2020 Price List
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CITES Musical Instrument Certificates Background Musicians Perform With
CITES Musical Instrument Certificates Background Musicians perform with valuable and culturally significant musical instruments legally crafted decades and even centuries ago. A number of these instruments contain small amounts of ivory, shell, reptile skin, and rosewood or other materials regulated under the Convention on International Trade in Endangered Species of Wild Flora and Fauna (CITES). The international use of musical instruments by musicians and professional and student ensembles is essential to advance diplomacy, spark artistic innovation, and support vital international cultural activity. In partnership with CITES parties and the conservation community, music stakeholders have undertaken efforts to increase compliance with current permit requirements while simultaneously pursuing policy improvements that will alleviate unnecessary burdens. Musical Instrument Certificate Created at CoP16 – A Consolidated Permit At the 16th Conference of the Parties (CoP16), Resolution Conf. 16.8 was adopted on Frequent Cross-Border Non-Commercial Movements of Musical Instruments, creating a multi-use Musical Instrument Certificate. The Musical Instrument Certificate is not an exemption from the permit process. It is a consolidated permit. The MIC streamlines the requirement for obtaining multiple CITES export permits when an instrument contains CITES material and is not exempted from permit requirements by an annotation or a personal effects exemption. Musicians using the MIC apply to their CITES Management Authority for issuance of single permit, which must then be credentialed by CITES enforcement officials at each port through which an instrument travels. Clarifications and Exemptions Approved at CoP17 At the 17th conference of the parties (CoP17), unanimous approval was given to Resolution Conf. 16.8 (Rev. CoP17), which: 1. -
Die Welt Der Taylor Gitarren
Wilder Charakter Blackheart Sassafras Herbst-LTDs Blackwood 500er Voll-Koa 300er & GS Mini 40 Taylor-Innovationen Warum man mit Verstärker spielen sollte Zeit für einen Saitenwechsel 2 www.taylorguitars.com | Sommerausgabe]. Ich war von 1984 12 hatte ich mal Klavierunterricht gehabt, sofort, dass sich die Basswiedergabe AUSGABE 80 herbst 2014 bis 1988 der Fahrer von Prince. Auch aber als ich die Mädchen entdeckte, war der A- und E-Saite massiv verschlechtert Leserbriefe auf der Purple Rain-Tour war ich dabei. es mit meiner angehenden Musikkarriere hatte. Ich war niedergeschmettert. Die Mir wurde ein umgebauter schwarzer am Ende. Ein langjähriger Freund vom Gitarre klang nicht mehr wie eine Taylor. > IN DIESER AUSGABE < Besuchen Sie uns auf Facebook. Abonnieren Sie uns auf YouTube. Folgen Sie uns auf Twitter: @taylorguitars Transporter zugeteilt, um Prince zu Hot Licks Guitar Shop verkauft Taylor- Außerdem war nicht mehr viel vom Steg den klanglichen Verbesserungen, von fahren. Als ich mir den Wagen ansah, Gitarren. Er war überzeugt davon, dass übrig, und die Justierung hatte einen den strahlenden Höhen bis zu den stieß ich auf einen Gitarrenkoffer. Ich ich noch was lernen kann. Also kaufte dämpfenden Effekt auf das Sustain der tiefen, artikulierten Bässen, rockt es spiele selbst Gitarre, weshalb ich ich eine 518e, und ich liebe ihren Klang. tiefen E-Saite. Es fehlten die starken mit dieser Gitarre viel besser, und ich neugierig war. Ich sah an der Seite Inzwischen sieht mein Zuhause aus wie Bass-Schwingungen, die ich zu hören muss sie nicht missbrauchen, um die den Taylor-Schriftzug, aber ich muss eine Taylor-Ausstellung. Jedes Modell ist und fühlen gewöhnt war. -
Ibanez Market Strategy
Ibanez Market Strategy Billy Heany, Jason Li, Hyun Park, Alena Noson Strategic Marketing Table of Contents Executive Summary ....................................................................................................................................... 3 Firm Analysis.................................................................................................................................................... 4 Key Information about the Firm ........................................................................................................... 4 Current Goals and Objectives ................................................................................................................ 5 Current Performance ................................................................................................................................. 6 SWOT ............................................................................................................................................................. 7 Current Life Cycle Stage for the Product .......................................................................................... 8 Current Branding Strategy ...................................................................................................................... 9 Industry Analysis .......................................................................................................................................... 10 Market Review ........................................................................................................................................ -
2018 Us Price List & Specifications
2018 US PRICE LIST & SPECIFICATIONS Effective January 1, 2018 taylorguitars.com Contents Models by Series / Pricing 4 Custom Program 8 Dimensions by Shape 9 Standard Model Options 10 Specifications 11 The majority of Taylor’s acoustic guitars are offered in three model variations: • Cutaway body with onboard electronics (e.g., 516ce) A Guide to Taylor • Non-cutaway body with onboard electronics (e.g., 516e) • Non-cutaway body with no onboard electronics (e.g., 516) Acoustic Model Most models are organized by series, featuring the 100 through 900 Series along with our Academy, Numbers Presentation (PS) and Koa (K) Series. Here’s how our numbering system works: The first digit (or letter) identifies the Series. Most guitar models within each series share the same back and side woods and appointment package. The second digit designates two things: first, whether the guitar is a 6-string or a 12-string, and second, whether the top features a softwood like spruce or cedar, or a hardwood like mahogany or koa. The middle number “1” or “2” designates a 6-string guitar with a softwood (1) or hardwood (2) top. For example: 516ce = 6-string with a spruce top 526ce = 6-string with a mahogany top The middle number “5” or “6” designates a 12-string guitar with either a soft (5) or hardwood (6) top. 516ce In this case: 552ce = 12-string with a cedar top 562ce = 12-string with a mahogany top Taylor nylon-string models are integrated into various series and are designated by the letter “N” at the end of the model name. -
Inside the World of Taylor Guitars / Volume 85 Summer 2016
The Taylor Neck Anatomy of a pitch-perfect design Rosewood Revisited The redesigned 700 Series Doobie Brother Pat Simmons Acoustic fingerstyle meets classic rock Dynamic Dreadnoughts 7 must-play models Baritone Basics Expand your musical palette 2 www.taylorguitars.com | dreamed of being involved with forest home I like to play and write with 11s. VOLUME 85 SUMMER 2016 development/management in the way So my answer? Buy another Taylor! I’m Full Recovery Taylor Guitars has been. thinking a new 710e or maybe even Letters The attached photo is of my 2014 First Edition 810e, just as it was Your response to Mr. McKee’s 810e... I’m a sucker for a dreadnought found, 13 days after our home was burglarized and it was stolen. I live in > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars inquiries re-affirmed everything I’ve and love the rosewood/spruce combo. Concord, Vermont, way up in the northeast corner of our state and just ever believed about our inherent I’m very excited for my next purchase! across the Connecticut River from Littleton, New Hampshire. Northern responsibility for good stewardship of Keep making these amazing instru- Lights Music in Littleton is where I fell in love with this guitar and purchased these precious natural resources. Good ments — I’m a fan and Taylor emissary it. Dan and Moocho Salomon at Northern Lights were phenomenal, as stewardship does not mean we — as for life. always, and their beautiful shop is a perfect place for a guitar nut to get lost the human beings whose lives and Kirk O’Brien FEATURES COLUMNS in. -
Lumber / Veneer Match
Lumber Veneer Type of Cut Alder (Select) Alder Plain Sliced Face Alder (Knotty) Knotty Alder (Dark Putty in open knots) Plain Sliced Face Ash (Eastern White) Ash (Eastern White) Rotary Multi Piece Face Ash (Western) Ash (Eastern White) Rotary Multi Piece Face Beech (European Steamed) Beech (European Steamed) Plain Sliced Face Birch (Eastern Red) N/A N/A Birch (Eastern White) Birch (Eastern White) Rotary Multi Piece Face Birch (Western) N/A Cherry (Select) Cherry (Select) Plain Sliced Face Cherry (Rustic) Fir (CVG) Fir (CVG) Plain Sliced Face Hickory (Brown Heart) Hickory (Brown Heart) Plain Sliced Face Hickory (Calico) Hickory (Calico) Plain Sliced Face Hickory (Rustic Brown Heart) Hickory (Rustic Brown Heart) Plain Sliced Face Hickory (Rustic Calico) Hickory (Rustic Calico) Plain Sliced Face Lyptus Lyptus Plain Sliced Face Mahogany (African Khaya) Mahogany (African Khaya) Plain Sliced Face Mahogany (Edinam) Mahogany (African Khaya) Plain Sliced Face Maple (Eastern Hard White) Maple (Eastern Hard White) Rotary Whole Piece Face Maple (Eastern Soft Rustic) Maple (Eastern Hard Rustic) Plain Sliced Face Maple (Eastern Soft White) Maple (Eastern Hard White) Rotary Whole Piece Face Maple (Western) Alder Plain Sliced Face Paint Grade (Lumber Panel) DCD's Choice Rotary Whole Piece Face Paint Grade (MDF Panel) MDF N/A Pine (Eastern Clear) Pine (Eastern Clear) Plain Sliced Face Pine (Eastern Knotty) Pine (Eastern Knotty) Plain Sliced Face Poplar N/A N/A Red Oak (Natural) Red Oak (Natural) Plain Sliced Face Red Oak (Qtr Sawn) Red Oak (Qtr Sawn) Quarter Sawn Face Red Oak (Rift) Red Oak (Rift) Rift Sawn Face Red Oak (Select) Red Oak (Select) Plain Sliced Face Sapele (Flat Sawn) Sapele (Flat Sawn) Plain Sliced Face Sapele (Qtr Sawn) Sapele (Qtr Sawn) Quarter Sawn Face Walnut Walnut Plain Sliced Face White Oak (Select) White Oak (Select) Plain Sliced Face White Oak (Qtr Sawn) White Oak (Qtr Sawn) Quarter Sawn Face White Oak (Rift) White Oak (Rift) Rift Sawn Face. -
Taylor Guitars Took a Big Risk by Investing in an African Sawmill — but According the Company's Co-Founder, It Was a Great Move Matthew Debord
7 October 2018 SENT TO LSU AGCENTER/LOUISIANA FOREST PRODUCTS DEVELOPMENT CENTER - FOREST SECTOR / FORESTY PRODUCTS INTEREST GROUP So, I have a Taylor guitar and have researched sustainable tree species from Africa used in building musical instruments. I couldn’t resist sharing this with the group. Instrument manufacturers have a vested interest in following this type of model. Regards, Rich Taylor Guitars took a big risk by investing in an African sawmill — but according the company's co-founder, it was a great move Matthew DeBord Sep. 18, 2018, 2:55 PM https://www.businessinsider.com/taylor-guitars-ebony-project-2018-8 Taylor co-founder Bob Taylor. Taylor • San Diego-based Taylor Guitars has made a substantial investment in a sawmill in Cameroon to provide the innovative company with a sustainable supply of an essential wood, ebony. • Under co-founder and President Bob Taylor's leadership, the company upgraded the sawmill to a high level of craftsmanship. • Acoustic guitar companies are at the leading edge of sustainability in this respect because they use so many exotic and monitored woods in their instruments. • This article is part of Business Insider's ongoing series on Better Capitalism. It's like something out of a movie: a seasoned entrepreneur and environmentally conscious leader decides to buy and transform a sawmill in Cameroon. 1 7 October 2018 SENT TO LSU AGCENTER/LOUISIANA FOREST PRODUCTS DEVELOPMENT CENTER - FOREST SECTOR / FORESTY PRODUCTS INTEREST GROUP But if anybody was going to undertake such a daunting project, it would be Bob Taylor, who in 1974 decided that there was room for another major American guitar manufacturer. -
Bellmont 1900 Series
MATISSE | Paint | Alabaster, Silvermist & Pepper Front Cover: PENTA | Legno Collection | Aspen • PASADENA | Paint | Pepper 02 | BellmontCabinets.com BellmontCabinets.com | 03 THE FRAMELESS ADVANTAGE ___________________________________________________________________________________________ Unlike traditional face frame cabinets, frameless cabinets combine the clean look of modern, full-overlay, flush-fitting doors and drawers. The unobstructed, full-access interiors create more storage and an organized space, while providing superior strength and trendsetting style. STRONG FULL-ACCESS MORE SPACE 3/4-in cabinet box and solid Greater accessibility, Wider, taller drawers with a full-top construction provide unobstructed by a frame, 75-lb load capacity feature superior strength, structural creates more usable space in the greater interior storage, more precision, and additional support same box size and provides easy clearance and the luxury touch of for solid surface countertops. access to your items inside. full-extension soft-close hardware. • • • PICTURED: Satino Drawer 04 | BellmontCabinets.com FIRMA | Ares Collection | Concrete BellmontCabinets.com | 05 CLASSIC AMERICAN STYLE for a natural elegance that will stand the test of time. MONTICELLO | Heirloom Collection | Lace BellmontCabinets.com | 07 PHOTO: Savvy Cabinetry by Design (Seattle, WA) COMBINE SIMPLICITY & TEXTURE for a tasteful blend of old & new. SHAKER | Paint | White • FIRMA | Synchro Collection | Lodge BellmontCabinets.com | 09 PHOTO: Cabinets & Beyond Design Studio (San Francisco, CA) CLEAN, STRAIGHT LINES uniting form & function with harmonious materials. COVE | Paint | Pepper • MADRID | Walnut | Bourbon BellmontCabinets.com | 11 TRADITIONAL P P P P A A A A WHAT’S RA RA RA RA C C C C RO RO RO RO RWO RWO RWO RWO YOUR STYLE? M M M M S S S S ___________________________________________________________________________________________ W W W W Bellmont’s 1900 Series offers a unique collection of door styles, available in a variety of materials and finish options. -
Taylor Guitars Wood & Steel Magazine
BTO Bliss Building guitar dreams Honduran Harmony Sustainable social forestry Coheed and Cambria Breaking down a live acoustic sound Ruthie Foster Soul-stirring blues Wayne Johnson Rethinking scales 2 www.taylorguitars.com In 2009, we saw Leo Kottke per- can’t take my eyes off of it, and it plays 814ce, I’ve also picked up the NS72ce form, and Mark took his own guitar like a dream. If it is true that guitars after watching YouTube videos of Jason with him to the concert. Afterward, Mr. sound better with age, I can only imag- Mraz walking around France playing Letters Kottke came out on stage to meet his ine how this one will sound as we grow one. That guitar is gorgeous, and it’s loyal fans. Mark handed him his beloved older together. Thanks for a wonderful the perfect complement to the 814ce Center. Thank you for thinking outside guitar for an autograph. Leo held it, instrument. at shows when I want an alternative the box and creating the most amazing strummed it, recognized the open E-flat Tom Rusiecki to steel strings. Thank you for building acoustic/electric guitar that doesn’t tuning, and sat down on the edge of Port Richey, FL fantastic guitars and for being an hon- require a world-class concert hall to the stage and played! He and Mark est, ground-up company (I’m currently Tommy Shaw sound world-class! had a conversation about strings, bone halfway through Bob Taylor’s Guitar Gets his bluegrass on Spring Limiteds Bob Fischer nuts, etc., before getting an autograph Cheatin’ & Repeatin’ Lessons). -
MAHOGANY TYPES South American Mahogany. ( Swietenia
MAHOGANY TYPES South American Mahogany. ( Swietenia Macrophylla) the 'top of the range' of all the Mahoganies( both as to be qualities and price). The classic characteristics of this timber are its stability and durability along with its world renowned beauty and versatility. One well recognised feature is the way in which this timber gradually darkens in colour on exposure from a red / brown colour to a rich dark red . Density : 540 kg/m3 or 34 pounds / cubic foot. African Mahogany (Khaya Ivorensis) is considered by some to be more attractive in grain structure to South American Mahogany. This is because the grain patterns of African Mahogany can vary so widely, particularly in the backsawn face. Some people prefer the startling ribbon grain appearance of quarter sawn Mahogany. The colour of this timber varies from gold through brown to red / brown. African Mahogany is more available and less expensive than South American Mahogany. Density : 540kg / m3 or 34 pounds / cubic foot. Plantation Mahogany ( Grown in Fiji) (Swietenia Macrophylla) this timber is the product of commercial plantations of the South American tree grown in Fiji. Because the timber is grown in managed plantations, branch trimmings cause a birdseye like effect on the face of the boards. Generally speaking, the characteristics are similar to the South American species described above. However the plantations lack the maturity of the South American product. One outcome is a recognisable difference in stability. Density : 540 kg / m3 or 34 pounds / cubic foot. Eastern Mahogany (Chukrassia Tabularis) this member of Mahogany family originates from Malaysia. In its colouring it more closely resembles a Walnut. -
ITTO Tropical Timber Market Report
Tropical Timber Market Report Volume 25 Number 4 16th – 28th February 2021 The ITTO Tropical Timber Market (TTM) Report, an output of the ITTO Market Information Service (MIS), is published in English every two weeks with the aim of improving transparency in the international tropical timber market. Its contents do not necessarily reflect the views or policies of ITTO. News may be reprinted provided that the ITTO TTM Report is credited. A copy of the publication should be sent to [email protected]. Contents Headlines Page Central/West Africa 2 Revival in demand for sawn okoume 2 Ghana 3 Malaysia 4 Attracting engineers and technologist to the Malaysian timber industries 5 Indonesia 5 Myanmar 6 Indonesia’s exports of wood products better India 7 than expected in 2020 5 Vietnam 8 Forgone benefits from tree clearing to be Brazil 10 included in development project costs Peru 12 – Indian Supreme Court 7 Japan 13 8 million hectares in Peru identified for China 17 restoration 12 Europe 20 Increasing cedar log exports from Japan North America 23 to China 16 Currencies and Abbreviations 25 US home improvements – more to Ocean Freight 25 be spent in 2021 24 Price Indices 26 Top story Sharp fall in tropical share of European wood products market While the overall level of EU27+UK imports of wood and wood furniture products remained surprisingly resilient during 2020, there were winners and losers. Unfortunately for tropical suppliers, their share of the European trade fell sharply in 2020 after making some tentative gains the previous year. Page XX Central and West Africa Correction: In the previous report it was stated that a reduced area tax applies only to FSC certified forests, this Production seriously impacted by covid control was incorrect. -
Chapter 3--Physical Properties and Moisture Relations of Wood
Chapter 3 Physical Properties and Moisture Relations of Wood William Simpson and Anton TenWolde he versatility of wood is demonstrated by a wide Contents variety of products. This variety is a result of a Appearance 3–1 spectrum of desirable physical characteristics or properties among the many species of wood. In many cases, Grain and Texture 3–1 more than one property of wood is important to the end Plainsawn and Quartersawn 3–2 product. For example, to select a wood species for a product, the value of appearance-type properties, such as texture, grain Decorative Features 3–2 pattern, or color, may be evaluated against the influence of Moisture Content 3–5 characteristics such as machinability, dimensional stability, Green Wood and Fiber Saturation Point 3–5 or decay resistance. Equilibrium Moisture Content 3–5 Wood exchanges moisture with air; the amount and direction of the exchange (gain or loss) depend on the relative humid- Sorption Hysteresis 3–7 ity and temperature of the air and the current amount of water Shrinkage 3–7 in the wood. This moisture relationship has an important Transverse and Volumetric 3–7 influence on wood properties and performance. This chapter discusses the physical properties of most interest in the Longitudinal 3–8 design of wood products. Moisture–Shrinkage Relationship 3–8 Some physical properties discussed and tabulated are influ- Weight, Density, and Specific Gravity 3–11 enced by species as well as variables like moisture content; Working Qualities 3–15 other properties tend to be independent of species. The thor- oughness of sampling and the degree of variability influence Decay Resistance 3–15 the confidence with which species-dependent properties are Thermal Properties 3–15 known.