Catalyst Vol46 No.12.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
NTOZAKE SHANGE, JAMILA WOODS, and NITTY SCOTT by Rachel O
THEORIZING BLACK WOMANHOOD IN ART: NTOZAKE SHANGE, JAMILA WOODS, AND NITTY SCOTT by Rachel O. Smith A Thesis Submitted to the Faculty of Purdue University In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of English West Lafayette, Indiana May 2020 THE PURDUE UNIVERSITY GRADUATE SCHOOL STATEMENT OF COMMITTEE APPROVAL Dr. Marlo David, Chair Department of English Dr. Aparajita Sagar Department of English Dr. Paul Ryan Schneider Department of English Approved by: Dr. Dorsey Armstrong 2 This thesis is dedicated to my mother, Carol Jirik, who may not always understand why I do this work, but who supports me and loves me unconditionally anyway. 3 ACKNOWLEDGMENTS I would like to first thank Dr. Marlo David for her guidance and validation throughout this process. Her feedback has pushed me to investigate these ideas with more clarity and direction than I initially thought possible, and her mentorship throughout this first step in my graduate career has been invaluable. I would also like to thank the other members of my committee, Dr. Aparajita Sagar and Dr. Ryan Schneider, for helping me polish this piece of writing and for supporting me throughout this two-year program as I prepared to write this by participating in their seminars and working with them to prepare conference materials. Without these three individuals I would not have the confidence that I now have to continue on in my academic career. Additionally, I would like to thank my friends in the English Department at Purdue University and my friends back home in Minnesota who listened to my jumbled thoughts about popular culture and Black womanhood and asked me challenging questions that helped me to shape the argument that appears in this document. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture Jack HARBORD School of Arts and Media University of Salford, Salford, UK Submitted in Partial Fulfilment of the Requirements of the Degree of Doctor of Philosophy, June 2015 Table of Contents List of Figures iii Acknowledgements vii Abstract viii Introduction 1 1. Literature Review of Minstrelsy Studies 7 2. Terminology and Key Concepts 20 3. Source Materials 27 4. Methodology 39 5. Showing Blackface 5.1. Introduction 58 5. 2. Change the Joke: Blackface in Satire, Parody, and Irony 59 5. 3. Killing Blackface: Violence, Death, and Injury 95 5. 4. Showing Process: Burnt Cork Ritual, Application, and Removal 106 5. 5. Framing Blackface: Mise-en-Abyme and Critical Distance 134 5. 6. When Private goes Public: Blackface in Social Contexts 144 6. Talking Blackface 6. 1. Introduction 158 6. 2. The Discourse of Blackface Equivalency 161 6. 3. A Case Study in Blackface Equivalency: Iggy Azalea 187 6. 4. Blackface Equivalency in Non-African American Cultural Contexts 194 6. 5. Minstrel Show Rap: Three Case Studies 207 i Conclusions: Findings in Contemporary Context 230 References 242 ii List of Figures Figure 1 – Downey Jr. playing Lazarus playing Osiris 30 Figure 2 – Blackface characters in Mantan: The New Millennium Minstrel Show 64 Figure 3 – Mantan: Cotton plantation/watermelon patch 64 Figure 4 – Mantan: chicken coup 64 Figure 5 – Pierre Delacroix surrounded by African American caricature memorabilia 65 Figure 6 – Silverman and Eugene on return to café in ‘Face -
America and the Musical Unconscious E Music a L Unconl S Cious
G Other titles from Atropos Press Music occupies a peculiar role in the field of American Studies. It is undoubtedly (EDS.) “It is not as simple as saying that music REVE/P JULIUS GREVE & SASCHA PÖHLMANN Resonance: Philosophy for Sonic Art recognized as an important form of cultural production, yet the field continues does this or that; exploring the musical On Becoming-Music: to privilege textual and visual forms of art as its objects of examination. The es- unconscious means acknowledging the Between Boredom and Ecstasy says collected in this volume seek to adjust this imbalance by placing music cen- very fact that music always does more.” ter stage while still acknowledging its connections to the fields of literary and Philosophy of Media Sounds ÖHLMANN Hospitality in the Age of visual studies that engage with the specifically American cultural landscape. In Media Representation doing so, they proffer the concept of the ‘musical unconscious’ as an analytical tool of understanding the complexities of the musical production of meanings in various social, political, and technological contexts, in reference to country, www.atropospress.com queer punk, jazz, pop, black metal, film music, blues, carnival music, Muzak, hip-hop, experimental electronic music, protest and campaign songs, minimal ( E music, and of course the kazoo. DS. ) Contributions by Hanjo Berressem, Christian Broecking, Martin Butler, Christof Decker, Mario Dunkel, Benedikt Feiten, Paola Ferrero, Jürgen AMERIC Grandt, Julius Greve, Christian Hänggi, Jan Niklas Jansen, Thoren Opitz, Sascha Pöhlmann, Arthur Sabatini, Christian Schmidt, Björn Sonnenberg- Schrank, Gunter Süß, and Katharina Wiedlack. A A ND TH AMERICA AND THE MUSICAL UNCONSCIOUS E MUSIC A L UNCON S CIOUS ATROPOS PRESS new york • dresden 5 6 4 7 3 8 2 9 1 10 0 11 AMERICA AND THE MUSICAL UNCONSCIOUS JULIUS GREVE & SASCHA PÖHLMANN (EDS.) America and the Musical Unconscious Copyright © 2015 by Julius Greve and Sascha Pöhlmann (Eds.) The rights of the contributions remain with the respective authors. -
ABC Sticker and Colouring Book Free
FREE ABC STICKER AND COLOURING BOOK PDF Jessica Greenwell,Stacey Lamb | 42 pages | 01 Jul 2013 | Usborne Publishing Ltd | 9781409564614 | English | London, United Kingdom FREE Alphabet Printables Quality kiss-cut, vinyl decal, Coloring Book stickers. Removable and super stickery. Perfect for phone cases, laptopsjournals, guitars, refrigerators, windows, walls, skateboards, carsbumpers, helmetswater bottles, hydro flaskscomputers, or whatever needs a dose of originality. Available in white or transparent. Sell your art. All Masks Fitted Masks New. Coloring Book Stickers 2, Results. Tags: coloring book, chance the rapper, chance, chance the raptor, acid rap, 10 days, no problem, all we got, summer friends, blessings, same drugs, mixtape, angles, juke jam, all night, how great, smoke break, blessings part 2, somewhere in paradise, grown up fairy tales, taylor bennett, show me love, remember me, the way, the worst guys, the life of palbo, ulterlight beam, sunday cany, donnie trumpets, baby blue, cocoa butter kisses, may i have this dance, tap dance, im the one, dj khaled, need to know. Coloring book Sticker By emersonfitzger. Tags: and we back, 10 day, acid rap, coloring book, chance the rapper, colouring book, acidrap, chance the rapper, lil chano from 79th, sox, kanye west, ultralight beam, same drugs. Tags: adventure, alaska mountains, animals, animals tattoo, beast, black and white, black work, boho, camping, climbing, coloring book, dog, double exposure, dream, engraving, ethnic, forest, graphic, gray wolf, hiking, hippie, hipster, husky, mammal, meditation, mountain, mountain landscape, native american, outdoor, predator, sign, sketch, symbols, design, tattoo, tattoo art, tattoo design, totem, tourism, travel, tribal, universe, werewolf, wild nature, wildlife, wolf howling, wolf silhouette. -
Emanuel Proposes Longer School Day For
Lane going to London, Pg. 2 Fashion trends, Pgs. 13-14 Alum inducted into Hall of IN THE HEAR T Fame, Pg. 20 OF THE WARRIOR Born This Way review, Pg. 18 Class of 2011 June 2011 Lane Technical College Prep High School Volume 43/Issue 5/Page 1 Memorial Garden rededicated to Lane veterans gradually deteriorated and a $10,000 grant was who served in WWI, Korea, Vietnam, the Gulf By Diana Barragan received this year from the Terra Foundation for Wars, and Afghanistan were honored. Out of American Art to restore it. The restored statue that number, around 309 students died in the As a special tribute to the soldiers who lost was shown and rededicated on May 21. At first wars. Outside in the garden were five wreaths. their lives in battle, Lane's Alumni Association Dr. LoBosco had wanted the statue to be green, Each one of them either read Vietnam, WWI, and the Century Foundation hosted a rededica- but after the restoration it turned out to be a WWII, Korea, or GWOT (Global War On Ter- tion of the Memorial Garden on May 21. dark bronze which she loved. rorism).The majority of the Lane alumni present When WWII broke out, Lane played an im- At the beginning of the assembly, Dr. LoBosco were war veterans and several from the graduat- portant role in the war effort. According to Dr. gave a speech on some of the current events of ing class of 1941 had interesting stories. Barbara Cook, executive director of the Lane Lane. -
Ireland Into the Mystic: the Poetic Spirit and Cultural Content of Irish Rock
IRELAND INTO THE MYSTIC: THE POETIC SPIRIT AND CULTURAL CONTENT OF IRISH ROCK MUSIC, 1970-2020 ELENA CANIDO MUIÑO Doctoral Thesis / 2020 Director: David Clark Mitchell PROGRAMA DE DOCTORADO EN ESTUDIOS INGLESES AVANZADOS: LENGUA, LITERATURA Y CULTURA Ireland into the Mystic: The Poetic Spirit and Cultural Content of Irish Rock Music, 1970-2020 by Elena Canido Muiño, 2020. INDEX Abstract .......................................................................................................................... viii Resumen .......................................................................................................................... ix Resumo ............................................................................................................................. x 1. Introduction ............................................................................................................. 1 1.1.1. Methodology ................................................................................................................. 3 1.1.2. Thesis Structure ............................................................................................................. 5 2. Historical and Theoretical Introduction to Irish Rock ........................................ 9 2.1.1. Introduction ................................................................................................................... 9 2.1.2. The Origins of Rock ...................................................................................................... 9 2.1.3. -
'Eat Pray Thug: Das Racist's Himanshu Suri Curates Indian Art'
IN THE AIR | February 27, 2015 ‘Eat Pray Thug: Das Racist’s Himanshu Suri Curates Indian Art’ By Anneliese Cooper You probably remember Himanshu Suri, a.k.a. “Heems,” as half of Das Racist, the New York rap group who hit the Internet running with their single “Combination Pizza Hut and Taco Bell” in 2008. From there, they produced three albums’ worth of tracks that took on politics in step with alliterative lists of junk food — a career perhaps best summed up by the cheeky hypnotic loop of a chorus on 2010’s “hahahaha jk?”: “We’re not joking. Just joking, we are joking. Just joking, we’re not joking,” and so on. Now, however, Suri has jumped into the (marginally) more serious business of curating his own gallery show: “Eat Pray Thug,” the same moniker he’s given his forthcoming solo album, which runs through March 10 at Aicon Gallery on Great Jones Street. The multimedia group show of artists with ties to India and Pakistan, including Suri himself, also features a parallel series of live events, including an appearance from Muslim punk band The Kominas on March 7. To hear Suri tell it, the art bent is nothing new: “I feel like a lot of times I would have referred to Das Racist as an art rap project — you know, whatever that means,” he said. “We always had an interest in art, whether we were doing an 8-bit video game slash music video, or a lot of our interviews often we thought of as performance art.” Since the group’s split in 2012, he has released two solo mixtapes, “Nehru Jackets” and “Wild Water Kingdom,” but “Eat Pray Thug” will be his first album. -
Chinoiseries 3
ONRA Chinoiseries 3 KEY SELLING POINTS • Third volume in his Chinoiseries using analogue MPC production combined with the somewhat restrictive record sampling of strictly Chinese music records • Has released records inspired by 80’s Funk, 90’s hip-hop and R’n’B, electronic and spiritual Jazz DESCRIPTION ARTIST: Onra Almost 10 years have passed since Onra arrived with the charmingly eccentric Chinoiseries LP. 32 hip-hop beats formed the sample- TITLE: Chinoiseries 3 based project - dusty Chinese vinyl hissing and crackling throughout CATALOG: l-ACOLPX4 / cd-ACOLPX4 / c-ACOLPX4 – resulting in an intriguing and spontaneous mix of the producers LABEL: All City Records interest in exploring a newly-discovered style of music with his love for classic hip-hop production. GENRE: Hip-Hop/Instrumental BARCODE: 8813145217156 / 7149836438946 / N/A ACOLPX4 Using the style of analogue MPC production combined with the FORMAT: 2XLP / CD / Cassette somewhat restrictive record sampling of strictly Chinese music RELEASE: 5/5/2017 records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more LIST PRICE: $21.98 / CX / $11.98 – AK / $11.98 – AK obviously standout samples in Chinese music. The Chinoiseries projects are the type of albums that invites the TRACKLISTING (Click Tracks In Blue To Preview Audio) listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over 1. The Final Chapter 1 7. Memories From 1968 those 32 short instrumentals. In that way, “Pt.3” is no different to its predecessors, but the originality of the samples, the curious 2. -
Chitown Loves Youhip Hop's Alternative Spatializing Narratives and Activism to Trump's Hatefulcampaign Rhetoric About Chicag
Loyola University Chicago Loyola eCommons School of Communication: Faculty Publications Faculty Publications and Other Works by and Other Works Department 6-2019 Chitown Loves YouHip Hop’s Alternative Spatializing Narratives and Activism to Trump’s HatefulCampaign Rhetoric About Chicago George Villanueva Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/communication_facpubs Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Music Commons Recommended Citation Villanueva, George. Chitown Loves YouHip Hop’s Alternative Spatializing Narratives and Activism to Trump’s HatefulCampaign Rhetoric About Chicago. Journal of Popular Music Studies, 31, 2: 127-146, 2019. Retrieved from Loyola eCommons, School of Communication: Faculty Publications and Other Works, http://dx.doi.org/10.1525/jpms.2019.312011 This Article is brought to you for free and open access by the Faculty Publications and Other Works by Department at Loyola eCommons. It has been accepted for inclusion in School of Communication: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © 2019, International Association for the Study of Popular Music, U.S. Branch (IASPM-US). GEORGE VILLANUEVA Loyola University of Chicago, School of Communication Email: [email protected] Chitown Loves You Hip Hop’s Alternative Spatializing Narratives and Activism to Trump’s Hateful Campaign Rhetoric About Chicago ABSTRACT Donald Trump’s 2016 presidential campaign rhetoric about violence in Chicago spatialized a nar- rative that branded the city as the poster child of urban disarray. -
Browngirl Narratives Final Draft Reddy 8.15.13
ABSTRACT: Title of Dissertation: BROWNGIRL NARRATIVES: EXPLORING COMING OF AGE IN THE GOLDEN ERA OF HIP HOP (1986-1996) Melissa Kim Chae Reddy, Doctor of Philosophy, 2013 Dissertation Directed By: Associate Professor Psyche Williams-Forson Department of American Studies “Browngirl Narratives” seeks to gain a clearer understanding of what we can learn from the textual evidence about the experiences of browngirls who came of age during the post-civil rights Golden Age of Hip Hop (1986-1996) by examining the contemporary literature, film, social media and music produced by and about these black women. It is an inquiry into the ways in which browngirls who came of age in the United States1 negotiate the dominant scripts that exist in their lives––literature, music, film, television and the Internet––to create and craft their own stories. The aim here is to utilize an interdisciplinary, black female-centered framework to fully problematize phenomena such as self-creation, empowerment, and sexual exploration in the lives of black women who came of age during the approximate ten year period of 1986-196. This study is an examination of black female bidungsromane–– black female cultural texts which illustrate the coming of age and/or development processes. Additionally it is an investigation into what we can learn about the ongoing 1! The United States and its territories such as Guam, Northern Mariana Islands, Puerto Rico and U.S. Virgin Islands, American Samoa, U.S. Minor Outlying Islands. individuation processes for post-civil rights browngirls by engaging texts produced by and about these women. “Browngirl Narratives,” examines various literary, visual and aural texts by and/or about women of African descent that explore coming of age in the lives of browngirls who came of age in Golden Era.