Wood & Steel Taylor Guitars / Volume 89 Fall 2017
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CITES Musical Instrument Certificates Background Musicians Perform With
CITES Musical Instrument Certificates Background Musicians perform with valuable and culturally significant musical instruments legally crafted decades and even centuries ago. A number of these instruments contain small amounts of ivory, shell, reptile skin, and rosewood or other materials regulated under the Convention on International Trade in Endangered Species of Wild Flora and Fauna (CITES). The international use of musical instruments by musicians and professional and student ensembles is essential to advance diplomacy, spark artistic innovation, and support vital international cultural activity. In partnership with CITES parties and the conservation community, music stakeholders have undertaken efforts to increase compliance with current permit requirements while simultaneously pursuing policy improvements that will alleviate unnecessary burdens. Musical Instrument Certificate Created at CoP16 – A Consolidated Permit At the 16th Conference of the Parties (CoP16), Resolution Conf. 16.8 was adopted on Frequent Cross-Border Non-Commercial Movements of Musical Instruments, creating a multi-use Musical Instrument Certificate. The Musical Instrument Certificate is not an exemption from the permit process. It is a consolidated permit. The MIC streamlines the requirement for obtaining multiple CITES export permits when an instrument contains CITES material and is not exempted from permit requirements by an annotation or a personal effects exemption. Musicians using the MIC apply to their CITES Management Authority for issuance of single permit, which must then be credentialed by CITES enforcement officials at each port through which an instrument travels. Clarifications and Exemptions Approved at CoP17 At the 17th conference of the parties (CoP17), unanimous approval was given to Resolution Conf. 16.8 (Rev. CoP17), which: 1. -
Die Welt Der Taylor Gitarren
Wilder Charakter Blackheart Sassafras Herbst-LTDs Blackwood 500er Voll-Koa 300er & GS Mini 40 Taylor-Innovationen Warum man mit Verstärker spielen sollte Zeit für einen Saitenwechsel 2 www.taylorguitars.com | Sommerausgabe]. Ich war von 1984 12 hatte ich mal Klavierunterricht gehabt, sofort, dass sich die Basswiedergabe AUSGABE 80 herbst 2014 bis 1988 der Fahrer von Prince. Auch aber als ich die Mädchen entdeckte, war der A- und E-Saite massiv verschlechtert Leserbriefe auf der Purple Rain-Tour war ich dabei. es mit meiner angehenden Musikkarriere hatte. Ich war niedergeschmettert. Die Mir wurde ein umgebauter schwarzer am Ende. Ein langjähriger Freund vom Gitarre klang nicht mehr wie eine Taylor. > IN DIESER AUSGABE < Besuchen Sie uns auf Facebook. Abonnieren Sie uns auf YouTube. Folgen Sie uns auf Twitter: @taylorguitars Transporter zugeteilt, um Prince zu Hot Licks Guitar Shop verkauft Taylor- Außerdem war nicht mehr viel vom Steg den klanglichen Verbesserungen, von fahren. Als ich mir den Wagen ansah, Gitarren. Er war überzeugt davon, dass übrig, und die Justierung hatte einen den strahlenden Höhen bis zu den stieß ich auf einen Gitarrenkoffer. Ich ich noch was lernen kann. Also kaufte dämpfenden Effekt auf das Sustain der tiefen, artikulierten Bässen, rockt es spiele selbst Gitarre, weshalb ich ich eine 518e, und ich liebe ihren Klang. tiefen E-Saite. Es fehlten die starken mit dieser Gitarre viel besser, und ich neugierig war. Ich sah an der Seite Inzwischen sieht mein Zuhause aus wie Bass-Schwingungen, die ich zu hören muss sie nicht missbrauchen, um die den Taylor-Schriftzug, aber ich muss eine Taylor-Ausstellung. Jedes Modell ist und fühlen gewöhnt war. -
Ibanez Market Strategy
Ibanez Market Strategy Billy Heany, Jason Li, Hyun Park, Alena Noson Strategic Marketing Table of Contents Executive Summary ....................................................................................................................................... 3 Firm Analysis.................................................................................................................................................... 4 Key Information about the Firm ........................................................................................................... 4 Current Goals and Objectives ................................................................................................................ 5 Current Performance ................................................................................................................................. 6 SWOT ............................................................................................................................................................. 7 Current Life Cycle Stage for the Product .......................................................................................... 8 Current Branding Strategy ...................................................................................................................... 9 Industry Analysis .......................................................................................................................................... 10 Market Review ........................................................................................................................................ -
2018 Us Price List & Specifications
2018 US PRICE LIST & SPECIFICATIONS Effective January 1, 2018 taylorguitars.com Contents Models by Series / Pricing 4 Custom Program 8 Dimensions by Shape 9 Standard Model Options 10 Specifications 11 The majority of Taylor’s acoustic guitars are offered in three model variations: • Cutaway body with onboard electronics (e.g., 516ce) A Guide to Taylor • Non-cutaway body with onboard electronics (e.g., 516e) • Non-cutaway body with no onboard electronics (e.g., 516) Acoustic Model Most models are organized by series, featuring the 100 through 900 Series along with our Academy, Numbers Presentation (PS) and Koa (K) Series. Here’s how our numbering system works: The first digit (or letter) identifies the Series. Most guitar models within each series share the same back and side woods and appointment package. The second digit designates two things: first, whether the guitar is a 6-string or a 12-string, and second, whether the top features a softwood like spruce or cedar, or a hardwood like mahogany or koa. The middle number “1” or “2” designates a 6-string guitar with a softwood (1) or hardwood (2) top. For example: 516ce = 6-string with a spruce top 526ce = 6-string with a mahogany top The middle number “5” or “6” designates a 12-string guitar with either a soft (5) or hardwood (6) top. 516ce In this case: 552ce = 12-string with a cedar top 562ce = 12-string with a mahogany top Taylor nylon-string models are integrated into various series and are designated by the letter “N” at the end of the model name. -
Inside the World of Taylor Guitars / Volume 85 Summer 2016
The Taylor Neck Anatomy of a pitch-perfect design Rosewood Revisited The redesigned 700 Series Doobie Brother Pat Simmons Acoustic fingerstyle meets classic rock Dynamic Dreadnoughts 7 must-play models Baritone Basics Expand your musical palette 2 www.taylorguitars.com | dreamed of being involved with forest home I like to play and write with 11s. VOLUME 85 SUMMER 2016 development/management in the way So my answer? Buy another Taylor! I’m Full Recovery Taylor Guitars has been. thinking a new 710e or maybe even Letters The attached photo is of my 2014 First Edition 810e, just as it was Your response to Mr. McKee’s 810e... I’m a sucker for a dreadnought found, 13 days after our home was burglarized and it was stolen. I live in > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars inquiries re-affirmed everything I’ve and love the rosewood/spruce combo. Concord, Vermont, way up in the northeast corner of our state and just ever believed about our inherent I’m very excited for my next purchase! across the Connecticut River from Littleton, New Hampshire. Northern responsibility for good stewardship of Keep making these amazing instru- Lights Music in Littleton is where I fell in love with this guitar and purchased these precious natural resources. Good ments — I’m a fan and Taylor emissary it. Dan and Moocho Salomon at Northern Lights were phenomenal, as stewardship does not mean we — as for life. always, and their beautiful shop is a perfect place for a guitar nut to get lost the human beings whose lives and Kirk O’Brien FEATURES COLUMNS in. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Taylor Guitars Took a Big Risk by Investing in an African Sawmill — but According the Company's Co-Founder, It Was a Great Move Matthew Debord
7 October 2018 SENT TO LSU AGCENTER/LOUISIANA FOREST PRODUCTS DEVELOPMENT CENTER - FOREST SECTOR / FORESTY PRODUCTS INTEREST GROUP So, I have a Taylor guitar and have researched sustainable tree species from Africa used in building musical instruments. I couldn’t resist sharing this with the group. Instrument manufacturers have a vested interest in following this type of model. Regards, Rich Taylor Guitars took a big risk by investing in an African sawmill — but according the company's co-founder, it was a great move Matthew DeBord Sep. 18, 2018, 2:55 PM https://www.businessinsider.com/taylor-guitars-ebony-project-2018-8 Taylor co-founder Bob Taylor. Taylor • San Diego-based Taylor Guitars has made a substantial investment in a sawmill in Cameroon to provide the innovative company with a sustainable supply of an essential wood, ebony. • Under co-founder and President Bob Taylor's leadership, the company upgraded the sawmill to a high level of craftsmanship. • Acoustic guitar companies are at the leading edge of sustainability in this respect because they use so many exotic and monitored woods in their instruments. • This article is part of Business Insider's ongoing series on Better Capitalism. It's like something out of a movie: a seasoned entrepreneur and environmentally conscious leader decides to buy and transform a sawmill in Cameroon. 1 7 October 2018 SENT TO LSU AGCENTER/LOUISIANA FOREST PRODUCTS DEVELOPMENT CENTER - FOREST SECTOR / FORESTY PRODUCTS INTEREST GROUP But if anybody was going to undertake such a daunting project, it would be Bob Taylor, who in 1974 decided that there was room for another major American guitar manufacturer. -
Das Große Alan-Bangs-Nachtsession -Archiv Der
Das große Alan-Bangs-Nachtsession1-Archiv der FoA Alan Bangs hatte beim Bayerischen Rundfunk seit Februar 2000 einen besonderen Sendeplatz, an dem er eine zweistündige Sendung moderieren konnte: „Durch die Initiative von Walter Meier wurde Alan ständiger Gast DJ in den Nachtsession‘s, welche jeweils in der Nacht vom Freitag zum Samstag auf Bayern2 ausgestrahlt werden. Seine 1.Nachtsession war am 18.02.2000 und seit dieser ist er jeweils 3 bis 4mal pro Jahr zu hören – die letzte Sendung wurde am 1.12.2012 ausgestrahlt. Im Jahr 2001 gab es keine Nachtsession, 2002 und 2003 jeweils nur eine Sendung.“ (Zitat aus dem bearbeiteten Alan-Bangs-Wiki auf http://www.friendsofalan.de/alans-wiki/ Ab 2004 gab es dann bis zu vier Sendungen im Jahr, die letzte Sendung war am 1.12. 2010. Alan Bangs‘ Nachtsession- Sendungen wurden zeitweise mit Titeln oder Themen versehen, die auf der Webseite bei Bayern 2 erschienen. Dazu gab es teilweise einleitende Texte zusätzlich zu den Playlisten dieser Sendungen. Soweit diese (noch) recherchierbar waren, sind sie in dieses Archiv eingepflegt. Credits: Zusammengestellt durch FriendsofAlan (FoA) unter Auswertung von Internet- Quellen insbes. den auf den (vorübergehend) öffentlich zugänglichen Webseiten von Bayern 2 (s. die aktuelle Entwicklung dort im folgenden Kasten ) IN MEMORIUM AUCH DIESES SENDEFORMATS Nachtsession Der Letzte macht das Licht aus Nacht auf Donnerstag, 07.01.2016 - 00:05 bis 02:00 Uhr Bayern 2 Der Letzte macht das Licht aus Die finale Nachtsession mit den Pop-Toten von 2015 Mit Karl Bruckmaier Alle Jahre wieder kommt der Sensenmann - und heuer haut er die Sendereihe Nachtsession gleich mit um. -
Firing the Canon: Multiple Insularities in Jazz Criticism
FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM By © 2014 Christopher Robinson Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie Tucker ________________________________ Randal Jelks ________________________________ Tony Bolden ________________________________ John Gennari ________________________________ William J Harris Date Defended: April 7, 2014 The Dissertation Committee for Christopher Robinson certifies that this is the approved version of the following dissertation: Firing the Canon: Multiple Insularities in Jazz Criticism ________________________________ Chairperson, Sherrie Tucker Date approved: April 7, 2014 ii ABSTRACT Whereas many jazz scholars focus on jazz criticism's construction and implications of a single, or insular, jazz canon, this dissertation argues that what many jazz critics do is precisely the opposite. These critics disrupt the sense of a singular and insular jazz canon by challenging it through the creation of what I call an insularity, which is a bounded collection of artists and music with a definable tradition, values and established criteria which regulates what is suitable for inclusion. This dissertation argues that jazz does not consist of a single canon and music that exists beyond the canon's boundaries; rather, jazz contains multiple insularities that challenge the canon and vie for the opportunity to overthrow the canon in order to reach canonical status. This dissertation conceptualizes jazz critics as cultural authorities who create or deconstruct insularities through a variety of race, gender and nation projects. It examines the criticism of Leonard Feather, Val Wilmer and Nathaniel Mackey to highlight the numerous ways in which critics engage with multiple insularities. -
Mark Knopfler Paris Tickets
Mark knopfler paris tickets We're currently processing your order; this may take several minutes. Processing © Newsletter | Terms of Use | Privacy. Get the latest news and exclusive ticket presales at Mark Knopfler's official site – MARK KNOPFLER en concert: Mark Knopfler c'est le guitariste, chanteur, compositeur et producteur de Dire Straits, groupe qui a su adapter la musique. Find and buy Mark Knopfler and Band tickets at Find upcoming event tour dates and schedules for Mark Knopfler and Band at Find and buy Mark Knopfler tickets at Find upcoming event tour dates and schedules for Mark Knopfler at DVD-Video containing the first concert of Dire Straits in Paris Great concert, good atmosphere. This is a. Privateering. Lyrics Depot is your source of lyrics to A Walk in Paris by Mark Knopfler. Please check back for more Mark Knopfler lyrics. David Knopfler: TO FEEL THAT WAY AGAIN Paris, June 7” – DAVE 7 To Sultans Of Swing (Video) Mark Knopfler: LAST EXIT TO BROOKLYN Vertigo. Win Return flights to Paris with Air France, two tickets to see Mark Knopfler live and a Fender American Standard Stratocaster signed by Mark Knopfler. KNOPFLER part of The Music Sales Group London / New York / Paris / Sydney / Copenhagen / Berlin / Madrid / Hong Kong / Tokyo DIRE STRAITS ANGEL OF. With The Very Best of Dire Straits bROTHERS iN bAND disembarks in Paris on keyboardist Dire Straits and Mark Knopfler since period, he came to be. The Tracker Tour was a concert tour by British singer-songwriter and guitarist Mark Knopfler, Date, City, Country, Venue, Tickets Sold/Available, Box Office . -
Linedance 108 Songs, 6.4 Hours, 631.7 MB
LineDance 108 songs, 6.4 hours, 631.7 MB Name Time Album Artist Long Legged Hannah 3:53 A Man Like Me Jesse Hunter Honky Tonk Stomp 3:04 #1s... And Then Some [Disc 1] Brooks & Dunn Keep On Lovin' You 3:03 Keep On Lovin' You - Single Steel Magnolia Riding Alone 3:28 Sex & Violins Rednex Amen Kind of Love 3:27 All Because of You Daryle Singletary In Color 4:51 That Lonesome Song Jamey Johnson Do You Love Me 2:53 Dirty Dancing - 20th Anniversary Editi… The Contours My Kinda Country 2:55 Anything Goes Randy Houser Save A Horse (Ride A Cowboy) 3:20 Horse Of A Diferent Color Big & Rich Forever Road 4:02 Learn To Live Darius Rucker Feel That Fire 3:22 Feel That Fire Dierks Bentley That's How Country Boys Roll 3:44 Little Bit Of Everything Billy Currington Corina, Corina 4:07 Tribute to the Music of Bob Wills & the… Asleep At The Wheel Swamp Thing 7:15 Pecker (Original Motion Picture Sound… The Grid Thank God I'm A Country Boy 3:29 A Song's Best Friend: The Very Best Of… John Denver Play That Funky Music 5:00 Wild Cherry Wild Cherry The Wanderer 2:49 Runaround Sue Dion God Love Her 3:37 That Don't Make Me A Bad Guy Toby Keith Back That Thing Up 2:36 Back That Thing Up - Single Justin Moore This Is Your Brain 3:37 The Essential Joe Dife Joe Dife You Shook Me All Night Long 3:30 Back In Black AC/DC Blame It On Texas 2:52 Mark Chesnutt: Greatest Hits Mark Chesnutt About The South 2:59 If You're Going Through Hell Rodney Atkins Eight Second Ride 3:05 Startin' With Me Jake Owen Mistress For Christmas 4:00 The Razor's Edge AC/DC All Summer Long 4:57 Rock N Roll Jesus Kid Rock Toes 4:21 The Foundation Zac Brown Band Cupid Shufe 3:51 Time for a Change Cupid I Still Like Bologna 4:40 Good Time Alan Jackson Firecracker 3:30 Everything Is Fine Josh Turner The Devil Went Down to Georgia 3:44 Essential Super Hits of The Charlie Da… The Charlie Daniels Band Hillbilly Bone (feat. -
Greater Manchester Culture and Social Impact Fund Committee 2020/21
Public Document GREATER MANCHESTER CULTURE AND SOCIAL IMPACT FUND COMMITTEE 2020/21 DATE: Monday 19 April 2021 TIME: 11.00 am This meeting will be accessible from 10.30 am. Please could Members join the meeting early so any IT issues can be addressed. VENUE: Live Teams Virtual Meeting AGENDA 1. APOLOGIES 2. CHAIRS ANNOUNCEMENTS AND URGENT BUSINESS 3. DECLARATIONS OF INTEREST 1 - 4 To receive declarations of interest in any item for discussion at the meeting. A blank form for declaring interests has been circulated with the agenda; please ensure that this is returned to the Governance & Scrutiny Officer at the start of the meeting 4. TO APPROVE THE MINUTES OF THE LAST MEETING HELD 5 - 10 ON 3 SEPTEMBER 2020 5. GM CULTURE RECOVERY PLAN & YEAR IN REVIEW 11 - 54 6. DATE AND TIMES OF FUTURE MEETINGS That meetings be organised in accordance with the Committee’s Terms of Reference (at least twice a year) and circulated to Members. It is suggested that the next meeting take place in September 2021 when District representatives have been appointed. BOLTON MANCHESTER ROCHDALE STOCKPORT TRAFFORD BURY OLDHAM SALFORD TAMESIDE WIGAN Please note that this meeting will be livestreamed via www.greatermanchester-ca.gov.uk, please speak to a Governance Officer before the meeting should you not wish to consent to being included in this recording. For copies of papers and further information on this meeting please refer to the website www.greatermanchester-ca.gov.uk. Alternatively, contact the following Governance & Scrutiny Officer: Jenny Hollamby [email protected] This agenda was issued on 9 April 2021 on behalf of Julie Connor, Secretary to the Greater Manchester Combined Authority, Broadhurst House, 56 Oxford Street, Manchester M1 6EU 2 GM CULTURE AND SOCIAL IMPACT FUND COMMITTEE 2020/21 19 March 2021 Declaration of Councillors’ Interests in Items Appearing on the Agenda NAME: ______________________________ DATE: _______________________________ Minute Item No.