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Brevard Live December 2015 - 1 2 - Brevard Live December 2015 Brevard Live December 2015 - 3 4 - Brevard Live December 2015 Brevard Live December 2015 - 5 6 - Brevard Live December 2015 Contents December 2015 FEATURES DON “THE DRAGON” WILSON Don Wilson holds eleven world cham- Columns CARROT TOP INTERVIEWED pion titles in full contact kick boxing. With three decades of comedic perfor- Just recently the City of Cocoa Beach Charles Van Riper mance under his belt, Carrot Top is one honored him with a sign on SR 520 as 20 Political Satire of the most popular, recognizable and a hometown legend. Charles Knight successful comedians in America. Did caught up with him for an interview. Calendars you know he grew up in Cocoa Beach? Page 18 25 Live Entertainment, Page 12 Concerts, Festivals CARLI TUTTLE Local Download RICK ESTRIN & THE NIGHTCATS Meet the next generation of talented Since the 2009 release of their celebrated by Andy Harrington musicians and songwriters. Legendary Alligator Records debut, Twisted, and 33 Local Music Scene guitarist Paul Chapman introduced us the 2012 follow-up One Wrong Turn, the to an outstanding talent, a 16-year-old band has toured non-stop, honing their Melbourne Beach student who won her Behind The Scene creative synergy to a razor’s edge. Now first award. MIFF Scenes by they’ve captured that energy on a new re- 34 Charles & Lissa lease, You Asked For It...Live!. Page 20 Page 17 Flori-duh! THE ART OF FILM MAKING by Charles Knight During the Melbourne Independent 36 MOLLY HATCHET Filmmakers Festival there were a lot The City of Palm Bay presents “New of producers, writers, actors, and film The Dope Doctor Year’s Eve Rockin The Bay,” a free directors in town. John Leach talked to 40 Luis Delgado, CAP concert with Molly Hatchet and special Gerard Lima about his first feature film, guest Blackfoot. Party starts at 5 pm. Rescue Me. Florida Arts Page 17 Page 44 44 Artist Portraits Brevard Live December 2015 - 7 8 - Brevard Live December 2015 BREVARD LIVE The largest and most BREVARD LIVE MAGAZINE popular free entertainment magazine on the Space Coast and beyond for 24 years. PUBLISHER EDITOR-IN-CHIEF Heike Clarke ASSISTANT EDITOR John Leach ACCOUNT MANAGER Charlene Hemmle MUSIC WRITERS John Leach Charles Knight Matthew Bretz Andy Harrington PHOTOGRAPHY Chuck Van Riper Tim Bretz Lissa Knight COLUMNISTS Chuck Van Riper This is Brevard! Charles & Lissa Knight The Native Rhythm Festival held at Wickham Andy Harrington Park celebrated Native American Heritage Luis Delgado month with music, arts, craft and colorful per- formances (photo above and right). Reproduction of any portion of Veterans Day was observed honoring the Brevard Live Magazine is strictly service of all U.S. military veterans. The an- prohibited without the written nual Melbourne Veterans Day Parade in His- permission of the publisher. toric Downtown Melbourne started at 10 am ADVERTISEMENT/ SALES on Melbourne Ct. and finished at the Liberty Phone: (321) 956-9207 Bell Memorial Museum (photo below). Photos by Chuck Van Riper [email protected] COMMENTS & LETTERS Brevard Live Magazine P.O. Box 1452, Melbourne, Fl 32902 Copyright © 2015 Brevard Live All rights reserved We are not responsible for photos or scripts sent to Brevard Live Magazine. Published photos and articles become property of this publication. We are not responsible for wrongful advertised or canceled venues. Download a pdf file BREVARD FLORIDA LIVE at www.brevardlive.com Brevard Live December 2015 - 9 10 - Brevard Live December 2015 Brevard Lately of the space in the booth was taken radically throughout the show Mark up by Knopfler’s sound board. That’s would treat the audience to a classic right; Mark Knopfler is so committed Dire Straits song and it was like lovely to sound excellence that he brought whipped cream on an already perfect his own equipment and techs. My gui- extra thick moose tracks shake (you tar players out there will most likely know what I’m talking about). Knop- know this, a lot of you will not, but fler’s solo mid-way through the ever Mark doesn’t play with a pick…nope, great “Sultans of Swing” was like it’s all finger picking for this Brit. So, watching a butterfly fluttering grace- with all of this in mind, before it even fully across the stage, its wings ablaze started I somehow knew this show was with fire. “Romeo and Juliet” was a going to be something memorable. time machine for anyone and everyone The line-up for Knopfler’s band that’s ever been in love. And “So Far is a handpicked team of magical mu- Away” brought a presence of nostalgia sicians that are truly excellent at their that was anything but so far away. Mark Knopfler chosen instruments. Richard Bennet As the end of the show, I had (guitar), Guy Fletcher (keyboards), mixed emotions. On one hand I was Live In Concert Jim Cox (piano, organ, accordion), happy and satisfied with what I just Michael McGoldrick (whistles, uil- experienced, at the same time I was By Matthew Bretz leann pipes), John McCusker (violin, sad it was all over. But then…someone cittern), Glenn Worf (bass), and Ian handed me a pamphlet. y time, thus far on this planet, Thomas (drums). Nigel Hitchcock Mark Knopfler does something Mhas been spent in a multitude (saxophone). A highlight of the show, I’ve never seen before. He records ev- of ways, not least of which has been however, was when Knopfler would ery show and puts it up on his website experiencing live music. Whether it be play one of the few Dire Straits songs where you can buy it. Not only that, playing shows, or going to shows, or he chose to revisit and he would go but it’s delivered to you on flash drive simply watching live shows on TV, I down to a smaller four piece - like the shaped and painted like one of his fa- have experienced a lot of live music. days of old. vorite guitars complete with guitar The reason I’m trying to drive this The concert was a glide across the case. Mine is on its way. Not only is one little point home is to make sure gigantic pool of material that Mark has this great, it also takes a lot of confi- you understand where I’m coming penned over the span of his immense dence in yourself, your musicians, and from, and how crystal clear I’m being, career. Not many are as respected or your overall show. If there was even when I so tell you that Mark Knop- have the longevity as this bloke, but one mistake made during his perfor- fler’s show is by far the absolute best once you see him live it’s easy to mance, I didn’t hear it, so he deserves sounding show I have ever been to in understand why. Blues, Celtic, rock, that level of steel. my life. Mark Knopfler (formerly of folk…there really are no boundaries to I tend to commend the King Cen- Dire Straits) is a relentless audiophile. his imagination and the ride he takes ter at the end of my reviews for bring- He strives for creative and tonal per- the audience on is just as unpredict- ing in such amazing acts, but this time fection with everything he does…and able. it was really something special. guess what? He damn well gets it. This Knopfler’s current tour revolves man believes so strongly in the power around his newest release, Privateer- of artistry that once he heard ionized ing. Like most of Mark’s work, the air promotes creativity he installed songs on Privateering cascade through machines to pump his British Groves a number of characters, some pulled Studio in London full of it around the from life and others simply from the clock. mind of the man himself. Songs like Nowadays when I arrive at the “Broken Bones,” and “Father and King Center, to review a show on be- Son” really express the folk fervor that half of Brevard Live, I get a smile and drives Knopfler’s lyrics while others wave from the manager Jim and head such as “Corned Beef,” and “She’s to the sound booth to set up my photog- Gone” explore the instrumental mood rapher for the show. This time things swaying melodies that take it all to an were a bit different. This time most ethereal level of consciousness. Spo- Brevard Live December 2015 - 11 Brevard Live BL: And not only is it ten years, but 6 nights a week right? CT: Oh yeah, six nights a week. I do about 240 shows a year at the Luxor, but it’s only one show a day and I’m like four weeks on, one week off, so it’s not too tough. The hardest part is keeping my voice up. The dry air out in Vegas is a killer on my vocal cords so after a few weeks of shows I start losing my voice. BL: Is it right that you turned 50 this year? You don’t look it at all. CT: Thank you, I don’t think so either. People always think I’m in my thirties…I don’t know, maybe I have a baby face or something. It’s weird though…I don’t feel 50, whatever that’s supposed to feel like. BL: Well, that’s the dirty little secret of adulthood right? We all feel like we’re 16. CT: Exactly! I try to stay healthy though, and I love what I do so maybe that helps me stay young too.
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