DOCSLIB.ORG

Meiermovies Short Films A-Z

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Meiermovies Short Films A-Z MeierMovies Short Films A-Z Theatrically released motion pictures of 40 minutes or less Before perusing this list, I suggest reading my introduction to short films at the beginning of my By Star Rating list. That introduction will help explain my star choices and criteria. For a guide to colors and symbols, see Key. Movie Stars Location seen (if known) Year Director A A.D. 1363, The End of Chivalry 2 Florida Film Festival 2015 2015 Jake Mahaffy A la Francaise 3 Enzian (Oscar Shorts) 2013 Hazebroucq/Leleu/Boyer/Hsien/Lorton The Aaron Case 3 Enzian (FilmSlam 5/16) 2015 Sarah Peterson Aashpordha (Audacity) FL 2 Enzian (South Asian FF) 2011 Anirban Roy Abandoned Love 2 Enzian (Brouhaha 2014) 2014 Sarah Allsup ABC FL 1 Florida Film Festival 2014 2014 Nanna Huolman Abnie Oberfork: A Tale of Self-Preservation 0 Florida Film Festival 2018 2017 Shannon Fleming Abortion Helpline, This Is Lisa 3 Florida Film Festival 2020 2019 Barbara Attie/Janet Goldwater/Mike Attie Abiogenesis 2 Enzian (Oscar Shorts) 2012 Richard Mans The Absence of Eddy Table 4 Florida Film Festival 2017 2016 Rune Spaans Acabo de Tener un Sueño (I’ve Just Had a Dream) FL 3 Love Your Shorts 2016 2014 Javi Navarro Accidents, Blunders and Calamities 1 Florida Film Festival 2016 2015 James Cunningham Accordion Player Sl 1 1888 Louis Le Prince The Accountant 0 Enzian (FilmSlam 10/15) 2015 Stephen Morgan/Alex Couch Achoo 2 Oscar Shorts 2018 2018 L. Boutrot/E. Carret/M. Creantor Acide FL 2 Orlando International FF 2020 2018 Just Philippot Acoustic Ninja 2 Enzian (Brouhaha 2016) 2016 Robert Bevis Ace in the Hole 0 Orlando Film Festival 2013 2013 Wesley T. Nelson Ace of Clubs 0 Enzian (FilmSlam 2/17) 2017 James Noir Adam and Dog 2 Enzian (Oscar Shorts) 2012 Minkyu Lee The Addiction 0 Orlando Film Festival 2018 2018 Brian Mills The Adjustment Technicians 0 Cosmic Film Festival 2017 2016 Mel Cartagena The Adventures of André and Wally B. 1 1984 Alvy Ray Smith/John Lasseter Aegidium FL 3 Filmapalooza 2018 (Brussels) 2017 Hugo Larisch/Irene Tobias Wahlstedt Affections 1 Sundance Shorts: Best of 2016 2016 Bridey Elliott Afronauts 3 Sundance Shorts: Best of 2014 2014 Frances Bodomo After 1 CenFlo 2015 2015 Rosemary Williams After Midnight in the Asphalt Jungle 1 Love Your Shorts 2018 2017 William Charles Aftermath 1 Florida Film Festival 2014 2013 Jeremy Robbins Again 3 Love Your Shorts 2017 2016 Nico Gao Age of Bryce 2 Love Your Shorts 2020 2019 Brian Elliott Age of Sail 3 2018 John Kahrs Age & Popularity 0 Enzian (FilmSlam 8/17) 2017 Ricardo Williams Agua Viva 3 2018 Alexa Lim Haas Aimee 3 CenFlo 2017 2017 Lee Whittaker Aishiteru 2 Enzian (Brouhaha 2013) 2013 Mikhail Howell Akado FL 3 Love Your Shorts 2018 2017 Kim Belov Akira’s Mom 1 Love Your Shorts 2018 2018 Yifei Dai Alarm at Fort Mims 0 Enzian (FilmSlam 1/19) 2018 Charles Misulia Click back to home page of MeierMovies.com Alexander Rises 1 Enzian (FilmSlam 1/16) 2015 Ricardo Williams Alfred J. Hemlock 2 Love Your Shorts 2018 2017 Edward Lyons Alice Guy Films a Phonoscene SlWS (sound on disc) 1 1905 Alice Guy Alice’s Wonderland Sl 3 1923 Walt Disney The Altruist 1 Florida Film Festival 2020 2020 Matt Smith Alien Influx 0 MIFF 2020 2020 Julien Corrales An Alien Walks into a Bar 2 Florida Film Festival 2018 2017 Eli Bildner All Black Towns: An Endangered People’s History 1 Flagler Film Festival 2016 2016 Kari Barber All is Lost 1 Enzian (FilmSlam 8/15) 2015 Chris Beemer Allegretto 4 1936/1943 Oskar Fischinger Allergies 0 Enzian (Brouhaha 2015) 2015 McKenzi Vanderberg Allisk8r 0 Love Your Shorts 2018 2017 Anna Prado The Alphabet 3 1968 David Lynch AMA 2 Love Your Shorts 2020 2019 Peter Ebanks Ama of Ta’li 0 Enzian (FilmSlam 5/19) 2019 Chris Williamson Amblin’ 2 1968 Steven Spielberg Amelia and Charley 0 Enzian (FilmSlam 2/17) 2017 Isiah Miller America 101 2 Love Your Shorts 2014 2013 Richard Speight Jr. American Boyfriend 2 Enzian (Brouhaha 2019) 2019 Helen Morales Amerigo FL 3 Enzian (FilmSlam 2/16) 2016 Todd Thompson And Many More…? 3 Filmapalooza 2019 (NYC) 2018 Erin Maloney And Now We Wait 0 Enzian (FilmSlam 10/18) 2018 Florencia Minniti And the Brave Shall Rise, Parkland: Stories from the Survivors 2 Orlando Film Festival 2019 2019 Adam Schlachter And the Whole Sky Fit in the Dead Cow’s Eye FL 3 Sundance Shorts: Best of 2017 2016 Francisca Alegria Androgen 3 Florida Film Festival 2019 2019 Drew Lewis Anima 4 2019 Paul Thomas Anderson Animal 2 Love Your Shorts 2017 2014 Ramez Silyan Animal Behaviour 2 2018 David Fine/Alison Snowden Animal Cinema 3 Florida Film Festival 2018 2018 Emilio Vavarella Animals FL 3 Florida Film Festival 2020 2019 Tue Sanggaard Animation Hotline, 2016 2 Love Your Shorts 2016 2016 Dustin Grella Anita FL 2 Florida Film Festival 2021 2020 Sushma Khadepaun Anna FL 2 MIFF 2020 2019 Dekel Berenson Annabelle Serpentine Dance Sl 2 1894 Dickson/Heise/Edison Another Day 1 Enzian (FilmSlam 2/14) 2013 Eric Thompson Another Sky 3 Flagler Film Festival 2016 2016 Ryuichi Ogata Another Time, Maybe 3 Florida Film Festival 2014 2014 Spencer Chandler The Answers 4 Florida Film Festival 2015 2015 Michael Goode Ant 1 Florida Film Festival 2019 2019 Mischa Meyer Antö (Never) FL 2 Orlando Film Festival 2017 2017 J. René Guerra, Joe Torres Antoine FL 3 Flagler Film Festival 2016 2014 Cyrus Neshvad Anything You Can Do 2 Orl. Mus. of Art (FilmSlam 1/20) 2020 Laura Von Mutius Apalachicola 2 Love Your Shorts 2015 2014 John Francis Ape and Turtle vs. the Fire Monster 0 Enzian (Brouhaha 2016) 2016 Richard Lee The Apocalypse 2 Florida Film Festival 2013 2012 Andrew Zuchero Apocalypse Rock 3 Love Your Shorts 2016 2015 Brian Pennington Apolo 81 FL 3 Sarasota Film Festival 2016 2015 Óscar Bernàcer Apparition 0 Enzian (FilmSlam 10/14) 2014 Chris Tharp/Glenn Bain L’Appuntamento (The Appointment) FL 1 Love Your Shorts 2014 2012 Gianpiero Alicchio APPyness 2 Love Your Shorts 2020 2020 Ryan Turner Après le Bal (After the Ball, the Bath) Sl 1 1897 Georges Méliès Aquacade 1 Florida Film Festival 2018 2017 Caroline Voagen Nelson Aquel No Era Yo (That Wasn’t Me) FL 4 Enzian (Oscar Shorts) 2013 Esteban Crespo Archibald’s Syndrome FL 3 Manhattan Short FF 2021 2021 Daniel Perez Are We Not Cats 1 Florida Film Festival 2013 2012 Xander Robin The Arm 2 Sundance Shorts: Best of 2012 2012 Brie Larson/Sarah Ramos/Jessie Ennis An Arm’s Length 3 Florida Film Festival 2016 2016 Max Weiland Aripi (Wings) FL 1 Love Your Shorts 2020 2019 Dmitri Voloshin Around the Block FL 3 Filmapalooza 2014 (Utrecht) 2014 Ad van Diem L'Arrivée d'un Train en Gare de la Ciotat (Train Arriving at the Station) Sl 3 1895 Auguste and Louis Lumière The Art of Villainy 1 Enzian (FilmSlam 10/15) 2015 James Noir 2 Click back to home page of MeierMovies.com The Artist’s Assistant 3 Love Your Shorts 2014 2013 Jack Kendrick Arts + Crafts Spectacular # 3 2 Florida Film Festival 2017 2015 Sébastien Wolf/Ian Ritterskamp Asad FL 3 Enzian (Oscar Shorts) 2012 Bryan Buckley ASL. 0 Enzian (Brouhaha 2014) 2014 Marissa Vonn Ashore 2 Enzian (Brouhaha 2015) 2015 Patrick Graham Ask Father Sl 4 1919 Hal Roach Asteria 2 Oscar Shorts 2017 2016 A. Arpentinier/M. Blanchys Asternauts 2 Love Your Shorts 2013 2013 Marta Masferrer At the End of the World 3 Manhattan Short FF 2019 Fon Davis At the Floral Ball Sl 0 1900 Alice Guy Au Cabaret (At the Club) Sl 0 1899 Alice Guy Audacity of Hope 0 Florida Film Festival 2013 2013 Cyrus Dowlatshahi Auditioning with Mom 1 Love Your Shorts 2020 2019 Steve Coulter August 1 Florida Film Festival 2017 2017 Caitlyn Greene Aurora 2 Manhattan Short FF 2021 2021 Joe Meuris Auschwitz 4 2015 James Moll/Steven Spielberg (A)utomated (I)rritation 1 Love Your Shorts 2018 2017 Ali Presley Paras Ava’s Dating a Senior 1 Florida Film Festival 2020 2020 Frederic Da Avant que de Tout Perdre (Just Before Losing Everything) FL 4 Enzian (Oscar Shorts) 2013 Xavier Legrand Ave Maria FL 3 Enzian (Oscar Shorts) 2015 Basil Khalil Avenue de l’Opera (Avenue of the Opera) Sl 3 1900 Alice Guy L'Aveugle Fin de Siècle (The Turn-of-the-Century Blind Man) Sl 1 1898 Alice Guy Aya 4 Enzian (Oscar Shorts 2015) 2013 Oded Binnun/Mihal Brezis B B is for Backne 0 Enzian (FilmSlam 10/16) 2016 Stephen Stull Babies 3 Enzian (FilmSlam 10/15) 2015 Benjamin Gill Baby Bean Souls 0 Enzian (FilmSlam 12/15) 2015 Gina Juliet/Disco San Andreas Baby Brother 1 Sundance Shorts: Best of 2018 2018 Kamau Bilal Baby Chelsea 0 Single-Take Film Challenge 2019 James Terrell Baby Kate 3 Florida Film Festival 2020 2020 Jennifer LaFleur The Baby Project 0 Orlando Film Festival 2018 2018 Alan J. Chriest Baby Psycho 0 Enzian (Brouhaha 2014) 2014 Nicholas Reifler Baby, I Love You 1 Florida Film Festival 2014 2013 Faiyaz Jafri Backstory 4 2016 Joschka Laukeninks Bacon & God’s Wrath 3 Sarasota Film Festival 2016 2015 Sol Friedman Bad at Dancing 0 Florida Film Festival 2016 2016 Joanna Arnow Bad Hunter FL 3 Florida Film Festival 2015 2014 Sahim Omar Kalifa Bad Omen FL 2 Manhattan Short FF 2021 2020 Salar Pashtoonyar Bad Town 1 Enzian (Brouhaha 2016) 2016 Daniel Smith Badass Brock 2 Enzian (Brouhaha 2012) 2012 Eric Davis Bagels in the Blood 3 Ct.
Load more

Recommended publications
  • UPA : Redesigning Animation
    This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously
    [Show full text]
  • The University of Chicago Looking at Cartoons
    THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174
    [Show full text]
  • Affective Temporalities in Gob Squad’S Kitchen (You’Ve Never Had It So Good)
    56 ANA PAIS AFFECTIVE TEMPORALITIES IN GOB SQUAD’S KITCHEN (YOU’VE NEVER HAD IT SO GOOD) In this article I will be drawing upon affect theory to unpack issues of authenticity, mediation, participation in the production Gob Squads’s Kitchen, by Gob Squad. English/German collective reconstructed Andy Warhol’s early film Kitchen, shot 47 years before, in the flamboyant Factory, starring ephemeral celebrities such as Eve Sedgwick. Alongside Eat (1964), Sleep (1963) and Screen Test (1964-66). Although it premièred in Berlin, in 2007, the show has been touring in several countries and, in 2012, it received the New York Drama Desk Award for Unique Theatrical Experience.I will be examining how the production’s spatial dispositive creates a mediated intimacy that generates affective temporalities and how their performativity allows us to think of the audience as actively engaged in an affective resonance with the stage. Intimacy creates worlds (Berlant 2000). It brings audience and performer closer not only to each other but also to the shifting moment of Performance Art’s capture by institutional discourses and market value. Unleashing affective temporalities allows the audience to embody its potency, to be, again, “at the beginning”.Drawing upon André Lepecki’s notion of reenactments as activations of creative possibilities, I will be suggesting that Gob Squads’s Kitchen merges past and present by disclosing accumulated affects, promises and deceptions attached to the thrilling period of the sixties in order to reperform a possibility of a new beginning at the heart of a nowthen time. In conclusion, this article will shed new light on the performative possibilities of affect to surmount theatrical separation and weave intensive attachments.
    [Show full text]
  • Csflyer485 Sm
    Sun Apr 15 THE BOLSHOI BALLET: GISELLE 12:55 Sun Apr 15 4:30, 7:30 Mon Tue Wed Apr 16 17 18 IN THE FADE 7:30 Thu Fri Apr 19 20 A FANTASTIC WOMAN 7:30 Sat Apr 21 2:30, 7:30 Sun Apr 22 THE SULTAN AND THE SAINT Special Screening 5:15 Sun Apr 22 2:30, 7:30 Mon Tue Wed Apr 23 24 25 HOSTILES 7:30 Thu Fri Apr 26 27 ANNIHILATION 7:30 Sat Apr 28 2:30, 7:30 General Admission $10 Sun Apr 29 2:30, 7:30 Mon Tue Wed Apr 30 May 1 2 THE PARTY 7:30 Friends of Cinestudio $7 Thu May 3 CLOSED FOR PRIVATE EVENT Senior Citizens (62+) $8 Students with valid ID Fri May 4 TRINITY FILM FESTIVAL presents DESIGN NIGHT OUT: SCREEN FREE ADMISSION 6:00 ® Ticket Prices for NTLive, Special Shows & Benefits vary Fri May 4 OSCAR NOMINATED LIVE ACTION SHORTS 8:30 Sat May 5 OSCAR® NOMINATED ANIMATED SHORTS 2:30 Cinestudio’s boxoffice is now online, so you can buy Sat May 5 TRINITY FILM FESTIVAL Doors open at 4:00, Festival begins at 5:00 tickets for any listed show at any time - online Sun May 6 2:30, 7:30 or at the boxoffice. We’re on Fandango too. Mon Tue Wed May 7 8 9 LEANING INTO THE WIND 7:30 DONATING TO CINESTUDIO? You can do that online or at the boxoffice, and now Thu May 10 NTLive: MACBETH LIVE from LONDON 2:00 100% of your donation comes to Cinestudio! Thu Fri May 10 11 LOVE, SIMON 7:30 Sat May 12 2:30, 7:30 Sun May 13 NTLive: MACBETH ENCORE from LONDON 1:00 Sun May 13 5:00, 7:30 Mon Tue Wed May 14 15 16 ISMAËL’S GHOSTS 7:30 Thu Fri May 17 18 BLACK PANTHER 7:30 Sat May 19 2:30, 7:30 Sun May 20 5:00, 7:30 Mon Tue Wed May 21 22 23 LOVELESS 7:30 Thu Fri May 24 25 ISLE
    [Show full text]
  • I1465 I SHOT ANDY WARHOL (USA, 1996) (Other Titles: Ho Sparato a Andy Warhol)
    I1465 I SHOT ANDY WARHOL (USA, 1996) (Other titles: Ho sparato a Andy Warhol) Credits: director, Mary Harron ; writers, Mary Harron, Daniel Minahan. Cast: Lili taylor, Jared Harris, Stephen Dorff, Martha Plimpton. Summary: Biographical melodrama set in 1960s New York City. A journey into the cultural whirlwind of events surrounding Valerie Solanas’ shooting of pop-art superstar Andy Warhol. Solanis (Taylor) arrived in mid-‘60s New York City with a single-minded mission: to spread the word on female superiority. While feverishly putting her radical ideas down on paper, she becomes a fringe member of the psychedelic entourage surrounding Andy Warhol (Harris). But when her feminist zeal grows too bizarre and violent, even for this avant-garde circle, the consequences are explosive. Includes passing references to the anti-Vietnam War movement. Adams, Thelma. [I shot Andy Warhol] New York post (May 1, 1996), p. 39. [Reprinted in Film review annual 1997] Alexander, Al. “‘Warhol’ a fascinating look at a tragedy” Patriot ledger [Quincy, MA] (May 18, 1996), p. 36. Alleva, Richard. “Insane times: ‘Warhol’ & ‘Anne Frank’” Commonweal 123 (Jul 12, 1996), p. 21-2. Andersen, Soren. “Review: Fact-based ‘I shot Andy Warhol,’ is fascinating film” News tribune [Tacoma, WA] (Jun 14, 1996), SoundLife, p. SL6. Ansen, David. “When the fun ended” Newsweek 127/19 (May 6, 1996), p. 78. [Reprinted in Film review annual 1997] Artner, Alan G. “Andy Warhol: His 15 minutes never ended” Chicago tribune (May 19, 1996), Arts & entertainment, p. 1. B., L. “I shot Andy Warhol” Art in America 84 (Sep 1996), p. 40-41.
    [Show full text]
  • ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O
    ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet: onf-nfb.gc.ca/en E-mail: [email protected] Cover page: ANGRY INUK, Alethea Arnaquq-Baril © 2017 National Film Board of Canada ISBN 0-7722-1278-3 2nd Quarter 2017 Printed in Canada TABLE OF CONTENTS 2016–2017 IN NUMBERS MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER FOREWORD HIGHLIGHTS 1. THE NFB: A CENTRE FOR CREATIVITY AND EXCELLENCE 2. INCLUSION 3. WORKS THAT REACH EVER LARGER AUDIENCES, RAISE QUESTIONS AND ENGAGE 4. AN ORGANIZATION FOCUSED ON THE FUTURE AWARDS AND HONOURS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES IN 2016–2017 FINANCIAL STATEMENTS ANNEX I: THE NFB ACROSS CANADA ANNEX II: PRODUCTIONS ANNEX III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP AS THE CROW FLIES Tess Girard August 1, 2017 The Honourable Mélanie Joly Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2017. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner and Chairperson of the National Film Board of Canada ANTHEM Image from Canada 150 video 6 | 2016-2017 2016–2017 IN NUMBERS 1 VIRTUAL REALITY WORK 2 INSTALLATIONS 2 INTERACTIVE WEBSITES 67 ORIGINAL FILMS AND CO-PRODUCTIONS 74 INDEPENDENT FILM PROJECTS
    [Show full text]
  • 2017 Academy Award BALLOT
    2017 ACADEMY AWARD BALLOT BEST PICTURE DIRECTING COSTUME DESIGN FOREIGN LANGUAGE ARRIVAL ARRIVAL ALLIED FILM FENCES Denis Villeneuve Joanna Johnston LAND OF MINE — Denmark HACKSAW RIDGE HACKSAW RIDGE FANTASTIC BEASTS AND A MAN CALLED OVE — HELL OR HIGH WATER Mel Gibson WHERE TO FIND THEM Sweden HIDDEN FIGURES LA LA LAND Colleen Atwood THE SALESMAN — Iran LA LA LAND Damien Chazelle FLORENCE FOSTER TANNA — Australia LION MANCHESTER BY THE SEA JENKINS TONI ERDMANN — Germany MANCHESTER BY THE SEA Kenneth Lonergan Consolata Boyle MOONLIGHT MOONLIGHT JACKIE PRODUCTION DESIGN Barry Jenkins Madeline Fontaine ARRIVAL ACTOR IN A LA LA LAND FANTASTIC BEASTS AND LEADING ROLE SCREENPLAY Mary Zophres WHERE TO FIND THEM CASEY AFFLECK (ADAPTED) HAIL, CAESAR! Manchester by the Sea ARRIVAL MUSIC LA LA LAND ANDREW GARFIELD Screenplay by Eric Heisserer (ORIGINAL SCORE) PASSENGERS Hacksaw Ridge FENCES JACKIE —Mica Levi RYAN GOSLING Screenplay by August Wilson LA LA LAND — SHORT FILM La La Land HIDDEN FIGURES Justin Hurwitz (ANIMATED) VIGGO MORTENSEN Screenplay by Allison Schro- LION BLIND VAYSHA Captain Fantastic eder and Theodore Melfi Dustin O’Halloran and BORROWED TIME DENZEL WASHINGTON LION Hauschka PEAR CIDER AND Fences Screenplay by Luke Davies MOONLIGHT CIGARETTES MOONLIGHT Nicholas Britell PEARL ACTRESS IN A Screenplay by Barry Jen- PASSENGERS PIPER LEADING ROLE kins; Story by Tarell Alvin Thomas Newman ISABELLE HUPPERT McCraney SHORT FILM Elle MUSIC (LIVE ACTION) RUTH NEGGA SCREENPLAY (ORIGINAL SONG) ENNEMIS INTÉRIEURS Loving (ORIGINAL) AUDITION (THE
    [Show full text]
  • Blue Screen Matting
    Blue Screen Matting Alvy Ray Smith and James F. Blinn Microsoft Corporation ABSTRACT allowed to pass through and illuminate those parts desired but is blocked everywhere else. A holdout matte is the complement: It is A classical problem of imaging—the matting problem—is separa- opaque in the parts of interest and transparent elsewhere. In both tion of a non-rectangular foreground image from a (usually) rectan- cases, partially dense regions allow some light through. Hence gular background image—for example, in a film frame, extraction of some of the color film image that is being matted is partially illu- an actor from a background scene to allow substitution of a differ- minated. ent background. Of the several attacks on this difficult and persis- The use of an alpha channel to form arbitrary compositions of tent problem, we discuss here only the special case of separating a images is well-known in computer graphics [9]. An alpha channel desired foreground image from a background of a constant, or al- gives shape and transparency to a color image. It is the digital most constant, backing color. This backing color has often been equivalent of a holdout matte—a grayscale channel that has full blue, so the problem, and its solution, have been called blue screen value pixels (for opaque) at corresponding pixels in the color image matting. However, other backing colors, such as yellow or (in- that are to be seen, and zero valued pixels (for transparent) at creasingly) green, have also been used, so we often generalize to corresponding color pixels not to be seen.
    [Show full text]
  • Alpha and the History of Digital Compositing
    Alpha and the History of Digital Compositing Technical Memo 7 Alvy Ray Smith August 15, 1995 Abstract The history of digital image compositing—other than simple digital imple- mentation of known film art—is essentially the history of the alpha channel. Dis- tinctions are drawn between digital printing and digital compositing, between matte creation and matte usage, and between (binary) masking and (subtle) mat- ting. The history of the integral alpha channel and premultiplied alpha ideas are pre- sented and their importance in the development of digital compositing in its cur- rent modern form is made clear. Basic Definitions Digital compositing is often confused with several related technologies. Here we distinguish compositing from printing and matte creation—eg, blue-screen matting. Printing v Compositing Digital film printing is the transfer, under digital computer control, of an im- age stored in digital form to standard chemical, analog movie film. It requires a sophisticated understanding of film characteristics, light source characteristics, precision film movements, film sizes, filter characteristics, precision scanning de- vices, and digital computer control. We had to solve all these for the Lucasfilm laser-based digital film printer—that happened to be a digital film input scanner too. My colleague David DiFrancesco was honored by the Academy of Motion Picture Art and Sciences last year with a technical award for his achievement on the scanning side at Lucasfilm (along with Gary Starkweather). Also honored was Gary Demos for his CRT-based digital film scanner (along with Dan Cam- eron). Digital printing is the generalization of this technology to other media, such as video and paper.
    [Show full text]
  • Free-Digital-Preview.Pdf
    THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop.
    [Show full text]
  • Duncan Public Library Board of Directors Meeting Minutes June 23, 2020 Location: Duncan Public Library
    Subject: Library Board Meeting Date: August 25, 2020 Time: 9:30 am Place: Zoom Meeting 1. Call to Order with flag salute and prayer. 2. Read minutes from July 28, 2020, meeting. Approval. 3. Presentation of library statistics for June. 4. Presentation of library claims for June. Approval. 5. Director’s report a. Summer reading program b. Genealogy Library c. StoryWalk d. Annual report to ODL e. Sept. Library Card Month f. DALC grant for Citizenship Corner g. After-school snack program 6. Consider a list of withdrawn items. Library staff recommends the listed books be declared surplus and be donated to the Friends of the Library for resale, and the funds be used to support the library. 7. Consider approving creation of a Student Library Card and addition of policy to policy manual. 8. Old Business 9. New Business 10. Comments a. By the library staff b. By the library board c. By the public 11. Adjourn Duncan Public Library Claims for July 1 through 31, 2020 Submitted to Library Board, August 25, 2020 01-11-521400 Materials & Supplies 20-1879 Demco......................................................................................................................... $94.94 Zigzag shelf, children’s 20-2059 Quill .......................................................................................................................... $589.93 Tissue, roll holder, paper, soap 01-11-522800 Phone/Internet 20-2222 AT&T ........................................................................................................................... $41.38
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]