Clarinetfest® 2015 — Madrid
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CURRICULUM VITAE Greta Alfaro Spain 1977. Contact
CURRICULUM VITAE Greta Alfaro Spain 1977. Contact: [email protected] Education - 2009/2011 Royal College of Art. MA Fine Art-Photography. London. - 2002/2003 Randolph-Macon Woman’s College. Fine Art Department. VA, USA. - 1996-2001 Graduate in Fine Arts. Universidad Politécnica de Valencia, Spain. Grants, Awards and Residencies 2014 - Real Academia de España en Roma. Residency of nine months funded by the Ministry of External Affairs of Spain. - Special Award Les Rencontres cinématographiques de Cerbère-Portbou, France. - Special Cinema Jury Award at Erarta Motion Pictures Film Festival. Saint Petersburg, Russia. 2013 - Generación 2014. Art Projects Caja Madrid, Spain. - The James Prize. Moving Image Video Art Fair, New York. 2011 - CAM grant for Visual Arts, Spain. Residency in Mexico City in 2012. 2009 - Genesis Foundation Award, London. - IX Prize of Photography for young artists El Cultural. Madrid, Spain. - Visual arts grant from the Government of Navarra. 2008 - Matadero 08 International Mobility for artists from City Council of Madrid. - Explum Arte Actual 08. Puerto Lumbreras, Spain. * 2007 - XII Premio de Artes Visuales Ciudad de Burriana. Burriana, Spain. * - Última, Creació Contemporània Jove. Valencia, Spain. * 2006 - Casa de Velázquez. Two years residency at Casa de Velázquez, Madrid. 2005 - Government of Mexico. Grant for foreign artists. Six months in Mexico City. - Fundación Bilbao Arte. One year residency. Bilbao, Spain. - Rogaland Art Centre. Two months residency granted by Rogaland Art Centre and Bilbao Arte. Stavanger, Norway. 2002 Bolsería 21, 46001. Valencia . Spain www.rosasantos.net - Randolph Macon Woman’s College. One year of extracurricular studies in Fine Arts. Granted by RMWC. Lynchburg VA, USA. - Leonardo Da Vinci from European Union. -
Boston Symphony Orchestra Archives
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Pink – Wind Symphony Blue – Symphonic Band Green
CBDA CHAIR AUDITION RESULTS This does not include students who did not have to chair audition (WS tenor/bari sax, percussion, etc). Pink – Wind Symphony Blue – Symphonic Band Green – Concert Band First Last Inst School Grade Chair Dillon Halpin Flute Mira Mesa HS 12 1 Samantha Anderson Flute Valencia HS 11 2 Ashley Fang Flute Diamond Bar HS 12 3 Laura Gong Flute Westmont HS 11 4 Ellen Cheng Flute Homestead HS 10 5 Erica Wang Flute Torrey Pines HS 9 6 Ellie Huang Flute Amador Valley HS 11 1 Anna Lee Flute Orange County School of the Arts 11 2 Curtis Li Flute Amador Valley HS 10 3 Heidi Harris Flute Reedley HS 12 4 Jana Bridi Flute Harmony Magnet Academy 11 5 Ella Watson Flute Oak Ridge HS 11 6 Juliet Fang Flute University HS (Fresno) 10 7 Audrey Moeller Flute Santa Monica HS 11 8 Aadya Abhyankar Flute West Ranch HS 9 9 Joanna Hsieh Flute Los Altos HS 11 1 Caroline Gong Flute Head Royce School 10 2 Jennifer Su Flute Rio Americano HS 12 3 Minseo Kim Flute California HS 9 4 Elizabeth Rodriguez Flute Central HS 11 5 Ananya Navale Flute Dougherty Valley HS 11 6 Tansy Chen Flute Folsom HS 11 7 Annie Ping Flute Valley Christian HS 12 8 Alex Park Flute Northwood HS 9 9 Jasmine Yu Flute James Logan HS 10 10 Ashley Park Flute Crescenta Valley HS 10 11 Ivy Gin Flute Santiago HS 11 12 Cate Collard Flute Crescenta Valley HS 11 13 Phoebe Liu Flute Amador Valley HS 11 14 Jack Lichterman Flute Santa Monica HS 11 15 First Last Inst School Grade Chair Jackson Van Vooren Bb Clarinet Los Altos HS 11 1 Nicholas Kim Bb Clarinet Agoura HS 11 2 Nathan Nguyen -
Violinist Lana Trotovsek Has Won Admiration for Her Expressive Playing and Unique Musicality
Violinist Lana Trotovsek has won admiration for her expressive playing and unique musicality. The Washington Post has described her as ‘Radiant’ and praised her ‘clean, refined tone with musical sense of phrasing and impeccable intonation’. The Strad Magazine has mentioned her ‘true feel of live intuitive performance’ . She has captivated audiences with her ‘warm sound and formidable technique’ La Vanguardia and her talent of bringing ‘freshness, depth and insight’ Broad Street Review to her interpretations. Since her debut with the Mariinsky Theatre Orchestra under Valery Gergiev in 2012, Lana Trotovsek appeared with some of the world’s finest orchestras. In 2014, she toured with the Moscow Soloists and Yuri Bashmet and in 2016 she performed Prokofiev’s Violin Concerto No.1 with the London Symphony Orchestra under Gianandrea Noseda. Her recent schedule included the BBC 3 live recording of a Violin Concerto “Venus Blazing” composed by Deirdre Gribbin with the Ulster Orchestra in Belfast, Tchaikovsky violin concerto with the Royal Philharmonic Orchestra under Raphael Payare, a premiere of Hugo Wolf Violin Concerto in Congress Centre Villach in Austria, Mendelssohn violin concerto with the RTS Symphony Orchestra in the Shanghai Oriental Arts Centre as well as in Klagenfurt Konzerthaus with Carinthian Symphony Orchestra, and an evening recital in Wigmore Hall, which has been described as “remarkable” by the Strad magazine. Over the past few years Lana has collaborated with Tan Dun and Orchestra Teatro Verdi, the Shanghai and Slovenian Philharmonic, as well as Uros Lajovic and the Sarajevo Philharmonic Orchestra, the RTV Slovenia under George Pehlivanian, the Kalamazoo Symphony Orchestra, and the Chamber Orchestra of Philadelphia, where she was described as “an emerging voice to watch” by Philadelphia Inquirer. -
Working Paper #2019/35 the AIRBNB EFFECT on the RENTAL
Working Paper #2019/35 THE AIRBNB EFFECT ON THE RENTAL MARKET: THE CASE OF MADRID1 Jorge Luis Casanova Ferrando2 UAM-Accenture Working Papers ISSN: 2172-8143 Edited by: UAM-Accenture Chair on the Economics and Management of Innovation, Autonomous University of Madrid, Faculty of Economics Editado por: Cátedra UAM-Accenture en Economía y Gestión de la Innovación E-mail: [email protected] URL: https://www.catedrauamaccenture.com/uam-accenture-working-papers/ 1 Este documento ha sido elaborado sobre la metodología, resultados y conclusiones de la Tesina para la obtención del Grado en Económicas. Dirigido por el Prof. Juan Carlos Salazar-Elena. Mayo, 2019 2 Correo de contacto: [email protected] ABSTRACT The debate over Airbnb is increasingly gaining attention both in academic and non- academic spheres. However, in specialized literature almost all analyses have ignored the spatial dependence behind it, that is, when landlord’s decisions to raise or keep prices are related to each other. In the City of Madrid, non-spatial and spatial regressions were compared over individual rental prices. Results suggest that traditional models were biased and, once contemplating these effects, the impact of Airbnb is no longer significant. The causes could be the lower profitability, lack of legal guarantees and a strong competition of professional hosts. As a result, there are less incentives to displace dwellings from the rental market and push rental prices up. Keywords: Airbnb, housing rents, endogeneity, spatial dependence. Table of Contents -
Concert Band
2020-2021 John Horn High School Concert Band Last First Grade Instrument Balderas Stephanie 9 Flute Contreras Melissa 9 Flute De la cruz Yasmin 9 Flute Griffin Shakira 9 Flute Munoz Giovanna 9 Flute Ramirez Kassandrea 9 Flute Roman Gomez Daniela 9 Flute Salas Elisabeth 9 Flute Sears Natalee 9 Flute Syblik Robert 9 Flute Torres Brianna 9 Flute Cano Nevaeh 10 Flute Freeman Morgyn 10 Flute Moncivais Garcia Leslie 10 Flute Taylor Aniyah 10 Flute Assefa Roman 9 Oboe Hernandez Hector 9 Bassoon Jasso Bryan 9 Bassoon Garcia Amalio 9 Clarinet Lujan Daniela 9 Clarinet Sanchez Hector 9 Clarinet Taylor Ja'Niyah 9 Clarinet Garcia Erick 10 Clarinet Leon Ingrid 10 Clarinet Syblik Charles 11 Clarinet Browning Deonte 10 Bass Clar Gonzalez Miralria Erick 9 Saxophone Hammett Jacob 9 Saxophone Melgareljo Oliveras Kevin 9 Saxophone Picazo Kelvin 9 Saxophone Shapter Cody 9 Saxophone Torres Jorge 9 Saxophone Castillo Christian 11 Saxophone Calito Otto 12 Saxophone Tenor Mares Noel 9 Saxophone Parada Adrian 9 Bari Sax Moreno Oscar 9 Trumpet Morvan Christopher (Patrick) 9 Trumpet Vicente Brissa 9 Trumpet Zachary Brandon 9 Trumpet Arellano George 9 Horn Castillo Isaac 9 Horn Guadarrama Christopher 9 Horn Sanchez Alan 9 Horn Craft Joshua 10 Horn Garcia Hernandez Gabriela 9 Trombone Hidrogo Leonardo 9 Trombone Lynch Ricardo 9 Trombone Yepez Christopher 9 Trombone Cummings Maicee 10 Trombone Eyi Ethan 9 Euphonium Lira Jaasiel 9 Euphonium Madi Adam 9 Euphonium Martinez Rubio Dulce 9 Euphonium Suppa Jackson 11 Euphonium Alfaro Javier 9 Tuba Vargas Alazio 9 Tuba Valdez Raul 10 Tuba Andrade Martinez Nelson 9 Chavez Nino Diego 9 Sim Samali 9 VargasValdez Luis 9 Dagley Anthony 10 Merez Nadelyn 10 Mfebe Nwebi Jason 10 Molina Samara 10 Morales Isabela 10 . -
Biographies (A-Z) Lecturers and Master Staff
Biographies (A-Z) Lecturers and Master Staff Tommaso Agasisti Tommaso Agasisti is Associate Professor at Politecnico di Milano, Department of Management, Economics and Industrial Engineering (where he teaches Economia e Organizzazione Aziendale and Public Management) and Codirector of I&PA – MIP Politecnico di Milano Graduate School of Business. He is Associate Editor of the academic journal Higher Education Quarterly (HEQ), and member of the editorial board of other two academic journals, Tertiary Education And Management (TEAM) and Educational Researcher (ER). His studies are in the field of Public Economics and Finance, Public Management and Policy, Public Administration, with particular reference to the educational sector. His research is published in several international peer-reviewed academic journals, in both fields of Economics and Education. He also served as consultant for Italian universities and public administrations. Deborah Agostino Deborah Agostino is Assistant professor at Politecnico di Milano (Department of Management, Economics and Industrial Engineering), where she got a Master Degree and a PhD in Management Engineering respectively in 2008 and 2012. She teaches Business Administration at Bs in Biomedical Engineering. She is also lecturer in Management Accounting and Control at MIP (international MBA courses and master courses in the educational area). Her research interests cover mainly two areas: performance management in public networks, with a specific attention to the public transport field. In this area, the design, implementation and use of Key Performance Indicators are the main investigated issues. The second research interest is related to performance measurement in the social media era, with a particular focus on social technologies in the cultural field. -
Magnus Lindberg 1
21ST CENTURY MUSIC FEBRUARY 2010 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $96.00 per year; subscribers elsewhere should add $48.00 for postage. Single copies of the current volume and back issues are $12.00. Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. email: [email protected]. Typeset in Times New Roman. Copyright 2010 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Copy should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors are encouraged to submit via e-mail. Prospective contributors should consult The Chicago Manual of Style, 15th ed. (Chicago: University of Chicago Press, 2003), in addition to back issues of this journal. -
And Progress to St Martin's Chamber Music Competition Final
Competition Final: Tuesday 27 April, 7.30pm Thank you Iceland: Finalists Defy 'Act of God' and progress to St Martin's Chamber Music Competition Final The Piatti String Quartet, Greenwich Trio and Elixir Trio will perform in their bid to become the first ever winners of St Martin's Chamber Music Competition in partnership with Making Music. After making it through the preliminary and semi−final rounds, the three groups will compete for the coveted prize. Piatti String Quartet, stranded in France by the cloud of volcanic ash which wreaked havoc for travellers across Europe last week, drove through the night to a ferry from Dunkirk in order to make their scheduled semi−final last Tuesday 20 April. While those stranded were cursing Iceland's volcanic activity, The Greenwich Trio are newly converted fans of the volcano. As the reserve ensemble for the semi−final of the competition, they were called on Monday 19 April when it became clear that unfortunately, not all semi−finalists would make it back to London to perform, and were offered a place in the semi−final the next day. Their performance of excerpts from Beethoven's Archduke Piano Trio and Ravel Piano Trio in A minor impressed the panel with its vivacity, passion and technical brilliance. Paris based Elixir Trio according to one semi−final panellist, gave the "most extraordinarily moving and engaging" performance of the slow movement from Francaix's Piano Trio to secure their place in Tuesday's final. "We gave them extra points for the violinist's blue hair" joked another panellist, then hastening to add that actually, it was the groups musical performance which saw them succeed. -
National Event of Madrid Madream
National Event of Madrid MADream OCTOBER 2016 Erasmus Student Network Vigo Local de asociaciones 3, edificio Miralles, Plaza Miralles, Campus Universitario Lagoas Marcosende s/n 36310 Vigo www.esnvigo.org 1 INDEX Toledo Madrid Segovia Erasmus Student Network Vigo Local de asociaciones 3, edificio Miralles, Plaza Miralles, Campus Universitario Lagoas Marcosende s/n 36310 Vigo www.esnvigo.org 2 Toledo City considered Heritage of Humanity since 1986, Toledo is known as “the city of three cultures” because it was occupied many centuries by Christians, Jewish and Muslims. It is the capital of Castilla-La Mancha and its name has a Latin origin which means “erected, at the top” due to its geographic location. Monastery San Juan de los Reyes It was designed by the architect Juan Guas as a request of the Catholic Kings for the Franciscan Order to commemorate their victory at the Battle of Toro (1476). It was declared Historic-Artistic Monument of national interest in 1926. Formed by a unique nave, it has open chapels with arches to allow the practice of simultaneous rites. The temple, completed in 1495, has an Elizabethan style, made with one nave with alcove chapels between the buttress and with chorus raised at the feet. The cloister, considered one of the Spanish jewels of the Gothic period, is the most antique of the two it had and it suffered many restorations. It has two floors and has a squared floor. The church communicates with the cloister by the south side through two doors situated in the transept and the nave. Erasmus Student Network Vigo Local de asociaciones 3, edificio Miralles, Plaza Miralles, Campus Universitario Lagoas Marcosende s/n 36310 Vigo www.esnvigo.org 3 Synagogue of El Tránsito The synagogue, also known as the synagogue of Samuel ha-Levi, is a building of the XIV century erected under the patronage of Samuel ha-Levi during the reign of Peter I. -
A Plutón Para Saxo Alto Y Piano
Fémina Clásica inicia hoy su segunda andadura después del exitoso primer concierto el año pasado. Asunto de dos, concierto de todos, pretende ser una metáfora de la concordia y la ilusión con que se inician las relaciones entre dos personas, pero también como un reclamo a la responsabilidad que todos debemos tener ante las consecuencias que puedan generar las discordias y los actos de violencia en la pareja, mayoritariamente contra la mujer. La buena influencia de la música puede contribuir a que las relaciones entre dos personas no generen violencia; y con este propósito las compositoras e intérpretes que participan han querido contribuir para que algún día, más temprano que tarde, el placer de disfrutar la música reemplace al Día Internacional contra la Violencia de Género. Por eso, depende de cada uno de nosotros convertir el asunto de dos en un concierto de todos. El concierto fémina Clásica’09 y su grabación en directo para un disco promocional se enmarcan dentro de las actividades de apoyo al Día Internacional contra la Violencia de Género. 05 I II MARÍA DOLORES MALUMBRES: A Plutón (2007) para saxo alto y piano CRUZ LÓPEZ DE REGO: Tríptico cubano para soprano y piano (1994) Manuel Miján, saxo alto / Sebastián Mariné, piano Consejo, texto: Rafael Estenger Disfraz, texto: Raúl González de Cascorro SOFÍA MARTÍNEZ: La liberación del círculo para violín y viola (2009) * Y te busqué por pueblos, texto: José Martí Guacimara Alonso, violín / Alejandro Garrido, viola Celia Alcedo, soprano / Ana Vega Toscano, piano BEATRIZ ARZAMENDI: Prismas -
Timothy Bonenfant CV 2020-21
Timothy Bonenfant, D.M.A., Clarinetist Carr Education Fine-Arts Building, Room 217 ASU Station #10906; San Angelo, TX 76909-0906 (325) 486-6029 | [email protected] TEACHING EXPERIENCE 2005-present Professor of Music Angelo State University: San Angelo, TX Teach single reed studio (clarinet and saxophone) and advise students within the studio. Direct ASU Jazz Ensemble. Teach classes in Improvisation, Woodwind Methods, Jazz History, Introduction to Music and Survey of Rock and Roll. Direct/coach small woodwind ensembles (saxophone quartet, clarinet choir). 2017-2018 Adjunct Professor of Music Hardin Simmons University: Abilene, TX Taught saxophone studio while a search for a permanent replacement was conducted. 1996-2005 Instructor Las Vegas Academy for the Fine and Performing Arts: Las Vegas, NV Taught private lessons, fundamentals of music, and coached woodwind sectionals. 1993-2005 Lecturer University of Nevada, Las Vegas Taught Jazz Appreciation, Music Appreciation, History of Rock and Roll, History of American Popular Music, Finale: An Introduction, Music Fundamentals (for non-majors), Remedial Music Theory/Ear-Training. Also taught private lessons for clarinet and saxophone students. Developed new courses for the department; History of American Popular Music, and Finale: An Introduction. UNIVERSITY CLASSES TAUGHT Applied Music: Clarinet/Saxophone Woodwind Chamber Music Jazz Ensemble Improvisation Survey of Rock and Roll History of Jazz History of American Popular Music Introduction to Music Woodwind Methods Senior Recital Finale™