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Boston Symphony Orchestra Archives
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CALIFORNIA STATE UNIVERSITY, NORTHRIDGE the Gypsy Violin A
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Gypsy Violin A thesis submitted in partial fulfillment of the requirements For the degree of Master of Music in Music, Performance By Eun Ah Choi December 2019 The thesis of Eun Ah Choi is approved: ___________________________________ ___________________ Dr. Liviu Marinesqu Date ___________________________________ ___________________ Dr. Ming Tsu Date ___________________________________ ___________________ Dr. Lorenz Gamma, Chair Date California State University, Northridge ii Table of Contents Signature Page…………………………………………………………………………………….ii List of Examples……………………………………………………………………………...…..iv Abstract…………………………………………………………………………………………....v Chapter 1: Introduction.……………..……………………………………………………….……1 Chapter 2: The Establishment of the Gypsy Violin.……………………….……………………...3 Chapter 3: Bela Bartók’s Romanian Folk Dances [1915].………….…….……………………….8 Chapter 4: Vittorio Monti’s Csádás [1904]….…………………………………..………………18 Chapter 5: Conclusion …………..……………...……………………………………………….24 Works Cited.…………….……………………………………………………………………….26 California State University, Northridge iii List of Examples 1 Bartók’s Romanian Dances, Movement I: mm. 1-13……………………………………..9 2 Bartók’s Romanian Dances, Movement II: mm. 1-16…………………………...………10 3 Bartók’s Romanian Dances, Movement III …………………………………..…………12 4 Bartók’s Romanian Dances, Movement IV …………………………………..…………14 5 Bartók’s Romanian Dances, Movement V: mm. 5-16…………………………………...16 6 Monti’s Csárdás, m. 5………………………………………………..………………......19 7 Monti’s Csardas, mm. 6-9…………………………………………..…………………...19 8 Monti’s Csárdás, mm. 14-16.…………………………………….……………………...20 9 Monti’s Csárdás, mm. 20-21.………………………………….……………………..….20 10 Monti’s Csárdás, mm. 22-37………………….…………………………………………21 11 Monti’s Csárdás, mm. 38-53…………………….………………………………………22 12 Monti’s Csárdás, mm. 70-85…………………….………………………………………23 iv Abstract The Gypsy violin By Eun Ah Choi Master of Music in Music, Performance The origins of the Gypsies are not exactly known, and they lived a nomadic lifestyle for centuries, embracing many cultures, including music. -
The Clarinet World
REVIEWS AUDIO NOTES by Kip Franklin Milton Babbit’s Composition for Four undauntedly masters the rapidly cascading Instruments begins with an extended arpeggios in the scherzando section and Stanley Drucker is unquestionably a titan clarinet passage that Drucker performs conveys control and color in the more of the clarinet world. In addition to his six in an improvisational off-the-cuff lyrical passages. This orchestration is decades with the New York Philharmonic manner. The work features a variety of a refreshing departure from the more (nearly five of them as principal clarinet), instrumental timbres and techniques, traditional clarinet and piano version. his career entails many commissions and resulting in a unique tapestry that Like Nature Moods and Contrasts, recordings. A new double-disc set, Stanley resembles the pointillistic writings of Weigl’s New England Suite showcases Drucker: Heritage Collection 6-7, Webern and Boulez. Valley Weigl’s Nature Drucker’s aptitude as a chamber musician. contains recordings of Drucker playing Moods ensues, with Drucker showcasing Her writing allows each instrument solo many of the most colossal works in the his ability to emulate the human voice. passages while still creating interwoven repertoire, as well as many important and Each of the five movements in this work and complex ensemble textures. Drucker’s rarely-played or obscure smaller works conveys a bucolic ambience with perfectly mellow, deep tone makes this an spanning the entirety of his career. That interwoven counterpoint between the especially memorable piece; at times it Drucker is on display as both a soloist clarinet, voice and violin. The balance in is contemplative and ponderous, and at and chamber musician throughout this this particular work is exceptional, with others jubilant and capricious. -
Courtesy of Eric Nelson, As Posted on Klarinet, 9 and 11 Feb 1997. Eric Nelson Is Clarinetist with the Lightwood Duo, an Actively Touring Clarinet/Guitar Duo
Courtesy of Eric Nelson, as posted on Klarinet, 9 and 11 Feb 1997. Eric Nelson is clarinetist with The Lightwood Duo, an actively touring clarinet/guitar duo. Their CDs are available through their website, http://www.lightwoodduo.com. About two weeks ago, there were some questions about Aage Oxenvad on the list. Having studied Nielsen and clarinet at the Royal Conservatory in Copenhagen [in 1979], I would like to pass on some first-hand information on Oxenvad. There are two major obstacles to acquiring accurate information about Danish music. First, much of the info exists only in the Danish language; not exactly a familiar language to most. Second, the Danes are not inclined to value the sharing of such information. To quote Tage Scharff, the clarinet professor with whom I studied: "You Americans [and English as well] love to get together and give lectures, deliver papers, and hold conferences. Here in Denmark, vi spiller! [we PLAY]". He was quite amused that I, a performing clarinetist, would be so interested in such material. On a posting on this list, Jarle Brosveet wrote: "In the first place Oxenvad did not inspire Nielsen to write the concerto, although he was the first to perform it. It was written at the request of Nielsen's benefactor and one-time student Carl Johan Michaelsen. Second, Oxenvad, who is described as a choleric, made this unflattering remark about Nielsen and the concerto: "He must be able to play the clarinet himself, otherwise the would hardly have been able to find the worst notes to play." Oxenvad performed it on several occasions with no apparent success although he reportedly did all he could, whatever that is supposed to mean. -
A Chinese Clarinet Legend Also in This Issue
Vol. 45 • No. 1 December 2017 Tao AChunxiao: Chinese Clarinet Legend Also in this issue... ClarinetFest® 2017 Report The Genesis of Gustav Jenner’s Clarinet Sonata D’ADDARIO GIVES ME THE FREEDOM TO PRODUCE THE SOUND I HEAR IN MY HEAD. — JONATHAN GUNN REINVENTING CRAFTSMANSHIP FOR THE 21ST CENTURY. President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Jessica Harrie [email protected] EDITORIAL BOARD Dear ICA Members, Mitchell Estrin, Heike Fricke, Jessica Harrie, ope you are enjoying a wonderful new season Caroline Hartig, Rachel Yoder of music making with fulflling activities and MUSIC REVIEWS EDITOR events. Many exciting things are happening in Gregory Barrett – [email protected] our organization. Te ICA believes that if you Hdo good things, good things happen! I want to thank everyone AUDIO REVIEWS EDITOR who has contributed to our Capital Campaign. We especially Chris Nichols – [email protected] wish to thank Alan and Janette Stanek for their amazing gift of $11,250.00 to fund our competitions for the coming GRAPHIC DESIGN ClarinetFest® 2018. Te ICA is grateful for your generosity Karry Tomas Graphic Design and the generosity of all Capital Campaign donors. Please [email protected] visit www.youcaring.com/internationalclarinetassociation to Caroline Hartig make your donation today. We would love to hear your story ADVERTISING COORDINATOR and look forward to our continued campaign which will last Elizabeth Crawford – [email protected] through ClarinetFest® 2018. Also, visit www.clarinet.org/ donor-wall to check out our donor wall with many photos and thank-yous to those who INDEX MANAGER contributed to the ICA for ClarinetFest® 2017. -
John M. Cipolla, Clarinetist Curriculum Vitae 1367 Rolling
John M. Cipolla Curriculum Vitae 1367 Rolling Ridge Way Bowling Green, Kentucky 42013 Office: 270-745-7093, Mobile: 270-996-9270 E-mail: [email protected] Click on this symbol throughout the CV to link to related sites or documents SelectedWorks from the WKU TopSCHOLAR Research and Creative Activity Database EDUCATION The University of North Carolina-Greensboro Greensboro, North Carolina Doctor of Musical Arts in clarinet performance 2002 • Dissertation: Linear Aspects of Harmony in the Countermelodies of New Orleans Jazz Musician, Sidney Bechet • Advisor and major professor, Dr. Kelly Burke The Mason Gross School of the Arts, Rutgers University New Brunswick, New Jersey Master of Music in clarinet performance 1987 • Major professor, Dr. George Jones The Eastman School of Music, The University of Rochester Rochester, New York Bachelor of Music in saxophone performance 1984 • Major professors Dr. Ramon Ricker, William Osseck The Juilliard School of Music New York, New York One year of study towards Bachelor of Music in saxophone performance degree 1980 • Scholarship student • Major professor, Joseph Allard ACADEMIC EMPLOYMENT HISTORY Western Kentucky University Bowling Green, Kentucky Professor of Music 2015–present Western Kentucky University Bowling Green, Kentucky Associate Professor of Music 2008–2014 Western Kentucky University Bowling Green, Kentucky Assistant Professor of Music 2002–2008 University of North Carolina at Greensboro Greensboro, North Carolina GTA, Full–Time doctoral student 2000–2002 Wagner College Staten Island, -
Van Cott Information Services (Incorporated 1990) Offers Books
Clarinet Catalog 9a Van Cott Information Services, Inc. 02/08/08 presents Member: Clarinet Books, Music, CDs and More! International Clarinet Association This catalog includes clarinet books, CDs, videos, Music Minus One and other play-along CDs, woodwind books, and general music books. We are happy to accept Purchase Orders from University Music Departments, Libraries and Bookstores (see Ordering Informa- tion). We also have a full line of flute, saxophone, oboe, and bassoon books, videos and CDs. You may order online, by fax, or phone. To order or for the latest information visit our web site at http://www.vcisinc.com. Bindings: HB: Hard Bound, PB: Perfect Bound (paperback with square spine), SS: Saddle Stitch (paper, folded and stapled), SB: Spiral Bound (plastic or metal). Shipping: Heavy item, US Media Mail shipping charges based on weight. Free US Media Mail shipping if ordered with another item. Price and availability subject to change. C001. Altissimo Register: A Partial Approach by Paul Drushler. SHALL-u-mo Publications, SB, 30 pages. The au- Table of Contents thor's premise is that the best choices for specific fingerings Clarinet Books ....................................................................... 1 for certain passages can usually be determined with know- Single Reed Books and Videos................................................ 6 ledge of partials. Diagrams and comments on altissimo finger- ings using the fifth partial and above. Clarinet Music ....................................................................... 6 Excerpts and Parts ........................................................ 6 14.95 Master Classes .............................................................. 8 C058. The Art of Clarinet Playing by Keith Stein. Summy- Birchard, PB, 80 pages. A highly regarded introduction to the Methods ........................................................................ 8 technical aspects of clarinet playing. Subjects covered include Music ......................................................................... -
Instructions for Authors
Journal of Science and Arts Supplement at No. 2(13), pp. 157-161, 2010 THE CLARINET IN THE CHAMBER MUSIC OF THE 20TH CENTURY FELIX CONSTANTIN GOLDBACH Valahia University of Targoviste, Faculty of Science and Arts, Arts Department, 130024, Targoviste, Romania Abstract. The beginning of the 20th century lay under the sign of the economic crises, caused by the great World Wars. Along with them came state reorganizations and political divisions. The most cruel realism, of the unimaginable disasters, culminating with the nuclear bombs, replaced, to a significant extent, the European romanticism and affected the cultural environment, modifying viewpoints, ideals, spiritual and philosophical values, artistic domains. The art of the sounds developed, being supported as well by the multiple possibilities of recording and world distribution, generated by the inventions of this epoch, an excessively technical one, the most important ones being the cinema, the radio, the television and the recordings – electronic or on tape – of the creations and interpretations. Keywords: chamber music of the 20th century, musical styles, cultural tradition. 1. INTRODUCTION Despite all the vicissitudes, music continued to ennoble the human souls. The study of the instruments’ construction features, of the concert halls, the investigation of the sound and the quality of the recordings supported the formation of a series of high-quality performers and the attainment of high performance levels. The international contests organized on instruments led to a selection of the values of the interpretative art. So, the exceptional professional players are no longer rarities. 2. DISCUSSIONS The economic development of the United States of America after the two World Wars, the cultural continuity in countries with tradition, such as England and France, the fast restoration of the West European states, including Germany, represented conditions that allowed the flourishing of musical education. -
Masters Thesis Submission
A GRADUATE CLARINET RECITAL By BRENDON S. LUCAS SUPERVISORY COMMITTEE: MITCHELL ESTRIN, CHAIR LESLIE ODOM, CO-CHAIR RAYMOND CHOBAZ, MEMBER A PERFORMANCE IN LIEU OF THESIS PRESENTED TO THE COLLEGE OF FINE ARTS OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC UNIVERSITY OF FLORIDA 2012 Summary of Performance in Lieu of Thesis Presented to the College of FIne Arts of the UniversIty of FlorIda in Partial Fulfillment of the ReQuirements for the Degree of Master of MusIc A GRADUATE CLARINET RECITAL By Brendon S. Lucas December 2012 ChaIr: Mitchell EstrIn Major: MusIc At 7:30pm on the 6th of November, 2012, a recItal was presented featurIng works that span a wIde range of style periods wIthIn the clarinet repertoIre. Presented In the room 101 recItal hall of the UnIversIty of FlorIda MusIc BuIlding, the recItal opened wIth a collaboratIve performance of FranZ Schubert’s famous lIed for soprano, clarInet, and pIano, Der Hirt auf dem Felsen. Known In EnglIsh as “The Shepherd on the Rock”, thIs work was composed In 1828 near the end of the composer’s lIfe, and presents poetIc melodIes representIng the calls of a lonely shepherd from a mountaIntop as they echo off the hIlls and valleys rIsIng from below. ThIs work was followed by Claude Debussy’s Première Rhapsodie, whIch was completed in 1910, and dedIcated to Prosper Mimart, clarInet professor at the conservatory of ParIs. WIth the composer havIng been recently appointed to the conservatory’s board of dIrectors, thIs work was selected in that year as the prImary materIal for the school’s clarInet performance examInatIons. -
The Clarinet Choir Music of Russell S
Vol. 47 • No. 2 March 2020 — 2020 ICA HONORARY MEMBERS — Ani Berberian Henri Bok Deborah Chodacki Paula Corley Philippe Cuper Stanley Drucker Larry Guy Francois Houle Seunghee Lee Andrea Levine Robert Spring Charles West Michael Lowenstern Anthony McGill Ricardo Morales Clarissa Osborn Felix Peikli Milan Rericha Jonathan Russell Andrew Simon Greg Tardy Annelien Van Wauwe Michele VonHaugg Steve Williamson Yuan Yuan YaoGuang Zhai Interview with Robert Spring | Rediscovering Ferdinand Rebay Part 3 A Tribute to the Hans Zinner Company | The Clarinet Choir Music of Russell S. Howland Life Without Limits Our superb new series of Chedeville Clarinet mouthpieces are made in the USA to exacting standards from the finest material available. We are excited to now introduce the new ‘Chedeville Umbra’ and ‘Kaspar CB1’ Clarinet Barrels, the first products in our new line of high quality Clarinet Accessories. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] t is once again time for the membership to vote in the EDITORIAL BOARD biennial ICA election of officers. You will find complete Mitchell Estrin, Heike Fricke, Denise Gainey, information about the slate of candidates and voting Jessica Harrie, Rachel Yoder instructions in this issue. As you may know, the ICA MUSIC REVIEWS EDITOR bylaws were amended last summer to add the new position Gregory Barrett I [email protected] of International Vice President to the Executive Board. This position was added in recognition of the ICA initiative to AUDIO REVIEWS EDITOR engage and cultivate more international membership and Kip Franklin [email protected] participation. -
Závěrečné Práce
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra dechových nástrojů Hra na klarinet Umělec pedagog Charles Neidich a jeho vliv na vývoj americké klarinetové školy Diplomová práce Autor práce: Jakub Hrdlička Vedoucí práce: doc. Milan Polák Oponent práce: doc. Vít Spilka Brno 2015 Bibliografický záznam HRDLIČKA, Jakub. Umělec a pedagog Charles Neidich a jeho vliv na vývoj americké klarinetové školy [Artist educator Charles Neidich and his influence on the American Clarinet school] Brno: Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra dechových nástrojů, 2015 doc. Milan Polák s. [69] Anotace Diplomová práce Umělec a pedagog Charles Neidich a jeho vliv na vývoj americké klarinetové školy pojednává o osobnosti Charlese Neidicha. Práce je rozdělena do několika částí, ve kterých se zaměřuji na americkou klarinetovou školu, Ch. N. jako umělce a pedagoga a v další fázi analýzu a popis jeho metodiky a rozhovor s nejúspěšnějšími žáky. Annotation Diploma thesis „Artist educator Charles Neidich and his influence on the American Clarinet school” deals with personality of Charles Neidich. The work is divided into several sections in which I focus on American Clarinet school, Ch. N. as an artist and educator and in the next phase analyze and description of his pedagogical methods and interview with the most renowned students. Klíčová slova Americká klarinetová škola, Charles Neidich, umělec, pedagog Keywords American clarinet school, Charles Neidich, artist, educator Prohlášení Prohlašuji, že jsem předkládanou práci zpracoval samostatně a použil jen uvedené prameny a literaturu. Jakub Hrdlička V Brně dne 14. 8. 2015 Poděkování Na tomto místě bych rád poděkoval docentu Milanu Polákovi za laskavou spolupráci při tvorbě této práce a také umělcům Mate Bekavac, Sharon Kam, Kari Kriikku za poskytnutí rozhovorů. -
Paul Green – Biography
Clarinet Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Karrah O’Daniel-Cambry Opera and Marketing Manager [email protected] Contents: Biography Mailing Address: Overview 1000 South Denver Avenue Career Highlights Suite 2104 Tulsa, OK 74119 Reviews Discography Website: Repertoire http://www.pricerubin.com Lectures and Workshops YouTube Links Personal Links Photo Gallery Complete artist information including video, audio and interviews are available at www.pricerubin.com Paul Green – Biography Paul Green at 13 in a televised Young People’s Concert with the New York Philharmonic and Leonard Bernstein, 1962. It has been a love affair that began when Paul Green was only eight years old. The orchestra teacher wanted Paul Green to play the viola, but once the young Paul heard the sound of the clarinet and picked it up in grammar school music class, it was clarinet or nothing. That determination fueled a passion for music and started an adventure that has led him around the world, thrilling audiences in his path, in an unusual career that few can match. Clearly a budding talent, Green began studying privately with the noted clarinet pedagogue Leon Russianoff. Accomplished at age 13, he was recommended to Leonard Bernstein by Stanley Drucker, first clarinetist of the New York Philharmonic. Green was chosen by Leonard Bernstein to be a featured guest in a televised Young People’s Concert with the New York Philharmonic in 1962, performing and recording Saint-Saens’ Carnival of the Animals as a thirteen year old.