. Vollständig in 4 Teilen. [4 Bde], o.O. 1923 Albert, Heinrich: Moderne Lauten- oder Gitarre-Schule. Zum Selbstunterricht besondes geeignet. Leipzig 1920 Albert, Max: Die verschiedenen Arten der Besaitung und Schreibweise für Zither. In: Centralblatt Deutscher Zithervereine I/3 (1878), S. 3-5; 14-16; 25-29 Albert, Ulrich/Grambow, Rüdiger: Instrumente sind äußerst komplexe Gebilde. Rüdiger Grambow im Werkstattgespräch mit Ulrich Albert. In: Concertino 58/1 (2005), S. 13-15 Alberti, Francisco: Mandolinenschule. Zum Selbstunterricht. [2 Bde], Hamburg o.J. Alberto, A.: Volkstümlich bearbeitete kleine Mandolinen-Schule. Enthaltend die wichtigsten Angaben über Notenlehre, Fingerübungen, Melodien und Abbildungen über Haltung des Instrumentes etc. zum Selbstunterricht. Leipzig 1929 Alberto, A.: Kleine Gitarre- und Lauten-Schule. Auch zum Selbstunterricht geeignet. Hamburg 1942 Alberto, A.: Kleine Mandolinen-Schule. Auch zum Selbststudium geeignet. Hamburg 1929 Albrecht, Adalbert: Volkstümliche Zitherschule. [3 Bde], München 1915 Albrecht, Willi: Vom Werden der Gitarre. In: Zupfmusik, Gitarre 24/3 (1971), S. 67- 68 Alexis, Freihold: Zur Geschichte der Zither. In: Zeitschrift für Instrumentenbau IV (1884), S. 378, 391, 417 Allen, Andrew: Gitarre-Kammermusik. In: Classical Guitar 11/4 (1986), S. 20 Allorto, Enrico: La chitarra. Torino 1990 Alt, Oliver: Tilo Medeks Liedschaffen mit Gitarrenbegleitung. In: Concertino 64/2 (2011), S. 80f. Ambrosius, Hermann/u.a.: Abstrakte Zupfmusik? Gespräch mit Herman Ambrosius – Rhein-Neckar-Zeitung: ‚Ein markantes Ereignis in der Geschichte der Zupfmusik’. In: Die Zupfmusik 18/3 (1965), S. 57-62 Ambrosius, Hermann: Der Faden der Ariadne. In: Die Zupfmusik 21/3 (1968), S. 41- 42 Ambrosius, Hermann: Der Schwerpunkt liegt in der Mitte. In: Die Zupfmusik 19/3 (1966), S. 38-39 Ambrosius, Hermann: Ist moderne Kunst zeitgemäß? In: Die Zupfmusik 18/4 (1965), S. 1-76 Ambrosius, Hermann: Musizieren als Freizeitgestaltung. In: Das Mandolinen- Orchester 12/4 (1959), S. 52-54 Ambrosius, Hermann: Zupfinstrumente und Neue Musik. In: Zupfmusik, Gitarre 24/4 (1971), S. 81 Anderle, Christiane: Kindergitarrenschulen auf dem Prüfstand. In: Zupfmusik- Magazin 52/1 (1999), S. 10-13 2 Andersen, Steve: Grading on the curves: Fitting bars and bridges on archtop guitars from his 2006 GAL Convention workshop. In: American lutherie 91 (2007), S. 24-31 Anderson, Julia S.: Music for Women's Chorus and Harp. A Study of the Repertory and an Analysis and Performance of Selected Compositions. [Diss.], Columbia University Teachers College 1977 Anderson, Otto: The bowed harp. London 1930 Anderson, Rex: Gitarre spielen. Ravensburg 1980 Andert, W.: Die Hummel, ein vergessenes volkstümliches Instrument der Oberlausitz. In: Volkskunst VI/2 (1957), 35-36 Andraschke, Peter: ‚Weil i a alter Drahrer bin‘: Über einige Facetten des Wienerliedes und seiner Rezeption. In: Bungardt, Julia u.a. [Hg..]: Wiener Musikgeschichte: Annäherungen – Analysen – Ausblicke. Festschrift für Hartmut Krones. Wien 2009, S. 391-413 Antonini, Claire: 10 ans avec la guitare et le luth. [Bibl.], Paris 1999 Antonioni, Giovanni: Dizionario dei costruttori di strumenti a pizzico in Italia. Dal XV al XX secolo. Cremona 1996 Appleby, Amy/Pickow, Peter: The guitarist's bookshelf. A practical music encyclopedia for today's versatile guitarist. New York 2000 Aptommas, Thomas: History oft he harp. New York 1859 Arakélian, Sourène: Alte persische Streich- und Zupfinstrumente. In: Das Musikinstrument und Phono 8 (1959), S. 182 Arbeitsgemeinschaft Gitarre in der Evangelischen Kirche in Deutschland [Hg.]: Infodienst. Gitarre, Popularmusik, Kirchenmusik, Medien. [Zschr], Reutlingen 1995- 2000 Archambo, Shelley Batt: Carlos Salzedo (1885-1961): The Harp in Transition. [Diss.], University of Kansas 1984 Armstrong, Robert Bruce; Musical instruments. Part 1: the irish and the highland harps. Edinburgh 1904 Arnheiter, Volker: Das Monochord als Gegenstand der Gehörbildung. München 2005 Arnheiter, Volker: Monochord-Variationen. Ein Bericht über die Anwendung des Monochords in der Musikausbildung sowie über den Eigenbau. In: Instrumentenbau Report 22/37 (2006), S. 16-18 Arnold, Adolf: Das „Normale“ beim Zitherbau. In: Echo vom Gebirge 14 (1896), S. 118-119 Arnold, Adolf: Leichtfaßliche und schnellfördernde Methode zur gründlichen Erlernung des Zither-Spiels. 9. Aufl., Dresden 1910 Arnold, Donna: The Lute Music and Related Writings in the Stammbuch of Johann Stobaeus. [Diss.], North Texas State University 1982 Arriga, G.: The Renaissance Guitar. In: La Guitarra Española / The Spanish Guitar. The Metropolitan Museum of Art New York, Museo Municipal Madrid. 1991-1992. Madrid 1993, S. 63-67 Artmeier, Fred: Die moderne Gitarre. Melodie- und Akkordspiel; ein neuzeitliches Unterrichtswerk. 3. überarb. Aufl., Lochham 1986 Artmeier, Fred/Keller, Ernst: Mandolinen- und Mandolin-Benjo-Schule. O.O. 1957 Artmeier, Fred: Tenor-Banjo-Schule. Melodie- und Akkordspiel, allgemein verständlich. Lochham 1995 Aßheuer, Marget/Senf, Ulrich: Willi Althoff – sein Leben und Schaffen. In: Zupfmusik-Magazin 50/1 (1997), S. 4-6 3 Au, Hans von: Leicht faßliche Anleitung zum Spiel der Thüringer Thither. Mannheim o.J. [vor 1912] Auwerter, Erich: Der Zupfinstrumentenbau braucht dringend eine Fachschule. In: Zupfmusik Gitarre 27/4 (1974), S. 107-108 Azpiazu-Iriarte, José: Die Gitarre als Begleitinstrument (Akkorde und Rhythmen) für Gesang und Tanzkapelle. München 1969 Azpiazu-Iriarte, José: Rasgueado technique. München 1969 Azpiazu-Iriarte, José: The little guitarist. München 1969 Azpiazu-Iriarte, José: Flamenco-Gitarrenschule. München 1972 4 B Bachmann-Geiser, Brigitte: Die Toggenburger Halszither als Cister. Ein Volksmusikinstrument der Schweiz als lebendiges Zeugnis eines Kunstmusikinstruments der Renaissance. In: Volkskunst III (1980), S. 218-222 Bachmann-Geiser, Brigitte: Die Volksmusikinstrumente der
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