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Programação De Novembro

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Programação De Novembro PROGRAMAÇÃO DE NOVEMBRO Concerto de Câmara: 9 de novembro, às 18h Concerto Verdi: 15 de novembro, às 21h Concerto 40.º Aniversário OSJ: 16 de novembro, às 21h Exposição Noites em São Carlos : a partir de 21 de novembro Durante o mês de novembro e para além da ópera La fille du Régiment (Donizetti), que estreou ontem, dia 4 (restantes récitas nos dias 6, 8 e 10 de novembro), o Teatro Nacional de São Carlos apresenta nos dias 9 e 15 um concerto de câmara e um concerto coral-sinfónico, com direção musical de Pedro Neves e Rui Pinheiro, respetivamente. No dia 16 de novembro , realiza-se o concerto comemorativo do 40.º aniversário da Orquestra Sinfónica Juvenil que, sob direção de Christopher Bochmann, interpreta obras de Ferdinand Hérold, Christopher Bochmann, Hector Berlioz e Felix Mendelssohn. No dia 21 de novembro , inaugura a exposição Noites em São Carlos , que convida à descoberta do edifício (palco, bastidores, camarins) do TNSC e, simultaneamente, à visita de cenários, figurinos, programas de sala, fotografias e outros elementos documentais relacionados com a vida e obra de Giuseppe Verdi, Richard Wagner, Almada Negreiros e Maurício Bensaúde. A exposição pode ser visitada até 23 de dezembro, todos os dias excepto à quarta- feira, entre as 11h e as 18h. Concerto de Câmara No próximo dia 9, às 18h, o Teatro Nacional de São Carlos encerra o Ciclo de Concertos de Câmara no Salão Nobre, com um programa de obras de Mozart, João de Sousa Carvalho e Lopes-Graça. À semelhança dos concertos realizados nos dias 28 de setembro, 12 e 19 de outubro – sempre com lotação esgotada –, o concerto de dia 9 de novembro assentará na seguinte estrutura: um concerto para sopros, uma ária de concerto de Mozart, uma ária de ópera de um compositor português do mesmo período e uma peça para orquestra de características neoclássicas. A Orquestra Sinfónica Portuguesa, a soprano Carla Caramujo e a clarinetista Iva Barbosa (em substituição do clarinetista Francisco Ribeiro que, por motivos de saúde, se vê impossibilitado de realizar este concerto), sob direção musical de Pedro Neves, interpretarão: 1 Wolfgang Amadeus Mozart Vorrei spiegarvi, o Dio! , K. 418, para soprano e orquestra Concerto para Clarinete em Lá Maior, K. 622 João de Sousa Carvalho «Padre, m’ascolta», ária de Penélope ( Penélope nella partenza di Sparta ) Fernando Lopes-Graça Sinfonieta, À memória de Haydn Concerto Coral-Sinfónico Ainda sob a égide das celebrações dos 200 anos do nascimento de Giuseppe Verdi, que se completam este ano, o Maestro Rui Pinheiro dirige o Coro do Teatro Nacional de São Carlos, a Orquestra Sinfónica Portuguesa e os solistas Bárbara Barradas, Maria Luísa de Freitas, Marco Alves dos Santos e Nuno Pereira num programa integralmente composto por obras do compositor italiano. O concerto tem lugar no dia 15 de novembro, às 21h, na Sala Principal do TNSC, com o seguinte programa : 2 La forza del destino , Abertura Macbeth , «Che faceste? Dite su!» Macbeth , «Patria oppressa! il dolce nome» (Coro di Profughi Scozzesi) Rigoletto , «Caro nome» Un ballo in maschera , «Eri tu che macchiavi quell’anima» Il trovatore , «Vedi! le fosche notturne spoglie» Rigoletto , «Ella mi fu rapita» Otello , «Fuoco di gioia!» Nabucco , «Va’, pensiero, sull’ali dorate» Rigoletto , «Un dì, se ben rammentomi» Aida , «Gloria all’Egitto», Marcia trionfale e Ballabilli Aida , «Vieni, o guerriero vindice» 3 Pedro Neves Maestro Pedro Neves é maestro titular da Orquestra Clássica de Espinho, assumindo recentemente o cargo de maestro convidado da Orquestra Gulbenkian. Atualmente é doutorando na Universidade de Évora, sendo o seu objeto de estudo as seis sinfonias de Joly Braga Santos. Pedro Neves foi maestro titular da Orquestra do Algarve entre 2011 e 2013, e é convidado regularmente para dirigir a Orquestra Sinfónica do Porto Casa da Música, a Orquestra Sinfónica Portuguesa, a Orquestra Metropolitana de Lisboa, a Orquestra Filarmonia das Beiras e a Joensuu City Orchestra (Finlândia). No âmbito da música contemporânea tem colaborado com o Sond’arte Electric Ensemble, com o qual realizou estreias de vários compositores portugueses e estrangeiros, realizando digressões pela Coreia do Sul e Japão , com o Grupo de Música Contemporânea de Lisboa, e com o Remix Ensemble Casa da Música. É fundador da Camerata Alma Mater, que se dedica à interpretação de repertório para orquestra de cordas, e com a qual tem recebido uma elogiosa aceitação por parte do público e da critica especializada. Pedro Neves iniciou os seus estudos musicais na sua terra natal, estudou violoncelo com Isabel Boiça, Paulo Gaio Lima e Marçal Cervera, respetivamente no Conservatório de Música de Aveiro, Academia Nacional Superior de Orquestra em Lisboa e Escuela de Música Juan Pedro Carrero em Barcelona, com o apoio da Fundação Gulbenkian. No que diz respeito à direção de orquestra estudou com Jean Marc Burfin, obtendo o grau de licenciatura na Academia Nacional Superior de Orquestra, com Emilio Pomàrico em Milão e com Michael Zilm, do qual foi assistente . O resultado deste seu percurso faz com que a sua personalidade artística seja marcada pela profundidade, coerência e seriedade da interpretação musical. Para 2013 e 2014 tem agendados compromissos com as mais importantes orquestras portuguesas, dos quais se destacam a realização de uma programa dedicado a Luis de Freitas Branco, com a Orquestra Gulbenkian, um programa dedicado a Poulenc com a Orquestra Sinfónica Portuguesa e um programa dedicado à morte e ressurreição com a Orquestra Sinfónica do Porto Casa da Música, interpretando obras de Messiaen e Mahler. 4 Carla Caramujo Soprano Vencedora do Concurso Nacional Luísa Todi, Musikförderpreis der Hans-Sachs-Loge (Alemanha), DeWar AWard, Chevron Excellence e Ye Cronies AWards (Inglaterra), destacam-se as suas interpretações nos seguintes papéis: Gilda em Rigoletto , D. Anna em Don Giovanni e Adele em Die Fledermaus , Sanmannchen e Taumannchen em Hänsel und Gretel de Humperdinck (Teatro Nacional de S. Carlos); Violetta em La traviata (Festival de Sintra); Adina em L’elisir d’amore (Teatro da Trindade); Nena em Lo frate ‘nnamorato de Pergolesi e La Jeunesse em Le Carnaval et la Follie de Destouches (CCB/Músicos do Tejo); Vespina em La spinalba de Francisco A. Almeida (Festival de Vigo/Músicos do Tejo); Valetto em L’Incoronazione di Poppea (Traverse Theatre, Edimburgo); Armida em Rinaldo (Festival Theater, Edimburgo); Rainha da Noite em Die Zauberflöte (Trinity Theatre, Kent); Fiordiligi em Così fan tutte (Rivoli); Herz em Die Schauspieldirektor de W. A. Mozart (Faro); Frasquita em Carmen (Teatro Comunale de Bolonha); Fada Azul em La bella dormente de Respighi e Controller em Flight de J. Dove (NeW Atheneum Theatre, GlasgoW). Interpretou Salomé na estreia mundial de O Sonho de Pedro Amaral, com a London Sinfonietta, em Londres e na Fundação Gulbenkian. Foi solista em Messiah (Handel), Requiem (Brahms), Missa Dó menor (W. A. Mozart), Gloria (Poulenc), Paixão segundo S. João (J. S. Bach), Elijah (Mendelssohn), Carmina Burana , Stabat Mater (Haydn), e Lua, canção de uma morte (Nuno Côrte-Real), em salas tais como Heidelberg Hall, Smetana Hall (Praga), The NeW Sage Gateshead Music Centre (NeWcastle), Fairfield Hall, St. James Piccadilly, Barbican Hall (Londres), Houghton House, Teatro Péon Contreras (México), Gulbenkian e CCB, para além de vários festivais portugueses. Em 2008 gravou Percursos da Música Portuguesa, para a RTP, com um concerto realizado no São Carlos, onde se estreou em 2007 ao lado de Vesselina Kasarova. Licenciada e mestre pelas Guildhall School of Music and Drama e Royal Conservatoire of Scotland, estudou com A. Salgado, L. Sarti, C. LudWig e P. MacMahon. 5 Iva Barbosa Clarinete Uma das clarinetistas portuguesas mais destacadas da sua geração, Iva Barbosa é detentora dos mais importantes prémios nacionais, bem como de várias distinções internacionais. Iniciou os seus estudos musicais com o seu pai, prosseguindo-os no Conservatório de Música do Porto e na Escola Superior de Música e das Artes do Espectáculo do Porto nas classes dos Professores Adam Wierzba e António Saiote, respetivamente. Participou em Master Classes com: António Saiote, Guy Deplus, Michel Arrignon, Philippe Cuper, Enrique Perez Piquer, Stephane Hascöet, Alain Damiens, Philippe Berrod, José Luís Estellés e Larry Combs. Foi premiada em mais de uma dezena de concursos, dos quais se destacam: 1º prémio no XII Concurso de Interpretação do Estoril/Prémio El Corte Inglês; 1º Prémio no Concurso Jovens Músicos/RDP; 1º prémio no I Concurso Internacional de Clarinete do Porto; 1º Prémio no Concurso Jovem Revelação do Rotay International; 2º prémio no Concurso Internacional “Young Artist Competition”, Utah, EUA; 2º Prémio no Concurso Internacional “Villa de Montroy”, Valencia, Espanha;Prémio Maestro Silva Pereira; Semifinalista no Concurso Internacional “Prague Spring”(Primavera de Praga). Tocou como solista com várias Orquestras, entre elas a Orquestra Nacional do Porto, a Orquestra Académica do Porto, a Orquestra Gulbenkian, a Orquestra da Escola Profissional de Música de Viana do Castelo, a Orquestra de Câmara de Cascais e Oeiras e a Orquestra Metropolitana de Lisboa. Tem-se apresentado em todo o país, bem como em Itália, Bélgica, Espanha, Japão, China, Canadá e Suiça. Colabora regularmente como músico convidado com a Orquestra Sinfónica do Porto Casa da Música e com a Orquestra Sinfónica Portuguesa. Actualmente lecciona na Escola Profissional Metropolitana e é membro fundador do Quarteto Vintage. Iva Barbosa é solista Buffet Crampon e toca com clarinetes modelo Vintage. 6 Rui Pinheiro Maestro Rui Pinheiro terminou recentemente um contrato de dois anos como Maestro Associado da Orquestra Sinfónica de Bournemouth (Reino Unido) onde dirigiu diversos concertos destacando o Hall of Fame e as celebrações do Jubileu da Rainha Elisabeth II. Em Portugal dirigiu as principais orquestras. Na época passada destacam-se: com a Orquestra Sinfónica Portuguesa o Concerto de Ano Novo, encerramento dos ‘Dias da Música’ e comemorações dos 20 anos da OSP incluindo a 5ª Sinfonia de Joly Braga Santos e concertos de Rachmaninoff e Brahms com Artur Pizarro, em direto para a Antena 2, e um programa de Verdi / Wagner no ‘Festival ao Largo’ com o Coro do Teatro Nacional de S.
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