DOCSLIB.ORG

A Chinese Clarinet Legend Also in This Issue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Chinese Clarinet Legend Also in This Issue Vol. 45 • No. 1 December 2017 Tao AChunxiao: Chinese Clarinet Legend Also in this issue... ClarinetFest® 2017 Report The Genesis of Gustav Jenner’s Clarinet Sonata D’ADDARIO GIVES ME THE FREEDOM TO PRODUCE THE SOUND I HEAR IN MY HEAD. — JONATHAN GUNN REINVENTING CRAFTSMANSHIP FOR THE 21ST CENTURY. President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Jessica Harrie [email protected] EDITORIAL BOARD Dear ICA Members, Mitchell Estrin, Heike Fricke, Jessica Harrie, ope you are enjoying a wonderful new season Caroline Hartig, Rachel Yoder of music making with fulflling activities and MUSIC REVIEWS EDITOR events. Many exciting things are happening in Gregory Barrett – [email protected] our organization. Te ICA believes that if you Hdo good things, good things happen! I want to thank everyone AUDIO REVIEWS EDITOR who has contributed to our Capital Campaign. We especially Chris Nichols – [email protected] wish to thank Alan and Janette Stanek for their amazing gift of $11,250.00 to fund our competitions for the coming GRAPHIC DESIGN ClarinetFest® 2018. Te ICA is grateful for your generosity Karry Tomas Graphic Design and the generosity of all Capital Campaign donors. Please [email protected] visit www.youcaring.com/internationalclarinetassociation to Caroline Hartig make your donation today. We would love to hear your story ADVERTISING COORDINATOR and look forward to our continued campaign which will last Elizabeth Crawford – [email protected] through ClarinetFest® 2018. Also, visit www.clarinet.org/ donor-wall to check out our donor wall with many photos and thank-yous to those who INDEX MANAGER contributed to the ICA for ClarinetFest® 2017. Emily Kerski – [email protected] It is the hope of the ICA board that the Capital Campaign will not only help to secure THE CLARINET ONLINE the future and continued success of our wonderful organization, but will help those in need in the clarinet world. We seek to assist, particularly those younger students, who Jason Alder and Jessica Harrie [email protected] cannot aford membership, equipment that is up-to-date or who might wish to apply to young artist competitions, or travel grants. ABOUT THE COVER: Tank you to those who submitted surveys for ClarinetFest® 2017 and for our youth committee initiative. Our younger members are our future, and we are making a Vol. 45 • No. 1 concerted efort to get more of them involved in the ICA. Please encourage your students December 2017 to join. Tank you to Mitch Estrin for chairing this important committee, and thank you also to those on the committee for your innovative ideas and insight. Please encourage your students to enter the various competitions. We are excited for the composition competition which will feature a work for clarinet quartet (3 B-fat clarinets and B-fat bass clarinet). Te deadline is December 20, 2017; the winner will receive a $1,000 prize and a performance of the work at ClarinetFest® 2018. Antonio Fraoli is Tao Chunxiao: coordinator. Please visit clarinet.org for details. A Chinese Clarinet Legend Also in this issue... ClarinetFest® 2017 Report Stay tuned for exciting updates on ClarinetFest®2018 in Ostend, Belgium hosted by The Genesis of Gustav Jenner’s Clarinet Sonata Artistic Director, Eddy Vanoosthuyse, Chantal and Bert Six and the Ostend team. Visit www.clarinet.org/clarinetfest/clarinetfest-2018 and be sure to read the article in this issue of Chinese clarinet legend Tao Chunxiao the journal for important ClarinetFest® 2018 information. Te lineup of artists is amazing, with many exciting concerts and tourist attractions. Te Clarinet (ISSN 0361-5553) is published 4 times Te ICA is honored to announce the Guido Six International Clarinet Choir festival a year by the International Clarinet Association which will be part of ClarinetFest® 2018 in Ostend. Tis will be the inaugural Clarinet International Clarinet Association Choir Festival to honor the late Guido Six who did so much for the clarinet world- 829 Bethel Road, #216 wide. Te Guido Six International Clarinet Choir festival will take place at all future Columbus, OH 43214 ClarinetFest® conferences. [email protected] Tank you for your continued support of the International Clarinet Association. Stay +1 888-983-5441 tuned for many exciting events ahead, and in the meantime, please accept my best wishes to you and your families for Happy Holidays and a blessed 2018! www.clarinet.org ICAclarinet facebook.com/icaclarinet Follow me on Twitter at © Copyright 2017, International Clarinet Association. @ICAPres for Views expressed by the writers and reviewers in Te Caroline A. Hartig @ICApres ClarinetFest® updates! Clarinet are not necessarily those of the staf of the President, International Clarinet Association journal or of the International Clarinet Association. 2 | THE CLARINET DECEMBER 2017 International Clarinet Association President: Caroline Hartig – ICA Research Center: [email protected]; @ICAPres University of Maryland – www.lib.umd.edu/scpa/scores President Elect: Mitchell Estrin – [email protected] Research Coordinator and Library Liaison: Secretary: Denise Gainey – [email protected] Jesse Krebs – [email protected] Pedagogy Chair: Treasurer: Tod Kerstetter – [email protected] Diane Barger – [email protected] Social Media Editor: Executive Director: Evan Lynch – [email protected] Timothy Phillips – [email protected] E-Newsletter Editor: Jessica Harrie – [email protected] Webmaster: Kevin and Sonya Morgan – www.morgansites.com Historian: Jean-Marie Paul – [email protected] The ICA wishes to thank Stephan Vermeersch for four years of dedicated service as International Representative. We are currently working to redefne the international position and the new Chair of International Relations will be announced in the March 2018 journal along with details regarding this new position. Contact information for national chairpersons is available at www.clarinet.org HONORARY MEMBERS Ben Armato (1928–2015) Walter Boeykens (1938–2013) Betty Brockett (1936–2003) NATIONAL CHAIRPERSONS Clark Brody (1914–2012) Argentina: Carlos Céspedes Hungary: Bence Szepesi Jack Brymer (1915–2003) Larry Combs, Evanston, Illinois Armenia: Alexandr G. Manukyan Iceland: Kjartan Óskarsson Eddie Daniels, Santa Fe, New Mexico Australia: Floyd Williams India: Dr. Pandit Narasimhalu Vadavati Buddy DeFranco (1923–2014) Austria: Ireland: Paul Roe Hans Deinzer, Frankfurt, Germany & Bobbio, Italy MSDir. Mag. Guy Deplus, Paris, France Dr. Friedrich Pfatschbacher Israel: Eva Wasserman-Margolis Stanley Drucker, New York, New York Belarus: Vladimir P. Skorokhodov Italy: Luigi Magistrelli F. Gerard Errante, Las Vegas, Nevada David Etheridge (1942–2010) Belgium: Hedwig Swimberghe Japan: Masaharu Yamamoto Lee Gibson (1915–2013) Brazil: Ricardo Dourado Freire Luxembourg: Sébastien Duguet James Gillespie (Editor Emeritus), Denton, Texas Mexico: Luis Humberto Ramos Paul Harvey, Twickenham, Middlesex, U.K. Bulgaria: Bobo Yotzov Stanley Hasty (1920–2011) Moldava: Canada, National Chair: Victor Tihoneac Ramon Kireilis, Denver, Colorado Netherlands: Céleste Zewald Béla Kovács, Budapest, Hungary Dr. Catherine M. Wood Frank Kowalsky, Tallahassee, Florida New Zealand: Marie Ross Canada, St. Lawrence Region: Jacques Lancelot (1920–2009) Norway: Christian Stene Karl Leister, Berlin, Germany Lorne Buick Panama: Alexis Fong Castillo Mitchell Lurie (1922–2008) Canada, Great Lakes Region: John McCaw (1919-2015) People’s Republic of China: Yi He Barbara Hankins John Mohler, Chelsea, Michigan Peru: Marco Antonio Mazzini Fred Ormand, Lawrence, Kansas Canada, Central Region: Bernard Portnoy (1915–2006) Poland: Jan Jakub Bokun Margaret Wilson Alfred Prinz (1930–2014) Portugal: António Saiote Luis Rossi, Santiago, Chile Canada, Pacifc Region: Patricia Kostek Puerto Rico/Carribean: Kathleen Jones Harry Rubin, York, Pennsylvania Chile: Luis Rossi António Saiote, Porto, Portugal Serbia: Andrija Blagojević James Sauers (1921–1988) Columbia: Javier Asdrúbal Vinasco Slovakia: Július Klein James Schoepfin, Spokane, Washington Costa Rica: Selim Sesler (1957–2014) Lenin Izaguirre Cedeño Slovenia: Joze Kotar Croatia: David Shifrin, Norwalk, Connecticut Davor Reba South Africa: Danre Strydom William O. Smith, Seattle, Washington Czech Republic: Stepán Koutník South Korea: Im Soo Lee Harry Sparnaay, Lloret de Mar, Spain Denmark: Anna Klett Hans-Rudolf Stalder (1930-2017) Spain: Carlos Jesús Casadó Tarín Milenko Stefanović, Belgrade, Serbia Finland: Juhani Valtasalmi Sweden: Stefan Harg Richard Stoltzman, Boston, Massachusetts France: Jean-Marie Paul Switzerland: Ralph Strouf (1926–2002) Matthias Müller Elsa Ludewig-Verdehr, East Lansing, Michigan Germany: Prof. Johannes M. Gmeinder Taiwan: Chien-Ming Himie Voxman (1912–2011) Great Britain: Dr. Sarah Watts Thailand: Cassandra Fox-Percival George Waln (1904–1999) David Weber (1913-2006) Greece: Paula Smith Diamandis Uruguay: Martín Castillos Pamela Weston (1921–2009) Hong Kong: Maria Wong Venezuela: Victor Salamanques Michele Zukovsky, Los Angeles, California DECEMBER 2017 THE CLARINET | 3 Features Advertiser Index AMB Clarinet ...............................12 32 The Genesis of Gustav Ann Arbor Clarinet Connection.............33 Jenner’s Clarinet Sonata Belgian Clarinet Academy . .61 by Elizabeth Aleksander Brannen Woodwinds .......................28 Bufet Group USA ......................IFC, 51 36 An Interview with Chopsaver .................................69 Tao Chunxiao – Clark W Fobes ..............................18
Load more

Recommended publications
  • Sonata for Clarinet Choir Donald S
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1962 Sonata for Clarinet Choir Donald S. Lewellen Eastern Illinois University Recommended Citation Lewellen, Donald S., "Sonata for Clarinet Choir" (1962). Masters Theses. 4371. https://thekeep.eiu.edu/theses/4371 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. -SONATA POR CLARINET CHOIR A PAPER PRESENTED TO THE FACULTY OF TILE DEPARTMENT OF MUSIC EASTERN ILLINOIS UNIVERSITY IN PARTIAL FULFILLMENT OF TIIB REQUIREMENTS FOR IBE DEGREE MASTER OF SCIENCE IN EDUCATION DONALDS. LEWELLEN '""'."'.···-,-·. JULY, 1962' TABLE OF CONTENTS :le Page • • • • • • • . • .. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • i ile of Contents . .. ii iface ••.•....•...•........••....... •· ...•......•.•...• iii ::tion I ! Orchestra and Band ································· 1 lrinet Choir New Concept of Sound •••••••••••••••••• 2 3.rinet Choir Medium of Musical Expression . .. 2 arinet Choir Instrumentation . 3 ction II nata for Clarinet Choir - Analysis . .. 6 mmary • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 8 bliography ••••.•••••••••••••••••••••••.•••••••••••••• 10 PREFACE The available literature for clarinet choir is quite limited, and much of this literature is an arrangement of orchestral music.
    [Show full text]
  • Beyond the Horizon Works by Georg Hajdu, Todd Harrop, Ákos Hoffmann, Nora-Louise Müller, Sascha Lino Lemke, Benjamin Helmer, Manfred Stahnke and Frederik Schwenk
    Beyond the Horizon Works by Georg Hajdu, Todd Harrop, Ákos Hoffmann, Nora-Louise Müller, Sascha Lino Lemke, Benjamin Helmer, Manfred Stahnke and Frederik Schwenk Nora-Louise Müller Clarinet / Bohlen-Pierce Clarinet Ákos Hoffmann Clarinet / Bohlen-Pierce Clarinet Beyond the Horizon Works by Georg Hajdu, Todd Harrop, Ákos Hoffmann, Nora-Louise Müller, Sascha Lino Lemke, Benjamin Helmer, Manfred Stahnke and Frederik Schwenk Nora-Louise Müller Clarinet / Bohlen-Pierce Clarinet Ákos Hoffmann Clarinet / Bohlen-Pierce Clarinet Georg Hajdu (*1960) 01 Burning Petrol (after Alexander Nikolayevich Scriabin) (2014) ....... (05' 4 5 ) 1, 2, 3, 5, 7, 8 (2 BP-Soprano Clarinets, BP-Tenor Clarinet) Todd Harrop (*1970) 02 Maelstrom (2015) 1, 2, 5 (BP Clarinet, BP-Tenor Clarinet) .................. (07' 2 3 ) Ákos Hoffmann (*1973) 03 Duo Dez (2015) 1, 2, 3 (2 BP-Soprano Clarinets, BP-Tenor Clarinet) ........... (04' 1 4 ) Nora-Louise Müller (*1977) 04 Morpheus (2015) 1, 2, 3 (2 BP-Soprano Clarinets, BP-Tenor Clarinet) ......... (03' 1 0 ) Georg Hajdu 05 Beyond the Horizon (2008) 1, 2, 8 (2 BP-Clarinets) ..................... (07' 1 6 ) Todd Harrop 06 Bird of Janus (2012) 1 (BP-Clarinet) ..................................(06' 1 1 ) Sascha Lino Lemke (*1976) 07 Pas de deux (2008) 1, 2, 9 (Clarinet in Bb, BP-Clarinet) .................... (07' 0 6 ) Benjamin Helmer (*1985) 08 Preludio e Passacaglia (2015) 1, 4, 5, 6 (BP-Tenor Clarinet) ............... (05' 4 2 ) Manfred Stahnke (*1951) 09 Die Vogelmenschen von St. Kilda (2007) 1, 2 (2 BP-Clarinets) .........
    [Show full text]
  • A Brief History of the Sonata with an Analysis and Comparison of a Brahms’ and Hindemith’S Clarinet Sonata
    Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1968 A Brief History of the Sonata with an Analysis and Comparison of a Brahms’ and Hindemith’s Clarinet Sonata Kenneth T. Aoki Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Composition Commons, and the Education Commons Recommended Citation Aoki, Kenneth T., "A Brief History of the Sonata with an Analysis and Comparison of a Brahms’ and Hindemith’s Clarinet Sonata" (1968). All Master's Theses. 1077. https://digitalcommons.cwu.edu/etd/1077 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. A BRIEF HISTORY OF THE SONATA WITH AN ANALYSIS AND COMPARISON OF A BRAHMS' AND HINDEMITH'S CLARINET SONATA A Covering Paper Presented to the Faculty of the Department of Music Central Washington State College In Partial Fulfillment of the Requirements for the Degree Master of Music Education by Kenneth T. Aoki August, 1968 :N01!83 i iuJ :JV133dS q g re. 'H/ £"Ille; arr THE DEPARTMENT OF MUSIC CENTRAL WASHINGTON STATE COLLEGE presents in KENNETH T. AOKI, Clarinet MRS. PATRICIA SMITH, Accompanist PROGRAM Sonata for Clarinet and Piano in B flat Major, Op. 120 No. 2. J. Brahms Allegro amabile Allegro appassionato Andante con moto II Sonatina for Clarinet and Piano .............................................. 8. Heiden Con moto Andante Vivace, ma non troppo Caprice for B flat Clarinet ...................................................
    [Show full text]
  • The Inspiration Behind Compositions for Clarinetist Frederick Thurston
    THE INSPIRATION BEHIND COMPOSITIONS FOR CLARINETIST FREDERICK THURSTON Aileen Marie Razey, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Kimberly Cole Luevano, Major Professor Warren Henry, Committee Member John Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Razey, Aileen Marie. The Inspiration behind Compositions for Clarinetist Frederick Thurston. Doctor of Musical Arts (Performance), August 2018, 86 pp., references, 51 titles. Frederick Thurston was a prominent British clarinet performer and teacher in the first half of the 20th century. Due to the brevity of his life and the impact of two world wars, Thurston’s legacy is often overlooked among clarinetists in the United States. Thurston’s playing inspired 19 composers to write 22 solo and chamber works for him, none of which he personally commissioned. The purpose of this document is to provide a comprehensive biography of Thurston’s career as clarinet performer and teacher with a complete bibliography of compositions written for him. With biographical knowledge and access to the few extant recordings of Thurston’s playing, clarinetists may gain a fuller understanding of Thurston’s ideal clarinet sound and musical ideas. These resources are necessary in order to recognize the qualities about his playing that inspired composers to write for him and to perform these works with the composers’ inspiration in mind. Despite the vast list of works written for and dedicated to Thurston, clarinet players in the United States are not familiar with many of these works, and available resources do not include a complete listing.
    [Show full text]
  • Boosey & Hawkes
    City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures......................................................................................................................................
    [Show full text]
  • Kimberly Cole Luevano, DMA
    Kimberly Cole Luevano, DMA College of Music 1809 Goshawk Lane University of North Texas Corinth, TX 76210 Denton, TX 76203 734.678.9898 940.565.4096 [email protected] [email protected] Present Appointments University of North Texas, Denton, TX. Professor 2018-present Associate Professor 2012-2018 Assistant Professor 2011-2012 Responsibilities include: • Teaching Applied Clarinet lessons. • Teaching Doctoral Clarinet Literature course (MUAG 6360). • Teaching pedagogy courses as needed (MUAG 4360/5360). • Serving on graduate student recital and exam committees. • Advising doctoral students in development and completion of dissertation work. • Assisting in coordination of instruction of clarinet concentration lessons, clarinet secondary lessons, clarinet minor lessons, and all clarinet jury examinations. • Assisting in oversight of graduate Teaching Fellow position. • Collaborating with faculty colleagues in their performances. • Assisting in instruction of woodwinds methods classes as needed. • Coaching student chamber ensembles as needed. • Recruitment and development of the clarinet studio. • Listening to ensemble auditions for placement of clarinetists in ensembles. Director: UNT ClarEssentials Summer Workshop 2011- 2018 • Artistic direction, administration, and oversight of all aspects of the 5-day on- campus event for high school clarinetists. Haven Trio (Lindsay Kesselman, soprano; Midori Koga, piano). 2012-present TrioPolis Trio (Felix Olschofka, violin; Anatolia Ioannides, piano) 2016-present Artist Clinician: Henri Selmer-Paris 2015 – present Artist Clinician: Conn-Selmer USA 2015 – present Artist Clinician: The D’Addario Company 2013- present Education Doctor of Musical Arts degree in Clarinet Performance, Michigan State University, East Lansing, MI. 1996 Master of Music degree in Clarinet Performance, Music History concentration, Michigan State University. 1994 Postgraduate Study, L’Ecole Normale de Musique de Paris, Paris, France.
    [Show full text]
  • Programme Artikulationen 2017
    Programme ARTikulationen 2017 Introduction 2 Research Festival Programme 4 Thursday, 5 October 2017 6 Friday, 6 October 2017 29 Saturday, 7 October 2017 43 Further Doctoral Researchers (Dr. artium), Internal Supervisors and External Advisors 51 Artistic Doctoral School: Team 68 Venues and Public Transport 69 Credits 70 Contact and Partners 71 1 Introduction ARTikulationen. A Festival of Artistic Research (Graz, 5–7 October 2017) Artistic research is currently a much-talked about and highly innovative field of know- ledge creation which combines artistic with academic practice. One of its central features is ambitious artistic experiments exploring musical and other questions, systematically bringing them into dialogue with reflection, analysis and other academic approaches. ARTikulationen, a two-and-a-half day festival of artistic research that has been running under that name since 2016, organised by the Artistic Doctoral School (KWDS) of the Uni- versity of Music and Performing Arts Graz (KUG), expands the pioneering format deve- loped by Ulf Bästlein and Wolfgang Hattinger in 2010, in which the particular moment of artistic research – namely audible results, which come about through a dynamic between art and scholarship that is rooted in methodology – becomes something the audience can understand and experience. In Alfred Brendel, Georg Friedrich Haas and George Lewis, the festival brings three world- famous and influential personalities and thinkers from the world of music to Graz as key- note speakers. George Lewis will combine his lecture with a version of his piece for soloist and interactive grand piano. The presentations at ARTikulationen encompass many different formats such as keynotes, lecture recitals, guest talks, poster presentations and a round table on practices in artistic research.
    [Show full text]
  • For Release at NAMM 2014 December 3, 2013 Conn-Selmer Is Proud to Announce Its 2014 Launch Line-Up Flutes Saxophones
    For Release At NAMM 2014 December 3, 2013 Conn-Selmer is Proud to Announce Its 2014 Launch Line-Up 2014 is going to be a big Music industry year and Conn-Selmer is excited to share these newly, innovated instruments that will invigorate its core categories. Flutes Announcing the new PCR Headjoint. All flute models in the Armstrong line will have the new headjoint. PCR represents increased: Projection Clarity and Response. This new headjoint has the familiar Armstrong durability that everyone loves, with improved sound and playability. Armstrong is Made in the USA and the new headjoints on all models street price ranges from $994 - $1,449. Models are: 102, 102E, 103, 103OS, 104, 303B, 303BOS, 303BEOS, 800B, 800BOF, 800BEF, 800BOFPICC, FLSOL301 and FLSOL201G. Saxophones Revealing the new Selmer Tenor Saxophone, model TS44. This custom designed Henri Selmer Paris neck and mouthpiece comes with a BAM case. With this natural addition, it expands the highly successful 40 Series. MAP is $2,899 and also comes in black nickel (pictured) and silver plate. Both the TS44B and TS44S MAP for $3,265. Trombones Bach Artisan has extended its line of professional trombones. The Artisan Collection is customizable with fully interchangeable components and can become 81 different horns! This horn is adaptable to a variety of trombone artists. You can choose from three (3) bell material options, three (3) valve options, three (3) hand slide options and three (3) tuning slide options, to make it your own sound. It comes in standard models A47 (MAP is $2,758), A47I and A47MLR (MAP is $4,487).
    [Show full text]
  • Prominent Schools of Clarinet Sound (National Styles)
    Prominent Schools of Clarinet Sound (National Styles) German School (Oehler system, up to 27 keys) Description: dark, compact, well in tune but difficult to play very softly Players: Karl Leister, Sabine Meyer French School (Boehm system, 16 or 17 keys) Description: clear, bright/too bright, large dynamic range Players: Anthony Gigliotti, Phillippe Cuper Italian School (Boehm system) Description: voice-like quality Opera tradition Players: Ernesto Cavallini, Alessandro Carbonare American School (Boehm system) Description: Strong French influence but more open and wide, more air and flexibility Connections to jazz and film music Players: Larry Combs, Richard Stolzman, Charles Neidich, Benny Goodman, Artie Shaw JDG 20200815 The Most-used Types of Clarinets Band Eb Clarinet Bb Clarinet***** Eb Alto Clarinet Bb Bass Clarinet Eb Contra Alto Clarinet Bb Contra Bass Clarinet Orchestra Eb Clarinet C Clarinet Bb Clarinet A Clarinet Bb Bass Clarinet Worth Mentioning Basset Horn (in F) Basset Clarinet (in A) When an instrument plays its C and that sound/pitch is the same as the piano’s C, we say the instrument is “in C” When an instrument plays its C and that sound/pitch is the same as the piano’s Bb, we say the instrument is “in Bb” When an instrument plays its C and that sound/pitch is the same as the piano’s Eb, we say the instrument is “in Eb” And so on. JDG 20200815 Equipment Clarinets Rubber/plastic/ebonite, wood, carbon composites • Buffet • Selmer • LeBlanc • Yamaha • Bundy Mouthpieces Rubber, glass (metal) • Vandoren • Selmer • Yamaha • LeBlanc Reeds Cane or synthetic • Vandoren • Rico • Alexander • Gonzalez Ligatures and mouthpiece caps • Vandoren • Bonade (inverted) • LeBlanc • Rovner • Unnamed Tips • I purchase new instruments and used instruments.
    [Show full text]
  • Soprano Cornet
    SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN (Under the Direction of Brandon Craswell) ABSTRACT The E-flat soprano cornet has served an indispensable role in the British brass band; it is commonly considered to be “the hottest seat in the band.”1 Compared to its popularity in Britain and Europe, the soprano cornet is not as familiar to players in North America or other parts of world. This document aims to offer young players who are interested in playing the soprano cornet in a brass band a more complete view of the instrument through the research of its historical roots, its artistic role in the brass band, important solo repertoire, famous players, approach to the instrument, and equipment choices. The existing written material regarding the soprano cornet is relatively limited in comparison to other instruments in the trumpet family. Research for this document largely relies on established online resources, as well as journals, books about the history of the brass band, and questionnaires completed by famous soprano cornet players, prestigious brass band conductors, and composers. 1 Joseph Parisi, Personal Communication, Email with Yanbin Chen, April 15, 2019. In light of the increased interest in the brass band in North America, especially at the collegiate level, I hope this project will encourage more players to appreciate and experience this hidden gem of the trumpet family. INDEX WORDS: Soprano Cornet, Brass Band, Mouthpiece, NABBA SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN Bachelor
    [Show full text]
  • 02 October 2020
    02 October 2020 12:01 AM Benjamin Britten (1913-1976) Early one morning for voice and piano Elizabeth Watts (soprano), Paul Turner (piano) GBBBC 12:05 AM Juan Crisostomo Arriaga (1806-1826) Los Esclavos Felices - overture Bergen Philharmonic Orchestra, Juanjo Mena (conductor) NONRK 12:12 AM Richard Strauss (1864-1949) Variations on "Deandl is arb auf mi'" for string trio Leopold String Trio GBBBC 12:19 AM Johann Sebastian Bach (1685-1750) Double Concerto in C minor, BWV 1060 Hans-Peter Westermann (oboe), Mary Utiger (violin), Camerata Koln DEWDR 12:33 AM Johann Sebastian Bach (1685-1750) Fugue (BWV.542) 'Great' (orig. for organ) Guitar Trek AUABC 12:40 AM Isaac Albeniz (1860-1909) Suite espanola , Op 47 Ilze Graubina (piano) LVLR 01:02 AM Eugen Suchon (1908-1993) The Night of the Witches, symphonic poem Slovak Radio Symphony Orchestra, Mario Kosik (conductor) SKSR 01:22 AM Camille Saint-Saens (1835-1921) Clarinet Sonata in E flat, Op 167 Annelien Van Wauwe (clarinet), Simon Lepper (piano) GBBBC 01:39 AM Antonio Vivaldi (1678-1741) Nisi Dominus (Psalm 127) for voice and orchestra (RV.608) Matthew White (counter tenor), Arte dei Suonatori, Eduardo Lopez Banzo (conductor) PLPR 02:01 AM Alexander Glazunov (1865-1936),Anatoly Lyadov (1855-1914),Peter Ilyich Tchaikovsky (1840- 1893) Fugue in D minor; Sarabande in D minor; Polka in D; Excerpts from 'The Seasons' Maria Wloszczowska (violin), Joseph Puglia (violin), Timothy Ridout (viola), Xenia Jankovic (cello), Alasdair Beatson (piano) CHSRF 02:26 AM Igor Stravinsky (1882 - 1971) Divertimento
    [Show full text]
  • Download the Clarinet Saxophone Classics Catalogue
    CATALOGUE 2017 www.samekmusic.com Founded in 1992 by acclaimed clarinetist Victoria Soames Samek, Clarinet & Saxophone Classics celebrates the single reed in all its richness and diversity. It’s a unique specialist label devoted to releasing top quality recordings by the finest artists of today on modern and period instruments, as well as sympathetically restored historical recordings of great figures from the past supported by informative notes. Having created her own brand, Samek Music, Victoria is committed to excellence through recordings, publications, learning resources and live performances. Samek Music is dedicated to the clarinet and saxophone, giving a focus for the wonderful world of the single reed. www.samek music.com For further details contact Victoria Soames Samek, Managing Director and Artistic Director Tel: + 44 (0) 20 8472 2057 • Mobile + 44 (0) 7730 987103 • [email protected] • www.samekmusic.com Central Clarinet Repertoire 1 CC0001 COPLAND: SONATA FOR CLARINET Clarinet Music by Les Six PREMIERE RECORDING Featuring the World Premiere recording of Copland’s own reworking of his Violin Sonata, this exciting disc also has the complete music for clarinet and piano of the French group known as ‘Les Six’. Aaron Copland Sonata (premiere recording); Francis Poulenc Sonata; Germaine Tailleferre Arabesque, Sonata; Arthur Honegger Sonatine; Darius Milhaud Duo Concertant, Sonatine Victoria Soames Samek clarinet, Julius Drake piano ‘Most sheerly seductive record of the year.’ THE SUNDAY TIMES CC0011 SOLOS DE CONCOURS Brought together for the first time on CD – a fascinating collection of pieces written for the final year students studying at the paris conservatoire for the Premier Prix, by some of the most prominent French composers.
    [Show full text]