Historie Premieren

Total Page:16

File Type:pdf, Size:1020Kb

Historie Premieren Premieren der Oper Frankfurt ab September 1945 bis heute (alphabetisch nach Komponisten) Musikalische Leitung der Premiere Komponist (Composer) Titel (Title) Regie (Director) Premierendatum (Date) (Conductor) John Adams Nixon in China John Adams Peter Sellars 2. Juli 1992 Thomas Adès The Tempest (Der Sturm) Johannes Debus Keith Warner 10. Januar 2010 Eugen d'Albert Tiefland Werner Bitter Karl Puhlmann 23. April 1949 Tiefland Sebastian Weigle Anselm Weber 10. Dezember 2006 Francisco António de Almeida La Giuditta Felice Venanzoni Guillaume Bernardi 12. Juni 2010 (Bockenheimer Depot) Jörn Arnecke Unter Eis Johannes Debus Falk Richter 2. Juni 2008 (Bockenheimer Depot) Samuel Barber Vanessa Jonathan Darlington Katharina Thoma 2. September 2012 Béla Bartók Herzog Blaubarts Burg Hans Löwlein Harry Buckwitz 27. Februar 1964 Herzog Blaubarts Burg Christoph von Dohnányi Klaus Michael Grüber 26. Juni 1974 Herzog Blaubarts Burg Sylvain Cambreling Herbert Wernicke 13. März 1994 Herzog Blaubarts Burg Constantinos Carydis Barrie Kosky 5. Dezember 2010 Ludwig van Beethoven Fidelio Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Fidelio Bruno Vondenhoff Heinz Tietjen 28. Oktober 1954 Fidelio Sir Georg Solti Harry Buckwitz 1. November 1959 Fidelio Christoph Dohnányi Achim Freyer / Christoph von Dohnányi 2. April 1976 Fidelio Sylvain Cambreling Christoph Martaler 13. April 1997 Fidelio Paolo Carignani Christina Paulhofer / Alex Harb 1. Juni 2008 Vincenzo Bellini Il Pirata Imre Palló (konzertant ) 25. März 1990 (in der Alten Oper) I puritani Tito Ceccherini Vincent Boussard 2. Dezember 2018 Norma Michael Halász (konzertant) 19. Dezember 1976 Norma Pier Giorgio Morandi konzertant 28. Oktober 2008 Norma Antonino Fogliani Christof Loy (Änderung Team) 10. Juni 2018 La sonnambula Eun Sun Kim Tina Lanik 30. November 2014 George Benjamin Into the Little Hill Franck Ollu Daniel Jeanneteau 9. November 2007 (Bockenheimer Depot) Alban Berg Lulu Sir Georg Solti Günther Rennert 8. Januar 1960 Lulu Christoph von Dohnányi Rudolf Noelte 1. Januar 1970 Lulu Michael Gielen Harry Kupfer 14. Oktober 1979 Lulu Paolo Carignani Richard Jones / 28. September 2003 Musikalische Leitung der Premiere Komponist (Composer) Titel (Title) Regie (Director) Premierendatum (Date) (Conductor) Annilese Miskimmon Wozzeck Pierre Boulez Wieland Wagner 20. April 1966 Wozzeck Sylvain Cambreling Peter Mussbach 6. Oktober 1993 Wozzeck Sebastian Weigle Christof Loy 26. Juni 2016 Luciano Berio Un re in ascolto Johannes Debus Rosamund Gilmore 19. Januar 2002 Hector Berlioz Die Trojaner Michael Gielen (konzertant) 13. Mai 1979 Die Trojaner Michael Gielen Ruth Berghaus 18. Dezember 1983 Die Trojaner / Les Troyens John Nelson Eva Maria Höckmayr 19. Februar 2017 Fausts Verdammnis Wolfgang Rennert Hans Neugebauer 9. Juli 1968 Fausts Verdammnis Julia Jones Harry Kupfer 13. Juni 2010 Lelio Michael Gielen Michel Beretti / Fred Howald 9. Januar 1980 Nuits d'été Sylvain Cambreling (konzertant) 1. April 1994 Georges Bizet Carmen Bruno Vondenhoff Hanns Friederici 16. April 1948 Carmen Sir Georg Solti Werner Jacob 7. März 1952 Carmen Lovro von Matačić Bohumil Herlischka 15. Januar 1964 Carmen Christoph von Dohnányi Jean-Pierre Ponelle 27. Juni 1973 Carmen Oleg Caetani Georges Delnon 7. März 1992 Carmen Constantinos Carydis Barrie Kosky 5. Juni 2016 Die Perlenfischer Christoph Poppen (konzertant in der Alten Oper) 23. Februar 2009 Ernest Bloch Macbeth Sian Edwards Keith Warner 7. November 2004 Philippe Boesmans Reigen Sylvain Cambreling Luc Bondy 21. Juni 1995 Arrigo Boito Mefistofele Klauspeter Seibel (konzertant) 22. Dezember 1982 Mefistofele Paolo Carignani Dietrich Hilsdorf 16. Mai 2004 Alexander Borodin Fürst Igor Rudolf Vasata Ladislav Stros 26. April 1968 Benjamin Britten Albert Herring Theodore Bloomfield Hans Neugebauer 29. Mai 1967 Billy Budd Paul Daniel Richard Jones 18. November 2007 Curlew River Erik Nielsen Axel Weidauer 13. Februar 2005 (Bockenheimer Depot) Death in Venice Karen Kamensek Keith Warner 25. Februar 2006 Ein Sommernachtstraum Gary Bertini Thomas Langhoff 30. Juni 1989 Owen Wingrave Yuval Zorn Walter Sutcliffe 24. Januar 2010 (Bockenheimer Depot) Paul Bunyan Nikolai Petersen Brigitte Fassbaender 9. Oktober 2016 (Bockenheimer Depot) Peter Grimes Sian Edwards David Mouchtar-Samorai 2. Juni 2001 Peter Grimes Sebastian Weigle Keith Warner 8. Oktober 2017 The Golden Vanity Pablo Assante Axel Weidauer 18. April 2004 (Bockenheimer Depot) The Rape of Lucretia Maurizio Barbacini Dale Duesing 16. März 2008 (Bockenheimer Depot) Musikalische Leitung der Premiere Komponist (Composer) Titel (Title) Regie (Director) Premierendatum (Date) (Conductor) The Turn of the Screw Karen Kamensek Christian Pade 3. November 2002 Paul Burckhardt Das Feuerwerk Jonathan Nott Urs Häberli 23. Mai 1990 Ferruccio Busoni Doktor Faust Friedrich Pleyer Hans Neuenfels 10. März 1980 John Cage Europeras 1 & 2 Gary Bertini John Cage 15. November 1987 Alfredo Catalani La Wally Carlo Franci (kontertant in der Alten Oper) 6. Februar 2011 Cavaliere de, Emilio Das Spiel von Seele und Körper Michael Form Bockenheimer Depot 29. Juni 2013 Francesco Cavalli Giasone Andrea Marcon Anouk Nicklisch 21. Januar 2007 (Bockenheimer Depot) La Calisto Christian Curnyn Jan Bosse 23. Dezember 2011 (Bockenheimer Depot) Antonio Cesti L' Orontea Ivor Bolton Walter Sutcliffe 1. Februar 2015 Emmanuel Chabrier L'Étoile Henrik Nánási David Alden 2. Oktober 2011 Marc-Antoine Charpentier Médée Andrea Marcon David Hermann 13. Juni 2011 (Bockenheimer Depot) Francesco Cilea Adriana Lecouvreur Carlo Montanaro Vincent Boussard 4. März 2012 Luigi Cherubini Medea Christoph Dohnányi John Cox 17. März 1971 Domenico Cimarosa Die heimliche Ehe Wolfgang Rennert Arno Assmann 8. Juni 1957 Die heimliche Ehe Reinhard Schwarz Leif Söderström 22. September 1970 Die heimliche Ehe Guido Johannes Rumstadt Rainer Pudenz 10. April 1993 Peter Cornelius Der Barbier von Bagdad Hans Zender Veit Volkert / Barbara Mundel 10. April 1994 Luigi Dallapiccola Il prigioniero (Der Gefangene) Gerd Heidger Hans Hartleb 30. Oktober 1957 Il prigioniero (Der Gefangene) Martyn Brabbins Keith Warner 6. Juni 2004 Oedipus Rex Theodore Bloomfield Kurt Horres 20. Oktober 1967 Volo di notte (Nachtflug) Theodore Bloomfield Kurt Horres 20. Oktober 1967 Luigi Dallapiccola Volo di notte (Nachtflug) Martyn Brabbins Keith Warner 6. Juni 2004 Peter Maxwell Davies Cinderella Johannes Debus Frank Martin Widmaier 10. Juni 1999 Claude Debussy La damoiselle élue (+ Jeanne d`Arc au bûcher) Marc Soustrot Àlex Ollé 11. Juni 2017 au bucher / Honegger) Claude Debussy Pelléas et Mélisande Christoph von Dohnányi Louis Erlo 26. März 1969 Pelléas et Mélisande Sylvain Cambreling Christoph Marthaler 12. Juni 1994 Pelléas et Mélisande Friedemann Layer Claus Guth 4. November 2012 Paul Dessau Die Verurteilung des Lukullus Hermann Scherchen Werner Jacob 30. Januar 1952 Uwe Dierksen u. Jugendliche Mina Uwe Dierksen Ute M. Engelhardt 2. Februar 2019 Gaetano Donizetti Anna Bolena Giuliano Carella (konzertant in der Alten Oper) 23. Oktober 2009 Don Pasquale Felix Prohaska Wolfgang Müllner 4. März 1961 Don Pasquale Klauspeter Seibel Nikolaus Sulzberger 2. März 1974 Don Pasquale Peter Hirsch Renate Ackermann 3. Februar 1984 L'Elisir d'Amore Barbara Yahr Andrea Schwalbach 9. Februar 1997 Lucia di Lammermoor Roland Böer Matthew Jocelyn 26. Oktober 2008 Maria Stuarda Pier Giorgio Morandi konzertant Alte Oper 14. November 2012 George Ensecu Oedipe Alexander Liebreich Hans Neuenfels 8. Dezember 2013 Musikalische Leitung der Premiere Komponist (Composer) Titel (Title) Regie (Director) Premierendatum (Date) (Conductor) Peter Eötvös Der goldene Drache Peter Eötvös Elisabeth Stöppler 29. Juni 2014 Tri sestry - Drei Schwestern Dennis Russel Davis, Nikolai Dorothea Krschbaum 9. September 2018 Petersen Paul Dukas Ariane et Barbe-Bleue Paolo Carignani Sandra Leupold 10. Februar 2008 Antonin Dvorak Rusalka Imre Palló David Pountney 22. April 1989 (Gastspiel) Rusalka Sebastian Weigle Jim Lucassen 8. September 2013 Moritz Eggert Dr. Popels fiese Falle (Kinderoper) Roland Böer Aurelia Eggers 14. Juni 2002 Werner Egk Columbus Felix Prohaska Hans Hartleb 5. April 1957 Gottfried von Einem Der Prozess Sir Georg Solti Günther Rennert 8. April 1958 Peter Eötvös Angels in America Erik Nielsen Johannes Erath 21. März 2009 (Bockenheimer Depot) Manuel de Falla El Retablo de Maese Pedro Johannes Debus Sybille Wilson 27. Juni 2004 (Bockenheimer Depot) Das kurze Leben Johannes Debus David Hermann 22. Februar 2009 Frderick Delius Romeo und Julia auf dem Dorfe Paul Daniel Eva-Maria Höckmayr 22. Juni 2014 Gabriel Fauré Pénélope Joana Mallwitz Corinna Tetzel 1. Dezember 2019 Valentino Fioravanti Le Cantatrici Villane Karsten Januschke Caterina Panti Liberovici 23. Januar 2016 (Bockenheimer Friedrich von Flotow Martha Werner Bitter Helmut von Senden 5.Depot) Oktober 1949 Martha oder der Markt zu Richmond Sebastian Weigle Katharina Thoma 16. Oktober 2016 Grigori Frid Das Tagebuch der Anne Frank Guido Johannes Rumstadt Bernhard Stejskal 7. September 1997 (Chagallsaal Oper Frankfurt) Beat Furrer Die Blinden Ed Spanjaard Rosamund Gilmore 18. Juni 2000 (Bockenheimer Depot) Umberto Giordano André Chénier Werner Bitter Harro Dicks 26. Januar 1950 André Chénier Paolo Carignani (konzertant in der Alten Oper) 23. März 2007 Detlev Glanert Die drei Rätsel Hogen Yun Saskia Bladt 8. Juli 2005 (Schauspielhaus) Caligula Markus Stenz Christian Pade 7. Oktober 2006 Philip Glass Einstein on the Beach Michael Riesman Robert Wilson 19. August 1992 (Gastspiel) Michail Iwanowitsch
Recommended publications
  • Programação De Novembro
    PROGRAMAÇÃO DE NOVEMBRO Concerto de Câmara: 9 de novembro, às 18h Concerto Verdi: 15 de novembro, às 21h Concerto 40.º Aniversário OSJ: 16 de novembro, às 21h Exposição Noites em São Carlos : a partir de 21 de novembro Durante o mês de novembro e para além da ópera La fille du Régiment (Donizetti), que estreou ontem, dia 4 (restantes récitas nos dias 6, 8 e 10 de novembro), o Teatro Nacional de São Carlos apresenta nos dias 9 e 15 um concerto de câmara e um concerto coral-sinfónico, com direção musical de Pedro Neves e Rui Pinheiro, respetivamente. No dia 16 de novembro , realiza-se o concerto comemorativo do 40.º aniversário da Orquestra Sinfónica Juvenil que, sob direção de Christopher Bochmann, interpreta obras de Ferdinand Hérold, Christopher Bochmann, Hector Berlioz e Felix Mendelssohn. No dia 21 de novembro , inaugura a exposição Noites em São Carlos , que convida à descoberta do edifício (palco, bastidores, camarins) do TNSC e, simultaneamente, à visita de cenários, figurinos, programas de sala, fotografias e outros elementos documentais relacionados com a vida e obra de Giuseppe Verdi, Richard Wagner, Almada Negreiros e Maurício Bensaúde. A exposição pode ser visitada até 23 de dezembro, todos os dias excepto à quarta- feira, entre as 11h e as 18h. Concerto de Câmara No próximo dia 9, às 18h, o Teatro Nacional de São Carlos encerra o Ciclo de Concertos de Câmara no Salão Nobre, com um programa de obras de Mozart, João de Sousa Carvalho e Lopes-Graça. À semelhança dos concertos realizados nos dias 28 de setembro, 12 e 19 de outubro – sempre com lotação esgotada –, o concerto de dia 9 de novembro assentará na seguinte estrutura: um concerto para sopros, uma ária de concerto de Mozart, uma ária de ópera de um compositor português do mesmo período e uma peça para orquestra de características neoclássicas.
    [Show full text]
  • Transatlantic Crossings in J989
    SNEAK PREVIEW'S AND TRANSATLANTIC CROSSINGS IN J989 BY ELLEN LAMPERT he Welsh National Opera rang in the Richard Peduzzi, whose design collaboration New York with its American debut at with Patrice Chereau stretches over the past twenty the Brooklyn Academy of Music in years, is already at work on the decor for Cher­ • February with Peter Stein's production eau 's production of Mozart's Don Giovanni, Designer Reinhard Heinrich, Tof Falstaff. With sets designed by Lucio Fanti, who scheduled to open the new French Opera House at who recently made his direc­ also designed Stein's WNO production of Othello, the Bastille in January 1990. The building, cur­ torial debut with the Nether­ and costumes by Moidele Bickel, the production rently under construction, will host a concert on lands Opera production of was filmed in Cardiff by the BBC for an airdate la­ July 14, as a sentimental offering to this year's bi­ The Damnation ofFaust, will centennial celebration of the French Revolution, direct and design Lulu ter in 1989. (model, I) for the Heidelburg New productions on the Welsh National Opera's but full-staged productions are not scheduled until Theatre. Opening is set for 1989 home schedule include Mozart's Seraglio, di­ 1990. May89. rected by Giles Havergal, with sets and costumes by Back in Germany, Reinhold Daberto, from Russell Craig, who also designed the WNO/Mozart Acoustic Biihnentechnik, is overseeing extens ive The Marriage of Figaro. This production debuts renovations of the stage machinery at the Munich • on March 11 , to be followed in May with La Son­ Opera.
    [Show full text]
  • Videografía Y Fonografía
    VIDEOGRAFÍA Y FONOGRAFÍA En el listado siguiente ofrecemos una selección de las grabaciones comerciales disponibles, con los papeles principales presentados en este orden: Salome (soprano); Jochanaan (barítono- bajo); Herodes (tenor); Herodías (mezzosoprano); Narraboth (tenor);. Coro y orquesta / Director / Sello discográfico. SALOME EN AUDIO 1947 1960 Maria Cebotari, Marko Rothmüller, Julius Patzak, Maria Kouba, Hans Hotter, Julius Patzak, Kitsa Elisabeth Höngen, Karl Friedrich. Filarmónica de Damassioti, Erich Kienbacher. Orquesta Filarmónica Viena / Clemens Krauss, / CD: Gebhardt. de Viena / Hans Swarowsky / Hermann Lanske. 1974 1949 Teresa Stratas, Hans Beirer, Bernd Weikl, Astrid Ljuba Welitsch, Herbert Janssen, Frederick Jagel, Varnay, Wieslaw Ochman. Orquesta Filarmónica de Kirsten Thorborg, Brian Sullivan. Orquesta de la Viena / Karl Böhm / Götz Friedrich. Sello Unitel Metropolitan Opera House / Fritz Reiner / CD: Gebhardt. 1990 Catherine Malfitano, Simon Estes, Horst 1954 Hiestermann, Leonie Rysanek, Clemens Bieber. Christel Goltz, Julius Patzak, Hans Braun, Margherita Deutsche-Oper de Berlín / Giuseppe Sinopoli / Petr Kenney, Anton Dermota. Orquesta Filarmónica de Weigl Viena / Clemens Krauss. Sello DECCA y Naxos 1997 1961 Catherine Malfitano, Kenneth Riegel, Bryn Terfel, Anja Birgit Nilsson, Gerhard Stolze, Eberhardt Wächter, Silja, Robert Gambill. Royal Opera Covent Garden / Grace Hoffmann, Waldemar Kmentt. Orquesta Christoph von Dohnanyi/ Luc Bondy. Sello Decca Filarmónica de Viena / Sir Georg Solti. Sello DECCA 2007 1968 Nadja Michael, Iris Vermillion, Peter Bronder, Montserrat Caballé, Richard Lewis, Sherrill Milnes, Matthias Klink, Falk Struckmann / Scala de Milán / Regina Resnik, James King. Orquesta Sinfónica de Daniel Harding / Luc Bondy Londres / Erich Leinsdorf. Sello RCA. 2008 1977 Nadja Michael, Michaela Schuster, Thomas Moser, Hildegard Béhrens, Karl Walter Böhm, Jose van Joseph Kaiser, Michael Volle / Royal Opera House, Dam, Agnés Baltsa, Wieslaw Ochman.
    [Show full text]
  • WAGNER Die Walküre
    660172-74 bk Walküre US 17/7/06 10:28 Page 16 3 CDs Recorded at the Staatsoper Stuttgart, Germany, WAGNER on 29th September 2002 and 2nd January 2003. General Director: Prof. Klaus Zehelein Die Walküre Executive Producers: Dr Reinhard Ermen (SWR Radio), Gambill • Jun • Rootering • Denoke • Behle • Vaughn Dr Dietrich Mack (SWR TV) and Paul Smaczny (EuroArts) Staatsoper Stuttgart • Staatsorchester Stuttgart Producer: Thomas Angelkorte Editor: Irmgard Bauer Lothar Zagrosek Engineers: Brigitte Hermann and Karl-Heinz Runde This performance of Die Walküre is the second part of Wagner’s Ring cycle recorded live during Stuttgart Opera’s 2002/2003 season. For the first time in the history of the Ring cycle each of the four operas was staged with separate producers and casts. A production of EuroArts Music International GmbH and Südwestrundfunk in co-operation with ARTE Gefördert von der Medien- und Filmgesellschaft Baden-Württemberg 8.660172-74 16 660172-74 bk Walküre US 17/7/06 10:28 Page 2 Die Walküre Stuttgart Staatsorchester (The Valkyrie) Established in 1589 as the Court Orchestra of Württemberg, the Württemberg Stuttgart State Orchestra has a history The First Day of over four hundred years. Over the generations there have been collaborations with musicians of distinction, among them Leonhard Lechner, the Frobergers, Niccolò Jommelli, Johann Rudolf Zumsteeg, Konradin Kreutzer, of Johann Nepomuk Hummel and Carl Maria von Weber. Berlioz praised the orchestra, when he appeared with it as Der Ring des Nibelungen conductor, and in the 1880s Stuttgart was one of the first to stage the complete Ring cycle, conducted by the then (The Ring of the Nibelung) General Music Director Herman Zumpe, who had assisted Wagner at the first Bayreuth Festival.
    [Show full text]
  • Iolanta Bluebeard's Castle
    iolantaPETER TCHAIKOVSKY AND bluebeard’sBÉLA BARTÓK castle conductor Iolanta Valery Gergiev Lyric opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treliński based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudlička costume designer Bluebeard’s Castle Marek Adamski Opera in one act lighting designer Marc Heinz Libretto by Béla Balázs, after a fairy tale by Charles Perrault choreographer Tomasz Wygoda Saturday, February 14, 2015 video projection designer 12:30–3:45 PM Bartek Macias sound designer New Production Mark Grey dramaturg The productions of Iolanta and Bluebeard’s Castle Piotr Gruszczyński were made possible by a generous gift from Ambassador and Mrs. Nicholas F. Taubman general manager Peter Gelb Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; music director and the National Endowment for the Arts James Levine principal conductor Co-production of the Metropolitan Opera and Fabio Luisi Teatr Wielki–Polish National Opera The 5th Metropolitan Opera performance of PETER TCHAIKOVSKY’S This performance iolanta is being broadcast live over The Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Valery Gergiev America’s luxury in order of vocal appearance homebuilder®, with generous long-term marta duke robert support from Mzia Nioradze Aleksei Markov The Annenberg iol anta vaudémont Foundation, The Anna Netrebko Piotr Beczala Neubauer Family Foundation, the brigit te Vincent A. Stabile Katherine Whyte Endowment for Broadcast Media, l aur a and contributions Cassandra Zoé Velasco from listeners bertr and worldwide. Matt Boehler There is no alméric Toll Brothers– Keith Jameson Metropolitan Opera Quiz in List Hall today.
    [Show full text]
  • Premieren Der Oper Frankfurt Ab September 1945 Bis Heute
    Premieren der Oper Frankfurt ab September 1945 bis heute Musikalische Leitung der Titel (Title) Komponist (Composer) Premiere (Conductor) Regie (Director) Premierendatum (Date) Spielzeit (Season) 1945/1946 Tosca Giacomo Puccini Ljubomir Romansky Walter Jokisch 29. September 1945 Das Land des Lächelns Franz Lehár Ljubomir Romansky Paul Kötter 3. Oktober 1945 Le nozze di Figaro W.A. Mozart Dr. Karl Schubert Dominik Hartmann 21. Oktober 1945 Wiener Blut Johann Strauß Horst-Dietrich Schoch Walter Jokisch 11. November 1945 Fidelio Ludwig van Beethoven Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Margarethe Charles Gounod Ljubomir Romansky Walter Jokisch 10. Januar 1946 Otto und Theophano Georg Friedrich Händel Bruno Vondenhoff Walter Jokisch 22. Februar 1946 Die Fledermaus Johann Strauß Ljubomir Romansky Paul Kötter 24. März 1946 Zar und Zimmermann Albert Lortzing Ljubomir Romansky Heinrich Altmann 12. Mai 1946 Jenufa Leoš Janáček Bruno Vondenhoff Heinrich Altmann 19. Juni 1946 Spielzeit 1946/1947 Ein Maskenball Giuseppe Verdi Bruno Vondenhoff Hans Strohbach 29. September 1946 Così fan tutte W.A. Mozart Bruno Vondenhoff Hans Strohbach 10. November 1946 Gräfin Mariza Emmerich Kálmán Georg Uhlig Heinrich Altmann 15. Dezember 1946 Hoffmanns Erzählungen Jacques Offenbach Werner Bitter Karl Puhlmann 2. Februar 1947 Die Geschichte vom Soldaten Igor Strawinsky Werner Bitter Walter Jokisch 30. April 1947 Mathis der Maler Paul Hindemith Bruno Vondenhoff Hans Strohbach 8. Mai 1947 Cavalleria rusticana / Pietro Mascagni / Werner Bitter Heinrich Altmann 1. Juni 1947 Der Bajazzo Ruggero Leoncavallo Spielzeit 1947/1948 Ariadne auf Naxos Richard Strauss Bruno Vondenhoff Hans Strohbach 12. September 1947 La Bohème Giacomo Puccini Werner Bitter Hanns Friederici 2. November 1947 Die Entführung aus dem W.A.
    [Show full text]
  • Central Opera Service Bulletin
    CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee.
    [Show full text]
  • Programme Artikulationen 2017
    Programme ARTikulationen 2017 Introduction 2 Research Festival Programme 4 Thursday, 5 October 2017 6 Friday, 6 October 2017 29 Saturday, 7 October 2017 43 Further Doctoral Researchers (Dr. artium), Internal Supervisors and External Advisors 51 Artistic Doctoral School: Team 68 Venues and Public Transport 69 Credits 70 Contact and Partners 71 1 Introduction ARTikulationen. A Festival of Artistic Research (Graz, 5–7 October 2017) Artistic research is currently a much-talked about and highly innovative field of know- ledge creation which combines artistic with academic practice. One of its central features is ambitious artistic experiments exploring musical and other questions, systematically bringing them into dialogue with reflection, analysis and other academic approaches. ARTikulationen, a two-and-a-half day festival of artistic research that has been running under that name since 2016, organised by the Artistic Doctoral School (KWDS) of the Uni- versity of Music and Performing Arts Graz (KUG), expands the pioneering format deve- loped by Ulf Bästlein and Wolfgang Hattinger in 2010, in which the particular moment of artistic research – namely audible results, which come about through a dynamic between art and scholarship that is rooted in methodology – becomes something the audience can understand and experience. In Alfred Brendel, Georg Friedrich Haas and George Lewis, the festival brings three world- famous and influential personalities and thinkers from the world of music to Graz as key- note speakers. George Lewis will combine his lecture with a version of his piece for soloist and interactive grand piano. The presentations at ARTikulationen encompass many different formats such as keynotes, lecture recitals, guest talks, poster presentations and a round table on practices in artistic research.
    [Show full text]
  • Historie Premieren
    Premieren der Oper Frankfurt ab September 1945 bis heute (alphabetisch nach Komponisten) Musikalische Leitung der Premiere Komponist (Composer) Titel (Title) Regie (Director) Premierendatum (Date) (Conductor) John Adams Nixon in China John Adams Peter Sellars 2. Juli 1992 Thomas Adès The Tempest (Der Sturm) Johannes Debus Keith Warner 10. Januar 2010 Eugen d'Albert Tiefland Werner Bitter Karl Puhlmann 23. April 1949 Tiefland Sebastian Weigle Anselm Weber 10. Dezember 2006 Francisco António de Almeida La Giuditta Felice Venanzoni Guillaume Bernardi 12. Juni 2010 (Bockenheimer Depot) Jörn Arnecke Unter Eis Johannes Debus Falk Richter 2. Juni 2008 (Bockenheimer Depot) Samuel Barber Vanessa Jonathan Darlington Katharina Thoma 2. September 2012 Béla Bartók Herzog Blaubarts Burg Hans Löwlein Harry Buckwitz 27. Februar 1964 Herzog Blaubarts Burg Christoph von Dohnányi Klaus Michael Grüber 26. Juni 1974 Herzog Blaubarts Burg Sylvain Cambreling Herbert Wernicke 13. März 1994 Herzog Blaubarts Burg Constantinos Carydis Barrie Kosky 5. Dezember 2010 Ludwig van Beethoven Fidelio Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Fidelio Bruno Vondenhoff Heinz Tietjen 28. Oktober 1954 Fidelio Sir Georg Solti Harry Buckwitz 1. November 1959 Fidelio Christoph Dohnányi Achim Freyer / Christoph von Dohnányi 2. April 1976 Fidelio Sylvain Cambreling Christoph Martaler 13. April 1997 Fidelio Paolo Carignani Christina Paulhofer / Alex Harb 1. Juni 2008 Vincenzo Bellini Il Pirata Imre Palló (konzertant ) 25. März 1990 (in der Alten Oper) I puritani Tito Ceccherini Vincent Boussard 2. Dezember 2018 Norma Michael Halász (konzertant) 19. Dezember 1976 Norma Pier Giorgio Morandi konzertant 28. Oktober 2008 Norma Antonino Fogliani Christof Loy (Änderung Team) 10. Juni 2018 La sonnambula Eun Sun Kim Tina Lanik 30.
    [Show full text]
  • Circling Opera in Berlin by Paul Martin Chaikin B.A., Grinnell College
    Circling Opera in Berlin By Paul Martin Chaikin B.A., Grinnell College, 2001 A.M., Brown University, 2004 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in the Department of Music at Brown University Providence, Rhode Island May 2010 This dissertation by Paul Martin Chaikin is accepted in its present form by the Department of Music as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_______________ _________________________________ Rose Rosengard Subotnik, Advisor Recommended to the Graduate Council Date_______________ _________________________________ Jeff Todd Titon, Reader Date_______________ __________________________________ Philip Rosen, Reader Date_______________ __________________________________ Dana Gooley, Reader Approved by the Graduate Council Date_______________ _________________________________ Sheila Bonde, Dean of the Graduate School ii Acknowledgements I would like to thank the Deutsche Akademische Austauch Dienst (DAAD) for funding my fieldwork in Berlin. I am also grateful to the Institut für Musikwissenschaft und Medienwissenschaft at Humboldt-Universität zu Berlin for providing me with an academic affiliation in Germany, and to Prof. Dr. Christian Kaden for sponsoring my research proposal. I am deeply indebted to the Deutsche Staatsoper Unter den Linden for welcoming me into the administrative thicket that sustains operatic culture in Berlin. I am especially grateful to Francis Hüsers, the company’s director of artistic affairs and chief dramaturg, and to Ilse Ungeheuer, the former coordinator of the dramaturgy department. I would also like to thank Ronny Unganz and Sabine Turner for leading me to secret caches of quantitative data. Throughout this entire ordeal, Rose Rosengard Subotnik has been a superlative academic advisor and a thoughtful mentor; my gratitude to her is beyond measure.
    [Show full text]
  • The Challenges of Opera Direction
    UNLV Retrospective Theses & Dissertations 1-1-2000 The challenges of opera direction Dean Frederick Lundquist University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Lundquist, Dean Frederick, "The challenges of opera direction" (2000). UNLV Retrospective Theses & Dissertations. 1167. http://dx.doi.org/10.25669/wzqe-ihk0 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substarxfard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • Musicalische Exequien
    BERNVOCAL Leitung: Fritz Krämer bernvocal.ch Heinrich Schütz (1 585–1 672) Musicalische Exequien PROGRAMM Fr 1 3.1 1 .201 5 20.00 Bern, Nydeggkirche Sa 1 4.1 1 .201 5 20.00 Biel, Stadtkirche So 1 5.1 1 .201 5 1 7.00 Fribourg, Couvent des Capucins PRO G RAM M Herr, nun lässest du deinen Diener in Frieden fahren SWV 432 LUKAS 2, 29–32 Das ist je gewisslich wahr SWV 277 1 . TIMOTHEUS 1 , 1 5 Unser Wandel ist im Himmel SWV 390 PHILIPPER 3, 20–21 Herzlich lieb hab ich dich, o Herr SWV 387 [MARTIN SCHALLING] Gutes und Barmherzigkeit werden mir folgen SWV 95 PSALM 23, 6 Michael Praetorius (1 571 –1 621 ): Ballet (aus Terpsichore) Musicalische Exequien I. Konzert in Form einer deutschen Begräbnis-Missa SWV 279 Nacket bin ich von Mutterleibe kommen HIOB 1 , 21 Nacket werde ich wiederum dahin fahren HIOB 1 , 21 Herr Gott, Vater im Himmel [KYRIE I] Christus ist mein Leben PHILIPPER 1 , 21 ; JOHANNES 1 , 29 Jesu Christe, Gottes Sohn [CHRISTE] Leben wir, so leben wir dem Herren RÖMER 1 4, 8 Herr Gott, heiliger Geist [KYRIE II] Also hat Gott die Welt geliebt JOHANNES 3, 1 6 Auf dass alle, die an ihn gläuben JOHANNES 3, 1 6 Er sprach zu seinem lieben Sohn [MARTIN LUTHER 1 523] Das Blut Jesu Christi 1 . JOHANNES 1 , 7 Durch ihn ist uns vergeben [LUDWIG HELMBOLD 1 575] Unser Wandel ist im Himmel PHILIPPER 3, 20–21 Es ist allhier ein Jammertal [JOHANN LEON 1 592–98] Wenn eure Sünde gleich blutrot wäre JESAJA 1 , 1 8 Sein Wort, sein Tauf, sein Nachtmahl [LUDWIG HEMBOLD 1 575] Gehe hin, mein Volk JESAJA 26, 20 Der Gerechten Seelen sind in Gottes Hand WEISHEIT 3, 1 –3 Herr, wenn ich nur dich habe PSALM 73, 25 Wenn mir gleich Leib und Seele verschmacht PSALM 73, 26 Er ist das Heil und selig Licht [MARTIN LUTHER 1 524] Unser Leben währet siebenzig Jahr PSALM 90, 1 0 Ach, wie elend [JOHANNES GIGAS 1 566] Ich weiss, dass mein Erlöser lebt HIOB 1 9, 25–26 Weil du vom Tod erstanden bist [NIKOLAUS HERMAN 1 560] Herr, ich lasse dich nicht 1 .
    [Show full text]