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Universidad Peruana De Ciencias Aplicadas Facultad
Caracterización de los procesos de consumo de los K- Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS Item Type info:eu-repo/semantics/bachelorThesis Authors Mosquera Anaya, Heidy Winie Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 10/10/2021 11:56:20 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/648589 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN AUDIOVISUAL Y MEDIOS INTERACTIVOS Caracterización de los procesos de consumo de los K-Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS. TESIS Para optar el título profesional de Licenciado en Comunicación Audiovisual y Medios Interactivos AUTOR(A) Mosquera Anaya, Heidy Winie (0000-0003-4569-9612) ASESOR(A) Calderón Chuquitaype, Gabriel Raúl (0000-0002-1596-8423) Lima, 01 de Junio de 2019 DEDICATORIA A mis padres Abraham y Luz quienes con su amor, paciencia y esfuerzo me han permitido llegar a cumplir hoy un sueño más.
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A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 USING MONUMENTS THOMAS HOULTON Thesis submitted for the qualification of DOCTOR OF PHILOSOPHY IN ENGLISH LITERATURE UNIVERSITY OF SUSSEX September 2015 2 STATEMENT I hereby declare that this thesis has not been, and will not be, submitted in whole or in part to another University for the award of any other degree. However, this thesis incorporates to the extent indicated below, material already submitted as part of required coursework and for the degree of: MA in Museum Studies which was awarded by New York University, 2008 Thomas Houlton, September 2015 Elements of this thesis are based on the MA dissertation Re-burying the Uncanny: The Cenotaph, the counter-monument and ways of Remembering in the 20th Century (2008). 3 UNIVERSITY OF SUSSEX THOMAS HOULTON DOCTOR OF PHILOSOPHY IN ENGLISH LITERATURE USING MONUMENTS SUMMARY This thesis examines monuments as cultural objects, and repositions them as points of intersection between psychoanalysis, society, art, remembrance and politics. Building on psychoanalyst D.W.
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Beautiful Hangover BigBang Kimi wa my beautiful hangover Hangover yeah Kimi wa my beautiful hangover, hangover Kagayaku headlight nemuranai machi e ARE YOU READY? Koko kara ga shoubu ASE-razu ni genkai made zenkai de ikou! Nagareru RADIO chijimeru kyori yo OH OH OH Yukisaki wa mada ienai yo HONEY, CLOSE YOUR EYES We're gonna get down down down! Gimme LOVE LOVE LOVE! Sagashi motometeta Lady Dare ni motomerarenai MAKING LOVE kiga sumumate GO! Kimi wa My Beautiful Hangover(ay) Hangover(ay) yeah Kimi wa my beautiful hangover(ay) hangover(ay) It's me G.D (I know you love me) Ma-Ma-Ma-Ma-Ma beautiful girl 1, 2, 3 to the 4-sho one like you There ain't nobody can do them things you do So true I'm so excited delighted I won't deny it nor fight it Baby you got what I need Got me jumpin' jumpin' off my feet Baby there's no playin' delayin' Always got me feelin' that healin' Everyday I'm smilin' and wildin' When I think about you Think about you Got me flyin' so high'n And I won't stop bringin' and bringin' that (BANG) B.I.G (BANG! ) T.O.P (BANG! ) Baby that's how it be We're gonna get down down down! Gimme love love love! Sagashi motometeta LADY Dare ni motomerarenai MAKING LOVE honoo no yo ni atsuku Kimi wa my beautiful hangover(ay) Hangover(ay) yeah Kimi wa my beautiful hangover(ay) hangover(ay) You got my heart, LOVE GAME Makes me crazy baby Kiss my lips kuruwa se 360° Mou nara you ni naru shikanai, yeah We're gonna get down down down Gimme LOVE LOVE LOVE! Sagashi motometeta Lady Dare ni motomerarenai Making Love kiga sumumate GO! Kimi wa my beautiful(beautiful ay) hangover(hangover) Hangover(hangover) yeah(hangover yo, what?) Kimi wa my beautiful(beautiful ay) hangover(hangover) hangover(hangover) Yeah ready lets go What a life to wake up in love Every time I can't get enough Of your kindness, sweetness, I don't want it ever to end So amazing, all the above, In a way you take you show love You define us and I just..
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ANALISIS CAMPUR KODE DALAM LIRIK LAGU “TELL ME GOODBYE” OLEH BIGBANG BIGBANG NO 「TELL ME GOODBYE」NO KASHI NI OKERU KOODO MIKISHINGU NO BUNSEKI SKRIPSI Skripsi ini diajukan kepada Panitia Ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan untuk Melengkapi Salah Satu Syarat ujian Sarjana dalam Bidang Ilmu Sastra Jepang OLEH NURMAYA MARISA 170722024 PROGRAM STUDI SASTRA JEPANG EKSTENSI FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2019 1 Universitas Sumatera Utara 2 Universitas Sumatera Utara 3 Universitas Sumatera Utara 4 Universitas Sumatera Utara KATA PENGANTAR Puji dan syukur penulis panjatkan kehadirat Tuhan Yang Maha Esa. Karena berkat kasih dan karunia-Nya, penulis dapat menyelesaikan penulisan skripsi ini. Penulisan skripsi yang berjudul “Analisis Campur Kode Dalam Lirik Lagu Tell Me Goodbye Oleh Bigbang” ini diajukan untuk memenuhi persyaratan untuk meraih gelar sarjana sastra pada program studi Ekstensi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Sumatera Utara. Selama proses penelitian dan penulisan skripsi ini, penulis banyak menerima bantuan dan dukungan dari berbagai pihak. Untuk itu, penulis sangat mengucapkan banyak terima kasih sebesar-besarnya kepada: 1. Bapak Dr. Budi Agustono. M.S. Selaku Dekan Fakultas Ilmu Budaya Universitas Sumatera Utara. 2. Bapak Prof. Hamzon Situmorang, Ms., Ph.D. Selaku Ketua Program Studi Sastra Jepang Fakultas Ilmu Budaya Sumatera Utara. 3. Bapak Mhd. Pujiono, SS.,M.Hum.,Ph.D. Selaku dosen pembimbing dalam menulis skripsi ini yang dengan ikhlas meluangkan waktu untuk memberi bimbingan dan arahan kepada penulis hingga skripsi ini dapat diselesaikan. 4. Dosen Penguji Ujian Skripsi yang telah menyediakan waktu untuk membaca dan menguji skripsi ini. i Universitas Sumatera Utara 5. Seluruh staff pengajar Program Studi Sastra Jepang Fakultas Ilmu Budaya Sumatera Utara.
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ANYA GALLACCIO Born in Paisley, Scotland, 1963 Education Kingston Polytechnic, London, UK Goldsmiths College, University of London, UK Lives and works in San Diego, CA One-Person Exhibitions 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Holy Island, Northumberland, UK All the rest is silence, John Hansard Gallery, Southampton, UK 2017 Beautiful Minds, Thomas Dane Gallery, London, UK 2015 Museum of Contemporary Art, San Diego, CA Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY 2014 Blum & Poe, Los Angeles, CA STROKE, Jupiter Artland, Edinburgh, Scotland SNAP Art at the Aldeburgh Festival, Snape Maltings, Suffolk, UK 2013 This much is true, Artpace, San Antonio, TX 2012 Red on Green, Jupiter Artland, Edinburgh, Scotland The Light Pours Out of Me, Jupiter Artland, Edinburgh, Scotland Arthur’s Seat, Ingleby Gallery, Edinburgh, Scotland 2011 Highway, Annet Gelink Gallery, Amsterdam, Netherlands Where is Where it’s at, Thomas Dane Gallery, London, UK Surf’s Up, La Jolla, San Diego, CA 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, UK Annet Gelink Gallery, Amsterdam, Netherlands BLUM & POE LOS ANGELES NEW YORK TOKYO 2009 Four Galleries, Four Exhibitions, One Venue, Anya Gallaccio, The Bluecoat, Liverpool, UK 2008 that open space within, Camden Arts Center, London, UK Comfort and Conversation, Annet Gelink Gallery, Amsterdam, Netherlands 2007 Three Sheets To The Wind, Thomas Dane Gallery, London, UK Sybil, Houghton Hall, King’s Lynn, UK 2006 Galeria Leme, São Paulo, Brazil One Art, Sculpture Center, New York, NY 2005 Shadow on the Things You Know, Blum & Poe, Los Angeles, CA Silver Seed, Mount Stuart, Isle of Bute, Scotland (exh.
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The Big Sleep"
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no 30 Novembre 2010 Indiscrétions 10 ans de rédaction à l’école Pour ses dix ans, le CVTnews devient « L’Indiscret », un nom qui pourrait en dire long sur la ligne éditoriale du journal… En effet, jusqu’où pourrons-nous pousser l’indiscrétion et qui en fixera les limites ? Les élèves seraient sans doute heureux de pouvoir lire quelques histoires croustillantes sur leurs congénères ou sur les adultes gravitant autour d’eux ! Cependant, nous laisserons ce type de créneau à la presse « People » qui ne se soucie guère des torts qu’elle peut faire. Il me semble que la liberté d’opinion et d’expression reste une question de bon sens ! Dès le moment où on sait que ce qu'on écrit s'éloigne de la vérité, il faut revoir sa copie. Sinon, il n’y aucune raison de censurer une pensée ou un avis, aussi déplaisant qu’ils puissent nous paraître parce que contraire à notre opinion. Depuis dix ans, les enseignants, la direction, les élèves et des intervenants A l’occasion de son dixième anniversaire et du trentième numéro, le CVTnews extérieurs ont l’occasion de change de peau. Savant mélange de unes réalisées lors des dernières semaines donner leur avis sur divers des médias, l’Indiscret prend la relève ! Cette décennie aura vu plus de 80 sujets traités dans notre élèves relater les activités et événements de l’école secondaire. journal et nous nous faisons écho de leurs dires. Mais page 3 jamais, dans les 554 pages publiées nous ne nous sommes permis une indiscrétion telle qu’elle est décrite plus haut.
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