CONCERT QUICK GUIDE Sat, Sep 24, 2016 at 8 PM | Sun, Sep 25, 2016 at 2 PM Performances #30 & #31: Season 2, Concerts 1 & 2

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CONCERT QUICK GUIDE Sat, Sep 24, 2016 at 8 PM | Sun, Sep 25, 2016 at 2 PM Performances #30 & #31: Season 2, Concerts 1 & 2 The Richard B. Fisher Center for the Performing Arts at Bard College Sosno Theater Leon Botstein, Conductor Brief remarks by TŌN clarinetist Sangwon Lee Aaron Copland Born: 11/14/1900 in Brooklyn Died: 12/2/1990 at age 90 in North Tarrytown, NY, now Sleepy Hollow Clarinet Concerto | 17 min Movements Slowly and expressively—Cadenza (freely) 9 min -no pause- Rather fast 8 min Written Premiered 1st Public Performance 1947–48, in Copland’s late 40s; 11/6/1950 in a radio broadcast 11/28/1950 in Philadelphia commissioned by by the NBC Symphony of the by the Philadelphia Orchestra; Benny Goodman Air; Fritz Reiner, conductor Eugene Ormandy, conductor Benny Goodman, clarinet Ralph McLane, clarinet Copland accepted this commission from Benny Goodman in 1947. He had been impressed by the clarinetist’s 1938 Carnegie Hall concert, which featured an integrated jazz sextet. Copland wrote the first movement while in Rio de Janeiro, writing to a friend, “The pas de deux will make them weep.” Goodman said, “I made no demands on what Copland should write . except that I should have a two year exclusivity on playing the work.” On Stage 22 violins 8 violas 7 cellos 5 double basses 1 piano 1 harp Viktor Toth ’16, clarinet soloist Intermission 20 minutes Share a selfie! Meet some of WiFi @TheOrchNow the musicians BardWireless #TheOrchNow in the lobby! –over– Brief remarks by TŌN trumpet player Zachary Silberschlag Anton Bruckner Born: 9/4/1824 in Ansfelden, Austria Died: 10/11/1896 at age 72 in Vienna Symphony No. 5 | 1 hr, 17 min Movements Introduction: Adagio—Allegro (slow, then fast) 21 min Adagio: Sehr langsam (very slow) 18 min Scherzo: Molto vivace (Schnell)—Trio: Im gleichen Tempo (very lively and fast)13 min Finale: Adagio—Allegro moderato (slow, then moderately fast) 25 min Written Premiered 1875–76, in Bruckner’s early 50s; revised in 1878 4/8/1894 in Graz, Austria; Franz Schalk, conductor This symphony was only performed once in Bruckner’s lifetime, and he was not able to attend. He died having never heard it. It was first published in 1896 with the help of the original conductor, Franz Schalk. Large sections were reorchestrated and the last movement was cut extensively. It is now rarely performed. Leon Botstein is the most recent of only three conductors to record the Schalk version. This concert features the now more standard 1878 version, which was first published in 1935 and again in 1951. On Stage 2 utes 1 tuba 2 oboes timpani 2 clarinets 22 violins 2 bassoons 8 violas 5 French horns 7 cellos 3 trumpets 5 double basses 3 trombones (1 bass) All timings are approximate. Text TON to 33233 for email updates | Text TON to 41444 to donate VISIT US AT THEORCHESTRANOW.ORG @TheOrchNow @TheOrchNow @TheOrchNow Artwork by Khoa Doan | Concert Quick Guide design by Nelson Yan.

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Benny Goodman's commissioning of new works and their significance for twentieth-century clarinetists. Item Type text; Dissertation-Reproduction (electronic) Authors Snavely, John Albert. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 15:09:32 Link to Item http://hdl.handle.net/10150/185539 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films tile text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will b~ noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectiopjng the original, beginning at the upper left-hand corner and continuing from left to right in equ,al sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book.
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