D'addario Fretted Strings
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Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Wood & Steel Taylor Guitars / Volume 89 Fall 2017
IRON & WINE’S SAM BEAM FALL LIMITED EDITIONS Walnut & Torrefied Spruce Koa 12-Fret Grand Auditorium Cocobolo 914ce 8-String Baritone New Models: 12-String 352ce & 362ce Bob Taylor’s World Forestry Tour 2 www.taylorguitars.com VOLUME 89 | FALL 2017 social Letters be beneficial with a little humidification. The Toneshifting T5z > CONTENTS < Would this 114ce sound as good as I got [the T5z Custom Pro] a couple Drop us a line. the Taylor 114e from the wall hanger? years ago and only recently did I learn circles Email us: [email protected] Better! Sold! about its amazing capabilities. As an After many comments of how beau- avid Taylor owner of an 812[ce] 12-Fret tiful it looks, it now sits in a respected DLX, 562ce, and a 2014 Fall LTD GS Join the Taylor community place in our living room for all to see. I Mini Koa, this is the one Taylor I had not Features Columns Facebook: can only say thank you, Taylor, for a really explored enough. While acous- @taylorguitars I was skeptical because of that imma- beautiful instrument from builders that tics are pretty straightforward with Instagram: @taylorguitars 6 The Art of Acoustic Interplay 4 Kurt’s Corner ture aversion that I had to the name on gave it TLC. I cannot know who built their voices, this beast has the ability Twitter: @taylorguitars Learning to blend different guitar voices and playing styles in a Taylor Guitars might not exist without the headstock. Nevertheless, I walked the guitar I hold, and yet I wish them to be omnipresent in many contexts. -
Eric Johnson
ERIC JOHNSON The guitar has been very good to Eric Johnson, earning him international renown as a player, composer, recording artist and live entertainer as well as an ever-growing audience of admirers. And Eric Johnson has been very good to the guitar, spotlighting its myriad melodic, sonic and lyrical splendors, paying homage to its heroes and innovators, collaborating and playing with many of its finest contemporary talents, and fostering its continuing vibrancy as a primarily instrumental genre in popular music. “He's an extraordinary guitar player accessible to ordinary music fans,” notes the Memphis Commercial Appeal. That’s because Eric Johnson plays music and not just the guitar. He is also a gifted player of the piano (his first instrument) as well as songwriter, singer and song interpreter. Or more succinctly, Eric Johnson is a diverse, versatile and fully realized musical creator who plays guitar like no one else The pivotal event in Johnson's rise to becoming, as Guitar Player says, “one of the most respected guitarists on the planet," was his million-selling, now-classic 1990 album Ah Via Musicom (which loosely translates as "communicating through music"). It was his second release, following Tones, his 1986 major label debut. Musicom yielded three Top 10 singles – "Cliffs of Dover," which has become Johnson's signature song and won a Best Rock Instrumental Grammy, and "Trademark" and "Righteous." It made him the first artist to ever score three Top 10 instrumentals. Now, 28 years later, he revisits that landmark recording with a 2018 tour on which he will play the album – hailed as a "masterwork" in Amazon.com's review – in its entirety. -
(1984): Michael Hedges and the De/Reterritorialization of the Steel-String Acoustic Guitar
Marcel Bouvrie 4069277 | Beyond Aerial Boundaries (1984): Michael Hedges and the De/reterritorialization of the Steel-String Acoustic Guitar Beyond Aerial Boundaries (1984): Michael Hedges and the De/reterritorialization of the Steel-String Acoustic Guitar Marcel Bouvrie 4069277 Master thesis Applied Musicology July 2018 University Utrecht Supervisor: Prof. Dr. Emile Wennekes Contents: Introduction p. 2 Methodology p. 4 Chapter 1: Assemblage p. 8 Chapter 2: The Rhizome p. 13 Chapter 3: De/reterritorialization p. 20 Conclusion p. 31 Bibliography p. 33 1 Marcel Bouvrie 4069277 | Beyond Aerial Boundaries (1984): Michael Hedges and the De/reterritorialization of the Steel-String Acoustic Guitar Introduction In 1984, acoustic guitar virtuoso Michael Hedges released his second album, Aerial Boundaries, which many describe as the genesis of a new solo acoustic guitar movement:1 a movement where guitarists expand the sonic and musical palette of the acoustic guitar by optimally combining its melodic, harmonic, timbral and percussive potential. This, in order to develop the acoustic guitar as a fully-fledged solo instrument, rather than its more typical role of accompanying instrument. Before Hedges, there were already several acoustic guitarists who challenged the convention that the steel-string acoustic guitar’s primary function is that of an instrument for accompaniment. John Fahey, Leo Kottke, Will Ackerman and Preston Reed were the most prominent guitarists to try to validate the steel-string acoustic guitar as a solo instrument. They all had their own unique idiosyncratic approach within this self- proclaimed mandate, but none had the disruptive impact that Hedges had, and still has. Today, this new acoustic guitar movement – often described as Fingerstyle or Percussive Guitar – is larger and more popular than ever. -
Alustavale Kitarrihuvilisele
Alustavale kitarrihuvilisele Milliseid vahendeid on vaja kitarri õppimiseks? 1. Nailonkeeltega klassikaline kitarr. 2. Kitarrikott 3. Jalapink 4. Noodipult 5. Metronoom ja häälestaja – pillipoodides on neid müügil väga erinevaid. Soovitan osta Boss TU-80 häälestaja. Kui kasutate nutitelefoni, siis saab vastavaid app´e alla laadida. 6. Noodivihik, pliiats, kustutuskumm ning 2 mappi - üks koju, teine pillikotti. 7. 1 pakk varukeeli (nailon), juhuks kui mõni keel peaks katki minema. Keskmise paksusega. 8. 3 erineva paksusega medikat: õhuke, keskmine ja paks. Võib ka rohkem osta, sest need kipuvad kergesti kaduma. Lisaks oleks vaja ühte õhukesest riidest lappi, et takistada keeltel vastu kitarrikaela minemast – pikendab oluliselt keelte ja krihvide eluiga. Kuidas tulemuslikult harjutada? 1. Harjuta regulaarselt! Proovi mängida iga päev vähemalt 15 minutit. Kui see pole võimalik, siis üle päeva 30 min. 2. Jaga harjutamisele mõeldud aeg erinevate harjutuste vahel ära. Kui harjutusi on liiga palju, siis jaga need kahe päeva peale ära. 3. Hoia oma vahendid korras, et harjutamisele mõeldud aeg ei kuluks asjade otsimisele. 4. Keskendu harjutamise ajal ainult pillimängule ja ära lase ennast segada. Lülita välja TV, raadio jm seadmed. 5. Järgi võimalikult täpselt õpetaja antud soovitusi ja ülesandeid. Tihti on harjutuse läbi mängimisest olulisem kuidas seda harjutust teha! Kuulsad kitarristid Siin nimekirjas on mõned kitarristid, keda iga kitarriõpilane võiks teada. Tegemist on väga erinevaid stiile viljelevate kitarristidega – vaadake neid youtube´ist -
College of Saint Rose Audition Information for Music Industry Program Applicants
College of Saint Rose Audition Information for Music Industry Program Applicants All Music Industry Applicants (except guitar and electric bass) There are two auditions occurring on the same day for applicants for the Music Industry Program. Both are required for acceptance into the Music Industry Program at Saint Rose. 1. College of Saint Rose Music Department Audition 2. Music Industry Program Audition See below for specific information for each audition and instrumental or vocal discipline. Note: Guitar and Electric Bass applicants will only take one audition. See below for specific information. Music Industry Program Auditions Occurring immediately after the Music Department Auditions, there will be an additional audition for Music Industry Program applicants. The Music Industry Program Audition will provide a space for students to demonstrate additional talents (songwriting/composing, alternate instruments, commercial or jazz styles). The applicant should choose ONE of the following options for the audition: • Singers: Sing a song from the list below. Accompaniment will be provided. Or, you may sing/play a any song that you accompany yourself on with acoustic guitar or piano. No recordings or backing tracks. • Songwriters: Play/sing a song you wrote • Composers or producers: Present a score or recording of some of your music you have composed or produced. • Jazz or Rock/Pop Instrumentalists: Select material from the following list below. • Non-classical traditional instrumentalists (Americana, Fiddle Traditions, etc): Play a traditional song. • Classical Instrumentalists or Vocalists: if none of the above options describe you, repeat a selection from your Music Department audition. Please note: The Music Industry Program Audition will take place in Jack's Place and the St. -
Meet Your Match!
MEET YOUR MATCH! BERLIN MAY 5+6 2018 AN EVENT BY C4 C3 C2 C1 DEMO CONCERTS STAFF ONLY SOUND CABINS SOUND CABINS Restricted access 5 Cabins: 5 Cabins: Testing electric Testing electric guitars guitars, basses & acoustic guitars THE HOLY GRAIL GUITAR SHOW STAGE May 5 & 6, 2018 Estrel Berlin • Sonnenallee 225, 12057 Berlin SOUND CABINS 4 Cabins: Testing acoustic guitars ► PUBLIC HOURS: Saturday, May 5, 2018 • 11:00 - 19:00 Sunday, May 6, 2018 • 11:00 - 17:00 DeO M COnCeRTS & LeCTUReS FOYER ESTREL HALL Exhibitors ► TICkeTS*: Exhibitors 62-135 1-61 1-day ticket € 20 First-come, first-served; once all Weekend ticket € 30 seats are taken doors will close. Doors will remain closed during ► DISCOUnTeD 1-Day tickeTS*: concerts and lectures. The schedule Disabled persons, seniors (65 and older), students € 12 is subject to change without notice. Child (under 14) free Free oF ChArGe For tickeT holDerS * All prices include 19 % VAT Bathrooms Show Entrance & Exit Restaurant PASSAGE area PUBLIC LOUnge / ROOM PaRIS Ticket Counter Wardrobe Saturday, May 5 Sunday, May 6 ► OPenIng hours: ► OPenIng hours: Smoking Coffee bar: 09:00 - 19:00 Coffee bar: 08:30 - 11:30 & 13:30 - 17:00 Area Acoustic Guitar Stage: 12:00 - 19:00 Gear Talk: International Pickup Maker Panel: 11:30 - 13:30 Reception Acoustic Guitar Stage: 13:30 - 17:00 ROOM PARIS ROOM LYON ROOM STRAßBURG Entrance Estrel PUBLIC LOUNGE DEMO CONCERTS LECTURES TAXI The Holy grail guitar Show is organized by the european guitar Builders e.V. (egB). an important part of the EGB’s mission is the promotion of the luthier-built guitar among the guitar playing public. -
EN-Knobloch-Version-Digital.Pdf
The Art of Vibration If we had to identify one common trait that defines Knobloch Strings, it would be, without a doubt, our passion for music: we are guitarists and we live and think like musicians. The passion and care we take at each stage of the production, from the selection of the raw materials to the hand packaging of the strings, is a fundamental characteristic of Knobloch Strings and is what creates strings of the highest possible quality. Perfect intonation and well-balanced with a warm full sound, Knobloch Strings are acclaimed by today’s leading guitarists, both nationally and internationally. The passion we share with musicians and luthiers allows us to strive for new ways of understanding music and bringing it to life. If it’s true that everything moves with vibrations, we like to think that our work helps the world vibrate more fully through Art. New Strings Discover Them! In honor of Maestro Leo Brouwer as he celebrates his 80th birthday, Knobloch Strings has released a commemorative line of high-quality classical guitar strings to pay tribute to his legacy and musical output. “Knobloch has a silver sound that shines! I have them on my guitar.” Leo Brouwer Known for their versatility and resonance, Double Silver basses bring volume and a balanced tone to every type of music. From live performance to the recording studio, Double Silver can rise to any occasion. Designed for the musician who needs well - balanced strings with big resonance and a beautiful tone. Experience the difference these skillfully crafted strings make, feel the vibration through your fingers. -
+10% Increase for 2020/2021 Contents
+10% increase for 2020/2021 Contents Accessories for music instruments ....................................... 50 International strings ............................................................... 38 Aoud ..................................................................................47–48 Kanoun ................................................................................... 46 Balalaika ................................................................................ 45 Lute ........................................................................................... 9 Banjo ....................................................................................... 39 Lyre ......................................................................................... 49 Bass ....................................................................................28–32 Mandola ................................................................................. 36 Acoustic bass .................................................................... 29 Mandolin ...........................................................................35–36 Electric bass .................................................................28–32 Mandoloncello ...................................................................... 37 Bouzouki ................................................................................. 40 Mandriola ............................................................................... 37 Cello ........................................................................................ -
HENDERSON Trumpeting Change
November 2012 | No. 127 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com EDDIE HENDERSON Trumpeting Change FRED • TED • PHIL • GLIGG • EVENT VAN HOVE NASH COHRAN RECORDS CALENDAR CHICK COREA & ELLIS MARSALIS QUARTET ERIC PERSON CURTIS STIGERS KENNY G STANLEY CLARKE BAND 11/8 - 11 11/12 11/13 - 14 11/15 - 18 ft. RAVI COLTRANE & MARCUS GILMORE 11/3 - 7 SHEILA JORDAN & STEVE KUHN DUO JACQUI NAYLOR THE MANHATTAN TRANSFER CASSANDRA WILSON 11/19 11/20 - 22 11/23 - 25 11/29 - 12/2 LATE NIGHT GROOVE SERIES: SUNDAY BRUNCH SERIES: JEFF FOXX & CHARMAINE AMEE 11/2 NYU JAZZ: MICHAEL RODRIGUEZ 11/4 THOUSANDS OF ONE 11/3 IRIS ORNIG 11/11 RITMOSIS 11/9 JUILLIARD JAZZ ENSEMBLE 11/18 MAURICIO ZOTTARELLI - MOZIK 11/10 ERIKA 11/25 JOHN RAYMOND PROJECT 11/16 MUTHAWIT 11/17 MATT DICKEY & TRY THIS AT HOME 11/23 SWISS CHRIS 11/24 MICHAEL FEINBERG 11/30 TELECHARGE.COM TERMS, CONDITIONS AND RESTRICTIONS APPLY Everyone has seen one of those classic kung fu movies where some line like “Now the student has become the master” is spoken. It may seem a bit trite when heard with bad overdubbing but jazz wouldn’t be the same without the concept. While New York@Night there have been some players that appeared fully formed, most worked numerous 4 apprenticeships - learning on the bandstand, as it were - with their elders, Interview: Fred Van Hove absorbing lessons they themselves later passed on. Trumpeter Eddie Henderson (On The Cover) got his start as part of Herbie 6 by Clifford Allen Hancock’s Mwandishi band in 1970 but is now an elder statesman himself, sharing Artist Feature: Ted Nash decades of jazz wisdom. -
Shawn Porteous Biography
Shawn Porteous Biography Shawn Porteous has been an active member of his musical community for nearly a decade. As a guitar instructor, Shawn has worked with hundreds of students throughout this time in both one-on-one and group settings. Shawn has had experience teaching students of all ages and abilities, and has also had experience teaching a vast array of musical genres, including Rock, Jazz, Blues, Classical, and Celtic, to name a few. Currently, Shawn’s own personal focus is on Classical guitar, as well as acoustic fingerstyle guitar. He has spent the past several months studying the stylings and techniques of such guitarists as Joe Satriani, Andy McKee, Ewan Dobson, and Spencer Elliott. Shawn has also previously volunteered as a guitar instructor at Status 4, a non-profit organization dedicated to providing under-served and at-risk youth with opportunities to explore their musical potentials. In 2007, Shawn began teaching private guitar lessons after earning his Grade 6 certification through the London College of Music, now known as the University of West London. By 2009, he had also earned both his Grade 7 and Grade 8 certifications in electric guitar playing. It should also be noted that Shawn has not only assisted several of his students in passing such exams themselves, he has also helped prepare them to embark on their own teaching journeys. In 2010, Shawn completed his Bachelor of Arts through the University of Manitoba, and in 2015, he completed his Bachelor of Education. Shawn also currently holds a Certificate of Adult and Continuing Education diploma, as well as a Post Baccalaureate in Education degree through the University of Manitoba. -
Guitar Buyer's Guide
Guitar Buyer’s Guide Guitarsonline.com.au Compiled by Pierre Herrero As I guitar importer and distributor. I travel to Spain every year to buy guitars. I have tested and imported thousands of guitars and visited some of the most important luthiers in the world. I am often asked what makes a good guitar? Here are some of the best answers I have been able to find. If you would like to come to our showroom in Melbourne and select your guitar personally from the hundreds in stock, please give me a call. Otherwise we are more than happy to refer you to a dealer or we can delivery nationwide that special guitar. Regards, Pierre Herrero Managing Director Spanish Guitar Imports Eureka Management Pty Ltd Alhambra Guitars www.guitarsonline.com.au Ph +61 3 9395 5055 M 0410 708 338 [email protected] “Selecting the best guitars worldwide to bring superb tone and pleasure” 1 What I aim to Cover 1. What is a classical Guitar 2. How to chose the best guitar for you- Judging Quality 5 things to look/listen for when trying/buying a new guitar 3. Shopping for a guitar 5 steps to buying a new guitar 4. Recommended Guitars 5. Why upgrade? –which level of instrument is suitable for me? 6. Taking Care of your guitar 7. Traditional Spanish Guitar Building Techniques 8. Classical Guitar construction (in detail) New Guitar Styles/construction techniques/tone woods 9. Left Handed Guitar Construction 10. Classical v Flamenco Construction What is a Classical Guitar 1) It is an instrument for the interpretation of a wide repertoire of original works and transcriptions composed over a long period of five centuries.