Timothy Bonenfant CV 2020-21
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Artie Shaw, 1910-2004: Last Great Musician of the Big Band Era
12 May 2012 | MP3 at voaspecialenglish.com Artie Shaw, 1910-2004: Last Great Musician of the Big Band Era AP Artie Shaw playing the clarinet in 1941 DOUG JOHNSON: I'm Doug Johnson with PEOPLE IN AMERICA in VOA Special English. Today we tell the story of a musician who led one of the most popular American bands during the nineteen thirties and forties. His name was Artie Shaw. Listen for a few minutes to one of his many hit songs. This one is called "Frenesi." Artie Shaw plays the clarinet. (MUSIC) On December thirtieth, two thousand four, Artie Shaw died after a long sickness. He was ninety-four years old. He was the last great musician and bandleader of what has been called the "Big Band Era." Some of the others were Benny Goodman and Glenn Miller. In the nineteen thirties and nineteen forties Artie Shaw was one of the most popular musicians and bandleaders in the United States. Just a few notes from his clarinet could start people dancing. His music sold millions of records. It still is difficult to listen to an old Artie Shaw recording and not tap your foot in time with the music. Or want to dance. Or sing along with his great sound. 2 Listen to Shaw on the clarinet and his band play part of a song recorded in Hollywood, California in nineteen forty. It is called "Summit Ridge Drive." (MUSIC) Artie Shaw was born in New York City in nineteen ten. His name was Arthur Arshawsky. His parents were poor immigrants who had come to the United States from Eastern Europe. -
Second Grade Music Curriculum
Second Grade General Music Units September: October: November: December: January: Music Elements Music Elements Composition Performance Performance Rhythm Meter Rhythmic Composition Rhythmic Composition Performance Rhythmic Notation Intro to Meter Compose 8 measure Continue work on Practice using drum Top number rhythmic rhythmic Sticks& Pads Rhythmic Values Bottom number composition composition Counting Procedures -Mrs. Music May I? Bar Lines Review Dynamics Class work Practice performing -Rhythmic Pac Man Measure Add Dynamics original rhythmic -Musical Math Musical Rest to composition compositions Measure Completion Review Rough Performance Add other rhythm band Performance Draft with teacher Special Celebrations; instruments Special Celebrations: Performance Final draft (Songs & Activities) Perform composition (Song & activities) Special Celebrations: Graded Project Hanukkah for class Welcome Back songs (Songs & Activities) Kwanzaa Graded performance Character Ed Songs Fire Safety Songs Performance Christmas Performance Apple Songs Columbus Songs (Special Celebrations) Character Ed Special Celebrations: Butterfly Cycle Halloween Songs -Hiawatha Rhythm (Songs & Activities) th September 11 -Patriot Red Ribbon Songs Story -Month of the Year Rap Day Rhythm Pumpkin Patch -Thanksgiving Songs -Bundled Up September 17th- -I’m Thankful… -Martin Luther King Songs Constitution Day -Character Ed -Winter Songs February: March: April: May: June: Performance Music In Our Schools Music Elements Music Elements Performance Performance -
Themenkatalog »Musik Verfolgter Und Exilierter Komponisten«
THEMENKATALOG »Musik verfolgter und exilierter Komponisten« 1. Alphabetisches Verzeichnis Babin, Victor Capriccio (1949) 12’30 3.3.3.3–4.3.3.1–timp–harp–strings 1908–1972 for orchestra Concerto No.2 (1956) 24’ 2(II=picc).2.2.2(II=dbn)–4.2.3.1–timp.perc(3)–strings for two pianos and orchestra Blech, Leo Das war ich 50’ 2S,A,T,Bar; 2(II=picc).2.corA.2.2–4.2.0.1–timp.perc–harp–strings 1871–1958 (That Was Me) (1902) Rural idyll in one act Libretto by Richard Batka after Johann Hutt (G) Strauß, Johann – Liebeswalzer 3’ 2(picc).1.2(bcl).1–3.2.0.0–timp.perc–harp–strings Blech, Leo / for coloratura soprano and orchestra Sandberg, Herbert Bloch, Ernest Concerto Symphonique (1947–48) 38’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc(3):cyms/tam-t/BD/SD 1880–1959 for piano and orchestra –cel–strings String Quartet No.2 (1945) 35’ Suite Symphonique (1944) 20’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc:cyms/BD–strings Violin Concerto (1937–38) 35’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc(2):cyms/tgl/BD/SD– harp–cel–strings Braunfels, Walter 3 Chinesische Gesänge op.19 (1914) 16’ 3(III=picc).2(II=corA).3.2–4.2.3.1–timp.perc–harp–cel–strings; 1882–1954 for high voice and orchestra reduced orchestraion by Axel Langmann: 1(=picc).1(=corA).1.1– Text: from Hans Bethge’s »Chinese Flute« (G) 2.1.1.0–timp.perc(1)–cel(=harmonium)–strings(2.2.2.2.1) 3 Goethe-Lieder op.29 (1916/17) 10’ for voice and piano Text: (G) 2 Lieder nach Hans Carossa op.44 (1932) 4’ for voice and piano Text: (G) Cello Concerto op.49 (c1933) 25’ 2.2(II=corA).2.2–4.2.0.0–timp–strings -
1.22: What Kind of Day Has It Been
The West Wing Weekly 1.22: What Kind of Day Has It Been [Intro Music] HRISHI: You’re listening the The West Wing Weekly, I’m Hrishikesh Hirway JOSH: ..and I’m Joshua Malina HRISHI: Today, we’re talking about the finale of season one JOSH: Woo! HRISHI: It’s episode 22, and it’s called ‘What kind of day has it been’. JOSH: It was written by Aaron Sorkin, it was directed by Tommy Schlamme, and it originally aired on May 17th, in the year 2000. HRISHI: Here’s a synopsis.. JOSH: A hrynopsis? HRISHI: [laughs] Sure.. JOSH: I just wanted to make sure because, you know, it’s an important distinction. HRISHI: An American fighter jet goes down in Iraq, and a rescue mission ensues to find the pilot. But, it’s a covert operation, so CJ has to mislead the press. Toby’s brother is onboard the space shuttle Columbia, but it’s having mechanical difficulties and can’t land. Plus, Josh has to meet with the Vice President to bring him around to the Bartlet administration's plans for campaign finance. President Bartlet travels to Rosalind, Virginia, to speak at the Newseum and give a live town hall meeting. But as they’re exiting, S#&* goes down and shots ring out. JOSH: Well done HRISHI: Before we even get into the episode though, Josh, I want to ask you about the title. ‘What kind of day has it been’ is a very Sorkin title, it’s been the finale for lots of things that he’s done before. -
Sonata for Clarinet Choir Donald S
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1962 Sonata for Clarinet Choir Donald S. Lewellen Eastern Illinois University Recommended Citation Lewellen, Donald S., "Sonata for Clarinet Choir" (1962). Masters Theses. 4371. https://thekeep.eiu.edu/theses/4371 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. -SONATA POR CLARINET CHOIR A PAPER PRESENTED TO THE FACULTY OF TILE DEPARTMENT OF MUSIC EASTERN ILLINOIS UNIVERSITY IN PARTIAL FULFILLMENT OF TIIB REQUIREMENTS FOR IBE DEGREE MASTER OF SCIENCE IN EDUCATION DONALDS. LEWELLEN '""'."'.···-,-·. JULY, 1962' TABLE OF CONTENTS :le Page • • • • • • • . • .. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • i ile of Contents . .. ii iface ••.•....•...•........••....... •· ...•......•.•...• iii ::tion I ! Orchestra and Band ································· 1 lrinet Choir New Concept of Sound •••••••••••••••••• 2 3.rinet Choir Medium of Musical Expression . .. 2 arinet Choir Instrumentation . 3 ction II nata for Clarinet Choir - Analysis . .. 6 mmary • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 8 bliography ••••.•••••••••••••••••••••••.•••••••••••••• 10 PREFACE The available literature for clarinet choir is quite limited, and much of this literature is an arrangement of orchestral music. -
2021-2022 Calendar 2021-2022 Calendar At-A-Glance
CLEVELAND HEIGHTS-UNIVERSITY HEIGHTS CITY SCHOOL DISTRICT Permit No.4114 Cleveland, OH U.S. Postage Organization 2155 Miramar Boulevard | University Heights, OH 44118 Non Profit CHUH.org | [email protected] | (216) 371-7171 PAID Choose Public. Heights. Learn more at ChooseHeights.org. Public is for all. STAY CONNECTED TO THE CH-UH CITY SCHOOL DISTRICT Visit CHUH.org for the most up-to-date District news, lunch menus, event calendars and more! /CHUH.Schools /CHUHSchools /CHUHSchools Log on at CHUH.org Sign up at CHUH.org 2021-2022 CALENDAR 2021-2022 CALENDAR AT-A-GLANCE AUGUST 20202021 SEPTEMBER 20202021 OCTOBER 20202021 NOVEMBER 20202021 Aug. 19-20 Teacher Independant Work Days Sun Mon Tue Wed Thu Fri Sat Sun Mon Tue Wed Thu Fri Sat Sun Mon Tue Wed Thu Fri Sat Sun Mon Tue Wed Thu Fri Sat Students Not in Attendance Aug. 23 Professional Day 1 2 3 4 5 6 71 1 21 32 34 54 1 21 32 1 21 32 34 54 56 67 Teachers Report - Students Not in Attendance 82 39 104 115 126 137 148 56 67 87 89 109 1011 1211 34 54 56 67 87 89 109 87 89 109 1011 1211 1312 1314 Aug. 24 Students Report to School 159 1016 1711 1812 1913 2014 1521 1312 1314 1514 1516 1617 1817 1819 1011 1211 1312 1314 1514 1516 1617 1514 1516 1617 1817 1819 2019 2021 Sept. 6 All Schools Closed Labor Day 2216 2317 2418 2519 2026 2721 2822 2019 2021 2221 2322 2324 2524 2526 1817 1819 2019 2021 2221 2322 2324 2221 2322 2324 2524 2526 2627 2827 Sept. -
Kimberly Cole Luevano, DMA
Kimberly Cole Luevano, DMA College of Music 1809 Goshawk Lane University of North Texas Corinth, TX 76210 Denton, TX 76203 734.678.9898 940.565.4096 [email protected] [email protected] Present Appointments University of North Texas, Denton, TX. Professor 2018-present Associate Professor 2012-2018 Assistant Professor 2011-2012 Responsibilities include: • Teaching Applied Clarinet lessons. • Teaching Doctoral Clarinet Literature course (MUAG 6360). • Teaching pedagogy courses as needed (MUAG 4360/5360). • Serving on graduate student recital and exam committees. • Advising doctoral students in development and completion of dissertation work. • Assisting in coordination of instruction of clarinet concentration lessons, clarinet secondary lessons, clarinet minor lessons, and all clarinet jury examinations. • Assisting in oversight of graduate Teaching Fellow position. • Collaborating with faculty colleagues in their performances. • Assisting in instruction of woodwinds methods classes as needed. • Coaching student chamber ensembles as needed. • Recruitment and development of the clarinet studio. • Listening to ensemble auditions for placement of clarinetists in ensembles. Director: UNT ClarEssentials Summer Workshop 2011- 2018 • Artistic direction, administration, and oversight of all aspects of the 5-day on- campus event for high school clarinetists. Haven Trio (Lindsay Kesselman, soprano; Midori Koga, piano). 2012-present TrioPolis Trio (Felix Olschofka, violin; Anatolia Ioannides, piano) 2016-present Artist Clinician: Henri Selmer-Paris 2015 – present Artist Clinician: Conn-Selmer USA 2015 – present Artist Clinician: The D’Addario Company 2013- present Education Doctor of Musical Arts degree in Clarinet Performance, Michigan State University, East Lansing, MI. 1996 Master of Music degree in Clarinet Performance, Music History concentration, Michigan State University. 1994 Postgraduate Study, L’Ecole Normale de Musique de Paris, Paris, France. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Beethoven, Bagels & Banter
Beethoven, Bagels & Banter SUN / OCT 21 / 11:00 AM Michele Zukovsky Robert deMaine CLARINET CELLO Robert Davidovici Kevin Fitz-Gerald VIOLIN PIANO There will be no intermission. Please join us after the performance for refreshments and a conversation with the performers. PROGRAM Ludwig van Beethoven (1770-1827) Trio in B-flat major, Op. 11 I. Allegro con brio II. Adagio III. Tema: Pria ch’io l’impegno. Allegretto Olivier Messiaen (1908-1992) Quartet for the End of Time (1941) I. Liturgie de cristal (“Crystal liturgy”) II. Vocalise, pour l'Ange qui annonce la fin du Temps (“Vocalise, for the Angel who announces the end of time”) III. Abîme des oiseau (“Abyss of birds”) IV. Intermède (“Interlude”) V. Louange à l'Éternité de Jésus (“Praise to the eternity of Jesus”) VI. Danse de la fureur, pour les sept trompettes (“Dance of fury, for the seven trumpets”) VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps (“Tangle of rainbows, for the Angel who announces the end of time) VIII. Louange à l'Immortalité de Jésus (“Praise to the immortality of Jesus”) This series made possible by a generous gift from Barbara Herman. PERFORMANCES MAGAZINE 20 ABOUT THE ARTISTS MICHELE ZUKOVSKY, clarinet, is an also produced recordings of several the Australian National University. American clarinetist and longest live performances by Zukovsky, The Montréal La Presse said that, serving member of the Los Angeles including the aforementioned Williams “Robert Davidovici is a born violinist Philharmonic Orchestra, serving Clarinet Concerto. Alongside her in the most complete sense of from 1961 at the age of 18 until her busy performing schedule, Zukovsky the word.” In October 2013, he retirement on December 20, 2015. -
Soundies Research
Soundies Disc 1 Golden Oldies Opening & © notice Listed in the order they appear on the disc: Del Casino Surrender 1946 Three Suns with Artie Dunn Beyond the Blue Horizon 1944 Emil Coleman with June Barton Gotta Be This or That 1945 Six Hits and a Miss Sweet Sue, Just You 1941 Harry Cool Stardust 1945 Yvonne De Carlo with Spike Jones band Lamp of Memory 1942 Ray Bloch with Carolyn Marsh I Can’t Give You Anything But Love Baby 1941 Seven Sarongs Heaven Help a Sailor 1941 Zarek and Zarina Male Order 1941 3 Car Hops At Your Service 1941 Juvenile Jubilee with Merle Pitt I Don’t Want to Walk W/out You 1942 Thelma White Hollywood Boogie 1946 Andy Iona Orchestra Tropical Swingaroo 1941 Johnny Long and Orchestra Maria Elena 1943 Varios and Vida (dancers) Begin the Beguine 1943 Larry Clinton Semper Fidelis 1943 Johnny Long In a Shanty In Old Shanty Town 1943 Billy MacDonald & His Highlanders Playmates 1944 Jimmy Dorsey Bar Babble 1943 Jimmy Dorsey with Helen O’Connell Man That’s Groovy 1943 Jimmy Dorsey La Rosita 1943 Gene Krupa with Anita O’Day Let Me Off Uptown 1942 Gene Krupa with Anita O’Day Thanks for the Boogie Ride 1942 Al Donahue with Ellen Connor Java Jive 1943 Al Donahue with Phil Brito Lonesome Road 1943 Victor Young Hold That Tiger 1940 Al Donahue Anvil Chorus 1943 Al Donahue with Ellen Connor Jumpin’ at the Juke Box 1943 Will Bradley Boardwalk Boogie 1941 Will Bradley Barnyard Bounce 1941 Johnny Long Boogie Man 1943 Charlie Spivak Hop, Skip and Jump 1942 Johnny Long It Must Be Jelly 1946 Nat King Cole Frim Fram Sauce 1945 Nat King Cole Calypso Girl (?) Mills Brothers Cielito Lindo 1944 Cab Calloway Minnie the Moocher 1942 Soundies Disc 2 All of these are Soundies except the Artie Shaw number from Second Chorus. -
Mozart Adagio Kv411 for Reed Quintet Sheet Music
Mozart Adagio Kv411 For Reed Quintet Sheet Music Download mozart adagio kv411 for reed quintet sheet music pdf now available in our library. We give you 6 pages partial preview of mozart adagio kv411 for reed quintet sheet music that you can try for free. This music notes has been read 2355 times and last read at 2021-09-23 14:59:30. In order to continue read the entire sheet music of mozart adagio kv411 for reed quintet you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Alto Saxophone, Bassoon, Clarinet, Oboe Ensemble: Woodwind Quintet Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Mozart Adagio Kv410 For Reed Trio Oboe Clarinet Bassoon Mozart Adagio Kv410 For Reed Trio Oboe Clarinet Bassoon sheet music has been read 2465 times. Mozart adagio kv410 for reed trio oboe clarinet bassoon arrangement is for Early Intermediate level. The music notes has 5 preview and last read at 2021-09-23 19:25:04. [ Read More ] Adagio From Piano Concerto In A Major K488 Mozart Arranged For Wind Quintet Adagio From Piano Concerto In A Major K488 Mozart Arranged For Wind Quintet sheet music has been read 2817 times. Adagio from piano concerto in a major k488 mozart arranged for wind quintet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-22 11:16:49. [ Read More ] Mozart Clarinet Concerto K622 Mvt Ii Adagio Transposed Into Eb Wind Quintet Clarinet Feature Mozart Clarinet Concerto K622 Mvt Ii Adagio Transposed Into Eb Wind Quintet Clarinet Feature sheet music has been read 7008 times. -
Tips for Writing a Curriculum Vitae a Curriculum Vitae Or CV Is an Expanded, Detailed Version of Your Resume That Provides an Em
Tips for Writing a Curriculum Vitae A curriculum vitae or CV is an expanded, detailed version of your resume that provides an employer with in-depth information about your experience and training. If you are searching for a college-level teaching position, you will be expected to submit a current CV along with other supplemental materials, such as a cover letter, teaching philosophy, recommendations and possibly a sample syllabus. Search committees expect CVs for full-time college teaching positions to be longer than 1-2 pages—more veteran educators may have a CV that exceeds 10 pages. Even though long CVs are permissible, it’s important to be judicious about what you include so that your CV is easy to scan and digest. This handout will provide an overview of the main components that should be included in a CV, best practices for formatting, and sample CVs for you to work from. The Basics Always keep the employer’s needs in mind. Study the job description carefully and then adapt your CV to address the position’s specific responsibilities and qualifications. If private teaching is the focus of a faculty position, you will want to highlight all of your studio teaching experience first. If ensemble coaching and theory instruction are also part of the position, you should find a way to frame your experience so that you convey to a search committee that you are also capable of meeting these demands. Formatting counts. Your CV should be easy to navigate and have a clear format, with consistent headers, sub-headers and body information.