80'S 298 Songs, 19.4 Hours, 1.98 GB
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Feargal Sharkey Speaker Profile
Feargal Sharkey Musical Legend and Co-founder of The Undertones Feargal Sharkey first found fame as the lead vocalist of punk band The Undertones, famous for hit singles such as Teenage Kicks. Since then Feargal has worked in the business side of music including, for a number of years, being head of UK Music, which represents the UK's commercial music industry. Feargal has been recognised for his outstanding achievements in the field of musi In detail Languages Feargal Sharkey was a co-founder of The Undertones at their He presents in English. inception in 1976. His best-known solo material is the 1985 UK chart-topping single penned by Maria McKee, A Good Heart, a Want to know more? worldwide number 1 in 1985. In the business side of the music Give us a call or send us an e-mail to find out exactly what he industry he was initially an A&R manager for Polydor Records, could bring to your event. and then Managing Director of EXP Ltd. He was appointed a Member of the Radio Authority for five years from 1998 to 2003. How to book him? He became Chairman of the UK Government task force the Live Simply phone, fax or e-mail us. Music Forum in 2004 to evaluate the impact of the Licensing Act 2003 on the performance of live music, and gave public evidence before the Culture, Media and Sport Committee in 2008. What he offers you Having enjoyed some 12 years of world tours and hit albums, Feargal Sharkey is keen for us to adapt, progress and develop to help secure a solid foundation from which a successful, vibrant and world dominating British online industry can be built. -
WEB KARAOKE EN-NL.Xlsx
ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Backgrounder.Pdf
Backgrounder March 31, 2016 Universal Music Canada donates archive of music label EMI Music Canada to University of Calgary Partnership with National Music Centre offers public access for education and celebration of music On March 31, 2016, the University of Calgary announced a gift from Universal Music Canada of the complete archive of EMI Music Canada. Universal Music Canada acquired the archive when Universal Music Group purchased EMI Music in 2012. The University of Calgary has partnered with the National Music Centre (NMC) to collaborate on opportunities for the public to celebrate music in Canada through educational programming and exhibitions that highlight the archive at NMC’s new facility, Studio Bell. This partnership began with NMC’s critical role in connecting the university with Universal Music Canada. The EMI Music Canada Archive will be accessible to students, researchers and music fans in Calgary and around the world. The University of Calgary has also partnered with the National Music Centre to collaborate on opportunities for the public to celebrate music in Canada through educational programming and exhibitions that highlight the archive. About the EMI Music Canada Archive The EMI Music Canada Archive documents 63 years of the music industry in Canada, from 1949 to 2012. The collection consists of 5,500 boxes containing more than 18,000 video recordings, 21,000 audio recordings and more than two million documents and photographs. More than 40 different recording formats are represented: quarter‐inch, half‐inch, one‐inch and two‐inch reel‐to‐reel tapes, U‐matic tapes, film, DATs, vinyl, Betacam, VHS, cassette tapes, compact discs and DVDs. -
KIDS in AMERICA Cover Song List
KIDS IN AMERICA EIGHTIES COVER SONG LIST MICHAEL JACKSON…………………… Beat It MICHAEL JACKSON…………………… Billie Jean TALKING HEADS…………………… Burning Down the House DIXIES MIDNIGHT RUNNERS …………………… Come On Eileen BRUCE SPRINGSTEEN…………………… Dancing In The Dark BILLY IDOL…………………… Dancing with Myself SIMPLE MINDS…………………… Don’t You Forget About Me HUMAN LEAGUE…………………… Don’t you Want Me BEASTIE BOYS…………………… Fight for Your Right KENNY LOGGINS…………………… Footloose CYNDI LAUPER…………………… Girls Just Want to have Fun THOMPSON TWINS…………………… Let’s Hear It For the Boy PAT BENETAR…………………… Hit Me With Your Best Shot BLONDIE…………………… Heart of Glass DURAN DURAN…………………… Hungry Like the Wolf MADONNA…………………… Like a Prayer JOAN JETT…………………… I Love Rock N Roll THE OUTFIELD…………………… Your Love POINTER SISTERS…………………… I’m So Excited MEN AT WORK…………………… Land Down Under THE B-52’S…………………… Love Shack THE CHEERLEADERS…………………… Micky COREY HEART…………………… Sunglasses at Night THE EURYTHMICS…………………… Sweet Dreams MODERN ENGLISH…………………… Melt With you INXS…………………… New Sensation RICK ASTLEY…………………… Never Gonna Give You Up JOHN MELLANCAMP…………………… Jack and Diane THE CURE…………………… Purple Rain DEPECHE MODE…………………… I just can’t get Enough VAN HALEN…………………… Jump THE GO GOS…………………… Our Lips are Sealed DEF LEPPARD…………………… Pour Some Sugar On Me DURAN DURAN…………………… Rio GUNS N ROSES…………………… Paradise City GUNS N ROSES…………………… Sweet Child O’ Mine MEN WITHOUT HATS …………………… Safety Dance PAULA ABDUL …………………… Straight Up AHA…………………… Take On Me POISON…………………… Talk Dirty to Me TIL TUESDAY…………………… Voices Carry THE ROMANTICS…………………… What I Like About You KATRINA AND THE WAVES…………………… Walking on Sunshine HEART…………………… What About Love CHEAP TRICK…………………… I Want You to Want Me JOURNEY…………………… Don’t Stop Believing HALL AND OATS…………………… You Make My Dreams LUFA…………………… 99 Red Balloons TOMMY TUTONE…………………… Jenny 867-5309 PAT BENETAR…………………… We Belong MADONNA…………………… Holiday. -
The Duran Duran Project: the Augmented Reality Toolkit in Live Performance
The Duran Duran Project: The Augmented Reality Toolkit in Live Performance Jarrell Pair Jeff Wilson Jeff Chastine Maribeth Gandy Institute for Creative Biomedical Interactive Clayton State University Interactive Media Technologies Technology Center [email protected] Technology Center University of Georgia Institute of Georgia Institute of Southern California Technology Technology [email protected] [email protected] [email protected] Extended Abstract performance. As a result of our experience, we found that A variety of real time visual effects were developed for the AR toolkit integrates easily with professional the band Duran Duran’s December 2000 “Pop Trash” live broadcast video equipment. The AR toolkit functioned concert tour. The AR toolkit [1] was utilized extensively seamlessly in a complex system of video switchers, to prototype and demonstrate many of these effect broadcast cameras, recording decks, and large format sequences. projectors. Furthermore, we found that chroma and luminance keying techniques can significantly improve the A real time 3D visual effects system was assembled live video quality of AR toolkit applications. We hope consisting of a Windows 2000 based desktop PC, a that our experience will encourage other developers to Winnov Videum capture card, and professional grade explore using the AR toolkit in live performance video cameras. Using software based on the Microsoft scenarios. Vision SDK and OpenGL libraries, the system captured live video of the band or the audience and composited it with real time 3D graphic imagery. The results were projected onto a large screen where the audience could view the results. Simple animations were pre-programmed and triggered based on the lead singer’s requests during the concert. -
Let's Face It, the 1980'S Were Responsible for Some Truly Horrific
80sX Let’s face it, the 1980’s were responsible for some truly horrific crimes against fashion: shoulder-pads, leg-warmers, the unforgivable mullet ! What’s evident though, now more than ever, is that the 80’s provided us with some of the best music ever made. It doesn’t seem to matter if you were alive in the 80’s or not, those songs still resonate with people and trigger a joyous reaction for anyone that hears them. Auckland band 80sX take the greatest new wave, new romantic and synth pop hits and recreate the magic and sounds of the 80’s with brilliant musicianship and high energy vocals. Drummer and programmer Andrew Maclaren is the founding member of multi platinum selling band stellar* co-writing mega hits 'Violent', 'All It Takes' and 'Taken' amongst others. During those years he teamed up with Tom Bailey from iconic 80’s band The Thompson Twins to produce three albums, winning 11 x NZ music awards, selling over 100,000 albums and touring the world. Andrew Thorne plays lead guitar and brings a wealth of experience to 80’sX having played all the guitars on Bic Runga’s 11 x platinum debut album ‘Drive’. He has toured the world with many of New Zealand’s leading singer songwriter’s including Bic, Dave Dobbyn, Jan Hellriegel, Tim Finn and played support for international acts including Radiohead, Bryan Adams and Jeff Buckley. Bass player Brett Wells is a Chartered Director and Executive Management Professional with over 25 years operations experience in Webb Group (incorporating the Rockshop; KBB Music; wholesale; service and logistics) and foundation member of the Board. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Caron Wheeler Beach of the War Goddess = 戦いの女神の海辺 Mp3, Flac, Wma
Caron Wheeler Beach Of The War Goddess = 戦いの女神の海辺 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Reggae Album: Beach Of The War Goddess = 戦いの女神の海辺 Country: Japan Released: 1993 Style: RnB/Swing, Dub, Acid Jazz, Reggae-Pop MP3 version RAR size: 1969 mb FLAC version RAR size: 1264 mb WMA version RAR size: 1798 mb Rating: 4.1 Votes: 407 Other Formats: MIDI RA AUD TTA WMA AHX WAV Tracklist Hide Credits 1 Respect To The Motherland In Our Love 2 Producer – Heavy Love I Adore You 3 Producer – Jimmy Jam & Terry Lewis Wonder 4 Co-producer – Jazzie B Gotta Give It Up 5 Producer – Mikey Bennett Beach Of The War Goddess 6 Co-producer – Derek Johnson , Twilight Firm 7 Soul Street 8 Lite As A Feather Need A Man 9 Co-producer – Heavy Love, Jimi Randolph 10 Father Naughty Eyes 11 Producer – Mikey Bennett Wind Cries Mary 12 Producer – Derek Johnson Do You Care 13 Co-producer – Keith Crouch Land Of Life 14 Producer – Derek Johnson In Our Love (Club Remix) 15 Producer – Heavy Love Companies, etc. Manufactured By – Toshiba EMI Ltd Phonographic Copyright (p) – EMI Records USA Credits Producer – Caron Wheeler (tracks: 1, 4, 6 to 10, 13) Notes Track 15 is a bonus track. Barcode and Other Identifiers Barcode: 4 988006 683327 ASIN: B00005GKNS Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year 0777 7 97879 2 Caron Beach Of The War 0777 7 97879 2 EMI USA US 1992 0 Wheeler Goddess (CD) 0 0777 7 97879 4 Caron Beach Of The War 0777 7 97879 4 EMI USA US 1992 4 Wheeler Goddess (Cass, Album) 4 Beach Of The War Caron D 10269 Goddess (CD, Album, EMI USA D 10269 US 1992 Wheeler Club) EMI 0777 7 97879 2 Caron Beach Of The War 0777 7 97879 2 Records Europe 1992 0 Wheeler Goddess (CD, Album) 0 USA Related Music albums to Beach Of The War Goddess = 戦いの女神 の海辺 by Caron Wheeler Jay King - Helen's Son Derek & The Dominos - Why Does Love Got To Be So Sad Caron Wheeler - U.K Blak Debbie Johnson - Everlasting Love / So Excited Mikey Jarrett / J. -
Glass Tiger Hometown Boys Still Rockin’ It 30 Years Later
December 2014, Vol. 16, No. 10 East Gwillimbury welcomes the jolly old elf at its annual Santa Claus Parade! Glass Tiger Hometown Boys Still Rockin’ It 30 Years Later The Driver Training Course that Helps Parents Sleep Nights... ® Next Course starts Monday, Dec. 29th at the MAVA Business (905) 895-8244 Centre at 72 Main St. GIFT CERTIFICATES AND [email protected] PAYMENT PLANS AVAILABLE www.yd.com MTO Approved BDE Course Provider Santa Claus Parade Saturday, December 6, 2014 at 11 am SHARP Canadian Music Icons got their start right here in EG I was 13-years-old the year that Glass Tiger hit it big on the Canadian music scene. Our local radio station was playing Don’t Forget Me (When I’m Gone) in heavy rotation and my sister went to see them in concert at the Galt Arena Gardens in Cambridge. It wasn’t until their second album that I www.TheBulletinMagazine.com really discovered their music when Diamond Sun came out. I bought most Editor: of their singles on vinyl 45s, and I had a variety of Glass Tiger cassettes and Blair Matthews CDs over the years as the technology changed. Contributors: Their music, it seemed, never went out of style. As they matured, so too Susan Crema-Martin Michayla Fraser did their music. Vicki Pinkerton Anne Hill A year ago I was flipping through old newspapers at the library doing Raymond Mark Alexandria Lipani research for a Bulletin article when I came across a clipping from the Cathy Morton Sue Sadzak 1980s. It talked about Glass Tiger doing a local concert in conjunction with Published 10 times per year by: Joe Persechini’s Persechini Run/Walkathon for Easter Seals. -
Dance Chart, 1989-10
DANCE Mt SIC INTERNATIONAL CLUB PLAY AUSTRALIA OCT. 1989 NATIONAL TOP 40 DANCE TRAX • TM LM KEY TITLE/AR IST CO PAN 1 13 0 Dressed For Success - ROXETTE EMI 2 1 • Batdance -PRINCE WEA 3 - • Cherish - MADONNA WEA 4 4 * Funky Cold Medina - TONE LOC FEST. 5 14 • Baby Don't Forget My Number - MILLI VANILLI BMG 6 2 + Right Back Where We Started - SINITTA CBS 7 23 • Bat Attack - CRIME FIGHTERS INC. BMG 8 5 0 Baby I Don't Care - TRANSVISION VAMP WEA 9 9 + This Time I Know It's For Real - DONNA SUMMER WEA 10 3 ■ The Right Stuff - NEW KIDS ON THE BLOCK CBS 11 8 • Express Yourself - MADONNA WEA 12 6 * Bamboleo - GYPSY KINGS CBS 13 7 • The Look - ROXETTE EMI 14 12 • Forever Your Girl - PAULA ABDUL VIRGIN 15 10 711 Max Mix 8 - VARIOUS ARTISTS COL* 16 - 4. You'll Never Stop Me Lovin' You - SONIA EMI 17 19 III Girl You Know It's True - MILLIE VANILLI BMG 18 - • Miss You Much - JANET JACKSON FEST. 19 11 0 Say Goodbye - INDECENT OBSESSION CBS 20 35 • Keep On Moving - SOUL 11 SOUL VIRGIN 21 15 0 Ain't Nobody Better - INNER CITY VIRGIN 22 16 0 Good Life - INNER CITY VIRGIN 23 31 >41 Acid Mix - VARIOUS ARTISTS COL* 24 27 • Straight Up - PAULA ABDUL EMI 25 21 • Send Me An Angel '89 - REAL LIFE BMG 26 20 • Pop Musik '89 - M BMG 27 RE * We Want Some Pussy - 2 LIVE CREW COL* 28 RE • Come Home With Me Baby - DEAD OR ALIVE CBS 29 17 • My Perrogative - BOBBY BROWN WEA 30 - • Deep in Vogue - MALCOLM McCLAREN CBS 31 - • Grandpa's Party - MONIE LOVE EMI 32 24 • Strokin - CLARENCE CARTER COL 33 40 • What You Don't Know - EXPOSE BMG 34 18 + Oh What A Night - FOUR SEASONS COL * 35 36 4.