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Feargal Sharkey Speaker Profile
Feargal Sharkey Musical Legend and Co-founder of The Undertones Feargal Sharkey first found fame as the lead vocalist of punk band The Undertones, famous for hit singles such as Teenage Kicks. Since then Feargal has worked in the business side of music including, for a number of years, being head of UK Music, which represents the UK's commercial music industry. Feargal has been recognised for his outstanding achievements in the field of musi In detail Languages Feargal Sharkey was a co-founder of The Undertones at their He presents in English. inception in 1976. His best-known solo material is the 1985 UK chart-topping single penned by Maria McKee, A Good Heart, a Want to know more? worldwide number 1 in 1985. In the business side of the music Give us a call or send us an e-mail to find out exactly what he industry he was initially an A&R manager for Polydor Records, could bring to your event. and then Managing Director of EXP Ltd. He was appointed a Member of the Radio Authority for five years from 1998 to 2003. How to book him? He became Chairman of the UK Government task force the Live Simply phone, fax or e-mail us. Music Forum in 2004 to evaluate the impact of the Licensing Act 2003 on the performance of live music, and gave public evidence before the Culture, Media and Sport Committee in 2008. What he offers you Having enjoyed some 12 years of world tours and hit albums, Feargal Sharkey is keen for us to adapt, progress and develop to help secure a solid foundation from which a successful, vibrant and world dominating British online industry can be built. -
Irish Cross-Border Cooperation: the Case of the Northwest Region
IRISH CROSS-BORDER CO-OPERATION: THE CASE OF THE NORTHWEST REGION Alessia Cividin IBIS working paper no. 64 IRISH CROSS-BORDER CO-OPERATION: THE CASE OF THE NORTHWEST REGION Alessia Cividin Working Papers in British-Irish Studies No. 64, 2006 (also printed as MFPP working paper no. 14) Institute for British-Irish Studies University College Dublin IBIS Working Papers No. 64, 2006 (also printed as MFPP working paper no. 14) © the author, 2006 ISSN 1649-0304 ABSTRACT IRISH CROSS-BORDER COOPERATION: THE CASE OF THE NORTHWEST REGION Traditionally grasped as a division, the border between the Republic of Ireland and Northern Ireland is increasingly understood as forming an individual unit made up of multiple connections. This paper analyses this border as assumed, and tries to de- velop its meaning within a European setting. The academic focus is on regional studies, political geography, spatial planning and border literature, and the paper puts forward an approach to national and regional borders as whole entities to be planned for and managed. The paper analyses variation in the impact of cross- border cooperation in the Northwest region on regional development and the spatial perception of it. The role of stakeholders and of local institutional relationships is considered, and the importance of government and institutional policies, and cul- tural factors, for the growth and success of cross-border activity is examined. The paper focuses, in particular, on recent cross-border projects in the Northwest re- gion. Publication information Revised version of a paper presented at a study group meeting on “Planning for and working in Border areas”, Derry, 13 October 2005, as part of the programme Map- ping frontiers, plotting pathways: routes to North-South cooperation in a divided is- land . -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Communicorp Media January 2021 Executive Summary
Submission to the Future of Media Commission By Communicorp Media January 2021 Executive Summary Communicorp Media reaches 1.75 million weekly listeners and has a significant online, digital, and social audience. Independent Radio has 2.5 million listeners daily, close to double the daily reach of RTÉ Radio. Communicorp Media and Independent Radio have 800,000 more listeners aged Under 45 than RTÉ Radio and are vitally important in reaching a younger audience. 376,000 people listen to Communicorp Media radio stations only. Communicorp Media provides more than 12,000 hours of Public Service Content a year. Public Service Broadcasting is about the content broadcast rather than the ownership of the broadcaster. RTÉ is not the only provider of Public Service Broadcasting. Radio scored a trust rating of 79% in a recent IPSOS MRBI poll. This compares to 29% for Facebook and 34% for Twitter, showing radio’s importance in an era where fake news is prevalent. 70% of daily radio listening is to a non RTÉ service. This shows content on Independent Radio has a distinct public value. Digital now accounts for 54% of all advertising spend in Ireland with Google and Facebook controlling 40% of the market. Radio advertising spend is down nearly 30% in the last ten years. Submission to the Future of Media Commission By Communicorp Media - January 2021 Page 2 The funding of journalism on Irish radio is crucially important and must be supported, otherwise the dominance of global digital players in the advertising market will have an effect on the quality of journalism produced. -
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
Listening in on Belfast Punk Linsey Mcfadden Photo Courtesy of Sing Sing Records N the Late 1970’S Punk Rock Struck a City Divided by Religion and Politics
Listening In On Belfast Punk Linsey McFadden Photo Courtesy of Sing Sing Records n the late 1970’s punk rock struck a city divided by religion and politics. A city with an atmosphere permeating with the smell of hatred and fear, security checkpoints marred the entrance to the city centre, while bombings and shootings were commonplace. At Inight the only people that dared to walk the city’s streets were the one’s that enforced the curfews and the ones that broke them— punks. It wasn’t London and it wasn’t New York. They weren’t the only cities to carve out their stake in the punk rock world. Welcome to Belfast, a city where punk rock came at a time when it really made sense. In Northern Ireland, punk rock was never simply a fashion piece to be gawked at. Punk rock came to Belfast at a time of Troubles, a time when the city was more comparable to a warzone than a Western metropolis. It came at a time of blown out buildings, shootings, tense security, intimidation, curfews, and hate. “It was a scary place to be, in the city centre at night,” said Aidan Murtagh of Protex. “People stayed in their own areas where they felt safe. The only people about town at nights were British army, police and punks. These tensions probably added to the way the music was played and performed by many of the bands.” Until the relatively recent release of the Good Vibrations movie, Northern Irish punk had largely been pushed to the background as writers and filmmakers rushed to document the rise of punk in cities like New ork,Y London and L.A. -
Spring 2017 £3.00 / Volume 9 771476 824001 GUNDOG & ANGLING SPECIAL EDITION Fairs E O M F A
ON SALE TO 12th MAY 2017 Irish COUNTRY SPORTS and COUNTRY LIFE 5.00 € 05 Volume 16 Number 1 Spring 2017 £3.00 / Volume 9 771476 824001 GUNDOG & ANGLING SPECIAL EDITION Fairs e o m f a I r G e l t a greatgamefairs a n e d r G ofireland Irish Game Fair and Fine Food Festival (inc the NI Angling Show) Ireland’s largest Game Fair and international countrysports event featuring action packed family entertainment in three arenas; a Living History Festival including medieval jousting; a Fine Food Festival; a Bygones Area, a huge tented village of trade stands and the top Irish and international countrysports competitions and displays. Shanes Castle, Antrim 24th & 25th June 2017 www.irishgamefair.com Irish Game & Country Fair and Fine Food Festival Main Arena sponsored by the NARGC The ROI’s national Game Fair featuring action packed family entertainment in two arenas; a Living History Village including medieval jousting; a Fine Food Festival; a huge tented village of trade stands and top Irish and International countrysports competitions and displays PLUS all the attractions of the beautiful world famous Birr Castle Demesne. Birr Castle, Co Offaly 26th & 27th August 2017 www.irishgameandcountryfair.com Supported by Irish Countrysports and Country Life magazine (inc The Irish Game Angler) Available as a hard copy glossy quarterly or FREE to READ online at www.countrysportsandcountrylife.com For further details contact: Great Game Fairs of Ireland: Tel: 028 (from ROI 048) 44839167 /44615416 Email: [email protected] Irish COUNTRY SPORTS -
00 My Life As an Undertone OP56705 ALL Cpp.Indd 4 29/01/2016 11:35 One
TEEnAGE KICKS MICHAEL BRADLEY MY LIFE UNDERTONE AS AN OP56705 Teenage Kicks Undertone prelims.indd 1 26/01/2016 15:36 OP56705 Teenage Kicks Undertone prelims.indd 2 26/01/2016 15:36 TEEnAGE KICKS MICHAEL BRADLEY MY LIFE UNDERTONE AS AN OP56705 Teenage Kicks Undertone prelims.indd 3 26/01/2016 15:36 Copyright © 2016 Omnibus Press (A Division of Music Sales Limited) Cover designed by Ruth Keating Picture research by Michael Bradley ISBN: 978.1.78558.180.9 Order No: OP56705 The Author hereby asserts his right to be identified as the author of this work in accordance with Sections 77 to 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage or retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages. Exclusive Distributors Music Sales Limited, 14/15 Berners Street, London, W1T 3LJ. Music Sales Corporation 180 Madison Avenue, 24th Floor, New York, NY 10016, USA. Every effort has been made to trace the copyright holders of the photographs in this book but one or two were unreachable. We would be grateful if the photographers concerned would contact us. Printed in the EU A catalogue record for this book is available from the British Library. Visit Omnibus Press on the web at www.omnibuspress.com 00_My Life As An Undertone_OP56705_ALL_cpp.indd 4 29/01/2016 11:35 One really have to write this down before I forget most of it. -
Onthefrontline
★ Paul Flynn ★ Seán Moncrieff ★ Roe McDermott ★ 7-day TV &Radio Saturday, April 25, 2020 MES TI SH IRI MATHE GAZINE On the front line Aday inside St Vincent’s Hospital Ticket INSIDE nthe last few weeks, the peopleof rear-viewmirror, there was nothing samey Ireland could feasibly be brokeninto or oppressivelyboring or pedestrian about Inside two factions:the haves and the suburban Dublinatall. Come to think of it, have-nots.Nope, nothing to do with the whys and wherefores of the estate I Ichildren, or holiday homes, or even grew up on were absolutely bewitching.As employment.Instead, I’m talking gardens. kids, we’d duck in and out of each other’s How I’ve enviedmysocialmediafriends houses: ahuge,boisterous,fluid tribe. with their lush, landscaped gardens, or Friends would stay for dinner if there were COLUMNISTS their functionalpatio furniture, or even enough Findus Crispy Pancakes to go 4 SeánMoncrieff their small paddling pools.AnInstagram round.Sometimes –and Idon’tknow how 6 Ross photo of someone enjoying sundownersin or why we ever did this –myfriends and I O’Carroll-Kelly their own back gardenisenough to tip me would swap bedrooms for the night,sothat 17 RoeMcDermott over the edge. Honestly, Icould never have they would be sleeping in my house and Iin 20 LauraKennedy foreseen ascenario in whichI’d look at theirs. Perhaps we fancied ourselvesas someone’smodest back garden and feel characters in our own high-concept, COVERSTORY genuine envy (and, as an interesting body-swap story.Yet no one’s parents 8 chaser, guilt for worrying aboutgardens seemed to mind. -
Smash Hits Volume 13
\% Words to the TOP SINGLES Boogie WcmdMand NolSong In Heaven Shine A little Love Ain't No Stopping Us Hi By Sparks on Virgin Records Chorus ^B Gabriel plays it It's number one all over heaven Let's hear him play it It's number one all over heaven It's number one all over heaven Repeat chorus The number one song all over heaven The song filters down down through the If you should die before you awake clouds If you should die while crossing the It reaches the earth and winds all around street And then it breaks up in millions of ways The song that you'll hear I guarantee It goes la la la la la la la la la la la la etc Repeat chorus Ooh in cars it becomes a hit The one that's the rage up here in the And in your home it becomes clouds advertisements Loud as a crowd or soft as a doubt And in the streets it becomes children Lyrically weak but the music's the thing singing Ooh la la la la la ia la Gabriel plays it Repeat to fade God how he plays it Gabriel plays it God how he plays it Words and music by Ron Mael/Giorgio <f> Gabriel plays it Moroder/Russell Mael. Reproduced by God how he plays it permission Heath Levy Music. 2 SMASH HITS ' d n oat an l!; ace s de e° ?„gula' '^.sh^"? in , S»° McF^ h v ' g$> sp0 cke b£ mm&*#'punIk * ( 6 issue yo^ainJ"" s Vde» see v we ii. -
Ireland Into the Mystic: the Poetic Spirit and Cultural Content of Irish Rock
IRELAND INTO THE MYSTIC: THE POETIC SPIRIT AND CULTURAL CONTENT OF IRISH ROCK MUSIC, 1970-2020 ELENA CANIDO MUIÑO Doctoral Thesis / 2020 Director: David Clark Mitchell PROGRAMA DE DOCTORADO EN ESTUDIOS INGLESES AVANZADOS: LENGUA, LITERATURA Y CULTURA Ireland into the Mystic: The Poetic Spirit and Cultural Content of Irish Rock Music, 1970-2020 by Elena Canido Muiño, 2020. INDEX Abstract .......................................................................................................................... viii Resumen .......................................................................................................................... ix Resumo ............................................................................................................................. x 1. Introduction ............................................................................................................. 1 1.1.1. Methodology ................................................................................................................. 3 1.1.2. Thesis Structure ............................................................................................................. 5 2. Historical and Theoretical Introduction to Irish Rock ........................................ 9 2.1.1. Introduction ................................................................................................................... 9 2.1.2. The Origins of Rock ...................................................................................................... 9 2.1.3. -
E Past, Present and Future of Drag in Los Angeles
Rap Duo 88Glam embrace Hip-Hop’s fearlessness • Museum Spotlights Ernie Barnes, Artist and Athlete ® MAY 24-30, 2019 / VOL. 41 / NO. 27 / LAWEEKLY.COM Q e Past,UEENDOM Present and Future of Drag in Los Angeles BY MICHAEL COOPER AND LINA LECARO 2 WWW.LAWEEKLY.COM | - , | LA WEEKLY L May 24 - May 30, 2019 // Vol. 41 // No. 27 // laweekly.com 3 LA WEEKLY LA Explore the Country’s Premier School of Archetypal and Depth Psychology Contents - , | | Join us on campus in Santa Barbara WWW.LAWEEKLY.COM Friday, June 7, 2019 The Pacifica Experience A Comprehensive One-Day Introduction to Pacifica’s Master’s and Doctoral Degree Programs Join us for our Information Day and learn about our various degree programs. Faculty from each of the programs will be hosting program-specific information sessions throughout the day. Don't miss out on this event! Pacifica is an accredited graduate school offering degrees in Clinical Psychology, Counseling Psychology, the Humanities and Mythological Studies. The Institute has two beautiful campuses in Santa Barbara nestled between the foothills and the Pacific Ocean. All of Pacifica’s degree programs are offered through monthly three-day learning sessions that take into account vocational, family, and other commitments. Students come to Pacifica from diverse backgrounds in pursuit of an expansive mix of accademic, professional, and personal goals. 7 Experience Pacifica’s unique interdisciplinary degree programs GO LA...4 FILM...16 led by our renowned faculty. Celebrate punk history, explore the NATHANIEL BELL explores the movies opening Tour both of our beautiful campuses including the Joseph Campbell Archives and the Research Library.