Central Florida Future, Vol. 21 No. 70, July 19, 1989
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Western Religious Beliefs and Environment: Personal Reflections on the Religion and Environment
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2000 Western religious beliefs and environment: Personal reflections on the religion and environment Varya Petrosyan The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Petrosyan, Varya, "Western religious beliefs and environment: Personal reflections on the eligionr and environment" (2000). Graduate Student Theses, Dissertations, & Professional Papers. 5525. https://scholarworks.umt.edu/etd/5525 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University o fMONTANA Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission 1/ No, I do not grant permission Author's Signature t ^ Date 03 Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. QtfPestem (s&elifpaus (R eliefs and GLnviranment Personal (dReflectiaw an the G&eligian and (SLnviranment by Varya Petrosyan B.A. Georgian Academy of Sciences, Institute of Ecology, Environmental Protection and Agribusiness, 1998 presented in partial fulfillment of the requirements for the degree of Master of Science The University of Montana 2000 Approved by: Chairperson s Dean, Graduate School Date UMI Number: EP40989 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Some Strictures Upon the Sacred Story Recorded in the Book of Esther (1775)
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Electronic Texts in American Studies Libraries at University of Nebraska-Lincoln 1775 Some Strictures upon the Sacred Story Recorded in the Book of Esther (1775) Oliver Noble M.A. Pastor of a Church in Newbury (Mass.) Reiner Smolinski , Editor Georgia State University, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/etas Part of the American Studies Commons Noble, Oliver M.A. and Smolinski, Reiner , Editor, "Some Strictures upon the Sacred Story Recorded in the Book of Esther (1775)" (1775). Electronic Texts in American Studies. 43. https://digitalcommons.unl.edu/etas/43 This Article is brought to you for free and open access by the Libraries at University of Nebraska-Lincoln at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Electronic Texts in American Studies by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Oliver Noble his majesty’s faithful colonists (Mordecai and Queen Esther) Some Strictures upon the Sacred Story through the infamous Stamp Act (Haman’s injunction against Recorded in the Book of Esther (1775) the Israelites). With such obvious parallels from the Good Book, Noble thundered against Haman’s greed but also proph- esied that the present crisis will soon pass over and America be O N (1733/4–92). Born in Hebron, Connecticut, LIVER OBLE vindicated in the eyes of King George. Noble graduated from Yale in 1757, but stayed on as a tutor un- Most interesting in this context is that Noble presented til he received his second degree in 1759. -
Literatura Y Otras Artes: Hip Hop, Eminem and His Multiple Identities »
TRABAJO DE FIN DE GRADO « Literatura y otras artes: Hip Hop, Eminem and his multiple identities » Autor: Juan Muñoz De Palacio Tutor: Rafael Vélez Núñez GRADO EN ESTUDIOS INGLESES Curso Académico 2014-2015 Fecha de presentación 9/09/2015 FACULTAD DE FILOSOFÍA Y LETRAS UNIVERSIDAD DE CÁDIZ INDEX INDEX ................................................................................................................................ 3 SUMMARIES AND KEY WORDS ........................................................................................... 4 INTRODUCTION ................................................................................................................. 5 1. HIP HOP ................................................................................................................... 8 1.1. THE 4 ELEMENTS ................................................................................................................ 8 1.2. HISTORICAL BACKGROUND ................................................................................................. 10 1.3. WORLDWIDE RAP ............................................................................................................. 21 2. EMINEM ................................................................................................................. 25 2.1. BIOGRAPHICAL KEY FEATURES ............................................................................................. 25 2.2 RACE AND GENDER CONFLICTS ........................................................................................... -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Strategic Intertextuality in Three of John Lennon╎s Late Beatles Songs
STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. This may at first seem entirely obvious, especially since nowadays such a practice has been adopted routinely by many songwriters and producers, and is in fact the prevailing compositional strategy within certain pop and rock genres, rap being probably the most blatant example. Many rap artists are well known for their so-called “rap versions,” as Tim Hughes has described them, in which a distinctive element of a pre-existing song is lifted out of its original context—typically via digital sampling—and used as the foundation upon which a new song is built.1 Will Smith’s hit “Wild Wild West” (1999), for example, is composed around a sample of the bass-driven main groove from Stevie Wonder’s funk classic “I Wish” (1976); and Eminem’s hit “Like Toy Soldiers” * This essay is based in part on the first chapter of my dissertation, “British Pop-Rock Music in the Post-Beatles Era” (Ph.D. dissertation, Yale University, 2001). An earlier version was presented at the annual meeting of the Society for Music Theory, Columbus, in November 2002. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Honorable Conduct of Heavenly Citizens 1 Peter 2:13-17 Series: True Grace ~ 1 Peter
Matt Kruse NBC – AM Service 2-18-18 Honorable Conduct of Heavenly Citizens 1 Peter 2:13-17 Series: True Grace ~ 1 Peter Introduction: Take your Bibles and find your way to 1 Peter 2, 1 Peter chapter 2. During the last presidential election there was quite the sharp disagreement over immigration, and especially over the issue of undocumented or outright illegal aliens. One of the situations most often referenced in that debate was the killing of Kate Steinle in San Francisco. She was walking with her father and friend along Pier 14 when Jose Zarate shot her in the back. Two hours later Kate tragically died because of her injuries. This shooting and Kate’s death sparked political outrage by the advocates of immigration reform and stricter enforcement of immigration laws already in place. In fact, the murder was so egregious that even those politicians who would normally defend policies like “Sanctuary Cities” were loudly denouncing the management of this illegal immigrant. I bring this up not so that we can get down into the weeds on immigration issues, but as an example of how conduct affects argument. So, if you would find yourself to be a proponent of loosening our immigration laws or enforcement, then the conduct of this immigrant in San Francisco in 2015 widely affects your ability to influence others of your sincerely held beliefs. Now the analogy is not perfect, so do not apply it completely, but this is similar to how our conduct as Christians relates to our witness. The compelling argument of Gospel truth out of our mouth is directly linked with our way of life. -
UF Graduate Behind Fraternity
.he ndeu a ne _ti A decade in sound . APPLAUSE Vols beat 2) short-handed Gators .16 THURSDAY, JANUARY 18. UF graduate murdered behind fraternity By MIKE BRUSCELL \% it 'I A ,nc.IIt I III, wAr litir awthe ra r Alligator Writ n .U~e s elw~ 1w1 ilsi 1 e Xt 1n I sIt(,w 1 1 the i s A orner I student died Wtdnesdav \['I the .,iir~iim w'[ wi l ItHd 1 1o1 11 1 11 1 I i -las morning several hours alter he was Shot in 'rietds I)f .anId 1 1Th IoI o What tI II 11xtvI n th1I I 1 x 'I e lie lace during an argument neaT a .rat r xh ch1 r L ir 1hind k ar a iell s id I'i Was m r I(: 'A ill inly house, Gamesville police said pulled p behmI dthei Ithe J.irrt I LTT 1 1 'uspec ts, dest ribed by po- ld, t, ,L tiI li 4 Ronald Worth Willis, 21, died at 928 a m ]nnh1:1 11, e r I e I 1 [ice dS two black males ap- d I' at Alachua General Hospilal WilIswas sho 'roxtim ately feettall with otherthe oth irt i a il'Ar Alphl kI n ani I [ ' s f\t I e by an suspect unknown from an estimated large b dds, left their dark ini thr (iii by onei stlsjie( I I| otl t ] Nm , 1 1 To , ;),,]I I Ntlp two to three feetaway, police spokeswoman colored dcar and approached ocher susper shut Wills wiih a lIt Sadie Darnell said Will' Car His friends are Willis chrome hand gun Boll s, is An 1 1[ 1 L mPI t Mu td Shortly after2 a n , Wilhis dropped off two not be ing identified because no suspect ran to the ar and drove awAv, Darncillsul riends at their car behind the PITKappa have ITbeen arrested The men and Wills Willis friend, who waS nilt mtIir4'dl, dit4A ,t Murder r ITT Alpha fraternity house on the 1900 block of Clinic plan caters to women Infirmary director agrees to separate-care proposal By MIKE CARR Abigatcr Wrti r After six wceIs Ii toniplan]oit , ptot[ (: Col II)To laitlah1 C.C I w nI('-. -
TOP HITS of the EIGHTIES by YEAR 1980’S Top 100 Tracks Page 2 of 31
1980’S Top 100 Tracks Page 1 of 31 TOP HITS OF THE EIGHTIES BY YEAR 1980’S Top 100 Tracks Page 2 of 31 1980 01 Frankie Goes To Hollywood Relax 02 Frankie Goes To Hollywood Two Tribes 03 Stevie Wonder I Just Called To Say I Love You 04 Black Box Ride On Time 05 Jennifer Rush The Power Of Love 06 Band Aid Do They Know It's Christmas? 07 Culture Club Karma Chameleon 08 Jive Bunny & The Mastermixers Swing The Mood 09 Rick Astley Never Gonna Give You Up 10 Ray Parker Jr Ghostbusters 11 Lionel Richie Hello 12 George Michael Careless Whisper 13 Kylie Minogue I Should Be So Lucky 14 Starship Nothing's Gonna Stop Us Now 15 Elaine Paige & Barbara Dickson I Know Him So Well 16 Kylie & Jason Especially For You 17 Dexy's Midnight Runners Come On Eileen 18 Billy Joel Uptown Girl 19 Sister Sledge Frankie 20 Survivor Eye Of The Tiger 21 T'Pau China In Your Hand 22 Yazz & The Plastic Population The Only Way Is Up 23 Soft Cell Tainted Love 24 The Human League Don't You Want Me 25 The Communards Don't Leave Me This Way 26 Jackie Wilson Reet Petite 27 Paul Hardcastle 19 28 Irene Cara Fame 29 Berlin Take My Breath Away 30 Madonna Into The Groove 31 The Bangles Eternal Flame 32 Renee & Renato Save Your Love 33 Black Lace Agadoo 34 Chaka Khan I Feel For You 35 Diana Ross Chain Reaction 36 Shakin' Stevens This Ole House 37 Adam & The Ants Stand And Deliver 38 UB40 Red Red Wine 1980’S Top 100 Tracks Page 3 of 31 39 Boris Gardiner I Want To Wake Up With You 40 Soul II Soul Back To Life 41 Whitney Houston Saving All My Love For You 42 Billy Ocean When The Going -
Esposito,Michael Dissertation Persuasion in the Aeneid
PERSUASION IN THE AENEID A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Michael Esposito December 2017 © 2017 Michael Esposito PERSUASION IN THE AENEID Michael Esposito, Ph.D. Cornell University 2017 This dissertation is an analysis of how characters in the Aeneid acquire and use knowledge to manipulate their addressees, and of how the Vergilian narrator employs similar strategies to manipulate his reader. The first three chapters are readings of speeches and scenes informed by a focus on each character’s rhetorical goals and persuasive strategies. I concentrate particularly on passages in which characters invent, distort, and speak tendentiously in other ways. The final two chapters argue that the Vergilian narrator is misdirecting, because he uses untrue character speech to raise unfulfilled expectations, and that he is suppressive, because he leaves out much, and displaces the telling of much onto unreliable characters’ claims. In the first chapter I examine how the reader perceives what characters in the Aeneid know, how the characters come to know, and how they use what they know. In the second chapter I interpret the diplomatic exchanges between Ilioneus and Latinus and between Aeneas and Evander as rhetorical contests for advantage, informed by the chaotic military and political world that is Vergil’s Italy. In the third chapter I argue that the speech in the last four books shifts to disputing the responsibility for the outbreak of the war and the question of over what the war is being fought. -
The Differential Effects of Jesus and God on Distributive Behaviour
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Lane, Tom Working Paper The differential effects of Jesus and God on distributive behaviour CeDEx Discussion Paper Series, No. 2019-05 Provided in Cooperation with: The University of Nottingham, Centre for Decision Research and Experimental Economics (CeDEx) Suggested Citation: Lane, Tom (2019) : The differential effects of Jesus and God on distributive behaviour, CeDEx Discussion Paper Series, No. 2019-05, The University of Nottingham, Centre for Decision Research and Experimental Economics (CeDEx), Nottingham This Version is available at: http://hdl.handle.net/10419/228352 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend