JAMIE KELMAN - MAKEUP ARTIST

Key Makeup - Character Makeup and Design - Prosthetic Makeup Effects

contact : [email protected] portfolio : www.fleshycreatures.com

Cell: (818) 398-6638 Los Angeles Make-up Union Member : I.A.T.S.E. Local 706

Emmy Award Winner - Cable Ace Winner - Make-up Guild Award Nominee

• “ARGO ” Warner Bros. 2012, Dir. Ben Affleck - Prosthetic Makeup Artist and Designer

• “LOOPER” Endgame Ent, Writer/Dir. Rian Johnson, 2012 – Prosthetic Makeup Artist for lead Joseph Gordon-Levitt (as young Bruce Willis), for KT Studio

• “oz the great and powerful” Disney 2013, Dir. Sam Raimi – Prosthetic Makeup for Munchkins, Tinkers and Winkies for KNB EFX

• “Star Trek into darkness” Dir. JJ Abrams, Paramount Pictures (worked on both 2009 & 2013 films) Makeup and Prosthetics Artist – on set and lab builds

• “HORRIBLE BOSSES” Warner Bros./New Line, 2011 – Key Makeup Artist & Prosthetic Makeup Designer/Artist for Colin Farrell (Head & Belly appliances)

• “SUPER 8” Dir. JJ Abrams/Producer S. Spielberg, Paramount, 2011 - Key Makeup Artist

• “BEASTLY” CBS Films 2011, - Beast Makeup Artist for lead character, actor Alex Pettyfer, - for Alterian Studio

• “ZOMBIELAND” Sony 2009, Dir. Reuben Fleischer -Key Makeup FX- Zombie makeups

• “WOLVERINE: X-MEN ORIGINS”, Fox 2009 – Prosthetic Character Makeup Application for Ryan Reynolds and Kevin Durand, for ADI Studio.

• “IRON MAN” Dir. Jon Favreau, Marvel 2008 - Key Makeup Artist & Prosthetic Makeup Creation & Application for Robert Downey Jr., Jeff Bridges and Terence Howard

Additional Movie Credit Highlights:

“Collateral” Dir. Michael Mann, 2004 -Special Make-up FX - trauma, wounds & gore

“Dr. Seuss’ The Cat in the Hat” Universal Studios 2003 -Mike Myers’ Cat Make-up Artist

“Men In Black 2” 2002, J. Knoxville’s Make-up and other various Aliens for

“” Dir. Tim Burton, 20th Century Fox 2001 Ape Make-ups for Rick Baker

“Blow” New Line Cinema 2000, Key Make-up Artist & Ray Liota Aging Make-up

“How The Grinch Stole Christmas” Dir. Ron Howard, makeup on ‘Whos’ in ‘Whoville’