Jamie Kelman - Makeup Artist

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JAMIE KELMAN - MAKEUP ARTIST Key Makeup - Character Makeup and Design - Prosthetic Makeup Effects contact : [email protected] portfolio : www.fleshycreatures.com Cell: (818) 398-6638 Los Angeles Make-up Union Member : I.A.T.S.E. Local 706 Emmy Award Winner - Cable Ace Winner - Make-up Guild Award Nominee • “ARGO ” Warner Bros. 2012, Dir. Ben Affleck - Prosthetic Makeup Artist and Designer • “LOOPER” Endgame Ent, Writer/Dir. Rian Johnson, 2012 – Prosthetic Makeup Artist for lead Joseph Gordon-Levitt (as young Bruce Willis), for KT Studio • “oz the great and powerful” Disney 2013, Dir. Sam Raimi – Prosthetic Makeup for Munchkins, Tinkers and Winkies for KNB EFX • “Star Trek into darkness” Dir. JJ Abrams, Paramount Pictures (worked on both 2009 & 2013 films) Makeup and Prosthetics Artist – on set and lab builds • “HORRIBLE BOSSES” Warner Bros./New Line, 2011 – Key Makeup Artist & Prosthetic Makeup Designer/Artist for Colin Farrell (Head & Belly appliances) • “SUPER 8” Dir. JJ Abrams/Producer S. Spielberg, Paramount, 2011 - Key Makeup Artist • “BEASTLY” CBS Films 2011, - Beast Makeup Artist for lead character, actor Alex Pettyfer, - for Alterian Studio • “ZOMBIELAND” Sony 2009, Dir. Reuben Fleischer -Key Makeup FX- Zombie makeups • “WOLVERINE: X-MEN ORIGINS”, Fox 2009 – Prosthetic Character Makeup Application for Ryan Reynolds and Kevin Durand, for ADI Studio. • “IRON MAN” Dir. Jon Favreau, Marvel 2008 - Key Makeup Artist & Prosthetic Makeup Creation & Application for Robert Downey Jr., Jeff Bridges and Terence Howard Additional Movie Credit Highlights: “Collateral” Dir. Michael Mann, 2004 -Special Make-up FX - trauma, wounds & gore “Dr. Seuss’ The Cat in the Hat” Universal Studios 2003 -Mike Myers’ Cat Make-up Artist “Men In Black 2” 2002, J. Knoxville’s Make-up and other various Aliens for Rick Baker “Planet of the Apes” Dir. Tim Burton, 20th Century Fox 2001 Ape Make-ups for Rick Baker “Blow” New Line Cinema 2000, Key Make-up Artist & Ray Liota Aging Make-up “How The Grinch Stole Christmas” Dir. Ron Howard, makeup on ‘Whos’ in ‘Whoville’ .

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Once Upon a Time: Fairy Tales and Special Effects Makeup in Pop Culture
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Download PDF Brochure
GLOBAL MAKEUP PROFESSIONAL DIPLOMA PROGRAM blanche macdonald centre MAKE YOUR MARK Makeup. It’s the spray of blood and guts that spill out of a Tarantino film, the splatter of zombie ooze across your screen, the bristled wand that transforms beauty into a gory, glorious beast. It’s the startling invention of bold new worlds of fantasy, of nightmarish phantasmagoria moulded in prosthetics and silicone. It’s the cinematic allure that created the ethereal glamour of screen icons from Marlene Dietrich to Audrey Hepburn, and celebrates the rare beauty of Zoe Saldana and Lupita Nyong’o. It’s the million stories composed in colour, shade and shadow, the riveting transformations that capture our imaginations. It’s Mrs. Doubtfire and Beetlejuice. It’s the Joker, Mystique and Maleficent. It’s the raw edginess of editorial, the flash and fury of the runway, the disturbing shock and jaw-dropping awe of Alexander McQueen and Gareth Pugh shows, of David LaChappelle + Madonna + Sharon Gault. It’s that seminal moment that alters culture forever. It’s the lightening bolt of Ziggy Stardust, it’s Twiggy’s eyeliner, it’s Ru Paul’s binary-busting beauty. It’s Bey’s fierce glamour and Gaga’s polychromatic pop-art pastiche. It’s Mod, Punk, Grunge, Boho. It’s the game-changers and radicals, the zeitgeist, the cultural movements and moments that make up our lives. It’s more than brushes, paint and product. It’s the power of creativity, the power of expression, the power to transform. It’s your mark on the world, the imprint of your creativity, unique as a fingerprint, pressed upon the surface of our culture.
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