Kimberly Cole Luevano, DMA
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sonata for Clarinet Choir Donald S
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1962 Sonata for Clarinet Choir Donald S. Lewellen Eastern Illinois University Recommended Citation Lewellen, Donald S., "Sonata for Clarinet Choir" (1962). Masters Theses. 4371. https://thekeep.eiu.edu/theses/4371 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. -SONATA POR CLARINET CHOIR A PAPER PRESENTED TO THE FACULTY OF TILE DEPARTMENT OF MUSIC EASTERN ILLINOIS UNIVERSITY IN PARTIAL FULFILLMENT OF TIIB REQUIREMENTS FOR IBE DEGREE MASTER OF SCIENCE IN EDUCATION DONALDS. LEWELLEN '""'."'.···-,-·. JULY, 1962' TABLE OF CONTENTS :le Page • • • • • • • . • .. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • i ile of Contents . .. ii iface ••.•....•...•........••....... •· ...•......•.•...• iii ::tion I ! Orchestra and Band ································· 1 lrinet Choir New Concept of Sound •••••••••••••••••• 2 3.rinet Choir Medium of Musical Expression . .. 2 arinet Choir Instrumentation . 3 ction II nata for Clarinet Choir - Analysis . .. 6 mmary • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 8 bliography ••••.•••••••••••••••••••••••.•••••••••••••• 10 PREFACE The available literature for clarinet choir is quite limited, and much of this literature is an arrangement of orchestral music. -
Çalgı Bilgsi Dersi 1. Dönem (Üflemeli)
A. Ü. Devlet Konservatuvarı Eğitim – Öğretim Programı Çalgı Bilgisi Dersi (seçmeli) ( I. Dönem - Üflemeli Çalgılar ) (çalgılar, senfoni orkestrasının partisyon sıralamasına göre verilmiştir) Dr. Öğr. Üyesi İvan ÇELAK (CELAC) TAHTA ÜFLEMELİ ÇALGILAR FLÜT AİLESİ Flüt, yaklaşık 7 bin yıldır var olan bir enstrümandır. Üflemeli çalgılar arasında en eskilerden biri olan flütü, Yunan Tanrıçası Athena'nın da çaldığı bilinmektedir; anavatanı Eski Yunan ve bazı Asya ülkeleri olarak bilinir. Bunlar arasında Latin Amerika ülkelerine de rastlamak mümkündür. Ancak flütün ortaya çıkışının ‘’anonim’’ olduğu söylenebilir. 1700’lü yıllara kadar ilk yapıldığı haliyle kullanılan flüt, daha sonra geliştirilerek günümüze kadar gelmiştir. Ünlü alman flütçü Theobald Boehm, Pentenrieder ve Greve gibi flütistler ilkel kullanımın yetersiz kalışıyla flütü bugünkü haline getiren bir takım tasarımlara geliştirmişlerdir. B. Pentenrieder (Munich, c.1840), basit sistem (7-delik) Boehm and Greve (Munich, c.1829), basit sistem (9-delik) 1832 yılında Boehm’in geliştirdiği ve günümüzdeki flüte en yakın tasarımı Senfoni orkestrası içinde ise, ‘’tahta üflemeliler’’ grubunda Obue ve Fagot ailesi ile birlikte yer alan Flüt ailesi şu enstrümanlardan oluşur: • Piccolo flüt • Sol flüt (alto) • Do flüt • • Piccolo Flüt: . İng.: Piccolo, Alm.:Kleine Flöte, It.: Flauto Piccolo (ottavino: bir oktav üstten). Orkestrada bir tane bulunur. Piccolo flütlerde kuyruk kısmı yoktur ve 30 cm uzunluğundadır Piccolo partisi genellikle flüt grubunun üst registerini genişletmek için kullanılır. Orkestra içinde ‘’tutti’’lerde bile sivrilebilir; orkestra tınısına parlaklık getirir. Çoğu zaman (sololar hariç) flütlerde birlikte kullanılır. Orkestrada daimi bir enstürmandır. Piccolo flüt, büyük flütün hemen hemen yarısı kadar uzunluktadır. Büyük flütteki kuyruk bölümü piccolo flütte yoktur. Bu nedenle de büyük flütün en kalın sesleri olan Do ve Do diyez sesleri küçük flütte bulunmaz. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Clarinet Choir 10 30 19
Evening Concert Series 2019–2020 Season Helen M. Hosmer Hall Wednesday, October 30, 7:30 PM Crane Clarinet Choir Raphael P. Sanders, Jr., director Julianne Kirk Doyle, director Caprice for Clarinets (1961) Clare Grundman (1913–1996) Darrell Holovach, conductor Irish Suite (1992) Traditional Kerry Dance arr. Elliot A. Del Borgo Lullaby Irish Washerwoman MariantHi Stakos, conductor Orinoco Flow (1988) Enya (b. 1961) arr. Kevin Murray Emily Benware, conductor Second Suite in F, Op. 28, No. 2 (1911) Gustav Holst MarcH (1874–1834) arr. Cioffi William L. Lake, Jr., guest conductor Concertpiece No. 1 in D minor, Op. 113 (1833) Felix Mendelssohn Allegro con fuoco (1809–1847) Andante arr. Roland Cardon Presto Brianna LinHardt & Vienna Durao, soloists Mississippi Rag (1897) William H. Krell (1868–1933) arr. Arthur Frackenpohl Jamie Cox, conductor Serenade No. 10, K. 361 (1781) Wolfgang Amadeus Mozart Rondo (1756–1791) arr. Boris Pillin Matt Stroinski, conductor Second Suite in F, Op. 28, No. 2 (1911) Gustav Holst Song Without Words ‘I love my love’ (1874–1834) arr. Cioffi Amy Gonzalez, conductor Thriller (1982) Rodney Temperton (1949–2016) William L. Lake, Jr., guest conductor Crane Clarinet Choir Raphael P. Sanders, Jr. & Julianne Kirk Doyle, directors Personnel E-Flat Soprano Clarinet E-Flat Alto Clarinet Keegan Wallace* Amber Lievre* B-Flat Soprano Clarinet B-Flat Bass Clarinet JoHn Aebly Tara Allen Ian Amano Darrell HolovacH* Emily Benware Avery Poston Natalia Buitrago Jason RaHner AsHley CalHoun Marco Tomasi Gabbie CiccHinelli KatHryn Vanderveer -
Timothy Bonenfant CV 2020-21
Timothy Bonenfant, D.M.A., Clarinetist Carr Education Fine-Arts Building, Room 217 ASU Station #10906; San Angelo, TX 76909-0906 (325) 486-6029 | [email protected] TEACHING EXPERIENCE 2005-present Professor of Music Angelo State University: San Angelo, TX Teach single reed studio (clarinet and saxophone) and advise students within the studio. Direct ASU Jazz Ensemble. Teach classes in Improvisation, Woodwind Methods, Jazz History, Introduction to Music and Survey of Rock and Roll. Direct/coach small woodwind ensembles (saxophone quartet, clarinet choir). 2017-2018 Adjunct Professor of Music Hardin Simmons University: Abilene, TX Taught saxophone studio while a search for a permanent replacement was conducted. 1996-2005 Instructor Las Vegas Academy for the Fine and Performing Arts: Las Vegas, NV Taught private lessons, fundamentals of music, and coached woodwind sectionals. 1993-2005 Lecturer University of Nevada, Las Vegas Taught Jazz Appreciation, Music Appreciation, History of Rock and Roll, History of American Popular Music, Finale: An Introduction, Music Fundamentals (for non-majors), Remedial Music Theory/Ear-Training. Also taught private lessons for clarinet and saxophone students. Developed new courses for the department; History of American Popular Music, and Finale: An Introduction. UNIVERSITY CLASSES TAUGHT Applied Music: Clarinet/Saxophone Woodwind Chamber Music Jazz Ensemble Improvisation Survey of Rock and Roll History of Jazz History of American Popular Music Introduction to Music Woodwind Methods Senior Recital Finale™ -
A Chinese Clarinet Legend Also in This Issue
Vol. 45 • No. 1 December 2017 Tao AChunxiao: Chinese Clarinet Legend Also in this issue... ClarinetFest® 2017 Report The Genesis of Gustav Jenner’s Clarinet Sonata D’ADDARIO GIVES ME THE FREEDOM TO PRODUCE THE SOUND I HEAR IN MY HEAD. — JONATHAN GUNN REINVENTING CRAFTSMANSHIP FOR THE 21ST CENTURY. President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Jessica Harrie [email protected] EDITORIAL BOARD Dear ICA Members, Mitchell Estrin, Heike Fricke, Jessica Harrie, ope you are enjoying a wonderful new season Caroline Hartig, Rachel Yoder of music making with fulflling activities and MUSIC REVIEWS EDITOR events. Many exciting things are happening in Gregory Barrett – [email protected] our organization. Te ICA believes that if you Hdo good things, good things happen! I want to thank everyone AUDIO REVIEWS EDITOR who has contributed to our Capital Campaign. We especially Chris Nichols – [email protected] wish to thank Alan and Janette Stanek for their amazing gift of $11,250.00 to fund our competitions for the coming GRAPHIC DESIGN ClarinetFest® 2018. Te ICA is grateful for your generosity Karry Tomas Graphic Design and the generosity of all Capital Campaign donors. Please [email protected] visit www.youcaring.com/internationalclarinetassociation to Caroline Hartig make your donation today. We would love to hear your story ADVERTISING COORDINATOR and look forward to our continued campaign which will last Elizabeth Crawford – [email protected] through ClarinetFest® 2018. Also, visit www.clarinet.org/ donor-wall to check out our donor wall with many photos and thank-yous to those who INDEX MANAGER contributed to the ICA for ClarinetFest® 2017. -
DAI FUJIKURA OPÉRA ET DANSE SOLARIS Ma 24, Je 26 Mars À 20H, Sa 28 Mars À 18H
PROGSALLES_SOLARIS_140_190.qxp_Mise en page 1 17/03/2015 14:36 Page1 DAI FUJIKURA OPÉRA ET DANSE SOLARIS Ma 24, Je 26 mars à 20h, Sa 28 mars à 18h SAISON 14.15 PROGSALLES_SOLARIS_140_190.qxp_Mise en page 1 17/03/2015 14:36 Page2 Durée ±1h40 chanté en anglais, surtitré en français OPÉRA ET DANSE DAI FUJIKURA SOLARIS Opéra en quatre actes de Dai Fujikura (né en 1977) Livret de Saburo Teshigawara d’après le roman Solaris de Stanislas Lem (1956) avec l’aimable autorisation de ses héritiers. Créé au Théâtre des Champs-Élysées le 5 mars 2015. PROGSALLES_SOLARIS_140_190.qxp_Mise en page 1 17/03/2015 14:36 Page4 Solaris Dai Fujikura Erik Nielsen Direction musicale Saburo Teshigawara Livret, mise en scène, chorégraphie, conception décors, costumes et lumières Ulf Langheinrich Images et collaboration à la conception lumières ••• avec Hari Sarah Tynan Kris Kelvin Leigh Melrose Snaut Tom Randle Gibarian Callum Thorpe Kelvin Marcus Farnsworth (hors-scène) ••• et les danseurs Hari Rihoko Sato Les représentations de Solaris à l’Opéra de Lille Kelvin Václav Kuneš reçoivent le soutien du Consulat du Japon, Snaut Nicolas Le Riche mécène associé à l’événement. Gibarian Saburo Teshigawara ••• Ensemble intercontemporain ••• Réalisation informatique musicale Ircam Gilbert Nouno Partie électronique de l’œuvre réalisée dans les studios de l’Ircam ••• Assistant musical, chef de chant Joël Soichez Assistante à la mise en scène Rihoko Sato Assistant lumières et coordination technique de Saburo Teshigawara Sergio Pessanha Assistant images Matthias Härtig ••• Commande de l’œuvre Théâtre des Champs-Élysées, Opéra de Lille, Opéra de Lausanne, Ensemble intercontemporain et Ircam-Centre Pompidou Production Théâtre des Champs-Élysées. -
Ten Original Compositions of Progressive Difficulty for Clarinet Choir an Analysis and Evaluation of This Work
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1956 Ten Original Compositions of Progressive Difficulty for Clarinet Choir an Analysis and Evaluation of this Work Harold Walter Harvey The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Harvey, Harold Walter, "Ten Original Compositions of Progressive Difficulty for Clarinet Choir an Analysis and Evaluation of this Work" (1956). Graduate Student Theses, Dissertations, & Professional Papers. 9368. https://scholarworks.umt.edu/etd/9368 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. MONTANA STATE UNIVERSITY LIBRARY I . Z r \ LS TO A fir t *ee TO_A BkACK KiTTIN SPMEROIUiCiTa / AhuO'-JJuhRK S t i (s.T JjftrJCE i ; FUGUE FOR FIVE J.** ( A e r o 1A m o d tjn e * •*#■ kONuo 99 «Cfc< INTROOOCTr"1!' ANfc riOCTURNC 3 0 ZUJOwFTOrVi'UilK w* W t MS z \0 r o f t TIE THEE $0\O i t Clur>*l tf m // X) 4*t>i f 3^| l i t 0t> =fc: Clttrt'ttf □t ■y * # i i J d> L ia r! o J JJ J i f t J 4 # 3 - j dt> Clar/mT 3 1 n i J 4 i fk 3b C 14 r I Aii v 0 _T_ =±=zr_- 4 S J • —i- f y p i t> E b ffjb t 5 = = ^ = J C i ? -f £ db %A* f a*J ~gh~ C 14 /•/**/ - a F - r‘ F 3 h UMI Number: EP72682 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Solo and Ensemble Recognized Events
RECOGNIZED SOLO AND ENSEMBLE EVENTS (The event number is to be used on the Solo and Ensemble entry form.) WOODWIND SOLO BRASS SOLO PERCUSSION SOLO PIANO SOLO 1. Piccolo 050. Cornet/Trumpet +099. Drum Set 150. Piano Solo 2. C Flute 051. Flugelhorn +100. Xylophone/Marimba/Vibraphone 3. Alto/Bass Flute 052. French Horn +101. Orch. bells 4. Oboe 053. Mellophone/Alto Horn (Group IV & V only) 5. English Horn 054. Trombone +102. Snare Drum VOCAL SOLO 6. Bassoon/Contrabassoon 055. Bass Trombone +103. Tympani 160. Vocal Solo 7. Eb Clarinet 056. Baritone/Euphonium (accompanied or unaccomp.) VOCAL ENSEMBLE 8. Bb Clarinet 057. Tuba/Sousaphone 104. Multiple Percussion 170. Barbershop Quartet 9. Alto Clarinet +105. Multi-Tenor (a cappella) 10. Bass Clarinet BRASS TRIO 175. Small Vocal Ensemble 11. Contra Bass/ 065. Cornet/Trumpet Trio + Refer to Percussion Manual (3 to 6 performers) Contra Alto Clarinet 066. French Horn Trio for additional requirements *180. Large Vocal Ensemble 12. Alto Sax 067. Trombone Trio PERCUSSION ENSEMBLE (7 to 20 performers) 13. Tenor Sax 068. Brass Trio (Tpt., Horn, 110. Percussion Ensemble *185. Madrigal 14. Baritone Sax Trombone) (3-6 performers) (4 to 20 performers) 15. Bass Sax 069. Misc. Brass Trio 111. Mallet Ensemble (a cappella) 16. Soprano Sax (Bb & Eb) (any combination of 3 brasses (3-6 performers) not previously listed) WOODWIND TRIO *112. Large Mallet Ensemble 025. Flute Trio. Like Inst. BRASS QUARTET (7-20 performers) 026. Clarinet Trio. Like Inst. 070. Cornet/Trumpet Quartet *113. Large Percussion Ens. 027. Sax Trio. Any 3 Sax 071. French Horn Quartet (7-20 percussion inst. -
Benito Alexandre Moutouzkine
Foto: Vanessa Briceño BENITO MEZA clarinete (Colombia) ALEXANDRE MOUTOUZKINE piano (Rusia) Miércoles 24 de agosto de 2016 • 7:00 p.m. Sincelejo, Teatro Municipal Jueves 25 de agosto de 2016 • 7:00 p.m. Cartagena, Teatro Adolfo Mejía Viernes 26 de agosto de 2016 • 7:00 p.m. Santa Marta, Auditorio del Banco de la República Domingo 28 de agosto de 2016 • 11:00 a.m. Bogotá, Sala de Conciertos Biblioteca Luis Ángel Arango RECORRIDOS POR LA MÚSICA DE CÁMARA Temporada nacional de conciertos Banco de la República • 2016 TOME NOTA Los conciertos iniciarán exactamente a la hora indicada en los avisos de prensa y en el programa de mano. Llegar con media hora de antelación le permitirá ingresar al concierto con tranquilidad y disfrutarlo en su totalidad. Si al momento de llegar al concierto éste ya ha iniciado, el personal del auditorio le indicará el momento adecuado para ingresar a la sala de acuerdo con las recomendaciones dadas por los artistas que están en escena. Agradecemos se abstenga de consumir comidas y bebidas, o fumar durante el concierto, con el fin de garantizar un ambiente adecuado tanto para el público como para los artistas. Durante el transcurso del concierto por favor mantenga apagados sus equipos electrónicos, incluyendo teléfonos celulares, buscapersonas y alarmas de reloj. Esto ayuda a crear un ambiente propicio para disfrutar la música. Por respeto a los derechos de autor de los compositores e intérpretes, no está permitido realizar grabaciones de audio o video ni tomar fotografías durante el concierto. SÍGANOS EN Sala de Conciertos @ConciertosBR Banco de la República Luis Ángel Arango Banrepcultural Banrepcultural EL IMPACTO EMOCIONAL DE LA CULTURA En los últimos 20 años el campo de la administración cultural se ha ido sofisticando y armando de herramientas para argumentar y defender la financiación y subsistencia de las artes y la cultura. -
A Performer's Guide to Multimedia Compositions for Clarinet and Visuals: a Tutorial Focusing on Works by Joel Chabade, Merrill Ellis, William O
Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2003 A performer's guide to multimedia compositions for clarinet and visuals: a tutorial focusing on works by Joel Chabade, Merrill Ellis, William O. Smith, and Reynold Weidenaar. Mary Alice Druhan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Druhan, Mary Alice, "A performer's guide to multimedia compositions for clarinet and visuals: a tutorial focusing on works by Joel Chabade, Merrill Ellis, William O. Smith, and Reynold Weidenaar." (2003). LSU Major Papers. 36. https://digitalcommons.lsu.edu/gradschool_majorpapers/36 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A PERFORMER’S GUIDE TO MULTIMEDIA COMPOSITIONS FOR CLARINET AND VISUALS: A TUTORIAL FOCUSING ON WORKS BY JOEL CHADABE, MERRILL ELLIS, WILLIAM O. SMITH, AND REYNOLD WEIDENAAR A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Mary Alice Druhan B.M., Louisiana State University, 1993 M.M., University of Cincinnati -
Clarinet Choir 10 30 16
Evening Concert Series 2016–2017 Season Helen M. Hosmer Hall Sunday, October 30, 7:30 PM Crane Clarinet Choir Raphael Sanders Jr., director Julianne Kirk Doyle, director Claribel (2000) Roland Cardon (1929–2001) Ato Noel, Conductor “Die hölle rache kochet in meinem Herzen” Wolfgang Amadeus Mozart from The Magic Flute (1791) (1756–1791) arr. Anthony Brackett Josh Naar, Taylor Prosper, & Nikolas Coccia, soloists Canzona per sonare no. 2 (c. 1597) Giovanni Gabrieli (1558–1613) arr. T. A. Ayers Gretchen Roeder, conductor Concerto for two Clarinets and orchestra, Op. 35 (1802) Franz Krommer Rondo (1759–1831) arr. Guido Six Alison Evans & Benjamin Manganiello, soloists First Suite in E-Flat (1909) Gustav Holst Chaconne (1874–1934) Intermezzo arr. Johnson March Rachel Rockwell, Cassidy Vianese, & Dolly Peterson, conductors Concertante for 4 clarinets and Orchestra (1833) L.A.B Schindelmeisser (1811–1864) arr. Matt Doi Annie Incontro, Katie Adams, Julia Belante & Katie Fanning, soloists Theme from The Pink Panther (1963) Henry Mancini (1924–1994) arr. Calvin Custer Concertpiece No. 2 in D minor, Op. 114 (1833) Felix Mendelssohn (1809–1847) arr. Roland Cardon Chantilly Larose & Katherine Kessler, soloists Suppe Meets Offenbach (2004) Fr. Von Suppe (1819–1895) J. Offenbach (1819–1880) arr. Luc Note The Crane Clairnet Choir E-Flat Soprano Clarinet B-Flat Soprano Clarinet Cont’d Annie Incontro* Matthew Stroinski Kaylee Tasber B-Flat Soprano Clarinet Elizabeth Tetlak Katherine Adams Madeleine Till Jeri Barber Catherine Varriano Jennifer Belisle Cassidy