Deeply Inspired Spring / Summer 2020

Total Page:16

File Type:pdf, Size:1020Kb

Deeply Inspired Spring / Summer 2020 INSPIRED MAJESTIC MAGICAL Why Splendid Feather What Lucerne’s palatial hotels How the time-honoured metier of lends wings to imagination reveal about their former guests feathercraft lives on in Paris EDITORIAL DEEPLY INSPIRED bangle. Under a microscope, the inner world of the gemstone revealed elegant structures reminiscent of feathers. This motif leant wings to our design- ers’ imagination. Together with the goldsmiths and gemstone setters of the Gübelin Jewellery atelier, they transformed this inspiration into unique pieces of jewellery. In addi- tion to the abovementioned bangle, the Splendid Feather line also fea- tures chandelier earrings, necklaces, rings and bangles set with sapphires and diamonds, which we present in this issue’s photo shooting. The feather theme recurs in many different forms in this new edition of “Deeply Inspired”. Sophisticated wristwatches and feathers shine in perfect harmony. We introduce you to some of the best Parisian feather- craft artists. And we explain why a watch’s balance wheel and hair- spring deliver almost unbelievable peak performance every day. Dear Reader, The visual artist Miriam Laura “The ‘feather’ An impressive journey to Sri Lanka, Leonardi was likewise inspired by a motif leant wings the “island of gems”, and the deli- photograph of the inner world of a cate pink and orange tones of the padparadscha sapphire. For her col- to our designers’ rare padparadscha sapphires that laboration with Gübelin Jewellery at imagination.” are mined there, inspired us to create the artgenève art fair, she created a a new world of jewellery: Aurora. Its whole series of individual artworks name recalls the early morning at- that bring the inner structures of this mosphere that bathes each new day precious gemstone to the outside and in gentle light, while simultaneously play with the viewer’s perception. embodying harmony and energy. I would be very pleased if this edition Our Splendid Feather line expands of “Deeply Inspired” lends wings to Aurora by adding further impressive your imagination as well. pieces of jewellery, all of which take the fascinating inner world of a very special padparadscha sapphire as their starting point. This rare 5.60 carat cushion-shape gem was chosen The inner world of this rare padparadscha sapphire reveals fascinating shapes, to play the starring role as the Raphael Gübelin reminiscent of delicate dewdrops glistening on the petals of a lotus blossom in the morning sun. central jewel of an extraordinary President Discover more about the Rising Lotus ring and its inspiration at gubelin.com /aurora. 05 Gübelin – a Swiss, family-owned firm since 1854 Guebelin_Anzeige_Rising_Lotus_Gubelin_Magazin_215x285mm.indd 1 19.02.20 10:48 The Cinema Squad Charlize Theron DEEPLY INSPIRED CONTENTS Brad Pitt Adam Driver 28 PREMIER 44 56 12 12 26 50 WHEN THE SPIRIT FLIES POINTEDLY REGAL LIGHT AS A FEATHER The Splendid Feather line is The marquise it the most sensual Exquisite wristwatches which inspired by feathery structures inside shape that can be given to a gemstone. achieve big performance in the a padparadscha sapphire. smallest volume of space. 28 18 FEATHERY OPULENCE 54 MASTERPIECES Feathers are adornments – and so GREAT ART IN MINIATURE The Splendid Feather bangle and the much more. Discover for yourself The balance and its hairspring set Blushing Wing necklace are expres- in our photo shooting. a watch’s pace of. We explain how sions of superlative craftsmanship. they interact. 44 22 MASTER OF MATERIALS 56 THE ART OF THE CRAFTS Hublot’s exquisite timepieces CREATIVE EVOLUTION Experience how a masterpiece combine creativity, innovation and Discover how the Zenith Manufacture from Gübelin Jewellery is created. technology on the highest level. conquers women’s hearts. Photos: Stephan Glathe (1), Hublot (1), Zenith (1) 06 BR20484_Cinema Casual Premier_215x285_Gubelin_R132.indd 1 24/02/2020 08:35 DEEPLY INSPIRED CONTENTS 62 82 88 74 62 82 103 PLAY OF COLOURS OPPOSITES ATTRACT BEYOND BOUTIQUES Natural beauty and Visual artist Miriam L. Leonardi Learn why working for Gübelin inspiring technology celebrate and her artwork is so attractive. a delightful liaison. “Dial M for Slippers”. 72 88 THE STYLE OF MY LIFE METAMORPHOSIS OF See what Akris’s Albert Kriemler has THE FEATHER influenced and inspired. A time-honoured handicraft lives on in Paris. 74 MAJESTIC 94 Discover what Lucerne’s palatial MATTER OF TRUST TONDA Calendrier Annuel hotels tell about the city’s past Edigem buys, sells and appraises Manufactured entirely in Switzerland parmigiani.com and its visitors. jewels with a history. Photos: Attila Hartwig (1), Library of Congress/Wikimedia (1), Anne Combaz (1) 08 PAR.20.20099_Inserat_Magazin_215x285_RZ.indd 1 13.02.20 16:01 Rosy dawn endows the imagination with wings – and boundless inspiration. Photo: iStockphoto (1) INSIDE JEWELLERY INSPIRATION I NSPI R E D IMAGINATION The Splendid Feather line expands the recently launched Aurora world with additional fascinating pieces of jewellery inspired by the inner microcosm of an extraordinary padparadscha sapphire and the bird life of Sri Lanka. A bird in Sri Lanka spreads its elegant rare 5.60-carat padparadscha sap- feathered species of birds are found plumage like a fan before taking flight phire revealed characteristic shapes here, and approximately 30 of these in the morning sunlight. Poetic imag- and structures dating from the epoch species live nowhere else in the world es like this one appear in the minds’ when the gem was formed. These except on this enchanted island. eyes of the designers at Gübelin Jew- fine patterns and lines resemble the The design of the Splendid ellery when they peer through a spe- veins in a bird’s plumes. Gemstone Feather jewellery – which includes cial microscope to view the inner experts accordingly refer to them as bracelets, necklaces, rings and ear- world of a gem. The designers’ crea- “feathers”. These gemmy feathers rings – clearly alludes to this. Each tions are inspired by the structures can also be interpreted as a symbol lavish piece has curved, dia- they discover inside the precious of the stone’s country of origin be- mond-studded feather branches, gems. These tiny but characteristic cause Sri Lanka, the legendary “Is- which visually unite in some crea- features provide clues about the ori- land of Gemstones” in the Indian tions to form wings accentuated by gin and genesis of the gemstones. Ocean, is not only a paradise for coloured sapphires in diverse shapes The photomicrograph of a In the case of the new Splendid gemmologists, but also for ornithol- and cuts. The Splendid Feather line padparadscha sapphire reveals fascinating Feather line, elegant forms inside a ogists. Hundreds of magnificently expands on the Aurora world of jew- structures reminiscent of feathers. 12 INSPIRATION INSIDE JEWELLERY The impressive bird life of Sri Lanka inspired the Splendid Feather line. ellery, which was newly introduced lutionary history. Most scientists ancestors of birds, and some of those last year with the masterpiece Rising agree nowadays that feathers origi- ancient reptiles had already devel- Lotus. The name Aurora recalls the nally served two other purposes: as oped coats of colourful plumage to gentle light of morning and sunrise, an insulating layer and to make a attract mates. This can still be seen as well as the unique orange-pink col- favourable impression, preferably in today’s bird world, e.g. in the our of the padparadscha sapphire. on a creature of the same species but handsome plumage of a peacock or Sapphires occur in every colour the opposite sex. Dinosaurs are the rooster. Interestingly, it always seems of the rainbow, but connoisseurs ex- clusively reserve a separate name – padparadscha – for this highly desir- able variety with delicate orange-pink GEMSTONE ACQUISITION: or pink-orange hues. The character- STRICTEST QUALITY CRITERIA istic colouration recalls a blossom of the lotus, a plant which is typical of Before Gübelin’s designers can peer into a gemstone, the experienced gemstone Sri Lanka. The name “padmaraga”, buyers of Gübelin Jewellery have scrutinised the rarest coloured gemstones around Inspired by the feathery structures which means “lotus-coloured” in the globe to find the rarest coloured gemstones available on the worldwide market. inside the gem, the designers of Singhalese, likewise alludes to this Buying coloured gems such as padparadscha sapphires in the appropriate quantity Gübelin Jewellery developed the resemblance. and quality is a lengthy process that requires experience, patience and the best characteristic wing-like shapes of Feathers have inspired people’s contacts. With Aurora, Gübelin Jewellery presents a world of jewellery inspired by the the pieces of jewellery. imaginations for centuries. Many rarest variety of sapphire. Aurora also confronts professional gem buyers with a big cultures interpret feathers as sym- challenge: i.e. to purchase not just one or two stones, but numerous exquisite padpa- bols of beauty, freedom and spirit- radschas. Limited resources are a major reason why Gübelin Jewellery is probably the uality. But their grace, delicacy and only jewellery brand to dedicate an entire collection to this rare gemstone. The pad- functional perfection, as well as their paradschas that Gübelin Jewellery uses come from Sri Lanka and Madagascar. On often fascinating colours and pat- the basis of its strict criteria, the Gübelin Gem Lab could classify only about half of terns, harbour an enigma: Why do the approximately 300 pink-orange and orange-pink sapphires that came to Lucerne feathers exist at all? Birds use feath- for the Aurora jewellery world as genuine padparadschas. Ultimately, only ten percent ers to fly, but flight was only the of the stones fulfilled the high standards of quality upheld by Gübelin Jewellery and Foto: iStockphoto (1) most recent step in the feather’s evo- were selected to become part of the Splendid Feather line. 15 INSIDE JEWELLERY INSPIRATION We craft watches not to meet expectations, but to surpass them.
Recommended publications
  • The Late Neolithic Colonization of the Eastern Badia of Jordan
    The Late Neolithic colonization of the Eastern Badia of Jordan 1 Gary Rollefson1, Yorke Rowan2 and Alexander Wasse Pioneering research by Betts and by Garrard in the eastern steppe and desert of Jordan demonstrated the presence of Late Neolithic (c. 7000–5000 cal BC) pastoral exploitation of this currently arid/hyper-arid region, but the scale of Late Neolithic presence in the area was difficult to assess from the reports of their surveys and excavations. Recent investigations by the Eastern Badia Archaeological Project at Wisad Pools and the Wadi al-Qattafi in the Black Desert have shown that conditions during the latter half of the 7th millennium and into the 6th, permitted substantial numbers of pastoralists to occupy substantial dwellings recurrently, in virtual village settings, for considerable amounts of time on a seasonal basis, relying heavily on the hunting of wild animals and perhaps practising opportunistic agriculture in addition to herding caprines. Keywords Late Neolithic, pastoralism, architecture, palaeoclimate, caprines Introduction The combination of high demands for farmland and The middle of the 8th millennium in the southern pasturage on unstable resources resulted in drastically Levant witnessed considerable turmoil: substantial reduced populations at some of the sites (e.g. ‘Ain 2numbers of Middle PPNB settlements in the Jordan Ghazal and Wadi Shu’eib) and the outright abandon- Valley and areas to the west were abandoned, and ment of other population centres. With population large numbers of people migrated to
    [Show full text]
  • Late Magdalenian Lithic Technological Organization at Lapa Do Picareiro, Central Portugal
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2017 Late Magdalenian lithic technological organization at Lapa do Picareiro, central Portugal. Melissa Jean Holst University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Archaeological Anthropology Commons Recommended Citation Holst, Melissa Jean, "Late Magdalenian lithic technological organization at Lapa do Picareiro, central Portugal." (2017). Electronic Theses and Dissertations. Paper 2720. https://doi.org/10.18297/etd/2720 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. LATE MAGDALENIAN LITHIC TECHNOLOGICAL ORGANIZATION AT LAPA DO PICAREIRO, CENTRAL PORTUGAL By Melissa Jean Holst B.A., University of Louisville, 2013 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Anthropology Department of Anthropology University of Louisville Louisville, Kentucky May 2017 LATE MAGDALENIAN LITHIC TECHNOLOGICAL ORGANIZATION AT LAPA DO PICAREIRO, CENTRAL PORTUGAL BY Melissa Jean Holst B.A., University of Louisville, 2013 A Thesis Approved on March 31, 2017 By the following Thesis Committee: _______________________________________ Dr. Jonathan A. Haws, Thesis Director _______________________________________ Dr. Telmo J. R. Pereira _______________________________________ Dr.
    [Show full text]
  • Lithic Tool Kits: a Metronome of the Evolution Of
    Lithic tool kits: A Metronome of the evolution of the Magdalenian in southwest France (19,000–14,000 cal BP) Mathieu Langlais, Anthony Sécher, Solène Caux, Vincent Delvigne, Laura Gourc, Christian Normand, Marta Sánchez de la Torre To cite this version: Mathieu Langlais, Anthony Sécher, Solène Caux, Vincent Delvigne, Laura Gourc, et al.. Lithic tool kits: A Metronome of the evolution of the Magdalenian in southwest France (19,000–14,000 cal BP). Quaternary International, Elsevier, 2016, 414, pp.92-107. 10.1016/j.quaint.2015.09.069. hal- 02296765 HAL Id: hal-02296765 https://hal.archives-ouvertes.fr/hal-02296765 Submitted on 15 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Lithic Tool Kits: a Metronome of the Evolution of the Magdalenian in Southwest France (19,000–14,000 cal BP). Mathieu LANGLAIS1,3, Anthony SÉCHER2, Solène CAUX2, Vincent DELVIGNE2, Laura GOURC2, Christian NORMAND3, Marta SÁNCHEZ de la TORRE4 Corresponding author: [email protected] 1: CNRS PACEA UMR 5199 Univ. Bordeaux Allée Geoffroy Saint-Hilaire CS 50 023 33615 Pessac cedex FRANCE 2: Univ. Bordeaux PACEA UMR 5199 Allée Geoffroy Saint-Hilaire CS 50 023 33615 Pessac cedex FRANCE 3: Univ.
    [Show full text]
  • Ch. 4. NEOLITHIC PERIOD in JORDAN 25 4.1
    Borsa di studio finanziata da: Ministero degli Affari Esteri di Italia Thanks all …………. I will be glad to give my theses with all my love to my father and mother, all my brothers for their helps since I came to Italy until I got this degree. I am glad because I am one of Dr. Ursula Thun Hohenstein students. I would like to thanks her to her help and support during my research. I would like to thanks Dr.. Maysoon AlNahar and the Museum of the University of Jordan stuff for their help during my work in Jordan. I would like to thank all of Prof. Perreto Carlo and Prof. Benedetto Sala, Dr. Arzarello Marta and all my professors in the University of Ferrara for their support and help during my Phd Research. During my study in Italy I met a lot of friends and specially my colleges in the University of Ferrara. I would like to thanks all for their help and support during these years. Finally I would like to thanks the Minister of Fournier of Italy, Embassy of Italy in Jordan and the University of Ferrara institute for higher studies (IUSS) to fund my PhD research. CONTENTS Ch. 1. INTRODUCTION 1 Ch. 2. AIMS OF THE RESEARCH 3 Ch. 3. NEOLITHIC PERIOD IN NEAR EAST 5 3.1. Pre-Pottery Neolithic A (PPNA) in Near east 5 3.2. Pre-pottery Neolithic B (PPNB) in Near east 10 3.2.A. Early PPNB 10 3.2.B. Middle PPNB 13 3.2.C. Late PPNB 15 3.3.
    [Show full text]
  • Materials, Productions, Exchange Network and Their Impact on the Societies of Neolithic Europe
    Besse and Guilaine (eds) Materials, Productions, Exchange Network and their Impact on the Societies of Neolithic Europe and their Impact on the Societies Network Exchange Productions, Besse and Guilaine (eds) Materials, Materials, Productions, Exchange Network and their Impact on the Societies of Neolithic Europe Proceedings of the XVII UISPP World Congress (1–7 September 2014, Burgos, Spain) Volume 13/Session A25a Edited by Marie Besse and Jean Guilaine Archaeopress Archaeology www.archaeopress.com Besse and Guilaine covert.indd 1 11/01/2017 13:48:20 Materials, Productions, Exchange Network and their Impact on the Societies of Neolithic Europe Proceedings of the XVII UISPP World Congress (1–7 September 2014, Burgos, Spain) Volume 13/Session A25a Edited by Marie Besse and Jean Guilaine Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 978 1 78491 524 7 ISBN 978 1 78491 525 4 (e-Pdf) © Archaeopress, UISPP and authors 2017 VOLUME EDITORS: Marie Besse and Jean Guilaine SERIES EDITOR: The board of UISPP CO-EDITORS – Laboratory of Prehistoric Archaeology and Anthropology, Department F.-A. Forel for Environmental and Aquatic Sciences, University of Geneva SERIES PROPERTY: UISPP – International Union of Prehistoric and Protohistoric Sciences Proceedings of the XVII World UISPP Congress, Burgos (Spain) September 1st - 7th 2014 KEY-WORDS IN THIS VOLUME: Neolithic, Europe, Materials, Productions, Exchange Networks UISPP PROCEEDINGS SERIES is a printed on demand and an open access publication, edited by UISPP through Archaeopress BOARD OF UISPP: Jean Bourgeois (President), Luiz Oosterbeek (Secretary-General), François Djindjian (Treasurer), Ya-Mei Hou (Vice President), Marta Arzarello (Deputy Secretary-General).
    [Show full text]
  • Unshaped Bone Tools from Denisova Cave, Altai
    PALEOENVIRONMENT. THE STONE AGE DOI: 10.17746/1563-0110.2020.48.1.016-028 M.B. Kozlikin1, W. Rendu2, H. Plisson2, M. Baumann2 and M.V. Shunkov1 1Institute of Archaeology and Ethnography, Siberian Branch, Russian Academy of Sciences, Pr. Akademika Lavrentieva 17, Novosibirsk, 630090, Russia E-mail: [email protected]; [email protected] 2Bordeaux University, UMR 5199, PACEA laboratory, Bat. B2, Allée Geoffroy St-Hilaire CS 50023, 33615 Pessac cedex, France E-mail: [email protected]; [email protected]; [email protected] Unshaped Bone Tools from Denisova Cave, Altai This study describes a part of the Paleolithic bone industry of Denisova Cave—the site that is key for understanding a complex interaction between various groups of early humans and the Middle to Upper Paleolithic transition. The Initial Upper Paleolithic layers of the cave yielded fossil remains of Denisovans, and the earliest ornaments and bone tools in North and Central Asia. The principal objective of this study is to analyze unshaped bone tools from the Late Middle and Initial Upper Paleolithic from the East Chamber of the cave. Among more than 10 thousand bone fragments, subdivided into three groups in terms of taphonomic, technical, and utilization traces, 51 specimens were selected for study. On the basis of location of use-wear traces that varied according to function, unshaped bone tools such as retouchers, awls, intermediate tools, and knives were revealed for the fi rst time in Denisova Cave. The results of the morphological and use-wear analysis suggest that those tools were used for processing organic materials such as leather, plant fi bers, and wood.
    [Show full text]
  • Swiss World in Japan
    SWISS WORLD IN JAPAN Business Guide for Swiss Companies in Japan Japan External Trade Organization TABLE OF CONTENTS WELCOME INTRODUCTION 2 DIRECTORY OF CONTACTS IN JAPAN Swiss Companies 5 IF YOU BELIEVE Swiss Public Institutions 25 IN THE BEST Swiss Business Associations 26 FLY THE BEST Swiss Culture & Leisure Associations 26 Swiss Restaurants 27 International Schools 29 Japanese Governmental Organizations 33 Japanese Industrial Organizations 34 Japanese Research Institutes 36 INVESTING IN JAPAN Industrial Clusters in Japan 37 Promising Market Situations 45 Success Stories of Swiss Companies in Japan 57 ANA Japan’s only 5-Star airline. Incentives from Central Government 64 Fly Japan’s only 5-Star airline to Tokyo Haneda. Incentives from Local Governments 66 With 40 domestic connections and just 15 minutes Agreements between Japan and Switzerland 91 from the city centre, Japan couldn’t be closer. Reform 2020 94 JETRO SERVICES 96 Switzerland SWISS BUSINESS HUB SERVICES 98 CREDITS 101 Düsseldorf Munich Frankfurt Brussels Paris London INDEX 102 Tokyo (Narita) Tokyo (Haneda) 1 ANA_099_SwissWorldInJapan_CH_vFNL_2.indd 1 27/08/2015 18:19 Swiss World In Japan – Business Guide for Swiss companies in Japan is a project developed under the Memorandum of Understanding (MoU) signed by the Japan External Trade Organization (JETRO) and Switzerland Global Enterprise (S-GE) on July 9, 2014, in Tokyo, Japan. The purpose of this MoU is to strengthen the mutual cooperation between the two organizations and to further expand trade and investment WELCOME between Japan and Switzerland. Swiss World in Japan intends to bring you in a single document all basic information for doing business in Japan.
    [Show full text]
  • Stone Age Technology
    World’s Early People DIGGING UP DNA STONE AGE TECHNOLOGY IN PARTNERSHIP WITH Worlds_Early_People_FC.indd 1 2/7/17 11:22 AM 2 Who Lived in the Stone Age? When you think of “old,” what comes to But they helped hominins to thrive. mind? Last year’s shoes? Life before the The first species to make tools is from the Internet? Try a little earlier – 2.5 million genus (category) we call Homo (human). It years earlier! is known as Homo habilis, or “handy That’s about the time some of the first person.” It most likely lived in Africa 1.5 hominins, or humanlike species that walk to 2.4 million years ago. Homo habilis upright, started making tools from rocks. represented a big change. How big? Big Their tools were simple – mainly stones enough that we call its time the Paleolithic split to form a point or a sharp edge. era, or the Old Stone Age. l THE BRAINS ability to make of Homo habilis and use tools. were about Homo habilis’s half the size of tools and brain- present-day human power helped it brains. However, spread. Over the brains of Homo millennia, it habilis were larger adapted, or made than the brains changes that of the hominins helped it survive, to that came before live in regions that it. This may have earlier species had contributed to its found too harsh. d HOMO ERECTUS, or early as 2.5 million communities, hunt “upright person,” years ago, Homo for food, create art, was probably a lot erectus was at its and control fire like Homo habilis, peak about 1.9 for warmth and but taller and thin- million years ago.
    [Show full text]
  • The 100 Most Renowned Luxury Brands and Their Presence in Europe's Metropolitan Centres
    Glitter and glamour shining brightly The 100 most renowned luxury brands and their presence in Europe’s metropolitan centres Advance • Luxury shopping streets Europe • July 2011 2 Worldwide luxury market has emerged stronger from the financial crisis The global market for luxury goods has emerged from the financial uses images of diligent craftsmen and companies seek to add crafts crisis significantly faster than expected. The likes of Burberry, Gucci firms with long traditions to their portfolios. At the same time, the Group, Hermès, LVMH, Polo Ralph Lauren, Prada and Richemont east-bound shift of manufacturing activities, which was in full swing have recently reported double-digit sales growth or even record an- before the financial crisis, has slowed down significantly. nual sales, which has also reflected favourably on their share prices. Companies’ own store networks have played a significant role in all Rising requirements in the areas of marketing and logistics these success stories, with their retail operations typically growing March saw the launch of Mr Porter, the new men’s fashion portal of ahead of their other divisions. Most recently business has mainly Net-a-Porter, the world’s leading e-commerce seller of luxury goods. been driven by Asia. With the exception of Japan, this is where the Yoox most recently reported a continuing rise in its sales figures. All luxury brands have recorded the highest growth rates. In particular major luxury labels have considerably expanded the online shopping luxury fashion makers have greatly benefited from the booming Chi- offerings on their websites and feature them prominently in their nese market.
    [Show full text]
  • An Analysis of 1He Lithic Artifact Assemblage From
    AN ANALYSIS OF 1HE LITHIC ARTIFACT ASSEMBLAGE FROM THE FORBUSH CREEK SITE (31YD1), YADKIN COUNTY, NORTH CAROLINA by Jane Madeline McManus A thesis sul::mitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Bachelor of Arts with Honors in the Department of Anthropology. Chapel Hill 1985 Approved by: ACKNOWLEDGEMENTS I would like to thank the members of my committee, Dr. Dickens, Dr. Crumley, and Dr. Davis, whose support, help, and advice is greatly appreciated. I would especially like to thank Steve who helped me from the first day of this project to the last. You know I couldn't have done it without your help. I would also like to thank Dr. Dickens and Trawick for teaching me the ropes of photography. You all have made this a very rewarding learning experience. Finally, I would like to say thanks to Carol Anne and Lee for putting up with me and I'm sorry for the neglect. DEDICATION To Monnna and Daddy, with all my love and appreciation for the opportunity. TABLE OF CONTENTS Page INTRODUCTION • 1 RAW MATERIAL. 7 DEBITAGE. 8 CHIPPED STONE IMPLEMENTS • 15 CHIPPED STONE PROJECTILE POINTS. 22 GROUND STONE IMPLEMENTS. 28 DISCUSSION • 35 Characteristics of the Forbush Creek Assemblage • • 35 The Introduction of European Metal Tools. 36 The Subsistence Pattern. 37 Small Triangular Projectile Points. 38 SUMMARY. • 48 REFERENCES CITED. 50 APPENDICES • 51 Appendix A. Lithic Artifact Analysis Format. 52 Appendix B. Distribution of Lithic Artifacts by Feature. 58 LIST OF FIGURES Figure 1.
    [Show full text]
  • Human Origin Sites and the World Heritage Convention in Eurasia
    World Heritage papers41 HEADWORLD HERITAGES 4 Human Origin Sites and the World Heritage Convention in Eurasia VOLUME I In support of UNESCO’s 70th Anniversary Celebrations United Nations [ Cultural Organization Human Origin Sites and the World Heritage Convention in Eurasia Nuria Sanz, Editor General Coordinator of HEADS Programme on Human Evolution HEADS 4 VOLUME I Published in 2015 by the United Nations Educational, Scientific and Cultural Organization, 7, place de Fontenoy, 75352 Paris 07 SP, France and the UNESCO Office in Mexico, Presidente Masaryk 526, Polanco, Miguel Hidalgo, 11550 Ciudad de Mexico, D.F., Mexico. © UNESCO 2015 ISBN 978-92-3-100107-9 This publication is available in Open Access under the Attribution-ShareAlike 3.0 IGO (CC-BY-SA 3.0 IGO) license (http://creativecommons.org/licenses/by-sa/3.0/igo/). By using the content of this publication, the users accept to be bound by the terms of use of the UNESCO Open Access Repository (http://www.unesco.org/open-access/terms-use-ccbysa-en). The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The ideas and opinions expressed in this publication are those of the authors; they are not necessarily those of UNESCO and do not commit the Organization. Cover Photos: Top: Hohle Fels excavation. © Harry Vetter bottom (from left to right): Petroglyphs from Sikachi-Alyan rock art site.
    [Show full text]
  • Akris, La Belle Suisse Par Benjamin Luis
    art de vivre 77 Akris, la belle Suisse par Benjamin Luis CONTRE VENTS ET MARÉES ÉCONOMIQUES, LA MARQUE saINT-GALLOISE DE PRÊT-À-PORTER DE LUXE REMPORTE UN SUccÈS ÉNORME AUTOUR DU GLOBE. ARRÊT SUR IMAGE. Albert Kriemler C’était à Paris, en octobre dernier. Les mannequins défilent It happened in Paris, last October. The models were les cheveux plaqués en arrière. Un rien strictes. L’allure est parading, their hair plastered back. Just a touch of sculpturale. On voit des robes légères, des tissus au bord severity. The impression is statuesque. We can see de l’évaporation. Des formes géométriques soigneusement light dresses, the materials on the edge of evaporation. découpées dans des tissus blancs. Et des couleurs de Geometric shapes carefully cut from white materials. lilas, du gris glacé, du blanc, un léger orange, un peu de And lilac, glossy grey, white, light orange tones, a transparence de temps à autre. Juste ce qu’il faut d’accents touch of transparency here and there. Just the perfect impressionnistes. Puis des textures parfois tressées, à amount of impressionist emphasis. As for the textures, la manière du rotin. Ambiance naturelle. Comme un sometimes plaited, rattan style. A natural atmosphere. gentil après-midi de mariage près d’un sous-bois. Like a pleasant wedding afternoon near the undergrowth. Voici donc ce qu’Akris a présenté pour sa collection So, this is what Akris presented for his 2009 spring- printemps-été 2009. Avec toute la retenue qui caractérise summer collection. With all the restraint that is cette marque suisse alémanique. La série de pièces, characteristic of this label from the German speaking qui se trouvent en ce moment chez les revendeurs, se part of Switzerland.
    [Show full text]