V Molcani Noci Tajnoj C V Mol…An'i No…I Tajnoj C V'mahl-CHAY-Nyih NAW

Total Page:16

File Type:pdf, Size:1020Kb

V Molcani Noci Tajnoj C V Mol…An'i No…I Tajnoj C V'mahl-CHAY-Nyih NAW V molcani noci tajnoj C V mol an’i no i tajnoj C v’mahl-CHAY-nyih NAW-chih T¦-nee C (In the Silence of the Secret Night) C (poem by Afansij Afanas’evi Fet [ah-fah-NAH-see ah- fah-NAH-s’yeh-vihch FETT] set to music by Sergei Rachmaninov [sehr-GAYEE rahk-MAH- nyih-nuff]) C (Afansij is probably a misspelled version of Afanasij) V tak mnohem srdci mrtvo jest C V tak mnohém srdci mrtvo jest C v’TAHK m’NAW-hehehm SURD-tsih MURT-vaw YESST C (Death reigns in many a human breast) C (song by Antonín DvoÍák [AHN-taw-nyeeeen d’VAW-rshahahk]) V te sladke moci oci tvych C V té sladké moci o i tvých C v'TYEHEH SLAHD-keheh MAW- tsih AW-chih t’VEEEEK C (When Thy Sweet Glances on Me Fall) C (song by Antonín DvoÍák [AHN-taw-nyeeeen d’VAW-rshahahk]) V woyna C F. v. Woyna C (F.) fawn VOY-nah Va je tai pardonne nuit dhymenee C Va! je t'ai pardonné ... Nuit d'hyménée C vah! zhuh teh par-dawn-nay ... nüee dee-may-nay C (duet from the opera Roméo et Juliette [raw-may-o ay zhü-leeett]; music by Charles Gounod [sharl gôô-no]; libretto by Jules Barbier [zhül bar-beeay] and Michel Carré [mee-shell kar-ray] after William Shakespeare [WILL-lihumm SHAYK- spihuhr]) Va pensiero C Va, pensiero C VAH, payn-seeAY-ro C (Fly, thought) / (chorus of the Hebrew slaves from the opera Nabucco [nah-BOOK-ko] — King of Babylon; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee] and libretto by Temistocle Solera [tay-MEE-stoh-klay so-LAY- rah] after Antonio Cortesi [ahn-TAW-neeo kohr-TAY-zee], Auguste Anicet-Bourgeois [o-güst ah-nih-seh-bôôr-zhwah], and Francis Cornu [frah6-see kawr-nü]) Va pensiero sullali dorate C Va, pensiero, sull’ali dorate C VAH, payn-seeAY-ro, sool-LAH- lee doh-RAH-tay C (Fly, thought, on wings of gold) C (chorus of the Hebrew slaves from Act III of the opera Nabucco [nah-BOOK-ko] — King of Babylon; music by Giuseppe Verdi [joo- ZAYP-pay VAYR-dee]; libretto by Temistocle Solera [tay-MEE-stoh-klay so-LAY-rah] after Antonio Cortesi [ahn-TAW-neeo kohr-TAY-zee], Auguste Anicet-Bourgeois [o-güst ah-nih- seh-bôôr-zhwah], and Francis Cornu [frah6-see kawr-nü]) Va ten mon cuer avent mes yeux C Va t'en, mon cuer, avent mes yeux C vah tah6, maw6 kör, ah-vah6 meh-z'yö C (Go forth, my heart, before my eyes) C (rondeau [RAHN-doh] by Gacien Reyneau [gah-seeah6 ray-no]) Va tent souspir C Va t’ent souspir C vah tah6 sôô-peer C (composition by Estienne Grossin [ay-teeenn grawss-seh6]) Va va lerror mio palesa C Va, va, l’error mio palesa C VAH, VAH, LAYR-rohr MEE-o pah- LAY-zah C (aria featuring Farnace [far-NAH-chay] in the opera Mitridate, rè di Ponto [mee- tree-DAH-tay, RAY dee POHN-toh] — Mithridates, King of Pontus [mith-rih-DAH-tuss, (King of) PAWN-tuss]); music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY- ôôss MO-tsart]; libretto by Vittorio Amedeo Cigna-Santi [veet-TAW-reeo ah-may-DAY-o CHEE-n’yah-SAHN-tee] after Giuseppe Parini [joo-ZAYP-pay pah-REE-nee] and Jean Racine [zhah6 rah-seen]) Vaccai C Nicola Vaccai C nee-KO-lah vahk-KAHee Vacek C Miloš Vacek C MIH-lawsh VAH-tseck Vach C Ferdinand Vach C FEHR-tee-nahnt VAHK Vachon C Pierre Vachon C peeehr vah-shaw6 Vacillantis trutine C vuh-cheel-LAHN-tiss TRÔÔ-tih-neh C (Hovering in a dangerously unsteady balance) C (excerpt from the 13th-century manuscript Carmina Burana [kar-MEE- nah boo-RAH-nah]) Vackar C Dalibor Cyril Va káÍ C DAH-lih-bawr TSIH-rill VAHCH-kahrzh Vackar C Tomáš Va káÍ C TAW-mahahsh VAHCH-kahrzh Vackar C Václav Va káÍ C VAHAHTSS-lahf VAHCH-kahrzh Vactor C David Van Vactor C DAY-vudd vann VACK-tur Vade C Jean-Joseph Vadé C zhah6-zho-zeff vah-day Vado ma dove oh dei C Vado, ma dove? oh Dei! C VAH-doh, mah DOH-vay? o DAYEE! C (I shall go, but where, oh gods!) C (an aria by Wolfgang Amadeus Mozart [VAWLF-gahng ah- mah-DAY-ôôss MO-tsart] interpolated in the comic opera Il burbero di buon core [eel boor- BAY-ro dee booOHN KO-ray]; music by Vicente Martín y Soler [vee-THAYN-tay mar-TEEN ee so-LEHR]; libretto by Lorenzo da Ponte [lo-RAYN-tso dah POHN-tay] after Goldoni [gohl- DOH-nee]) Vadoro pupille C V’adoro, pupille C vah-DOH-ro poo-PEEL-lay C (I adore you, dear eyes) C (aria from the opera Giulio Cesare in Egitto [JOO-leeo chay-ZAH-ray een ay-JEET-toh] — Julius Caesar in Egypt; music by George Frideric Handel [JAW-urj FRIH-duh-rick HANN- d’l]; libretto by Nicola Haym [nee-KO-lah ¦M] after Giacomo Francesco Bussani [JAH-ko-mo frahn-CHAY-sko booss-SAH-nee]) Vaet C Jacobus Vaet C yah-KO-büss VATT Vaez C Gustave Vaëz C güss-tahv vah-ezz Vaga luna che inargenti C VAH-gah LOO-nah kay ee-nar-JAYN-tee C (composition by Vincenzo Bellini [veen-CHAYN-tso bayl-LEE-nee]) Vagans C VAH-gahnss Vaghissima sembianza C vah-GHEESS-see-mah saym-beeAHN-tsah C (composition by Stefano Donaudy [STEH-fah-no daw-no-dee]) Vague et la cloche C La vague et la cloche C lah vahg ay lah klawsh C (The Wave and the Bell) C (poem by François Coppée [frah6-swah kawp-pay] set to music by Henri Duparc [ah6- ree dü-park]) Vainberg C Moisei Vainberg C MOEE-say VAHEEN-berk Vaine vaine vaine C Vaine, vaine, vaine C VAYN, VAYN, VAYN C (16th-century English composition by John Sheppard [JAHN SHEPP-purd]) Vainement ma bien aimee C Vainement, ma bien aimée C veh-nuh-mah6, mah beeah6-neh- may C (aria from the opera Le Roi d’Ys [luh r’wah deess] — The King of Ys [EESS]; music by Édouard Lalo [ay-dôôar lah-lo] and libretto by Édouard Blau [ay-dôôar blo]) Vaisseau fantome C Le vaisseau fantôme C luh vess-so fah6-tohm C (The Phantom Ship) C (an opera, with music by Pierre-Louis Dietsch [peeehr-lôôee DEETSH]; libretto by Paul Foucher [pohl fôô-shay] and Bénédict-Henry Révoil [bay-nay-deekt-ah6-ree ray-v’wahl] after various sources, including the original prose scenario by Richard Wagner [RIH-hart VAHG-nur] for his opera Der Fliegende Holländer [dayr FLEE-gunn-tuh HAWL-lenn-tur] — The Flying Dutchman) Vajda C János Vajda C YAHAH-nawsh V¦-dah Vajda C Jaroslav Vajda C YAH-raw-slahf V¦-dah Vajda C Otto Vajda C AWT-toh V¦-dah Vajda pulmalaulud C Vajda Pulmalaulud C V¦-tah PÔÔL-mah-lahôô-lôôt C Votic [VO-tick] Wedding Songs C (cycle of Balto-Finnic folk songs arranged by Veljo Tormis [VELL-yo TOHR-miss]) Valabrega C Cesare Valabrega C chay-ZAH-ray vah-lah-BRAY-gah Valcarcel C Edgar Valcárcel C EDD-gar vahl-KAR-sell Valcarcel C Teodoro Valcárcel C tay-o-THO-ro vahl-KAR-sell Valdenassi C Cecilia Valdenassi C chay-CHEE-leeah vahl-day-NAHSS-see Valdengo C Giuseppe Valdengo C joo-ZAYP-pay vahl-DAYN-go Valderrama C Carlos Valderrama C KAR-lawss vahl-dayr-RAH-mah Valdes C Fernán Silva Valdés C fehr-NAHN SEEL-vah vahl-DAYSS Valdes C Pedro Valdés C PAY-dro vahl-DAYSS Valdrighi C Count Luigi Francesco Valdrighi C (Count) looEE-jee frahn-CHAY-sko vahl- DREE-ghee Valek C JiÍí Válek C YIH-rsheeee VAHAH-leck Valen C Fartein Valen C FAR-taihn VAH-lunn C (known also as Olav [OO-lahv] Fartein Valen) Valencia C Antonio María Valencia C ahn-TOH-neeo mah-REE-ah vah-LAYN-seeah Valencienne C vah-lah6-seeenn C (character in the operetta Die lustige Witwe [dee LÔÔ-stih- guh VITT-vuh] — The Merry Widow; music by Franz Lehár [FRAHNZ leh-HAHAHR]; libretto by Victor Léon [veek-tawr lay-aw6] and Leo Stein [LAY-o SHT¦N] after Henri Meilhac [ah6- ree meh-yack]) Valente C Antonio Valente C ahn-TAW-neeo vah-LAYN-tay Valente C Benita Valente C buh-NEE-tah vuh-LENN-tee Valente C Giorgio Valente C JOHR-jiho vah-LENN-teh C (Greek pronunciation of the pen name for George Vitalis [JAW-urj v§-TA-liss], a Greek-American who modified his first name of Georges [YOHR-guss] or Georgios [YOHR-ghihuss or YEHAWR-hihuss] to the American equivalent) Valente C Vincenzo Valente C veen-CHAYN-tso vah-LAYN-tay Valenti C Fernando Valenti C fur-NANN-doh vuh-LENN-tee Valentin C Erich Valentin C AY-rihh FAHAH-lenn-teen Valentini C Giovanni Valentini C jo-VAHN-nee vah-layn-TEE-nee Valentini C Giuseppe Valentini C joo-ZAYP-pay vah-layn-TEE-nee Valentini C Pier Francesco Valentini C peeAYR frahn-CHAY-sko vah-layn-TEE-nee C (known also as Pietro [peeAY-tro] Francesco Valentini) Valentini terrani C Lucia Valentini-Terrani C loo-CHEE-ah vah-layn-TEE-nee-tayr-RAH- nee Valentino C Henri-Justin-Armand-Joseph Valentino C ah6-ree-zhüss-teh6-ar-mah6-zho-zeff vah-lah6-tee-no Valerianus maritus caecilia C Valerianus, maritus Caecilia C vuh-leh-rih-AH-nôôss, muh- REE-tôôss chay-CHIH-lihuh C (Cecilia's husband) C (character in the oratorio Caecilia, virgo et martyr [chay-CHIH-lihuh, VEER-go ett MAR-tür] —Cecilia, Virgin and Martyr — by Marc Antoine Charpentier [mark ah6-twahn shar-pah6-teeay]) Valerius C Adrianus Valerius C ah-drihAH-nüss vah-LEH-rihüss C (the first name is known also as Adriaan [ah-drihAHAHN] and Adriaen [ah-drihAHN]) Valery C Violetta Valéry C veeo-LAYT-tah vah-lay-ree C (character in the opera La traviata [lah trah-veeAH-tah] — The Worldly Woman; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-vay] after Alexandre Dumas [ah-leck-sah6-dr’ dü-mah]) Valet C Nicolas Valet C nee-kaw-lah vah-leh C (the last name is also spelled Vallet [vahl-leh]) Valis C VA-luss C (an opera, with music by Tod Machover [TAHD MA-kuh-vur]; libretto by Tod Machover and Patrick Mason [PATT-rick MAY-sunn] after a novel by Philip K.
Recommended publications
  • TRISTAN UND MATHILDE Inspiration – Werk – Rezeption
    TRISTAN UND MATHILDE Inspiration – Werk – Rezeption Sonderausstellung 29. 11. 2014 bis 11. 01. 2015 Stadtschloss Eisenach 2 / 3 Nicolaus J. Oesterlein (1841–1898), Sammler und Initiator der Sammlung DIE EISENACHER RICHARD-WAGNER-SAMMLUNG In der Reuter-Villa am Fuße der Wartburg schlummern manch vergessene Schätze: Das Abbild einer römischen Villa beherbergt die zweitgrößte Richard-Wagner-Sammlung der Welt. Den Grundstein hierfür legte der glühende Wagner-Verehrer Nicolaus J. Oesterlein (1841–1898) mit einer akribisch angelegten Sammlung von ca. 25.000 Objekten – darunter etwa 200 Handschriften und Originalbriefe Wagners, 700 Theaterzettel, 1000 Graphiken und Fotos, 15.000 Zeitungsausschnitte, handgeschriebene Partituren. Das Herzstück der Sammlung ist eine über 5.500 Bücher umfassende Bibliothek, die neben sämtlichen Wer- ken des Komponisten den fast lückenlosen Bestand der Wagner-Sekundärliteratur des 19. Jahrhunderts enthält. Das Archivmaterial stellt nicht nur einen umfassenden Zugang zu Wagners kompositori- schem und literarischem Schaffen dar, sondern ebenso zu musikästhetischen, philoso- phischen, kulturgeschichtlichen und soziopolitischen Kontroversen des späten 19. Jahr- hunderts. Oesterleins Sammlung kann somit als ein Spiegelbild der Wagner-Rezeption gedeutet werden. Die Sonderausstellung »Tristan und Mathilde. Inspiration – Werk – Rezeption« rückt einige der exquisiten Exemplare aus der Sammlung erstmals wieder in die Öffentlichkeit, die auf diese Weise mit diesem unschätzbaren Kulturgut konfrontiert werden soll. Wie die Sammlung nach Eisenach kam In den 1870er Jahren begann Nicolaus J. Oesterlein mit einem enormen finanziellen Auf- wand und einer fast manischen Akribie alles zu sammeln, was mit dem Komponisten in Verbindung stand. 1887 eröffnete Oesterlein ein Privatmuseum in Wien – in den 1890er Jahren brachte er seinen vierbändigen Katalog heraus. Zu diesem Zeitpunkt umfasste seine Sammlung – nach eigenen Angaben – ca.
    [Show full text]
  • C.P.E. Bach 3 Livres Sur Des Sujets Divers, Évoquant Aussi C.P.E
    DOCUMENTS SUR Carl Philipp Emanuel BACH (1714-1788) (Mise à jour le 15/04/2015) Médiathèque Musicale Mahler 11 bis, rue Vézelay – F-75008 Paris – (+33) (0)1.53.89.09.10 Médiathèque Musicale Mahler – Carl Philipp Emanuel Bach Documents sur Carl Philipp Emanuel BACH Livres 3 Biographies de C.P.E. Bach 3 Livres sur des sujets divers, évoquant aussi C.P.E. Bach 4 Partitions 6 Périodiques 9 Enregistrements sonores 9 2 Médiathèque Musicale Mahler – Carl Philipp Emanuel Bach MONOGRAPHIES Sur C.P.E. Bach Bach et les siens / [textes de] S. d'Otremont, G. Duhamel, J. Chailley, M. Beaufils, R. Steglich, M. Pincherle, A. Cellier, B. de Schloezer, R. Leibowitz, H. Klotz, J. Rivière, C. Claoue, C.Marcel-Dubois, E. Marc, E. Borrel, P.J. Richard, R. Benecke,J. Witold, J.J. Brothier, H. Wirth, N. Dufourcq, J. Handschin, V. Fedorov, R. Wangermée, M. Delannoy, A. Panigel. - Paris : La Revue Internationale de Musique, 1950. - 195 p. - (BM BAC E5) Jean-Sébastien Bach et ses fils / [textes de] E. Weber, M. Petzoldt, G. Cantagrel, J. Lyon, J. Speerstra, U. Bartels, H.G. Ottenberg, D. Schulenberg, R. Klemm, M. Barbe, B. Robison ; présentation de J.C. Teboul. - Paris : Place, 2004. - 235 p. - (BM BAC E16) BACH Carl Philipp Emanuel. - Briefe von Carl Philipp Emanuel Bach an Johann Gottlob Immanuel Breitkopf und Johann Nikolaus Forkel / C.P.E. Bach ; hrsg und kommentiert von Ernst Suchalla. - Tutzing : Schneider, 1985. - 605-19 p. - (BM BAC (CPE) B3) BACH Carl Philipp Emanuel. - Carl Philip Emanuel Bach's autobiography : facsimile of the original ed.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • My Musical Lineage Since the 1600S
    Paris Smaragdis My musical lineage Richard Boulanger since the 1600s Barry Vercoe Names in bold are people you should recognize from music history class if you were not asleep. Malcolm Peyton Hugo Norden Joji Yuasa Alan Black Bernard Rands Jack Jarrett Roger Reynolds Irving Fine Edward Cone Edward Steuerman Wolfgang Fortner Felix Winternitz Sebastian Matthews Howard Thatcher Hugo Kontschak Michael Czajkowski Pierre Boulez Luciano Berio Bruno Maderna Boris Blacher Erich Peter Tibor Kozma Bernhard Heiden Aaron Copland Walter Piston Ross Lee Finney Jr Leo Sowerby Bernard Wagenaar René Leibowitz Vincent Persichetti Andrée Vaurabourg Olivier Messiaen Giulio Cesare Paribeni Giorgio Federico Ghedini Luigi Dallapiccola Hermann Scherchen Alessandro Bustini Antonio Guarnieri Gian Francesco Malipiero Friedrich Ernst Koch Paul Hindemith Sergei Koussevitzky Circa 20th century Leopold Wolfsohn Rubin Goldmark Archibald Davinson Clifford Heilman Edward Ballantine George Enescu Harris Shaw Edward Burlingame Hill Roger Sessions Nadia Boulanger Johan Wagenaar Maurice Ravel Anton Webern Paul Dukas Alban Berg Fritz Reiner Darius Milhaud Olga Samaroff Marcel Dupré Ernesto Consolo Vito Frazzi Marco Enrico Bossi Antonio Smareglia Arnold Mendelssohn Bernhard Sekles Maurice Emmanuel Antonín Dvořák Arthur Nikisch Robert Fuchs Sigismond Bachrich Jules Massenet Margaret Ruthven Lang Frederick Field Bullard George Elbridge Whiting Horatio Parker Ernest Bloch Raissa Myshetskaya Paul Vidal Gabriel Fauré André Gédalge Arnold Schoenberg Théodore Dubois Béla Bartók Vincent
    [Show full text]
  • Chopin's Nocturne Op. 27, No. 2 As a Contribution to the Violist's
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory Rafal Zyskowski Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Zyskowski, Rafal, "A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory" (2014). LSU Doctoral Dissertations. 3366. https://digitalcommons.lsu.edu/gradschool_dissertations/3366 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A TALE OF LOVERS: CHOPIN’S NOCTURNE OP. 27, NO. 2 AS A CONTRIBUTION TO THE VIOLIST’S REPERTORY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Rafal Zyskowski B.M., Louisiana State University, 2008 M.M., Indiana University, 2010 May 2014 ©2014 Rafal Zyskowski All rights reserved ii Dedicated to Ms. Dorothy Harman, my best friend ever iii ACKNOWLEDGMENTS As always in life, the final outcome of our work results from a contribution that was made in one way or another by a great number of people. Thus, I want to express my gratitude to at least some of them.
    [Show full text]
  • RSTD OPERN Ma Rz April Ok 212X433
    RSTD OPERN_März April_ok_212x433 12.02.13 09:40 Seite 1 Opernprogramm März 2013 März Gaetano Donizetti Anna Bolena 20.00 - 22.55 Anna Bolena: Edita Gruberova, Giovanna Seymour: Delores Ziegler, Enrico VIII.: Stefano Palatchi, Lord Rochefort: Igor Morosow, 2 Lord Riccardo Percy: José Bros, Smeton: Helene Schneiderman, Sir Hervey: José Guadalupe Reyes. Samstag Chor und Orchester des Ungarischen Rundfunks und Fernsehens, Leitung: Elio Boncompagni, 1994. März Richard Wagner Das Liebesverbot 20.00 - 22.40 Friedrich: Hermann Prey, Luzio: Wolfgang Fassler, Claudio: Robert Schunk, Antonio: Friedrich Lenz, Angelo: Kieth Engen, 5 Isabella: Sabine Hass, Mariana: Pamela Coburn, Brighella: Alfred Kuhn. Dienstag Chor der Bayerischen Staatsoper, Bayerisches Staatsorchester, Leitung: Wolfgang Sawallisch, 1983. März Georg Friedrich Händel Alessandro 20.00 - 23.20 Alessandro Magno: Max Emanuel Cencic, Rossane: Julia Lezhneva, Lisaura: Karina Gauvin, Tassile: Xavier Sabata, 7 Leonato: Juan Sancho, Clito: In-Sung Sim, Cleone: Vasily Khoroshev. Donnerstag The City of Athens Choir, Armonia Atenea, Leitung: George Petrou, 2011. März Giuseppe Verdi Aroldo 20.00 - 22.15 Aroldo: Neil Shicoff, Mina: Carol Vaness, Egberto: Anthony Michaels-Moore, Briano: Roberto Scandiuzzi, 9 Godvino: Julian Gavin, Enrico: Sergio Spina, Elena: Marina Comparato. Samstag Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Leitung: Zubin Mehta, 2001. März Wolfgang Amadé Mozart La finta giardiniera 20.00 - 23.10 Sandrina: Sophie Karthäuser, Contino Belfiore: Jeremy Ovenden, Arminda: Alex Penda, 12 Cavaliere Ramiro: Marie-Claude Chappuis, Podestà: Nicolas Rivenq, Serpetta: Sunhae Im, Roberto: Michael Nagy. Dienstag Freiburger Barockorchester, Leitung: René Jacobs, 2011. Der neue Konzertzyklus im Mozarthaus Vienna: mozartakademie 2013 „Magic Moments – Magische Momente in den Werken großer Meister“ 20.03.
    [Show full text]
  • Italian Itineraries
    r n a i t l i o u i 2 2 2 G V 2 2 2 - - i i / / / l d l r 1 1 e 1 a i r n 2 2 O 2 r b e a 0 0 0 B G o 2 2 2 o z i r n e e r v S S S o a S L T T T U C C C E E E J J J O O O R R R D P P P DUO SAVERIO GABRIELLI (VIOLIN) - LORENZO BERNARDI (GUITAR) - PROJECTS 2021/2022 - TWO ITALIANS IN VIENNA - THE ITINERARIES OF ITALIAN VIRTUOSITIES D O S S I E R - G A B R I E L L I B E R N A R D I D U O Projects 2021 - 2022 TWO ITALIANS IN VIENNA Proposal 1 THE ITINERARIES OF ITALIAN VIRTUOSITIES Proposal 2 Hence the idea of the "Two Italians in Vienna" t w o project, which summarizes precisely that trend, of ITALIANS which Paganini and Giuliani are witnesses, which has seen many Italian musicians emigrate to the main i n VIENNA European capitals, including Vienna, where instrumental music was mostly enhanced. To intensify the link with Vienna, it is interesting to Vienna has been a very important hub for the investigate the role of Anton Diabelli, Austrian two most important personalities of the violin composer, pianist, and publisher, to whom and guitar: Niccolò Paganini and Mauro Beethoven himself looked with admiration (famous Giuliani. At the beginning of the nineteenth the so-called “Diabelli” Variations op.
    [Show full text]
  • Rawson Duo Concert Series, 2014-15 Magyar Fantázia
    What’s Next? November: Magyar Fantazia Pt. 2 – Bartok, a Microcosmos ~ On Friday and Sunday, Rawson Duo Concert Series, 2014-15 November 14 & 16, 2 pm the Rawson Duo will present the second of their Hungarian landscapes, moving beyond the streets of Budapest with its looming figure of Franz Liszt to take in Bartok’s awakening of an eastern identity in a sampling of his rural, folk-inspired miniatures along with Romanian Rhapsody No. 2 and one of his greatest chamber music masterpieces, the 1921 Sonata for violin and piano – powerfully brilliant in its color and effect, at times extroverted, intimate, and sensual to the extreme, one of their absolute favorite duos to play which has been kept under wraps for some time. December: Nordlys, music of Scandinavian composers ~ On Friday and Sunday, December 19 and 21, 2 pm the Rawson Duo will present their eighth annual Nordlys (Northern Lights) concert showcasing works by Scandinavian composers. Grieg, anyone? s e a s o n p r e m i e r e Beyond that? . as the fancy strikes (check those emails and website) Magyar Fantázia Reservations: Seating is limited and arranged through advanced paid reservation, $25 (unless otherwise noted). Contact Alan or Sandy Rawson, email [email protected] or call 379- 3449. Notice of event details, dates and times when scheduled will be sent via email or ground mail upon request. Be sure to be on the Rawsons’ mailing list. For more information, visit: www.rawsonduo.com H A N G I N G O U T A T T H E R A W S O N S (take a look around) Harold Nelson has had a lifelong passion for art, particularly photo images and collage.
    [Show full text]
  • From Page to Stage: Wagner As Regisseur
    Wagner Ia 5/27/09 3:55 PM Page 3 Copyrighted Material From Page to Stage: Wagner as Regisseur KATHERINE SYER Nowadays we tend to think of Richard Wagner as an opera composer whose ambitions and versatility extended beyond those of most musicians. From the beginning of his career he assumed the role of his own librettist, and he gradually expanded his sphere of involvement to include virtually all aspects of bringing an opera to the stage. If we focus our attention on the detailed dramatic scenarios he created as the bases for his stage works, we might well consider Wagner as a librettist whose ambitions extended rather unusually to the area of composition. In this light, Wagner could be considered alongside other theater poets who paid close attention to pro- duction matters, and often musical issues as well.1 The work of one such figure, Eugène Scribe, formed the foundation of grand opera as it flour- ished in Paris in the second quarter of the nineteenth century. Wagner arrived in this operatic epicenter in the fall of 1839 with work on his grand opera Rienzi already under way, but his prospects at the Opéra soon waned. The following spring, Wagner sent Scribe a dramatic scenario for a shorter work hoping that the efforts of this famous librettist would help pave his way to success. Scribe did not oblige. Wagner eventually sold the scenario to the Opéra, but not before transforming it into a markedly imaginative libretto for his own use.2 Wagner’s experience of operatic stage produc- tion in Paris is reflected in many aspects of the libretto of Der fliegende Holländer, the beginning of an artistic vision that would draw him increas- ingly deeper into the world of stage direction and production.
    [Show full text]
  • Jan Pieterszoon Sweelinck the Complete Keyboard Works
    GCD 922410 Jan Pieterszoon Sweelinck New release information November 2015 The Complete Keyboard Works NOTES (ENG) NOTES (FRA) The large-scale Het Sweelinck Monument Le grand projet Het Sweelinck Monument, project, with Harry van der Kamp as its driving impulsé par Harry van der Kamp et édité par force, and with individual issues on Glossa over Glossa au cours de ces 6 dernières années en the last 6 years in book-CD format for the CD-livres pour les Pays-Bas et en coffrets de Netherlands and as multiple-CD sets for the plusieurs CDs pour le marché international, international market, embraces the complete inclut la totalité de l’œuvre vocale et vocal and instrumental music output of Jan instrumentale de Jan Pieterszoon Sweelinck. Pieterszoon Sweelinck. Le coffret de 6 CDs que nous présentons The 6-CD set now being issued concludes this aujourd’hui couronne la collection et comprend collection (which serves as a remarkable l’intégrale des compositions pour instruments memorial to this influential composer), à clavier du compositeur néerlandais. Des presenting in one box the complete works for orgues historiques, des virginals, des clavecins keyboard instruments by the Dutch composer. sont joués par les plus grands spécialistes, Historical organs, virginals and harpsichords parmi lesquels Pieter Dirksen, Pieter-Jan Belder, Jan Pieterszoon Sweelinck are played here by the most eminent specialists, Bob van Asperen et le grand maître, récemment The Complete Keyboard Works including Pieter Dirksen, Pieter-Jan Belder, Bob disparu, Gustav Leonhardt. Cet enregistrement on historic instruments van Asperen and the late Gustav Leonhardt. inclut aussi des harmonisations à 4 voix de This set also includes four-part settings of mélodies chorales utilisées par Sweelinck.
    [Show full text]
  • Archieven, Bibliografie En Interviews
    737 Archieven, bibliografie en interviews Afkortingen personen: MdAvdH - Mien des Amorie van der Hoeven PvA - Peter van Anrooy AB - Alexander Borodin GvBF - Gerard von Brucken Fock PC - Pablo Casals CF - Carl Flesch MF - Max Friedländer PG - Percy Grainger EG - Edvard Grieg NG - Nina Grieg MG - Mary Grierson EvH - Elisabeth von Herzogenberg-von Stockhausen HvH - Heinrich von Herzogenberg HH - Henri Hinrichsen WK - Willem Kes PK - Paul Klengel FL - Franz Lachner ADL - Abraham Dirk Loman sr. AM - Amanda Maier MJdMO - M.J. de Marez Oyens WM - Willem Mengelberg RM - Rudolf Mengelberg JM - Johannes Messchaert JMA - Johanna Messchaert-Alma CN - Carl Nielsen HN - Hugo Nolthenius ER - Engelbert Röntgen sr. JR - Julius Röntgen sr. MR - Mien Röntgen-des Amorie van der Hoeven RvR - Richard van Rees JS - Julius Stockhausen KS - Karl Straube DT - Donald Tovey 738 BT - Bessie Trevelyan-des Amorie van der Hoeven RT - Robert Trevelyan JW - Wagenaar I Openbare archieven Alkmaar RHCA (Regionaal Historisch Centrum Alkmaar) Boeke-archief Amsterdam Gemeente-archief Amsterdam (GAA) Doop-, Trouw- en Begraafregisters Kadaster Bewoningskaarten Gezinskaarten Archieven: Concertgebouw (met Concertgebouworkest); Archief 1089 Bestuursnotulen Corr. Rudolf Mengelberg Dossier 40-jarig bestaan Concertgebouw (1928) Liedertafel Euterpe; Archief 131 Afdeling Amsterdam van de Maatschappij tot Bevordering der Toonkunst; Arch. 611. Kort overzicht van den Staat der Afdeeling Amsterdam van de Maatschappij tot Bevordering der Toonkunst (1861/62- 1881/82). Jaarverslagen Programmaboekjes Maatschappij Caecilia; Archief 1095 Maatschappij Felix Meritis; Archief 59 Concertprogramma’s Archief Conservatorium van Amsterdam 739 Jaarverslagen Amsterdamsch Conservatorium, 1884-1940 Bergen (Noorwegen) Offentlige Bibliotek Griegsamlingen Correspondentie: JR aan EG JR aan NG AM aan EG en NG MR aan EG en NG mr.
    [Show full text]
  • Felix' Exam Essay
    Kurs: Examensarbete, kandidat, jazz BG1016 15 hp 2015 Konstnärlig kandidatexamen i musik 180 hp Institutionen för jazz Handledare: Sven Berggren Felix Tvedegaard Heim Felix’ Exam Essay Skriftlig reflektion inom självständigt, konstnärligt arbete Det självständiga, konstnärliga arbetet finns dokumenterat på inspelning: CD Innehållsförteckning Musical background .............................................................................................. 2 Project description ................................................................................................. 5 Process .................................................................................................................... 6 Choosing band members ........................................................................................................... 8 Rehearsing ................................................................................................................................ 9 Poster layout and concert program ......................................................................................... 10 Outcome ................................................................................................................ 13 Solo pieces for piano ............................................................................................................... 15 Reflection .............................................................................................................. 18 1 Musical background I grew up in Bergen, Norway, with a lot of music
    [Show full text]