Videografía Y Fonografía

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VIDEOGRAFÍA Y FONOGRAFÍA En el listado siguiente ofrecemos una selección de las grabaciones comerciales disponibles, con los papeles principales presentados en este orden: Salome (soprano); Jochanaan (barítono- bajo); Herodes (tenor); Herodías (mezzosoprano); Narraboth (tenor);. Coro y orquesta / Director / Sello discográfico. SALOME EN AUDIO 1947 1960 Maria Cebotari, Marko Rothmüller, Julius Patzak, Maria Kouba, Hans Hotter, Julius Patzak, Kitsa Elisabeth Höngen, Karl Friedrich. Filarmónica de Damassioti, Erich Kienbacher. Orquesta Filarmónica Viena / Clemens Krauss, / CD: Gebhardt. de Viena / Hans Swarowsky / Hermann Lanske. 1974 1949 Teresa Stratas, Hans Beirer, Bernd Weikl, Astrid Ljuba Welitsch, Herbert Janssen, Frederick Jagel, Varnay, Wieslaw Ochman. Orquesta Filarmónica de Kirsten Thorborg, Brian Sullivan. Orquesta de la Viena / Karl Böhm / Götz Friedrich. Sello Unitel Metropolitan Opera House / Fritz Reiner / CD: Gebhardt. 1990 Catherine Malfitano, Simon Estes, Horst 1954 Hiestermann, Leonie Rysanek, Clemens Bieber. Christel Goltz, Julius Patzak, Hans Braun, Margherita Deutsche-Oper de Berlín / Giuseppe Sinopoli / Petr Kenney, Anton Dermota. Orquesta Filarmónica de Weigl Viena / Clemens Krauss. Sello DECCA y Naxos 1997 1961 Catherine Malfitano, Kenneth Riegel, Bryn Terfel, Anja Birgit Nilsson, Gerhard Stolze, Eberhardt Wächter, Silja, Robert Gambill. Royal Opera Covent Garden / Grace Hoffmann, Waldemar Kmentt. Orquesta Christoph von Dohnanyi/ Luc Bondy. Sello Decca Filarmónica de Viena / Sir Georg Solti. Sello DECCA 2007 1968 Nadja Michael, Iris Vermillion, Peter Bronder, Montserrat Caballé, Richard Lewis, Sherrill Milnes, Matthias Klink, Falk Struckmann / Scala de Milán / Regina Resnik, James King. Orquesta Sinfónica de Daniel Harding / Luc Bondy Londres / Erich Leinsdorf. Sello RCA. 2008 1977 Nadja Michael, Michaela Schuster, Thomas Moser, Hildegard Béhrens, Karl Walter Böhm, Jose van Joseph Kaiser, Michael Volle / Royal Opera House, Dam, Agnés Baltsa, Wieslaw Ochman. Orquesta Covent Garden / Philippe Jordan / David McVicar Filarmónica de Viena / Herbert von Karajan. Sello EMI 1990 Eva Marton, Heink Zednik, Bernd Weikl, Brigitte Fassbaender, Keith Lewis. Orquesta Filarmónica de Berlín / Zubin Mehta. Sello Sony Classical 116 - ABAO-OLBE.

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Transatlantic Crossings in J989
SNEAK PREVIEW'S AND TRANSATLANTIC CROSSINGS IN J989 BY ELLEN LAMPERT he Welsh National Opera rang in the Richard Peduzzi, whose design collaboration New York with its American debut at with Patrice Chereau stretches over the past twenty the Brooklyn Academy of Music in years, is already at work on the decor for Cher • February with Peter Stein's production eau 's production of Mozart's Don Giovanni, Designer Reinhard Heinrich, Tof Falstaff. With sets designed by Lucio Fanti, who scheduled to open the new French Opera House at who recently made his direc also designed Stein's WNO production of Othello, the Bastille in January 1990. The building, cur torial debut with the Nether and costumes by Moidele Bickel, the production rently under construction, will host a concert on lands Opera production of was filmed in Cardiff by the BBC for an airdate la July 14, as a sentimental offering to this year's bi The Damnation ofFaust, will centennial celebration of the French Revolution, direct and design Lulu ter in 1989. (model, I) for the Heidelburg New productions on the Welsh National Opera's but full-staged productions are not scheduled until Theatre. Opening is set for 1989 home schedule include Mozart's Seraglio, di 1990. May89. rected by Giles Havergal, with sets and costumes by Back in Germany, Reinhold Daberto, from Russell Craig, who also designed the WNO/Mozart Acoustic Biihnentechnik, is overseeing extens ive The Marriage of Figaro. This production debuts renovations of the stage machinery at the Munich • on March 11 , to be followed in May with La Son Opera.
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Premieren Der Oper Frankfurt Ab September 1945 Bis Heute
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FOCUS on 3 PRODUCTIONS I – Phaedra II– La Fin De L'amour
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Ulrich Peters Stage Director
! Ulrich Peters Stage Director Born in Stuttgart, Ulrich Peters studied literature, drama, musicology, and business administration at the University of Munich. He earned his doctoral degree with a thesis on 17th and early 18th century opera for the contemporary stage. Mr. Peters has mentored with many of opera’s most prominent stage directors including Jean Pierre Ponnelle, August Everding, Ken Russel, Maurice Bejart, Luc Bondy, Karl Ernst Hermann, Alfred Kirchner, and Claus Peymann. Since his first stage production in 1982, Mr. Peters has directed over a hundred operas, operettas, musicals, and theater productions throughout Europe. He has earned significant recognition from critics, including the two-time nomination for Opera Welt magazine’s “Opera House of the Year” award during his tenure as Senior Director of Production at Theater Kaiserslauten from 1991-1997, and “Stage Director of the Year” in 1997 for his interpretation of Händel’s Xerxes at the Halle Händel Festival. Now Intendant at Theater Münster, Ulrich Peters’ upcoming engagements for 2012/13 include directing performances of Die Zauberflöte at Karlsruhe, Im weissen Roessl in Münster, Falstaff in München, and a new production of L’Elisir d’Amore in Hof. As Intendant at the Gärtnerplatz Theater in Munich from 2007- 2012, he directed notably acclaimed presentations of Janáček’s The Makrolpolis Case, Suppé’s Boccaccio, and Auber’s Fra Diavolo. Mr. Peters worked previously in Stuttgart, Freiburg, Strasbourg, Munich, Geneva, Brussels, Bremen, Würzburg, Bonn, Heidelberg, Osnabrück, Dortmund, Kaiserslautern, St. Gallen, Stockholm, Karlsruhe, Linz, Halle (Händelfestspiele), Magdeburg, Braunschweig, and Salzburg. As Intendant of Ausburg Theater, Ulrich Peters mounted new productions of Salieri’s Axur, Re d’Ormus, Max Brand’s Maschinist Hopkins, Gounod’s Romeo et Juliette, Verdi’s Falstaff, Cole Porter’s Kiss Me Kate, and Webber’s Jesus Christ Superstar.
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Download Booklet
DDD PHILHARMONIC SOLOISTS • CLARINET 8.557232 THE ART OF THE CLARINET Beethoven • Brahms • Berg • Mendelssohn Peter Schmidl, Clarinet • Madoka Inui, Piano Teodora Miteva, Cello • Pierre Pichler, Basset-horn Peter Schmidl The clarinettist Peter Schmidl was born in Olmütz, now Olomuc in the Czech Republic, and studied at the Vienna Musikhochschule, now the Music University, with Rudolf Jettel, being awarded a diploma with distinction. In 1965 he joined the Vienna Philharmonic Orchestra, where he is now Principal Clarinettist. He has appeared as a soloist with the orchestra, as well as with the MDR Orchestra in Leipzig, the Salzburg Mozarteum Orchestra, and the New Philharmonia in Tokyo, among others, in collaboration with conductors including Leonard Bernstein, André Previn, Karl Böhm, James Levine, Riccardo Muti, Seiji Ozawa, Nikolaus Harnoncourt, and Christoph Eschenbach. Since 1967 he has served as a professor at the Vienna Music University and has given master-classes in Europe and Japan. Peter Schmidl has recorded the greater part of the clarinet repertoire, notably Mozart’s Clarinet Concerto under Leonard Bernstein, Bernstein’s jazz Prelude, Fugue and Riffs, Mozart’s Sinfonia Concertante for wind instruments under Karl Böhm, and chamber music by Mozart, Beethoven, Brahms, Weber, Schoenberg, Danzi, Ibert and Hindemith, collaborating with Andras Schiff, Edita Gruberova, Cecilia Bartoli and others. Madoka Inui The pianist Madoka Inui was born in Kobe and had her first piano training in Tokyo. She studied at the Vienna Conservatory with Dianko Iliew and Roland Batik and was awarded her diploma unanimously with distinction. She won first prize in the Città di Stresa international piano competition and has appeared as a soloist in Austria, Japan and Spain.
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A FILM BY LUC BONDY THE FALSE SECRETS LES FAUSSES CONFIDENCES PRESS KIT SYNOPSIS Dorante, a penniless young man, takes on the position of steward at the house of Araminte, an attractive widow whom he secretly loves. Dorante’s former valet Dubois also works there and is planning a scheme to make Araminte fall in love with Dorante. Based on his own critically acclaimed production of Marivaux’s comedy, Luc Bondy takes the play and its characters behind the stage, through the corridors and rooms of the Théâtre de l’Odéon in Paris, creating a new space between theatre and cinema. Director Luc Bondy Production Idéale audience – Pierre-Olivier Bardet ARTE France Odéon - Théâtre de l’Europe Maha Productions Based on a theatrical play by: Marivaux Screenplay: Luc Bondy Director of Photography: Luciano Tovoli Editors: Nicolas Barachin and Julie Pelat Music: Bruno Coulais Sound: François Waledisch and Christian Cartier Cast Isabelle Huppert - Aramante Louis Garrel – Dorante Bulle Ogier - Madame Argante Yves Jacques - Dubois Manon Combes - Marton Bernard Verley - Monsieur Rémy Jean –Pierre Malo - Le Compte Dorimont Fred Ulysse – Arlequin THE DIRECTOR - LUC BONDY Born in 1948 in Zurich (Switzerland) Luc Bondy was a theatre and film director. Trained in Paris at the theatrical school of Jacques Lecoq, he then worked as a director of Schaubühne Theater in Berlin and the producer of the Salzburg Festival - one of the most prominent festivals of music and drama in the world. Between 1971 and 2005 he produced, wrote or directed over 40 plays and operas, including Shakespeare’s The Winter’s Tale (1990, Lehniner Palace) Ibsen’s John Gabriel Borkman (1993, Odeon Theater in Paris) and Marivaux’s Les Fausses Confidences (2014) - which will later serve as an inspiration for his film.
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DP Julie Athénée.Pdf
sommaire distribution p.2 informations pratiques p.3 synopsis p.4 notes d’intention p.5 entretien avec Philippe Boesmans, Jean-Paul Dessy et Matthew Jocelyn p.6 autour du spectacle p.8 biographies p.9 Philippe Boesmans, compositeur p.9 Luc Bondy, livret p.9 Marie-Louise Bischofberger, livret p.9 Jean-Paul Dessy, direction musicale p.10 Matthew Jocelyn, mise en scène p.10 Ensemble Musiques Nouvelles p.10 Carolina Bruck-Santos p.11 Alexander Knop p.11 Agnieszka Slawinska p.11 tournée p.12 la saison 2009-2010 de l’Athénée p.13 julie opéra de chambre en un acte créé au Théâtre de la Monnaie à Bruxelles le 8 mars 2005 opéra de Philippe Boesmans livret Luc Bondy et Marie-Louise Bischofberger d’après Mademoiselle Julie d’August Strindberg direction musicale Jean-Paul Dessy mise en scène Matthew Jocelyn assistant à la mise en scène Yves Lenoir scénographie Alain Lagarde assisté de Françoise Henry costumes Zaïa Koscianski lumières Pierre Peyronnet coiffures Eric Crétier construction des décors Ateliers de la Maison de la Culture de Bourges chef de chant Kate de Marcken avec Carolina Bruck-Santos Julie Alexander Knop Jean Agnieszka Slawinska Kristin Et l’Ensemble Musiques Nouvelles production : La Scène nationale d'Orléans coproduction : Ensemble Musiques Nouvelles, Arcadi (Action régionale pour la création artistique et la diffusion en Île-de-France), Maison de la Culture de Bourges I avec le soutien du Ministère de la Culture et de la Communication, de la Ville de Paris et de la Région Centre I avec l'aide à la diffusion en Île-de-France d'Arcadi
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Effects of the Met: Live in HD on the Democratization of Opera in America
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Le Silence Des Ombres
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Giacomo Puccini TOSCA Karita Mattila Jonas Kaufmann Juha Uusitalo
Unitel and ClassiCa present Giacomo Puccini TOSCA Karita Mattila Jonas Kaufmann Juha Uusitalo Conductor Fabio luisi staged by luc Bondy Bayerische staatsoper Giacomo Puccini TOSCA Conductor Fabio Luisi ove, jealousy, torture, murder, suicide – all packed into a tautly woven drama of passionate Orchestra Bayerisches Staatsorchester Lmusical outbursts and flowing lyricism. Puccini’s Chorus Chor der verismo masterpiece is a classic love triangle for a trio Bayerischen Staatsoper of stellar voices! Children’s Chorus of and what a cast the Bavarian state Opera brings to- the Bayerische Staatsoper gether for the opening of the Munich Opera Festival! Chorus Master Andrés Máspero the great Finnish soprano Karita Mattila depicts the Floria tosca Karita Mattila prima donna Floria tosca with controlled intensity and Mario Cavaradossi Jonas Kaufmann simmering passion. Jonas Kaufmann, portraying her Baron scarpia Juha Uusitalo lover the artist Mario Cavaradossi, once again confirms Cesare angelotti Christian Van Horn his status as one of the most exciting tenors of our a sacristan Enrico Fissore time on the international opera stage. With its many spoletta Kevin Conners expressive refinements, his “e lucevan le stelle” is prac- sciarrone Rüdiger Trebes tically a miniature opera in itself. Complementing his a Gaoler Christian Rieger partners as the power- and sex-obsessed Roman po- a shepherd-boy Tölzer Knabenchor lice chief scarpia is Juha Uusitalo, whose velvety voice brims with dark menace. staged by Luc Bondy Conductor Fabio luisi leads his ensemble with a brio Video Director Michael Beyer and sensitivity that never let the attention flag. stage length 126’ director luc Bondy, has the action unfold in monu- mental sets and clearly centers his production on his Shot in HDTV 1080 “dream team” trio of protagonists.
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Inhaltsverzeichnis
Inhaltsverzeichnis Vorwort 13 Das Theater in seiner Gesellschaft 17 Einleitung 19 »Was leset Ihr, mein Prinz?« Die deutsche Theaterszene - Traumland mit Schattenseiten Wie wir leben 29 Die gestörte Verständigung Wahnsinnige Wirklichkeit und individueller Lebensentwurf Was vermag das Theater? 41 Die institutionalisierte Utopie Die kritische Tradition: Theater als Widerspruch Ein »Standpunkt« - aber welcher? Theater der Erinnerung 1. Die Sprache/Das Sprechen 2. Der körpersprachliche Ausdruck/Die Handlung 3. Bild/Inbild/Metapher 4. Transgression/Transzendenz 5. Die Individualität/Der Konflikt Aufführungsbeispiele aus dem aktuellen deutschen Theater . 69 Einleitung 71 Häuser und Direktionen, ein Blick in die Landschaft Zu sagen, wie ich leide 81 Theaterarbeit in Bochum »Nathan«, »Die Hermannsschlacht«, »Das Wintermärchen« Peymanns »Tasso« »Unsere Republik«, ein Ensembleprojekt Tun - Lernen - Leiden 103 Die Berliner Schaubühne am Lehniner Platz Peter Steins »Orestie« »Drei Schwestern« Klaus Michael Grüber und Dieter Sturm: »Hamlet« http://d-nb.info/841049416 Die heiße Kälte der Welt 139 Hansgünther Heyme in Stuttgart »Don Carlos« »Nathan« Die Rückkehr des Regisseurs: »Demetrius« Beschädigte Träumer in rauhem Gelände 153 Ernst Wendts Arbeit an den Münchner Kammerspielen »Käthchen von Heilbronn« »Die Riesen vom Berge« »Medea« Die Zumutung: »Tasso« »Der Kirschgarten« Verflucht in eine ewige Komödie 174 Der Empfindliche: Luc Bondy »Macbeth« »Kalldewey« Edward Bond: »Sommer« Das Gemetzel der Egoisten 189 Peter Zadeks elendes Theater »Jeder stirbt
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18. Juli — 31. August 2014
PROGRAMM OpER 2014 PROGRAMM OpER 2014 INHALT / CONTENTS 2 Vorwort 4 Don Giovanni 6 Charlotte Salomon 8 Der Rosenkavalier 10 Il trovatore 12 Fierrabras 14 La Cenerentola 16 La Favorite 18 Projekt Tristan und Isolde 20 Spielplan 18. JULI — 31. AUGUST 2014 DANIEL BARENBOIM · SVEN-ERIC BECHTOLF · LUC BONDY · CHARLOTTE SALOMON · MARC-ANDRÉ DALBAVIE · DER ROSENKAVALIER · DON GIOVANNI · GAETANO DONIZETTI · CHRISTOPH ESCHENBACH · FIERRABRAS · DANIELE GATTI · ALVIS HERMANIS · IL TROVATORE · HARRY KUPFER · LA CENERENTOLA · LA FAVORITE · ZUBIN MEHTA · INGO METZMACHER · DAMIANO MICHIELEttO · WOLFGANG AMADEUS MOZART · GIOACHINO ROSSINI · NELLO SANTI · FRANZ SCHUBERT · JEAN-CHRISTOPHE SPINOSI · PROJEKT TRISTAN UND ISOLDE · PETER STEIN · RICHARD STRAUSS · GIUSEPPE VERDI · RICHARD WAGNER www.salzburgfestival.at VORWORT / PREFACE Neben der vorbildlichen Pflege von klassischen Werken sehe ich es als eine wesentliche Aufgabe der Salzburger Festspiele, im Bereich der zeitgenössischen Musik wichtige Signale zu setzen, und so freue ich mich darüber, die im Auftrag der Salzburger Festspiele komponierte Oper Charlotte Salomon von Marc-André Dalbavie in diesem Sommer zur Urauf- führung bringen zu können. Der französische Komponist beschäftigt sich in diesem Werk mit dem Leben der jüdischen Malerin Charlotte Salomon, die 1943 in Auschwitz ermor- det wurde. Der Komponist selbst übernimmt am Pult des Mozarteumorchesters Salzburg die musikalische Leitung. Weitere Werke des für seinen Klangsinn gerühmten Kom- ponisten sind in den Salzburg contemporary-Konzerten zu entdecken, die heuer zudem einen Schwerpunkt auf das Schaffen von Wolfgang Rihm legen. Als Regisseur für die Uraufführung von Dalbavies Oper konnten wir Luc Bondy gewinnen, der gerade mit dem Nestroy 2013 für sein Le- benswerk ausgezeichnet wurde. Der Schweizer Regisseur kehrt damit zu den Salzburger Festspielen zurück, wo er u.
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