DOCSLIB.ORG

Ireland Into the Mystic: the Poetic Spirit and Cultural Content of Irish Rock

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ireland Into the Mystic: the Poetic Spirit and Cultural Content of Irish Rock IRELAND INTO THE MYSTIC: THE POETIC SPIRIT AND CULTURAL CONTENT OF IRISH ROCK MUSIC, 1970-2020 ELENA CANIDO MUIÑO Doctoral Thesis / 2020 Director: David Clark Mitchell PROGRAMA DE DOCTORADO EN ESTUDIOS INGLESES AVANZADOS: LENGUA, LITERATURA Y CULTURA Ireland into the Mystic: The Poetic Spirit and Cultural Content of Irish Rock Music, 1970-2020 by Elena Canido Muiño, 2020. INDEX Abstract .......................................................................................................................... viii Resumen .......................................................................................................................... ix Resumo ............................................................................................................................. x 1. Introduction ............................................................................................................. 1 1.1.1. Methodology ................................................................................................................. 3 1.1.2. Thesis Structure ............................................................................................................. 5 2. Historical and Theoretical Introduction to Irish Rock ........................................ 9 2.1.1. Introduction ................................................................................................................... 9 2.1.2. The Origins of Rock ...................................................................................................... 9 2.1.3. Rock as Music and Culture ......................................................................................... 14 2.1.4. The Cultural Identity of Irish Rock ............................................................................. 16 2.1.5. Theoretical Approaches on How to "Read" Lyrics ..................................................... 19 3. Mythology and the Celtic in Irish Rock Music ................................................... 24 3.1.1. Historical Context ............................................................................................... 24 3.1.2. The "Celtic Revival" of Irish Rock ..................................................................... 26 3.1.3. Use of Myth and the Celtic in Celtic Rock ......................................................... 29 3.2. Horslips: "The Mythologising of Irish Rock" ........................................................ 31 3.2.1. Introduction ......................................................................................................... 31 3.2.2. The Táin (1973) ................................................................................................... 34 3.2.3. Dancehall Sweethearts (1974) ............................................................................ 39 3.2.4. The Book of Invasions: A Celtic Symphony (1976) ............................................. 44 3.2.5. Conclusion ........................................................................................................... 50 3.3. Thin Lizzy: "Telling the Legends of Long Ago, Playing the Melodies So We Might Know" ............................................................................................................. 51 3.3.1. Introduction ......................................................................................................... 51 3.3.2. Phil Lynott: Rock 'n' Roll Bard ........................................................................... 51 3.3.3. Thin Lizzy (1971), New Day (1971) and Shades of a Blue Orphanage (1972) .. 54 3.3.4. Vagabonds of the Western World (1973) ............................................................ 60 3.3.5. Jailbreak (1976) .................................................................................................. 64 3.3.6. Black Rose: A Rock Legend (1978) ..................................................................... 69 3.3.7. Conclusion ........................................................................................................... 73 3.4. Gary Moore: "The Darkest Son of Ireland" .......................................................... 74 3.4.1. Introduction ......................................................................................................... 74 3.4.2. Early Albums....................................................................................................... 75 3.4.3. Wild Frontier (1987) ........................................................................................... 76 3.4.4. After the War (1989) ........................................................................................... 91 3.4.5. Conclusion ........................................................................................................... 93 3.5. Chapter Conclusions ................................................................................................... 94 4. Sociopolitical Awareness in Irish Rock Music .................................................... 95 4.1.1. Introduction ......................................................................................................... 95 4.2. "On The Dole Queue Too Long": The Outburst of Irish Punk ......................... 100 4.2.1. Introduction ....................................................................................................... 100 4.2.2. "Television Screen" and the Emergence of Irish Punk ..................................... 102 4.2.3. Stiff Little Fingers and The Undertones ............................................................ 104 4.2.4. The Boomtown Rats .......................................................................................... 109 4.2.5. Conclusion ......................................................................................................... 113 4.3. "Flowers of Fire": Sociopolitical Issues in U2's War and The Joshua Tree.............................................................................................................................114 4.3.1. Introduction ....................................................................................................... 114 4.3.2. War (1983) ........................................................................................................ 117 4.3.3. The Joshua Tree (1987) ..................................................................................... 123 4.3.4. Conclusion ......................................................................................................... 137 4.4. Chapter Conclusions ................................................................................................. 138 5. The Cultural and Artistic Impact of Women in Irish Rock Music ................ 140 5.1.1. Introduction ....................................................................................................... 140 5.1.2. The Position of Women in Irish Popular Music: Recent History ...................... 141 5.1.3. Case 1: Sinéad O'Connor................................................................................... 148 5.1.4. Case 2: Dolores O'Riordan ................................................................................ 149 5.1.5. The "Confessional Songwriting" Myth ............................................................. 151 5.1.6. Female Vocal Technique in Irish Rock ............................................................. 156 5.2. "The Phoenix from The Flame": Sinéad O'Connor as an Example of an Uncompromisingly Transgressive Irish Female Artist ........................................ 157 5.2.1. Introduction ....................................................................................................... 157 5.2.1.1. Image and Gender Identity ............................................................................ 159 5.2.1.2. Songwriting and Composition ....................................................................... 160 5.2.1.3. Performance and Singing Style ..................................................................... 161 5.2.2. The Lion and the Cobra (1987) ......................................................................... 163 5.2.3. I Do Not Want What I Haven't Got (1990) ........................................................ 166 5.2.4. Conclusion ......................................................................................................... 176 5.3. "A Different Way to Be": The Artistic Individuality of The Cranberries' Dolores O'Riordan ............................................................................................................................ 177 5.3.1. Introduction ....................................................................................................... 177 5.3.2. Everybody Else Is Doing It, So Why Can't We? (1993) .................................... 178 5.3.2.1. Gender, Body and Image in "Pretty" ............................................................. 181 5.3.3. No Need to Argue (1994) .................................................................................. 185 5.3.3.1. Sectarian Violence and Hatred in "Zombie" ................................................. 188 5.3.3.2. Audiovisual Analysis of the "Zombie" Music Video .................................... 195 5.3.3.3. Exile, Belonging and Longing in "So Cold in Ireland" ................................. 203 5.3.4. Conclusion ......................................................................................................... 211 5.4. References to William
Load more

Recommended publications
  • Anthology Berhe Gebrihet Vincent Ternida Glenn Green Carol Vandenengel Anthology John Grey Donald R
    Featured Authors Steve Abbott Matthew Robinson Laurence Ammann-Lanthier Ron Romanowski Bob Armstrong Jim Ross Robert Beveridge Sandra Schmidtke Gabriella Brand Korellia Schneider Diane Driedger Moneca Sinclaire Emma Durand-Wood Karen Solomon Holly Ferrier Lamont Kevin Strong Anthology Berhe Gebrihet Vincent Ternida Glenn Green Carol VandenEngel Anthology John Grey Donald R. Vogel Izzeddin Hawamda Laura White Janell Henry Nancy Wick Tricia Knoll Yvonne Kyle Foreword Jenean McBrearty Leigh Anne Parry Brendan McKay and Anders Swanson Laura McMaster Introduction Alex Merrill Sharon Chisvin Eva Morrison Cath Nichols Binh Pham Byron Rempel-Burkholder Nicole Roach Edited by Sharon Chisvin The WriteToMove anthology was created through the Winnipeg Arts Council’s WITH ART Edited by community public art program and is part of the Sharon Chisvin City of Winnipeg’s Public Art Collection. A Winnipeg Arts Council WITH ART project in partnership with the Winnipeg Trails Association WriteToMove An anthology © Winnipeg Arts Council, 2021 All rights reserved. The authors retain copyright to their own contributions. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval system without written permission from the editor. The WriteToMove anthology was created through the Winnipeg Arts Council’s WITH ART community public art program and is part of the City of Winnipeg’s Public Art Collection. WriteToMove logo designed by Anders Swanson. With special thanks to: Marshall Carroll, Niri Carroll, Andrea Davis and Paul Doyle. ISBN 978-1-7775184-0-0 FIC003000 Fiction Anthologies (Multiple Authors) FIC019000 Fiction, Literary LCO010000 Literary Collections, Essays Printed in Canada by Hignell Book Printing TABLE OF CONTENTS 5.
    [Show full text]
  • Van Morrison and Pastoralism.Pdf
    LJMU Research Online Smyth, G ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison http://researchonline.ljmu.ac.uk/id/eprint/10338/ Article Citation (please note it is advisable to refer to the publisher’s version if you intend to cite from this work) Smyth, G (2019) ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison. Irish University Review, 49 (1). pp. 171-187. ISSN 0021-1427 LJMU has developed LJMU Research Online for users to access the research output of the University more effectively. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LJMU Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. The version presented here may differ from the published version or from the version of the record. Please see the repository URL above for details on accessing the published version and note that access may require a subscription. For more information please contact [email protected] http://researchonline.ljmu.ac.uk/ ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison Gerry Smyth Liverpool John Moores University Gesang, wie du ihn lehrst, ist nicht Begehr, nicht Werbung um ein endlich noch Erreichtes; Gesang ist Dasein. (True singing, as you teach it, does not concern desire, nor pursuing anything that can be attained; Singing is Being).
    [Show full text]
  • Eastside Arts Festival 2015 Programme
    19TH–31ST AuguST e’re proud to lay before you the summer picnic that is the EastSide Arts Festival 2015 – a wealth Wof tasty morsels for August, including readings, jazz, heritage tours, drama, comedy, music, visual arts, songwriters, children’s workshops, community events, movies, events for older people... And some afternoon poetry recitals Welcome! in the open air, because the sun always shines in the east. he quality of this year’s festival ur festival concludes on August 31 with two sold And that’s why our programme is covered in stripes; to programme is confirmation of the out concerts on Cyprus Avenue by east Belfast’s remind us of deck chairs, and the fact that it’s a summer Omost acclaimed musician, Van Morrison, as he festival. Keep an eye on our website: www.eastsidearts.net impact that EastSide Arts is having on celebrates his 70th birthday, with performances on the - and our social media feeds on Facebook/EastSideArtsBel T leafy avenue that was such a place of inspiration for the and Twitter @EastSideArtsBel, for constant updates on the development of the arts in the east of the city. man who grew up on Hyndford Street. happenings as the festival approaches. It has quickly established itself as Leading up to those concerts, we have a 12- As ever, we’re immensely grateful to our day programme celebrating artists FROM the east of the funders - Principal Funder, the Arts Council of Northern a creative highpoint and, in tandem with city, and welcoming internationally-renowned artists TO Ireland, Belfast City Council and the Department of Arts, EastSide’s other stand-out events, including the the east of the city, with happenings morning, noon and Culture and Leisure for their support.
    [Show full text]
  • Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the 'Ascetic Aesthetic'
    Munt New directions in music video Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the ‘ascetic aesthetic’ Abstract: This article takes the form of a case study on the work of French filmmaker and music video director Vincent Moon, and his ‘Takeaway Shows’ at the video podcast site La Blogothèque. This discussion examines the state, and status, of music video as a dynamic mode of convergent screen media today. It is argued that the recent shift of music video online represents a revival of music video—its form and aesthetics— together with a rejuvenation of music video scholarship. The emergence of the ‘ascetic aesthetic’ is offered as a new paradigm for music video far removed from that of the postmodern MTV model. In this context, new music video production intersects with notions of immediacy, authenticity and globalised film practice. Here, convergent music video is enabled by the network of Web 2.0 and facilitated by the trend towards amateur content, participatory media and Creative Commons licensing. The pedagogical implications of teaching new music video within screen media arts curricula is highlighted as a trajectory of this research. Biographical note: Alex Munt is a filmmaker and screen theorist. He is a Lecturer in the Department of Media, Music, Communication and Cultural Studies at Macquarie University. He recently completed a PhD on ‘Microbudget Digital Cinema’ and has published on topics that include digital filmmaking, screenwriting, music video, fashion and design media in Australian and UK media, journals and magazines. Keywords: Aesthetics – Music – Video – Vincent Moon 1 Broderick & Leahy (eds) TEXT Special Issue, ASPERA: New Screens, New Producers, New Learning, April 2011 Munt New directions in music video The focus of this article is the work of French filmmaker and music video director Mathieu Saura, more commonly known by his alias ‘Vincent Moon’.
    [Show full text]
  • Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
    CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates.
    [Show full text]
  • THE JOHN BYRNE BAND the John Byrne Band Is Led by Dublin Native and Philadelphia-Based John Byrne
    THE JOHN BYRNE BAND The John Byrne Band is led by Dublin native and Philadelphia-based John Byrne. Their debut album, After the Wake, was released to critical acclaim on both sides of the Atlantic in 2011. With influences ranging from Tom Waits to Planxty, John’s songwriting honors and expands upon the musical and lyrical traditions of his native and adopted homes. John and the band followed up After the Wake in early 2013 with an album of Celtic and American traditional tunes. The album, Celtic/Folk, pushed the band on to the FolkDJ Charts, reaching number 36 in May 2015. Their third release, another collection of John Byrne originals, entitled “The Immigrant and the Orphan”, was released in Sept 2015. The album, once again, draws heavily on John’s love of Americana and Celtic Folk music and with the support of DJs around the country entered the FolkDJ Charts at number 40. Critics have called it “..a powerful, deeply moving work that will stay with you long after you have heard it” (Michael Tearson-Sing Out); “The Vibe of it (The Immigrant and the Orphan) is, at once, as rough as rock and as elegant as a calm ocean..each song on this album carries an honesty, integrity and quiet passion that will draw you into its world for years to come” (Terry Roland – No Depression); “If any element of Celtic, Americana or Indie-Folk is your thing, then this album is an absolute yes” (Beehive Candy); “It’s a gorgeous, nostalgic record filled with themes of loss, hope, history and lost loves; everything that tugs at your soul and spills your blood and guts…The Immigrant and the Orphan scorches the earth and emerges tough as nails” (Jane Roser – That Music Mag) The album was released to a sold-out crowd at the storied World Café Live in Philadelphia and 2 weeks later to a sold-out crowd at the Mercantile in Dublin, Ireland.
    [Show full text]
  • Catalyst Vol46 No.12.Pdf
    DECEMBER 11, 2015 LYST THE CATATHE INDEPENDENT STUDENT NEWSPAPER OF COLORADO COLLEGE NEWS 2 Opinion 8 SPORTS 11 LIFE 15 FRIDAY BLOCK 4 Illustration by WEEK 3 Rachel Fischman COME WITH HOCKEY STIFFS REEL TALK: VOL. 46 MIAMI IN THIRD ‘SPOTLIGHT’ ME IF YOU NO. 12 WANT TO LIVE STRAIGHT WIN REVIEW CATALYSTNEWSPAPER.COM MORE: MORE: Page 10 Photo courtesy of CC Athletics MORE: Page 11 Photo by David Andrews Page 15 #COP21 CC students get an inside look at crucial international climate negotiations at the Paris Climate Summit. CLIMATE: Page 7 Photo by Gabriella Palko In light of his new jams, ANNIE ENGEN CommunityStaff Writer healing after Planned Parenthood shooting senior Jack Sweeney mann commented on how she felt Counseling Center Director Bill Dove. sits down with the the day of the shooting. “I didn’t re- Up to six counseling sessions, free ally feel safe on campus and was re- of charge, are available for students Catalyst to discuss In the past year, there have been ally irritated by the mail that said we to take advantage of—an opportunity over 350 mass shootings in the U.S., were out of danger.,” she said. “How that many undergrads never utilize music and his problems one of them being the Planned Par- could we not be in danger when the throughout their careers at CC. You enthood shooting in Colorado Springs shooter was 15 minutes away?” are encouraged to go to the Coun- with ladies. on Nov. 27. MORE: Page 5 A certain level of distress has af- seling Center, located in Boettcher “There have been so many shoot- fected some of the students on cam- Health Center, if you are feeling un- ings, but this was close to home, so pus.
    [Show full text]
  • Fes Tiv Al Guide 2018
    popronde popronde popronde 2018 2018 2018 2018 2018 2018 2018 2018 FESTIVAL GUIDE 2018 FESTIVAL popronde popronde popronde VOORWOORD Krakkemikkige geluidssets, kapotte verster- kers, vier shows in een weekend, slaapgebrek en een laatste biertje dat misschien toch niet gedronken had moeten worden… Als je oud-Popronde-deelnemers spreekt hoor je ze vaak over deze onderwerpen spreken. Horror- verhalen. Of, toch niet… Want als het gesprek zich verder doorzet blijkt hoeveel ze hebben geleerd van die gebroken snaren, het busje dat ergens op de weg tussen Groningen en Middelburg besloot ermee op te houden en dat laatste biertje wat misschien beter toch niet gedronken had moeten worden… Tijdens mijn eerste jaar Popronde - inmiddels vijf jaar terug - zat ik in de auto met Tim, toen verantwoordelijk voor de social media, op de terugweg van Popronde Almere. Tim sprak toen de gevleugelde woorden: ‘fuck de TROS, de Popronde is de grootste familie van Ne- derland. In ieder geval de leukste!’ In die vijf jaar ben ik mij steeds meer gaan beseffen dat hij, met misschien een laatste biertje wat mis- schien beter toch niet gedronken had moeten worden op, gelijk had. In die vijf jaar heb ik er 3 Affiche_CHRIS_125x185mm_cmyk_AFAS_POPRONDE.indd 1 31/07/2018 12:01 namelijk een familie bijgekregen, bestaande uit coördinatoren, geluidstechnici en muzikanten. Toegegeven, het is niet de meest doorsnee familie, maar, zoals Jack Kerouac ooit in zijn magnum opus On The Road schreef: ‘The only people for me are the mad ones, the ones who are mad to live, mad to talk,
    [Show full text]
  • Traditional Music of Scotland
    Traditional Music of Scotland A Journey to the Musical World of Today Abstract Immigrants from Scotland have been arriving in the States since the early 1600s, bringing with them various aspects of their culture, including music. As different cultures from around Europe and the world mixed with the settled Scots, the music that they played evolved. For my research project, I will investigate the progression of “traditional” Scottish music in the United States, and how it deviates from the progression of the same style of music in Scotland itself, specifically stylistic changes, notational changes, and changes in popular repertoire. I will focus on the relationship of this progression to the interactions of the two countries throughout history. To conduct my research, I will use non-fiction sources on the history of Scottish music, Scottish culture and music in the United States, and Scottish immigration to and interaction with the United States. Beyond material sources, I will contact my former Scottish fiddle teacher, Elke Baker, who conducts extensive study of ethnomusicology relating to Scottish music. In addition, I will gather audio recordings of both Scots and Americans playing “traditional” Scottish music throughout recent history to compare and contrast according to their dates. My background in Scottish music, as well as in other American traditional music styles, will be an aid as well. I will be able to supplement my research with my own collection of music by close examination. To culminate my project, I plan to compose my own piece of Scottish music that incorporates and illustrates the progression of the music from its first landing to the present.
    [Show full text]
  • We Wish All Our Readers a Very Happy Christmas
    Life in a New Age Leopardstown Park Hospital Newsletter DECEMBER 2014 Issue 40 Vol 10 In this Issue Irish Christmas Traditions ……………………1 We wish all our Birds ……………………………………………2 readers a very Annual Garden Fete, September 7th ………3 Leopardstown Park Hospital Golf Society …5 Happy Christmas Darts Competition ………………………………5 A Welcome to a New Arrival …………………5 Frankie Hennel’s Corner ………………………5 21st June 2014 – Staverton Airport at Gloucester ………………………………………6 RAF Association says Thanks for Help with Garden Party ………………………………7 Irish Christmas Traditions Condolences ……………………………………7 An article provided by The Information about Ireland Site Coming Events …………………………………7 Ireland, like most countries, has a number of Christmas traditions that Richard McEvoy (A Clevis Resident) ………8 are all of its own. Many of these customs have their root in the time A Tale of the Dunkirk Evacuation ……………9 when the Gaelic culture and religion of the country were being suppressed and it is perhaps because of that they have survived into Two Limericks ………………………………10 modern times. New Life – Tale of a First Time Father ……11 Paddy O’Rourke (Clevis Resident) …………12 The Candle in the Window The placing of a lighted candle in the window of a house on Christmas A chance in a million …………………………13 Eve is still practised today. It has a number of purposes but primarily it Operation Market Garden 70th Anniversary. was a symbol of welcome to Mary and Joseph as they travelled looking Forgotten heroes? ……………………………14 for shelter. World War 1 Veterans Ecumenical Service 29th June 2014 ………………………………17 The candle also indicated a safe place for priests to perform Mass as To Moan or not to Moan ……………………18 during Penal Times this was not allowed.
    [Show full text]
  • Calontir Post-Revel Songbook Primer
    fl Calontir Post-ReiJef "- CREDITS ' .. Songs edited by Chrystofer Kensor Typed by Chrystofer Kensor Proofread by Katr~<ina op den Dijk Andreas of Green Village Rhianna of Ceffyl TWr Collated by Chrystofer Kensor Edward of Wyvern' s Keep Printed by Edward of Wyvern's Keep Additional Printers Kinko's Copies Easy Print Printing Cover Art by William Blackfox This is the Calontir Post-Revel Songbook Primer. It is not an offical publication of the Society for Creative Anachronism, and does not delineate SCA policies. It is available from the editior for $1.00 I volume {$5.00 for the complete set) at 2818 Michigan, Topeka, KS 66605. This is a non-prophit publication for the benifit of the populace. A.CA.LONTJR -pEoplEs SON). )J~JO)OJRE . volumE 1 CALONTIR'S TOP FIFTY Another Tournament Fight D-1 Conn McNiel Ball of Ball)'Noor C-1 various Bare is the Brotherless Back E-1 Aeruin ni hEarain 6 Chonemara Bastard King of England C-2 traditional y Brom' s Reign D-2 Brom Blackhand Calontir Game E-2 Ekaterina Zvyosdosomtzeva Kievskaya ' Calontir Stands Alone A-1 Brom Blackhand Catalan Vengeance E-3 Moses Ben Eldad :. Coeur d' fnnui Song D-3 William Coeur du Boeuf 1 Duchess and the Lecher C-4 Dun CCM D-4 traditional Finnegan' s Wake B-2 traditl.onal FollCM Me Up To Car lCM B-3 Patrick Joseph Me Call Gang Bang Song C-5 various Gcx::ld Ship Venus C-6 traditional Great God Tyr D-5 Ruyard Kipling Greyhound Bound for Pennsic E-4 Koshka Hampster Song A-2 Chrystofer Kensor Hot Spur A-3 Andrew Lyon of Wol venwood Johnny I Hardly Knew You B-4 traditional Jolly
    [Show full text]
  • Current, November 12, 2012 University of Missouri-St
    University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 11-12-2012 Current, November 12, 2012 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, November 12, 2012" (2012). Current (2010s). 123. http://irl.umsl.edu/current2010s/123 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. November 12, 2012 Vol. 46 Issue 1392 In This Issue: Peabody Energy Controversy Page 3 Week 2 of StL Spotlight: Touhill Independant Film Festival Page 6 Spanish Lake documentary at SLIFF Page 6 Self-discipline ‘Festival of Dance’ features choreography from UMSL faculty, students and guest MADCO. Photo: Ahmad Aljuryyed / The Current in Japan Page 7 ‘Festival of Dance’ entertained, Last week’s amused with modern dance Last week’s CATE MARQUIS Hall stage, the University of Missouri-St. student dancers, choreography by UMSL students from Incarnate Word Academy. poll question: Editor-in-Chief Louis Department of Theatre, Dance, and faculty and guest artists from MADCO, the The evening’s program was surprisingly pollDo you question: feel like you'll Dancers took over the Blanche M. Touhill Media Studies presented “The Festival of professional dance company in residence at full, with four dance pieces before the Performing Arts Center this weekend. While Dance” in the E. Desmond and Mary Ann the Touhill, in three performances, Nov.
    [Show full text]