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‘Minor’ Languages, ‘Broken’ Translations: On Brazilian Reworkings of an Albanian Novel Christopher Larkosh1a Abstract This essay approaches the challenges of global translation in ARTICLE HISTORY: the 21st century from what might still be considered a Received May 2014 somewhat uncommon example: a direct translation of Ismail Received in revised form August 2014 Kadaré's 1978 novel Prill e thyër (Broken April) from the Accepted August 2014 original Albanian into Brazilian Portuguese in 2001. Not Available online August 2014 only does it examine and compare lexical elements in the source and target texts and the usage of translator’s notes, but also, and perhaps more importantly, inquiries into how translation scholars actually arrive at projects for research, which methodological, theoretical and ideological tools remain at our disposal, and which conventional frames of KEYWORDS: reference might be subjected to greater critical scrutiny. It then goes on to examine one case of cinematic adaptation of Global translation the work in question as an additional point of comparison, Ismail Kadaré the 2001 film by the Brazilian director Walter Salles, with a Brazilian 2014 focus on the ways the story line is changed. The Portuguese implications of this narrative shift serves to initiate an open Brokenness discussion on whether academic work in translation can truly encourage greater intercultural communication, both now and in the future. © 2014 IJSCL. All rights reserved. 1 Associate Professor, Email:[email protected] Tel:+1-508-910-6291 a University of Massachusetts Dartmouth, USA C. Larkosh/ International Journal of Society, Culture & Language, 2(2), 2014 ISSN 2329-2210 69 Fragments of a vessel to be glued back In East Asia, the situation is comparable to together must match one another in the some extent; in Japan, one needs only to look smallest detail, although they need to at signage to see what languages come first match one another. -
The Antitotalitarian Allegories of George Orwell and Ismail Kadare – a Comparative Analysis of the Forms of Their Expression
ISSN 2411-9563 (Print) European Journal of Social Sciences January-April 2015 ISSN 2312-8429 (Online) Education and Research Volume 2, Issue 1 The Antitotalitarian Allegories of George Orwell and Ismail Kadare – A Comparative Analysis of the Forms of their Expression Ervin Xhinaku MA.: English Lecturer, Faculty of Education & Philology, “Fan S. Noli” University, Korçë, Albania. Email: [email protected] Dr. Olsa Pema Lecturer of American History & English Communication, Faculty of Education & Philology, “Fan S. Noli” University, Korçë, Albania. Email: [email protected] Abstract The object of this study is the analytical comparison between the antitotalitarian allegories of George Orwell and Ismail Kadare, with a special focus on the similarities and differences in the forms of their expression. With this overall aim in view, from the rich and varied oeuvre of Kadare we have selected “The Palace of Dreams” and “The Pyramid”, as two of his most representative antitotalitarian novels written in a totalitarian environment, and placed them alongside the antitotalitarian classics of Orwell – “Animal Farm” and “1984”. As the many stylistic and structural differences between these novels tend to fall into a consistent pattern, in order to make sense of them, we have directed our attention beyond the texts themselves into matters related to the context in which they were conceived, the history of their publication and the type of readership to which they were primarily addressed. Our critical examination shows that the novels of Kadare tend to be more structurally complex than those of Orwell, while the exploration of their deep allegorical meaning is follows a less straightforward route than the allegorical probing of “Animal Farm” and “1984”. -
Read Book Broken April Ebook
BROKEN APRIL PDF, EPUB, EBOOK Ismail Kadare | 224 pages | 01 Nov 2005 | Vintage Publishing | 9780099449874 | English | London, United Kingdom Broken April PDF Book To see what your friends thought of this book, please sign up. Through these characters, I get the impression that the author is wrestling with his own reasons for writing about the blood feuds and expressing some of his conflicting feelings. But those stories were locked deep within them. It was spread mainly in the mountainous North of the country where foregners and their laws could not enter. Perhaps this is Kadare's point. Culture is a broad topic and, thanks to a process called enculturation, it is very difficult not to judge other cultures through reference to what is usual in your own culture. Sort order. The Charter of Paris for a New Europe also known as the Paris Charter was signed in by 34 participating nations — including every European country except Albania. Gjorg has just murdered a man as part o So like pretty much everyone else, I read this book as part of my reading around the world challenge for Albania. Searching the archives in the castle, Mark consults The Blood Book , a long record of the killings across the High Plateau. At first, I believed I was reading only a historical fiction novel about the culture of Albania that existed long ago in the past, and later, as I progressed deeper into the story of 'Broken April', I thought maybe it was also a symbolic folktale of Albania because of the novel's literary architecture. -
Palác Snov Judith Vidal Hall
Palác snov Judith Vidal Hall Románopisec Ismail Kadare, prostredníctvom výnimočného stvárnenia štátu strachu panujúceho v Albánsku Envera Ho - džu, odhaľuje činnosť diktátorovej tajnej služby. Pred niekoľkými mesiacmi som sa v okamihu rozhodla vyces - tovať do Albánska, tej dávno zabudnutej a uzavretej krajiny na brehu Jadranu na dohľad od Talianska, ktorá bola svetu tak dlho neprístupná pod vedením posledného z ortodoxných stalinis - tov, súdruha Envera Hodžu. Zomrel v roku 1985, komunistický režim skončil v roku 1991, ale krajina ostáva pre vonkajší svet prevažne neznáma. Návštevníkov je málo, tak ako kníh o Al - bánsku v angličtine. Objavila som iba nedávno preložený Ho - džov životopis, ktorý som dychtivo prečítala. Je to dobre zdokumentovaný, výskumom podložený popis zločinov režimu a presvedčivá obžaloba jeho vodcu. Ale nepo - vedal mi takmer nič o krajine, jej histórii alebo dopadoch dik - tatúry na prevažne vidiecke obyvateľstvo. Pre toto som sa mu - sela vybrať inam, k celkom odlišnému zdroju. Na základe často opakovaného výroku, že „fikcia je klam - stvo, cez ktoré hovoríme pravdu“, prezrádzajú romány najvýz - namnejšieho albánskeho spisovateľa Ismaila Kadareho (určite nositeľa Nobelovej ceny v blízkej budúcnosti) o živote v dikta - túre viac ako akákoľvek kniha, ktorá sa objavila od diktátorovej smrti na túto tému. Z jeho mnohých kníh práve Agamemnon’s Daughter (Agamemnonova dcéra – pozn. prekl. ) a jej pokračo - vanie – The Successor (Nástupca – pozn. prekl. ) živo zobrazujú metódy, ktorými Hodža zasieval stav strachu do mysle posled - ného Albánca a taktiež zobrazuje zvláštnu intimitu jeho bez - ohľadnéhozaobchádzania s najbližšími súdruhmi a priateľmi. Minulosť a prítomnosť sú priepustné stavy v Kadareho fik - cii – iba tenká pórovitá membrána oddeľuje naratívy, ktoré sa posúvajú raz dopredu, raz dozadu v čase a priestore. -
Pdf: from Albania to Brazil: Ismail Kadaré's Broken April and Its
UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM LETRAS/INGLÊS E LITERATURA CORRESPONDENTE FROM ALBANIA TO BRAZIL: ISMAIL KADARÉ’S BROKEN APRIL AND ITS FILMIC ADAPTATION, WALTER SALLES’ ABRIL DESPEDAÇADO CLAUDIA INES PIAIA Dissertação submetida à Universidade Federal de Santa Catarina em cumprimento Parcial dos requisitos para obtenção do grau de MESTRE EM LETRAS FLORIANÓPOLIS Abril 2007 Esta Dissertação de Claudia Ines Piaia, intitulada From Albania to Brazil: Ismail Kadaré’s Broken April and its Filmic Adaptation, Walter Salles’ Abril Despedaçado, foi julgada adequada e aprovada em sua forma final, pelo Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, da Universidade Federal de Santa Catarina, para fins de obtenção do grau de MESTRE EM LETRAS Área de concentração: Inglês e Literatura Correspondente Opção: Literaturas de Língua Inglesa _______________________________ José Luiz Meurer (Coordenador) BANCA EXAMINADORA: _______________________________ Anelise Reich Corseuil (Orientadora e Presidente) _______________________________ Antônio João Teixeira (Examinador) _______________________________ Maria Lúcia Milleo Martins (Examinadora) Florianópolis, 30 de abril de 2007. iii ACKOWLEDGEMENTS I would like to thank the following people who helped me accomplish this goal: My advisor, Dr. Anelise Reich Corseuil, to whom I express my sincere appreciation for having guided me wisely along the way, and for all her patience and always prompt assistance whenever necessary. The members of the examining committee, Dr. Antônio João Teixeira, and Dr. Maria Lúcia Milleo Martins, whose professionalism I have always admired. All the staff members of PPGI. CAPES, for the financial support. All the teachers whose courses I attended, especially Dr. José Roberto O’Shea, whose course in academic writing has contributed enormously to improve my academic life. -
302 BALKAN IMAGES in the FICTION of ISMAIL KADARE John
IBAC 2012 vol.2 BALKAN IMAGES IN THE FICTION OF ISMAIL KADARE John NEUBAUER Faculty of Humanities, University of Amsterdam, the Netherlands. In 2001, the aftermath of the Bosnian and Kosovo wars, Ismail Kadare wrote in an article titled “The Balkans: Truth and Untruths”: The distorted history of the Balkan peoples is one of the veils that prevents knowledge of these peoples, and … fuels the Balkan chaos. This fog of history has been the best ally of the chauvinistic castes in the region, of fierce nationalism and monstrous doctrines (6) According to Kadare, both the Ottoman and the Balkan people have distorted self- perceptions: the Ottomans think they humanized and civilized the Balkan, whereas the Balkan people believe they were martyrs and heroes (7). The heroic Balkan self- image emerged from an embarrassment about cooperation with the Ottomans; Serbia has claimed for itself an exaggerated importance and belittled an allegedly small Albania, which actually supplied Ottoman Grand Viziers. As in the article, such Balkan relations and misconceptions are associated in Kadare’s fiction, with fog and veiling. Fog and mist often appear as features of the Albanian and Balkan landscape, whereas in a figurative sense, they prevent people from recognizing who and where they are. I want to show that the blurring of sight and insight is at the very heart of Kadare’s fiction. In the first part of my talks I discuss portrayals of the relationship between Albanians, Slavs, and the Ottomans; in the second, I focus on the ambiguous power that ancient bards and the famous Albanian Kanun still wield in Kadare’s fiction. -
THE SYMBOLIC FUNCTION of IMPERIAL SIGNS and IMAGES in the LITERARY WORK of ISMAIL KADARE Accepted: 25 July 2019 UDK 821.18.09Kadare, I
“Umjetnost riječi” LXIII (2019) • 3–4 • Zagreb • July – December RESEARCH PAPER Mariglena M E M I N A J (University “Ismail Qemali” Vlorë, Albania) [email protected] Roland Z I S I (University “Ismail Qemali” Vlorë, Albania) [email protected] THE SYMBOLIC FUNCTION OF IMPERIAL SIGNS AND IMAGES IN THE LITERARY WORK OF ISMAIL KADARE Accepted: 25 July 2019 UDK 821.18.09Kadare, I. The literary work of Ismail Kadare is overloaded with signs, images and what this essay terms “imperial figures.” Imperial figures in our usage of the signs of empires marked upon the past, often continue to resonate in the present. Kadare’s poetry, and even more his prose, overwhelms 231 the reader with structures, symbols, details and imperial subjects. In their entirety, these signs of historical, ideological and cultural character originate from various Roman, Ottoman, fascist and communist sources, and deliberately intrigue reading from the socio-political aspect, which is oriented through allusive, confrontational and propositional mechanisms. Our study analyses the literary functions of imperial signs and images in some of the author’s novels. By assuming that the implication of imperial images and signs in Kadare’s books is a characteristic of his style, we also aim to explore, through the investigation of specific examples, the essence of literary intent and perceptual projection which stems from their frequent use. The paper shows that Kadare draws deeply from culture- embedded values, invoking the reader’s desire to make meaning or interpret signs and images in order to associate his fictionalized imperial signs with his depiction of Albania’s history. -
Universidade Federal De Santa Catarina
UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM LETRAS/INGLÊS E LITERATURA CORRESPONDENTE FROM ALBANIA TO BRAZIL: ISMAIL KADARÉ’S BROKEN APRIL AND ITS FILMIC ADAPTATION, WALTER SALLES’ ABRIL DESPEDAÇADO CLAUDIA INES PIAIA Dissertação submetida à Universidade Federal de Santa Catarina em cumprimento Parcial dos requisitos para obtenção do grau de MESTRE EM LETRAS FLORIANÓPOLIS Abril de 2007 Esta Dissertação de Claudia Ines Piaia, intitulada From Albania to Brazil: Ismail Kadaré’s Broken April and its Filmic Adaptation, Walter Salles’ Abril Despedaçado, foi julgada adequada e aprovada em sua forma final, pelo Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, da Universidade Federal de Santa Catarina, para fins de obtenção do grau de MESTRE EM LETRAS Área de concentração: Inglês e Literatura Correspondente Opção: Literaturas de Língua Inglesa _______________________________ José Luiz Meurer (Coordenador) BANCA EXAMINADORA: _______________________________ Anelise Reich Corseuil (Orientadora e Presidente) _______________________________ Antônio João Teixeira (Examinador) _______________________________ José Roberto Basto O’Shea (Examinador) Florianópolis, 30 de abril de 2007. iii ACKOWLEDGEMENTS I would like to thank the following people who helped me accomplish this goal: My advisor, Dr. Anelise Reich Corseuil, to whom I express my sincere appreciation for having guided me wisely along the way, and for all her patience and always prompt assistance whenever necessary. Dr. Antônio João Teixeira, whose professionalism I have always admired. I also would like to thank Dr. Teixeira for his thorough reading of this thesis and for his precious suggestions for improvement. All the staff members of PPGI. CAPES, for the financial support. All the teachers whose courses I attended, especially Dr. -
Broken April, 2010, 224 Pages, Ismail Kadare, 1446414175, 9781446414170, Random House, 2010
Broken April, 2010, 224 pages, Ismail Kadare, 1446414175, 9781446414170, Random House, 2010 DOWNLOAD http://bit.ly/17ND9Ft http://goo.gl/RDHpu http://www.alibris.co.uk/booksearch?browse=0&keyword=Broken+April&mtype=B&hs.x=19&hs.y=26&hs=Submit From the moment that Gjorg's brother is killed by a neighbour, his own life is forfeit: for the code of Kanun requires Gjorg to kill his brother's murderer and then in turn be hunted down. After shooting his brother's killer, young Gjorg is entitled to thirty days' grace - not enough to see out the month of April. Then a visiting honeymoon couple cross the path of the fugitive. The bride's heart goes out to Gjorg, and even these 'civilised' strangers from the city risk becoming embroiled in the fatal mechanism of vendetta. DOWNLOAD http://fb.me/2NCMJxCux http://bit.ly/1p7fzRn Spring Flowers, Spring Frost A Novel, Ismail Kadare, Dec 13, 2013, Fiction, 192 pages. In a small town at the foot of the northern highlands in Albania, a decade after the fall of the Communist regime, the harsh blood-for-blood law of the fearsome Kanun mountain. The Castle , Ismail Kadare, 2002, Fiction, 259 pages. An English translation of the second work by this well respected author. A story of Albania's struggle against the Ottoman Turks, involving the siege of a medieval Albanian. Agamemnon's Daughter A Novella & Stories, Ismail Kadare, Dec 13, 2013, Fiction, 240 pages. A spellbinding story of a jilted loverГ•s odyssey through a single day as he realizes how the cruelty of dictatorship has conquered his love. -
“An Analysis of the Use of Past Simple and Present Perfect in the English
Book of Proceedings “An Analysis of the Use of Past Simple and Present Perfect in the English Translation of ‘Broken April’” Arta Toçi, Ph.D South East European University, Tetova, FYROM [email protected] Elona Mustafi, MA South East European University, Tetova, FYROM [email protected] Abstract Translation is a kind of activity which inevitably involves at least two languages and two cultural traditions. Languages contain dialects with various cultural expressions. Ismail Kadare has created a great treasure of dialects from various parts of Albania. Dialects are important sources of words and their vocabulary is important for the understanding of the origin of certain words. The Albanian version of Broken April is a perfect reflection of the Gheg dialect spoken in the Northern part of Albania. According to Guynes (2012), ‘Kadare contradictorily provides readers with an image of the Kanun as both an outdated set of laws averse to modernism and a tradition as vital to the Albanians as the lifestyle of the highlanders and the national myth of the urbanites (p.7) The aim of this research is to clarify the uncertainty of the use of the past simple and present perfect tense in the Albanian English translation. The aim of this research is to find out if the dominance of Geg dialect in the dialogues of ‘Prilli i thyer’ has any impact on the use of present perfect or past simple in the English translation. It also aims to observe if the change of present perfect from ‘Prilli i thyer’ into past tense or vice versa in the English translation ‘Broken April’, carry the same meaning from the source text to the target text. -
Possible Reading Through Syntagma of the Novel "Palace of Dreams" by Ismail Kadare
ISSN 2411-9598 (Print) European Journal of May -August 2021 ISSN 2411-4103 (Online) Language and Literature Studies Volume 7, Issue 2 Possible Reading through Syntagma of the Novel "Palace of Dreams" by Ismail Kadare Dr. Edlira Çerkezi University “Ismail Qemali” Vlorë, Department of Language and Literature Abstract One of the important issues of reading the novel "Palace of Dreams" is his reading, because of the metaphor that Kadare seeks to build with this kind of novel structure, with a very modern fiction, because of the overlap of times not according to events but according to situations, which help to discover Tabir Saraj, because of the movement of some symbols, to understand a kind of code, through which the novel must be understood, then for a complete reason related to time, like a black veil, which does not allow you to see the real face hiding behind it, also due to the absence of some characters, who in a classic romance structure carry or convey lines, situations, their classification and that stratify society . Keywords: Syntagma, Novel, "Palace of Dreams", Ismail Kadare Introduction The "Palace of Dreams" is a difficult "journey" and difficult reading, as it is a conditional report at the time it was written. It is a timeless at a relatively early time and it is a generalizing metaphor, seeking to reveal a reality and a collective relationship, mainly in a labyrinth, where there are many streets, middle, floors, sub- floors, high numberless doors, people without names, except Mark - Alem, a stinking environment, which seems to be quite different from what is outside Tabir Saraj. -
Internal Perspectivism and Empathy in Ismail Kadare's Novels in The
ACTA UNIVERSITATIS SAPIENTIAE, PHILOLOGICA, 12, 3 (2020) 1–16 DOI: 10 .2478/ausp-2020-0020 Internal Perspectivism and Empathy in Ismail Kadare’s Novels in the Communist and Post-Communist Period Lindita TAHIRI Department of English Language and Literature University of Prishtina (Prishtina, Kosovo) lindita .tahiri@uni-pr .edu Nerimane KAMBERI corresponding author Department of French Language and Literature University of Prishtina (Prishtina, Kosovo) nerimanekamberi8@gmail .com Abstract. This paper compares the literary work of the Albanian writer Ismail Kadare in the communist and post-communist periods, pointing out the stylistic traits that have made his work resistant to the communist rule . In a political context which managed to disfigure literature as a tool of the daily interests of politics, Kadare succeeded in protecting language from an Orwellian absolute repression . During the communist period, Kadare broke out not only of the Albanian political isolation but also of the stylistic limits and literary incapability of Socialist Realism . Yet, scholars such as the eminent Balkan historian Noel Malcolm (1997) have condemned Kadare for opportunistic relation with the regime, and this opinion emerged every time the writer was announced as candidate for the Nobel Prize . The paper argues that Kadare’s narrative style characterized by lack of authoritarianism is the best argument which refutes this condemnation . The stylistic features of his prose are analysed through linguistic indicators such as agency, transitivity, passivation, animacy, free direct and indirect discourse, intensifiers, deictics, thematization, and cohesion. This study points out the internal perspectivism in Kadare’s prose written during the communist period and identifies metafiction and inter-subjective focalization in his post-communist novels .