CONCERT QUICK GUIDE Sat, Sep 24, 2016 at 8 PM | Sun, Sep 25, 2016 at 2 PM Performances #30 & #31: Season 2, Concerts 1 & 2

CONCERT QUICK GUIDE Sat, Sep 24, 2016 at 8 PM | Sun, Sep 25, 2016 at 2 PM Performances #30 & #31: Season 2, Concerts 1 & 2 The Richard B. Fisher Center for the Performing Arts at Bard College Sosno Theater Leon Botstein, Conductor Brief remarks by TŌN clarinetist Sangwon Lee Aaron Copland Born: 11/14/1900 in Brooklyn Died: 12/2/1990 at age 90 in North Tarrytown, NY, now Sleepy Hollow Clarinet Concerto | 17 min Movements Slowly and expressively—Cadenza (freely) 9 min -no pause- Rather fast 8 min Written Premiered 1st Public Performance 1947–48, in Copland’s late 40s; 11/6/1950 in a radio broadcast 11/28/1950 in Philadelphia commissioned by by the NBC Symphony of the by the Philadelphia Orchestra; Benny Goodman Air; Fritz Reiner, conductor Eugene Ormandy, conductor Benny Goodman, clarinet Ralph McLane, clarinet Copland accepted this commission from Benny Goodman in 1947. He had been impressed by the clarinetist’s 1938 Carnegie Hall concert, which featured an integrated jazz sextet. Copland wrote the first movement while in Rio de Janeiro, writing to a friend, “The pas de deux will make them weep.” Goodman said, “I made no demands on what Copland should write . except that I should have a two year exclusivity on playing the work.” On Stage 22 violins 8 violas 7 cellos 5 double basses 1 piano 1 harp Viktor Toth ’16, clarinet soloist Intermission 20 minutes Share a selfie! Meet some of WiFi @TheOrchNow the musicians BardWireless #TheOrchNow in the lobby! –over– Brief remarks by TŌN trumpet player Zachary Silberschlag Anton Bruckner Born: 9/4/1824 in Ansfelden, Austria Died: 10/11/1896 at age 72 in Vienna Symphony No. 5 | 1 hr, 17 min Movements Introduction: Adagio—Allegro (slow, then fast) 21 min Adagio: Sehr langsam (very slow) 18 min Scherzo: Molto vivace (Schnell)—Trio: Im gleichen Tempo (very lively and fast)13 min Finale: Adagio—Allegro moderato (slow, then moderately fast) 25 min Written Premiered 1875–76, in Bruckner’s early 50s; revised in 1878 4/8/1894 in Graz, Austria; Franz Schalk, conductor This symphony was only performed once in Bruckner’s lifetime, and he was not able to attend. He died having never heard it. It was first published in 1896 with the help of the original conductor, Franz Schalk. Large sections were reorchestrated and the last movement was cut extensively. It is now rarely performed. Leon Botstein is the most recent of only three conductors to record the Schalk version. This concert features the now more standard 1878 version, which was first published in 1935 and again in 1951. On Stage 2 utes 1 tuba 2 oboes timpani 2 clarinets 22 violins 2 bassoons 8 violas 5 French horns 7 cellos 3 trumpets 5 double basses 3 trombones (1 bass) All timings are approximate. Text TON to 33233 for email updates | Text TON to 41444 to donate VISIT US AT THEORCHESTRANOW.ORG @TheOrchNow @TheOrchNow @TheOrchNow Artwork by Khoa Doan | Concert Quick Guide design by Nelson Yan.

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Boston Symphony Orchestra Archives
Pftft.. Slower • .. ina• alumna •••• ■■••••■•••=411• 'I 4 mp • • ••• •• Mman•IMMIln. • ■•••••■•■ ••••■••■•••■•••■■ •••• =Mr • NOW". • • =Mir • 11••■••••■••1111••••1•11• ■•111•141•111111 NUM/ 11/MIIMIN MAIMM•MIM / •• la. ••MINM/ ..MIN MI ••`' GAM MI =MO OW GM womall AMMONIUM mm,•••• ■• ".••••• rnio gradually taster 111•^ •IIMI ._./Mat MINNIP MUM OM -AM DINIIMINIMP MAIIIIIMINIMIMM•••••■ •1•1 MM. IMMIMMIIMMIO MM. MIIMMIMMO IMMIN••••••• OPP"' a tempo (lively) 111111.1. -.la a ••••••••■• • •• . • •■•■ 011•1111111MMIMINIAMmIM m••• ■ ■ ■ ■ ■ ■ ■ ■ np. ••••• •••• A •• •• •••• • •• •11 OM MI MI MOM MOMMIll NI . •• maim ININIMIMMIM. ••• s4•4411•1• / a Ma . (1.• • •,41411•1~m MIHM11.11•••• 0 ■• IL • u damns. ••••■••••••••••• ••••• • •-••••,••• .ma• • ...•••■•••••••• mar- ••••• • • •••111111 • 4 . • 11.1111.1111111 Man a 4.M1 ... OM • 1■•••• ■••■=1IN•1•11••11 •IIMMIMIMMINIIIIIIMINIM-1• •••••••••••••••• NOMIM MAIM AMU MIMI MID IIIMIIIIP - IIIIIIMMIDIMIU•MIME V- • . • • 1•■•••■•••• al•IIMIMIIIII••••••••• ••••■••••••••• V M-4111•1111•111•IM • MS MI••••••■ •••• MMUMMIIMINAMMOMIIM •■•• • ••••■•• MINIam•• • • M ■•■•■ ••••••111M4•• IIIMIll. 111111.111. 511111.1111 111 ads MIIMNIM■• ■ • I 1••••••• IMAMS •111.401MMIIIIMI IIMI ■MIIIMMIMIMM • -.MMMMIMI ••• MINIMMOINNIMMIIMMMIIIMUM- ONO WM. Boston Symphony Orchestra Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor 16, 18, 21 October 1975 at 8:30 pm 17 October 1975 at 2:00 pm 25 November 1975 at 7:30 pm Symphony Hall, Boston Ninety-fifth season
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BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music h- Director 107th Season 1987-88 II ©1987 80 Proof. Imported from France by Regal Brands, Inc , New York, N.Y TO SEND A GIFT OF B&B LIQUEUR ANYWHERE IN THE U S CALL 1-800-238-4373 VOID WHERE PROHIBITED, Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistmit Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President Mrs. John M. Bradley, Vice-Chairman J. P. Barger, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Roderick M. MacDougall David B. Arnold, Jr. Mrs. John H. Fitzpatrick Mrs. August R. Meyer Mrs. Norman L. Cahners Avram J. Goldberg David G. Mugar William M. Crozier, Jr Mrs. John L. Grandin Mrs. George R. Rowland Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Richard A. Smith Mrs. Michael H. Davis Harvey Chet Krentzman Ray Stata Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W Rabb Allen G. Barry E. Morton Jennings, Jr Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman ' Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc. Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G.
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Benny Goodman's commissioning of new works and their significance for twentieth-century clarinetists. Item Type text; Dissertation-Reproduction (electronic) Authors Snavely, John Albert. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 15:09:32 Link to Item http://hdl.handle.net/10150/185539 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films tile text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will b~ noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectiopjng the original, beginning at the upper left-hand corner and continuing from left to right in equ,al sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book.
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Dr. Diane Barger Professor of Clarinet University of Nebraska-Lincoln E-mail: [email protected] 120 Westbrook Music Building [email protected] Lincoln, NE 68588-0100 http://arts.unl.edu/music/clarinet (402) 472-0582 EDUCATION 1992-94; 99 Doctor of Music, Florida State University 1989-90 Graduate Certificate of Performance, Northwestern University 1988-89 Master of Music, Northwestern University 1984-88 Bachelor of Music, Florida State University CLARINET TEACHERS 1992-94 Dr. Frank Kowalsky, Florida State University 1989-90 Greg Smith, Chicago Symphony Orchestra (summer lessons) 1988-90 Robert Marcellus, Northwestern University 1984-88 Dr. Frank Kowalsky, Florida State University OTHER 2000 Alexander Technique lessons with Robert Rickover, Lincoln, NE 1991 Coaching with Michelle Dubost, James Buswell, and Stanley Hasty, Music Festival of Florida, Sarasota, FL 1989-90 Orchestral clarinet studies with Greg Smith and John Bruce Yeh, Evanston, IL 1988 Coaching with Dale Clevenger, Alan Vogel, and Sarah Lambert Bloom, Music Festival of Florida, Sarasota, FL 1986 Coaching with Charles Neidich, Robert Bloom, Samuel Baron, and Gregory Hustis, Music Festival of Florida, Sarasota, FL 1980-84 Coaching with Robert Mayer, St. Petersburg, FL EMPLOYMENT TEACHING APPOINTMENTS 2008-present Cornerstone Academy of Clarinet, LLC, Lincoln, NE, Founder and Mentoring Instructor 2 Cornerstone Academy of Clarinet builds a foundation of excellence in artistry for clarinetists of all ages and backgrounds. Cornerstone Academy of Clarinet strives to teach students not only how to become excellent clarinetists, but how to properly learn in order to transfer those skills to their band or orchestra program(s) as well as their daily lives. The teaching approach is completely personalized to the student since each individual’s learning style is truly unique to them.
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 ® UMI THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE A STUDY AND COMPARISON OF FOUR PROMINENT CLARINET REED MAKING METHODS A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS By RANDALL STEWART PAUL Norman, Oklahoma 2001 UMI Number: 3004864 Copyright 2001 by Paul, Randall Stewart All rights reserved.
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