Paul Green – Biography
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Gary Paul Green
GARY PAUL GREEN Department of Community & Home: 3921 Plymouth Circle Environmental Sociology Madison, WI 53705-5211 1450 Linden Drive/346D Agricultural Hall Voice mail: 608.698.0131 University of Wisconsin-Madison E-mail: [email protected] Madison, Wisconsin 53706-1522 ACADEMIC TRAINING B.A. (Sociology) Southeast Missouri State University (1978) M.S. (Sociology) University of Missouri-Columbia (1979) Ph.D. (Rural Sociology) University of Missouri-Columbia (1983) EMPLOYMENT HISTORY East Carolina University Assistant Professor, Department of Sociology (1983-85) University of Georgia Assistant Professor, Department of Sociology (1985- 89) Associate Professor, Department of Sociology (1989-93) Faculty Affiliate, Institute of Community and Area Development (1985-93) Head, Division of Applied Research (1990-93) University of Wisconsin-Madison Professor (1995-present); Associate Professor (1993-95); Department of Community & Environmental Sociology (formerly Department of Rural Sociology), University of Wisconsin-Madison Community Development Specialist, University of Wisconsin-Extension (1993- present) Chair, Department of Community & Environmental Sociology (2002-05; 2015- 2019) Director, Center for Community & Economic Development (2005-08) RESEARCH INTERESTS Community and Economic Development; Rural and Regional Studies COURSES TAUGHT Introduction to Community & Community Development Environmental Sociology Modern American Communities Introduction to Sociology Urban Development Rural Social Problems Economic Sociology Utopian Communities -
DRAMATURGY GUIDE School of Rock: the Musical the National Theatre January 16-27, 2019
DRAMATURGY GUIDE School of Rock: The Musical The National Theatre January 16-27, 2019 Music by Andrew Lloyd Webber Book by Julian Fellowes Lyrics by Glenn Slater Based on the Paramount Film Written by Mike White Featuring 14 new songs from Andrew Lloyd Webber and all the original songs from the movie Packet prepared by Dramaturg Linda Lombardi Sources: School of Rock: The Musical, The Washington Post ABOUT THE SHOW Based on the hit film, this hilarious new musical follows Dewey Finn, a failed, wannabe rock star who poses as a substitute teacher at a prestigious prep school to earn a few extra bucks. To live out his dream of winning the Battle of the Bands, he turns a class of straight-A students into a guitar-shredding, bass-slapping, mind-blowing rock band. While teaching the students what it means to truly rock, something happens Dewey didn’t expect... they teach him what it means to care about something other than yourself. For almost 200 years, The National Theatre has occupied a prominent position on Pennsylvania Avenue – “America’s Main Street” – and played a central role in the cultural and civic life of Washington, DC. Located a stone’s throw from the White House and having the Pennsylvania Avenue National Historic Site as it’s “front yard,” The National Theatre is a historic, cultural presence in our Nation’s Capital and the oldest continuously operating enterprise on Pennsylvania Avenue. The non-profit National Theatre Corporation oversees the historic theatre and serves the DC community through three free outreach programs, Saturday Morning at The National, Community Stage Connections, and the High School Ticket Program. -
Cultural Resources Update
Cultural Resources Update Department of Defense Cultural Resources Program Newsletter Volume 11, No 1, Spring/Summer 2015 The NHPA’s New Home in the US Code—Title 54 By Michelle Volkema with contributions from John Renaud, NPS As you’ve probably already heard, the National Historic Preservation Act (NHPA) has a new home in the United States Code. The NHPA’s previous home was in Title 16 – Conservation, 16 U.S.C. § 470 et seq. Its new location is Title 54 – National Park Service and Related Programs, 54 U.S.C. § 300101 et seq. While the name “National Historic Preservation Act” has been removed from Title 54, the NHPA remains a valid statute of law, P.L. 89-665. As such, referring to sections of the NHPA as “Section 106” or “Section 110” is still correct, as those are sections of the statute and not the code, however their legal citations have changed. While the code revision was a surprise to many, it is actually just another step in a long effort to clean up the U.S. Code undertaken by the Office of the Law Revision Counsel (OLRC) beginning in 1974. The OLRC is an office within the US House of Representatives, and is tasked with maintaining, revising, and updating the U.S. Code. More about the OLRC here: http:// uscode.house.gov/about_office.xhtml;jsessionid=DC0095D711738160D197FBB4B0466803 Signed in 1974, Public Law 93-554 (2 U.S.C. 285b(1)) directed the OLRC to begin cleaning up the U.S. Code, including revision and reorganization. So, in December 2014, when President Obama signed P.L. -
The Clarinet World
REVIEWS AUDIO NOTES by Kip Franklin Milton Babbit’s Composition for Four undauntedly masters the rapidly cascading Instruments begins with an extended arpeggios in the scherzando section and Stanley Drucker is unquestionably a titan clarinet passage that Drucker performs conveys control and color in the more of the clarinet world. In addition to his six in an improvisational off-the-cuff lyrical passages. This orchestration is decades with the New York Philharmonic manner. The work features a variety of a refreshing departure from the more (nearly five of them as principal clarinet), instrumental timbres and techniques, traditional clarinet and piano version. his career entails many commissions and resulting in a unique tapestry that Like Nature Moods and Contrasts, recordings. A new double-disc set, Stanley resembles the pointillistic writings of Weigl’s New England Suite showcases Drucker: Heritage Collection 6-7, Webern and Boulez. Valley Weigl’s Nature Drucker’s aptitude as a chamber musician. contains recordings of Drucker playing Moods ensues, with Drucker showcasing Her writing allows each instrument solo many of the most colossal works in the his ability to emulate the human voice. passages while still creating interwoven repertoire, as well as many important and Each of the five movements in this work and complex ensemble textures. Drucker’s rarely-played or obscure smaller works conveys a bucolic ambience with perfectly mellow, deep tone makes this an spanning the entirety of his career. That interwoven counterpoint between the especially memorable piece; at times it Drucker is on display as both a soloist clarinet, voice and violin. The balance in is contemplative and ponderous, and at and chamber musician throughout this this particular work is exceptional, with others jubilant and capricious. -
Courtesy of Eric Nelson, As Posted on Klarinet, 9 and 11 Feb 1997. Eric Nelson Is Clarinetist with the Lightwood Duo, an Actively Touring Clarinet/Guitar Duo
Courtesy of Eric Nelson, as posted on Klarinet, 9 and 11 Feb 1997. Eric Nelson is clarinetist with The Lightwood Duo, an actively touring clarinet/guitar duo. Their CDs are available through their website, http://www.lightwoodduo.com. About two weeks ago, there were some questions about Aage Oxenvad on the list. Having studied Nielsen and clarinet at the Royal Conservatory in Copenhagen [in 1979], I would like to pass on some first-hand information on Oxenvad. There are two major obstacles to acquiring accurate information about Danish music. First, much of the info exists only in the Danish language; not exactly a familiar language to most. Second, the Danes are not inclined to value the sharing of such information. To quote Tage Scharff, the clarinet professor with whom I studied: "You Americans [and English as well] love to get together and give lectures, deliver papers, and hold conferences. Here in Denmark, vi spiller! [we PLAY]". He was quite amused that I, a performing clarinetist, would be so interested in such material. On a posting on this list, Jarle Brosveet wrote: "In the first place Oxenvad did not inspire Nielsen to write the concerto, although he was the first to perform it. It was written at the request of Nielsen's benefactor and one-time student Carl Johan Michaelsen. Second, Oxenvad, who is described as a choleric, made this unflattering remark about Nielsen and the concerto: "He must be able to play the clarinet himself, otherwise the would hardly have been able to find the worst notes to play." Oxenvad performed it on several occasions with no apparent success although he reportedly did all he could, whatever that is supposed to mean. -
A Chinese Clarinet Legend Also in This Issue
Vol. 45 • No. 1 December 2017 Tao AChunxiao: Chinese Clarinet Legend Also in this issue... ClarinetFest® 2017 Report The Genesis of Gustav Jenner’s Clarinet Sonata D’ADDARIO GIVES ME THE FREEDOM TO PRODUCE THE SOUND I HEAR IN MY HEAD. — JONATHAN GUNN REINVENTING CRAFTSMANSHIP FOR THE 21ST CENTURY. President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Jessica Harrie [email protected] EDITORIAL BOARD Dear ICA Members, Mitchell Estrin, Heike Fricke, Jessica Harrie, ope you are enjoying a wonderful new season Caroline Hartig, Rachel Yoder of music making with fulflling activities and MUSIC REVIEWS EDITOR events. Many exciting things are happening in Gregory Barrett – [email protected] our organization. Te ICA believes that if you Hdo good things, good things happen! I want to thank everyone AUDIO REVIEWS EDITOR who has contributed to our Capital Campaign. We especially Chris Nichols – [email protected] wish to thank Alan and Janette Stanek for their amazing gift of $11,250.00 to fund our competitions for the coming GRAPHIC DESIGN ClarinetFest® 2018. Te ICA is grateful for your generosity Karry Tomas Graphic Design and the generosity of all Capital Campaign donors. Please [email protected] visit www.youcaring.com/internationalclarinetassociation to Caroline Hartig make your donation today. We would love to hear your story ADVERTISING COORDINATOR and look forward to our continued campaign which will last Elizabeth Crawford – [email protected] through ClarinetFest® 2018. Also, visit www.clarinet.org/ donor-wall to check out our donor wall with many photos and thank-yous to those who INDEX MANAGER contributed to the ICA for ClarinetFest® 2017. -
Paul Green, Jr
PAUL GREEN, JR. CURRICULUM VITAE 2110 Speedway, Stop B6300 512.471.5694 CBA 4.238 [email protected] Austin, TX 78712 www.paulgreenjr.com ACADEMIC POSITIONS McCombs School of Business, University of Texas at Austin July 2018 - Present Assistant Professor of Management EDUCATION Harvard Business School 2018 DBA, Management Drexel University 2010 MBA California State University, Fresno 2003 BS, Business Administration, Information Systems, PUBLICATIONS Green, Jr., P., Finkel, E., Fitzsimmons, G., and Gino, F. The energizing nature of work engagement: Toward a new need-based theory of work motivation. Research in Organizational Behavior 37 (2017): 1-18 MANUSCRIPTS UNDER REVIEW OR WITH INVITED REVISION Green, Jr., P., Gino, F., and Staats, B. R. Operational Transparency and Internal Beneficiaries: An Empirical Examination of Worker Performance in Tomato Harvesting. Status: Rejection with Invited Resubmission to Management Science Pendem, P., Green, Jr., P., Gino, F., and Staats, B. R. The Microstructure of Work: Understanding Breaks and the Productivity Benefits of Pauses. Status: Invited Revise & Resubmit at Manufacturing Service Operations Management Paul Green, Jr (2 of 10) Frey, E.*, Green, Jr., P.*, Kouchaki, M., Margolis, J., and Gino, F. Speaking With Different Voices: Feedback Changes Based on Perceptions of Recipients’ Morality. Status: under review at Organization Science *shared first authorship Green, Jr., P. and Harvey, J.F. Feedback, Reflexivity, and Team Potency: When Agreeableness Gets in the Way. Status: under review at Academy of Management Journal Do, B., Huang, C., Lee, J. L., Green, Jr., P., Gino, F. What Gratitude Brings to Organizations: The Effect of Gratitude Expressions on Employees’ Psychological Contracts. -
March 2021 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans! Proud Recipient of a 2009 I just finished watching our Keeping the Blues Alive Award 2021 Musicians Relief Fund/ HART Fundraiser and I must 2021 OFFICERS say I thought it was great. I am President, Tony Frederickson [email protected]@wablues.org so grateful for the generous Vice President, Rick Bowen [email protected]@wablues.org donation of the musical talents Secretary, Marisue Thomas [email protected]@wablues.org of John Nemeth & the Blues Treasurer, Ray Kurth [email protected]@wablues.org Dreamers, Theresa James, Terry Editor, Eric Steiner [email protected]@wablues.org Wilson & the Rhythm Tramps and Too Slim & the Taildraggers! 2021 DIRECTORS It was a good show and well worth reviewing again and again if Music Director, Open [email protected]@wablues.org you missed it! Also, a big shout out to Rick Bowen and Jeff Menteer Membership, Chad Creamer [email protected]@wablues.org for their talents for the production of this event. I also want to say Education, Open [email protected]@wablues.org “Thank You” to all of you who made donations! If you are looking Volunteers, Rhea Rolfe [email protected]@wablues.org for a little music to fill some time this would be a great three-hour Merchandise, Tony Frederickson [email protected]@wablues.org window and any donations you might be able to make would be very Advertising, Open [email protected]@wablues.org much appreciated. If you are interested go to our new YouTube page (Washington Blues Society) and check it out. -
John M. Cipolla, Clarinetist Curriculum Vitae 1367 Rolling
John M. Cipolla Curriculum Vitae 1367 Rolling Ridge Way Bowling Green, Kentucky 42013 Office: 270-745-7093, Mobile: 270-996-9270 E-mail: [email protected] Click on this symbol throughout the CV to link to related sites or documents SelectedWorks from the WKU TopSCHOLAR Research and Creative Activity Database EDUCATION The University of North Carolina-Greensboro Greensboro, North Carolina Doctor of Musical Arts in clarinet performance 2002 • Dissertation: Linear Aspects of Harmony in the Countermelodies of New Orleans Jazz Musician, Sidney Bechet • Advisor and major professor, Dr. Kelly Burke The Mason Gross School of the Arts, Rutgers University New Brunswick, New Jersey Master of Music in clarinet performance 1987 • Major professor, Dr. George Jones The Eastman School of Music, The University of Rochester Rochester, New York Bachelor of Music in saxophone performance 1984 • Major professors Dr. Ramon Ricker, William Osseck The Juilliard School of Music New York, New York One year of study towards Bachelor of Music in saxophone performance degree 1980 • Scholarship student • Major professor, Joseph Allard ACADEMIC EMPLOYMENT HISTORY Western Kentucky University Bowling Green, Kentucky Professor of Music 2015–present Western Kentucky University Bowling Green, Kentucky Associate Professor of Music 2008–2014 Western Kentucky University Bowling Green, Kentucky Assistant Professor of Music 2002–2008 University of North Carolina at Greensboro Greensboro, North Carolina GTA, Full–Time doctoral student 2000–2002 Wagner College Staten Island, -
Exclusive: A&F's New Ruehl
SOUNDS OF STYLE, A SPECIAL REPORT/SECTION II WWDWomen’s Wear Daily • TheTHURSDAY Retailers’ Daily Newspaper • September 2, 2004 • $2.00 Sportswear A knit display in A&F’s latest format, Ruehl. Exclusive: A&F’s New Ruehl By David Moin informally more like a big man on campus than the NEW ALBANY, OHIO — The chairman wears jeans and flip- company chieftain, the approach to brand-building is flops to work and his 650 associates follow suit at the anything but casual. The intensity is as evident as sprawling, campus-style Abercrombie & Fitch ever with A&F’s latest retail brand and its Teutonic- headquarters here. sounding name, Ruehl. That’s just the veneer, though, because for Michael And Ruehl is just the first of three new retail Jeffries and the youthful army of workers he greets See New, Page 4 PHOTO BY DAVID TURNER DAVID PHOTO BY 2 WWD, THURSDAY, SEPTEMBER 2, 2004 WWW.WWD.COM WWDTHURSDAY Hilton Launches Jewelry With Amazon Sportswear By Marc Karimzadeh GENERAL Paris Hilton in A&F ceo Michael Jeffries lays out the strategy for Ruehl, the firm’s latest chain “It’s just being a girl; every girl NEW YORK — her multicross aimed at post-college shoppers, set to open Saturday in Tampa, Fla. loves jewelry.” necklace. 1 It’s as simple as that for Paris Hilton, who on U.S. textile groups fired up the pressure on the Bush administration, saying Wednesday launched the Paris Hilton Collection of 2 they will file dozens of petitions to reimpose quotas on Chinese imports. jewelry in an exclusive agreement with Amazon.com. -
The Clarinet Choir Music of Russell S
Vol. 47 • No. 2 March 2020 — 2020 ICA HONORARY MEMBERS — Ani Berberian Henri Bok Deborah Chodacki Paula Corley Philippe Cuper Stanley Drucker Larry Guy Francois Houle Seunghee Lee Andrea Levine Robert Spring Charles West Michael Lowenstern Anthony McGill Ricardo Morales Clarissa Osborn Felix Peikli Milan Rericha Jonathan Russell Andrew Simon Greg Tardy Annelien Van Wauwe Michele VonHaugg Steve Williamson Yuan Yuan YaoGuang Zhai Interview with Robert Spring | Rediscovering Ferdinand Rebay Part 3 A Tribute to the Hans Zinner Company | The Clarinet Choir Music of Russell S. Howland Life Without Limits Our superb new series of Chedeville Clarinet mouthpieces are made in the USA to exacting standards from the finest material available. We are excited to now introduce the new ‘Chedeville Umbra’ and ‘Kaspar CB1’ Clarinet Barrels, the first products in our new line of high quality Clarinet Accessories. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] t is once again time for the membership to vote in the EDITORIAL BOARD biennial ICA election of officers. You will find complete Mitchell Estrin, Heike Fricke, Denise Gainey, information about the slate of candidates and voting Jessica Harrie, Rachel Yoder instructions in this issue. As you may know, the ICA MUSIC REVIEWS EDITOR bylaws were amended last summer to add the new position Gregory Barrett I [email protected] of International Vice President to the Executive Board. This position was added in recognition of the ICA initiative to AUDIO REVIEWS EDITOR engage and cultivate more international membership and Kip Franklin [email protected] participation. -
2000-2001 the Lynn University Philharmonia
The Lynn University Philharmonia Arthur Weisberg, conductbr with special guest Ray Still, oboe and Phillip Evans, piano Paul Green, clarinet Mark Hetzler, trombone Ying Huang, piano Claudio Jaffe, cello Gregory Miller, french horn Johanne Perron, cello Roberta Rust, piano Sergiu Schwartz, violin Arthur Weisberg, bassoon Laura Wilcox, viola 7:30 p.m. November 10, 2000 Spanish River Church PROGRAM Concerto for 3 Keyboards and Orchestra ........... J. S. Bach Allegro (1685-1750) AJagio AUegro Roberta Rwt, piano Phillip Evans, piano Ymg Huang, piano Adagio & Allegro Moho ................................... M. Haydn (for french horn, trombone, iind orchestra) ( 1737-1806) Gregory Miller, french horn Mark Hetzler, trombone Sinfonia Concertante for winds and orchestra .... W. A. Mozart A//egro (1756-1791) AJagio Antlantino con varizioni Ray Still, guest oboist Paul Green, clarinet Arthur Weisberg, bassoon Gregory Miller, french horn INTERMISSION Concerto for Two Cellos ................................... D. Ott Andante tspressivo Andante cantabile Alkgro con brio Johanne Perron, cello Claudio Jaffe, cello Sinfonia Concertante for strings and orchestra .... W. A. Mozart Allegro matstoso (1756-1791) Andante Presto Scrgiu Schwartz, violin laura Wilcox, viola ARTHUR WEISBERG Conductor I Bassoon Arthur Weisberg is considered to be among the world's leading bassoonists. He has played with the Houston, Baltimore, and Cleveland Orchestras, as well as with the Symphony of the Air and the New York Woodwind Quimet. As a music director, Mr. Weisberg has worked with the New Chamber Orchestra of Westchester, Orchestra da Camera (of Long Island, New York}, Contemporary Chamber Ensemble, Orchestra of rhe 20th Century, Stony Brook Symphony, Iceland Symphony, and Ensemble 21. With these various ensembles, he has toured around the world, performing over 100 world premieres and making numerous recordings.