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Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
8. December 2019 Ljubljana
16. Mednarodni festival animiranega filma International Animated Film Festival Kinodvor, Slovenska kinoteka, december 2019 Stara mestna elektrarna – 2 .– 8 . ljubljana Elektro Ljubljana 16. Mednarodni festival animiranega filma Animateka 2019 KOLOFON 16th International Animated Film Festival Animateka 2019 CREDITS Urednica / Editor: Alenka Ropret Uredniški odbor / Editorial Board: Igor Prassel, Alenka Ropret, Maja Ropret Teksti / Texts: Waltraud Grausgruber, Vassilis Kroustallis, Igor Prassel, Chris Robinson, Gerben Schermer Oblikovanje / Design: Zoran Pungerčar Naslovnica / Front cover: Edmunds Jansons Prevod / Translation: Maja Ropret Lektoriranje / Proofreading: Mojca Hudolin Tisk / Print: Schwarz Print Naklada / Print Run: 500 Društvo za oživljanje zgodbe 2 koluta Ljubljana, 2019 CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 791.228.079"2019" MEDNARODNI festival animiranega filma (16 ; 2019 ; Ljubljana) Animateka / [16. mednarodni festival animiranega filma Animateka 2019 = 16th International Animated Film Festival Animateka 2019 ; teksti Waltraud Gra- usgruber ... [et al.] ; urednica Alenka Ropret ; prevod Maja Ropret]. - Ljubljana : Društvo za oživljanje zgodbe 2 koluta, 2019 ISBN 978-961-94129-3-0 1. Gl. stv. nasl. 2. Grausgruber, Waltraud 3. Ropret, Alenka COBISS.SI-ID 302757632 Festival posvečamo spominu na umetnika in prijatelja Rosta. The festival is dedicated to the memory of artist and friend Rosto. VSEBINA 6 UVOD / INTRO 131 Najboljše evropske šole / Best European Schools CONTENTS 11 ŽIRIJA -
Avec Le Soutien De/Met De Steun Van Christos Doulkeridis, Bourgmestre
: Folioscope a.s.b.l. / Festival du dessin animé a.s.b.l. / Vereniging van de animatiefilm vzw. – Éd. resp.: Doris Cleven, Folioscope, 24 boulevard de l’Empereur, 1000 Bruxelles de l’Empereur, 24 boulevard Folioscope, Doris Cleven, resp.: Éd. – vzw. de animatiefilm van Vereniging / du dessin animé a.s.b.l. / Festival a.s.b.l. : Folioscope isation – Co-organ 2019 / Folioscope © Pierre Bailly © Pierre Avec le soutien de/Met de steun van Christos Doulkeridis, Bourgmestre/Burgemeester, Ken Ndiaye, Échevin de la Culture/Schepen van Cultuur, Bea Diallo, Échevin de la Jeunesse/Schepen van Jeugd, et des membres du Collège des Bourgmestre et Échevins d’Ixelles/en het Schepencollege van Elsene. www.levif.be 2 MERCI À NOS PARTENAIRES / DANK AAN ONZE PARTNERS www.levif.be Skwigly.com ONLINE ANIMATION MAGAZINE jeugd Avec le support du Programme Creative Europe de l’Union européenne/Met de steun van het Creative Europe Programma van de Europese Unie; Ministerie van de Vlaamse Gemeenschap, Vlaams Audiovisueel Fonds - Publiekswerking; La Fédération Wallonie-Bruxelles, Ministère de l’Éducation et de la Communication, Direction de l’Audiovisuel et des Multimédias, Services de Prêt de Matériel de la Fédération Wallonie-Bruxelles, Ministère des Relations extérieures, Wallonie-Bruxelles International ; Le Gouvernement de la Région de Bruxelles-Capitale/De Brusselse Hoofdstedelijke Regering; De Vlaamse Gemeenschapscommissie; Le Service Public Francophone de Bruxelles. Avec le soutien de/Met de steun van Christos Doulkeridis, Bourgmestre/Burgemeester, Ken Ndiaye, Échevin de la Culture/Schepen van Cultuur, Bea Diallo, Échevin de la Jeunesse/Schepen van Jeugd, et des membres du Collège des Bourgmestre et Échevins d’Ixelles/en het Schepencollege van Elsene. -
Revue De Presse Novembre 2017
Revue de Presse Novembre 2017 LE FIGARO ETUDIANT – Vendredi 3 novembre 2017 Le classement 2017 des meilleures écoles de jeux vidéo CLASSEMENT ‐ Supinfogame‐Rubika et Isart Digital occupent les deux premières places du palmarès réalisé par le Figaro Étudiant. L’IIM, qui vient de remporter le Ping Award, supplante de justesse l’Enjmin‐Cnam. La Paris Games Week a ouvert ce mercredi 1er novembre à la porte de Versailles de Paris et court jusqu’au dimanche 5 novembre. L’occasion pour le Figaro Étudiant de faire son point annuel sur les meilleures formations pour intégrer les studios de production de jeux vidéo. Pour établir ce classement 2017, nous avons de nouveau interrogé des producteurs de jeux vidéo (BigBen Interactive, Cyanide Studio, Focus Home Interactive et Amplitude Studios) pour connaître leurs écoles préférées et celles où ils recrutent le plus. Nous avons également tenu compte d’autres critères, comme les campus à l’étranger, la possibilité d’étudier en alternance ou la reconnaissance des diplômes par le Syndicat national du jeu vidéo (SNJV) notamment. Nouveauté du classement 2017: nous ajoutons le critère des prix et récompenses reçues par les écoles depuis 2013. Trois distinctions sont prises en compte: Unity Award, Ping Award et Imagine Cup France. » LIRE AUSSI ‐ Les écoles de jeux vidéo en direct de la Paris Games Week Du changement à la troisième place Pour la troisième année consécutive, Supinfogame‐Rubika truste la tête de notre classement. «Son principal atout est sa formation transversale, assure Benoît Clerc, directeur de l’édition chez BigBen Interactive. Les étudiants portent un regard à la fois technique et artistique sur la création de jeux vidéo. -
Courts-Metrages
COURTS-METRAGES vieux dessins animés libres de droits (Popeye, Tom et Jerry, Superman…) : https://archive.org/details/animationandcartoons page d’accueil (adultes et enfants (films libres de droit) : https://www.apar.tv/cinema/700-films-rares-et-gratuits-disponibles-ici-et-maintenant/ page d’accueil : https://films-pour-enfants.com/tous-les-films-pour-enfants.html page d’accueil : https://creapills.com/courts-metrages-animation-compilation-20200322 SELECTION Un film pour les passionnés de cyclisme et les nostalgiques des premiers Tours de France. L'histoire n'est pas sans rappeler la réelle mésaventure du coureur cycliste français Eugène Christophe pendant la descente du col du Tourmalet du Tour de France 1913. Eugène Christophe cassa la fourche de son vélo et marcha 14 kilomètres avant de trouver une forge pour effectuer seul la réparation, comme l'imposait le règlement du Tour. Les longues moustaches du héros sont aussi à l'image d'Eugène Christophe, surnommé "le Vieux Gaulois". (7minutes , comique) https://films-pour-enfants.com/fiches-pedagogiques/14.html pickpocket Une course-poursuite rocambolesque. (1minute 27) https://films-pour-enfants.com/fiches-pedagogiques/korobushka.html salles gosses (1 minutes 30) Oui, les rapaces sont des oiseaux prédateurs et carnivores ! Un film comique et un dénouement surprenant pour expliquer aux enfants l'expression "être à bout de nerfs". https://films-pour-enfants.com/fiches-pedagogiques/sales-gosses.html i am dyslexic (6 minutes 20) Une montagne de livres ! Une très belle métaphore de la dyslexie et des difficultés que doivent surmonter les enfants dyslexiques. https://films-pour-enfants.com/fiches-pedagogiques/i-am-dyslexic.html d'une rare crudité et si les plantes avaient des sentiments (7 minutes 45) Un film étrange et poétique, et si les plantes avaient des sentiments. -
Hi Guess the Movie 2016 Answers
33. Argo 75. The Dark Knight 117. Mary Poppins 34. Resident Evil 76. The Matrix 118. Scoob Doo* 35. Up 77. Wall-E 119. Tarzan 36. The Smurfs 78. Amelie 120. Top Gun 37. Gladiator 79. Sin City 121. Tron Hi Guess The Movie 2016 38. Taken 80. The Incredibles 122. Blood Diamond Answers 39. Aladdin 81. Les Miserables 123. Yogi Bear - Man Zhang 40. Ghost Rider 82. Machete 124. The Help 41. G.I. Joe 83. Psycho 125. Spirited Away Main Game 42. Blade 84. Kill Bill 126. Puss in Boots 1. Cars 43. Madagascar 85. Mega Mind 127. Hulk 2. Iron Man 44. The Hobbit 86. Wreck It Ralph 128. The Shining 3. King Kong 45. X-Men 87. Shutter Island 129. The Deer Hunter 4. E.T. 46. Toy Story 88. Green Lantern 130. The Dictator 5. The Godfather 47. Braveheart 89. Hell Boy 131. The Graduate 6. Fury 48. The Simpsons 90. Rocky 132. The Karate Kid 7. Harry Potter 49. Troy 91. Jaws 133. The Sixth Sense 8. The Lion King 50. Tomb Raider 92. Casper 134. The Wolverine 9. Spider-Man 51. The Iron Lady 93. Borat 135. The Great Escape 10. Ice Age 52. Bambi 94. Bruce Almighty 136. The Mask of Zorro 11. Transformers 53. Austen Powers 95. Tangled 137. The Pianist 12. Planes 54. Cinderella 96. Fantastic Four 138. The Terminal 13. Scream 55. Jurassic Park 97. The Green Mile 139. Flight 14. Brave 56. Star Wars 98. V for Vendetta 140. Identity 15. Ted 57. Spongebob 99. Snow White 141. -
92Nd Academy Awards PRINTABLE PROPS SHEET
Follow Along @SBD #SBDOscars92Props 92nd academy awards PRINTABLE PROPS SHEET 1. Which movie will win Best Picture? 1917 Parasite Once Upon a Time in Hollywood Joker OTHER 2. Who will win Best Director? Sam Mendes (1917) Boong Joon-ho (Parasite) Quentin Tarantino (OUTH) OTHER 3. Who will win Best Actor? Joaquin Phoenix (Joker) Adam Driver (Marriage Story) Antonio Banderas (Pain and Glory) OTHER 4. Who will win Best Actress? Renee Zellweger (Judy) Scarlett Johansson (Marriage Story) Charlize Theron (Bombshell) OTHER 5. Who will win Best Supporting Actor? Brad Pitt (OUTH) Joe Pesci (The Irishman) Tom Hanks (A Beautiful Day in the Neighbourhood) OTHER 6. Who will win Best Supporting Actress? Laura Dern (Marriage Story) Margot Robbie (Bombshell) Florence Pugh (Little Women) OTHER 7. Which movie will win Best Original Screenplay? Parasite Once Upon a Time in Hollywood Marriage Story OTHER 8. Which movie will win Best Adapted Screenplay? Jojo Rabbit Little Women The Irishman Joker The Two Popes 9. Which movie will win Best Animated Feature? Klaus Toy Story 4 Missing Link I Lost My Body How to Train Your Dragon: The Hidden World 10. Which will win Best Original Song? Love Me Again (Rocketman) Stand Up (Harriet) Into the Unknown (Frozen II) OTHER 11. Will Brad Pitt hug Jennifer Aniston on camera during the Oscars? YES NO 12. What will be mentioned fi rst? Australia Wildfi res Climate Change Donald Trump Ricky Gervais 13. Length of opening monologue by fi rst person on stage? OVER 5 MINS 30.5 UNDER 5MINS 30.5 SECONDS SECONDS 14. Will either the Best Actor or Best Actress thank someone YES NO other than “The Academy” fi rst? 15. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Spartan Life February 2020 a News Publication of Glen Crest Middle School Edited by Arnav Pillay & Kamalaksha Nimishakavi Published by Mrs
Spartan Life February 2020 A news publication of Glen Crest Middle School Edited by Arnav Pillay & Kamalaksha Nimishakavi Published by Mrs. Lofgren Publishers GC teams Upcoming Musical Editorials Basketball Kobe Memorial Super Bowl 54 2020 Presidential debate The Oscars 6th-grade Teacher Interview 1 Memes 7th-grade teacher interview Current Events 2 3 World News The Coronavirus Musa Afzal The coronavirus is a virus that originally stemmed from a seafood market in Wuhan, China. It has expanded to almost every continent, except for Africa, South America, and Antarctica. The coronavirus can be spread through touch or even if you breathe the same air as a coronavirus victim. There are more than 43,100 cases today around the world. The death toll has hit over 1,100, and continues to rise, while China has decided to restart their economy. More people on cruise ships are tested positive for the virus. These people are stranded on the cruise ships, not allowed to leave their room. However, though the virus has been tested positive in Chicago, the virus has only harmed infants, elderly, or people with pre-existing health conditions. Therefore, scientists have concluded that the virus must only damage people with weak immune systems. The Crisis in Balochistan Matilda McLaren 4 Amidst the dusty and mountainous terrain of Balochistan, Pakistan, a crisis has begun which is threatening to be irreversible. Due to climate change, the inhabitants of Balochistan are experiencing spasmodic weather patterns, extreme water shortages, and droughts. This past winter in the North of Balochistan, there was snow for the first time in nearly a decade. -
Colcoa-Press-2019-Part IV
September 19, 2019 COLCOA French Film Festival Monday, September 23 – Saturday, September 28 DGA in Hollywood $$ This film festival showcases the latest work from France. It only looks like it the Coca Cola Film Festival if you read it too fast. September 3, 2019 Critic's Picks: A September To-Do List for Film Buffs in L.A Alain Delon in 'Purple Moon' (1960) A classic lesbian drama, French noirs starring Alain Delon and Jean Gabin and a series of matinees devoted to Katharine Hepburn are among the plentiful vintage and classic options for SoCal film buffs this month. OLIVIA AT THE LAEMMLE ROYAL | 11523 Santa Monica Blvd. Already underway and screening daily through Sept. 5 at the Laemmle Royal is a new digital restoration of Jacqueline Audry’s trailblazing 1951 feature Olivia, one of the first films, French or otherwise, to deal with female homosexuality. Set in a 19th-century Parisian finishing school for girls, the film depicts the struggle between two head mistresses (Edwige Feuillere and Simone Simon) for the affection of their students, and how one girl’s (Marie-Claire Olivia) romantic urges stir jealousy in the house. Audry, one of the key female filmmakers of post-World War II France, stages this feverish chamber drama (based on a novel by the English writer Dorothy Bussy) with a delicate yet incisive touch, allowing the story’s implicit sensuality to simmer ominously without boiling over into undue hysterics. Lesbian dramas would soon become more explicit, but few have matched Olivia’s unique combination of elegance and eroticism. FRENCH FILM NOIR AND KATHARINE HEPBURN MATINEES AT THE AERO | 1328 Montana Ave. -
Meiermovies Short Films A-Z
MeierMovies Short Films A-Z Theatrically released motion pictures of 40 minutes or less Before perusing this list, I suggest reading my introduction to short films at the beginning of my By Star Rating list. That introduction will help explain my star choices and criteria. For a guide to colors and symbols, see Key. Movie Stars Location seen (if known) Year Director A A.D. 1363, The End of Chivalry 2 Florida Film Festival 2015 2015 Jake Mahaffy A la Francaise 3 Enzian (Oscar Shorts) 2013 Hazebroucq/Leleu/Boyer/Hsien/Lorton The Aaron Case 3 Enzian (FilmSlam 5/16) 2015 Sarah Peterson Aashpordha (Audacity) FL 2 Enzian (South Asian FF) 2011 Anirban Roy Abandoned Love 2 Enzian (Brouhaha 2014) 2014 Sarah Allsup ABC FL 1 Florida Film Festival 2014 2014 Nanna Huolman Abnie Oberfork: A Tale of Self-Preservation 0 Florida Film Festival 2018 2017 Shannon Fleming Abortion Helpline, This Is Lisa 3 Florida Film Festival 2020 2019 Barbara Attie/Janet Goldwater/Mike Attie Abiogenesis 2 Enzian (Oscar Shorts) 2012 Richard Mans The Absence of Eddy Table 4 Florida Film Festival 2017 2016 Rune Spaans Acabo de Tener un Sueño (I’ve Just Had a Dream) FL 3 Love Your Shorts 2016 2014 Javi Navarro Accidents, Blunders and Calamities 1 Florida Film Festival 2016 2015 James Cunningham Accordion Player Sl 1 1888 Louis Le Prince The Accountant 0 Enzian (FilmSlam 10/15) 2015 Stephen Morgan/Alex Couch Achoo 2 Oscar Shorts 2018 2018 L. Boutrot/E. Carret/M. Creantor Acide FL 2 Orlando International FF 2020 2018 Just Philippot Acoustic Ninja 2 Enzian (Brouhaha 2016) 2016 Robert Bevis Ace in the Hole 0 Orlando Film Festival 2013 2013 Wesley T.