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Concert Band
2020-2021 John Horn High School Concert Band Last First Grade Instrument Balderas Stephanie 9 Flute Contreras Melissa 9 Flute De la cruz Yasmin 9 Flute Griffin Shakira 9 Flute Munoz Giovanna 9 Flute Ramirez Kassandrea 9 Flute Roman Gomez Daniela 9 Flute Salas Elisabeth 9 Flute Sears Natalee 9 Flute Syblik Robert 9 Flute Torres Brianna 9 Flute Cano Nevaeh 10 Flute Freeman Morgyn 10 Flute Moncivais Garcia Leslie 10 Flute Taylor Aniyah 10 Flute Assefa Roman 9 Oboe Hernandez Hector 9 Bassoon Jasso Bryan 9 Bassoon Garcia Amalio 9 Clarinet Lujan Daniela 9 Clarinet Sanchez Hector 9 Clarinet Taylor Ja'Niyah 9 Clarinet Garcia Erick 10 Clarinet Leon Ingrid 10 Clarinet Syblik Charles 11 Clarinet Browning Deonte 10 Bass Clar Gonzalez Miralria Erick 9 Saxophone Hammett Jacob 9 Saxophone Melgareljo Oliveras Kevin 9 Saxophone Picazo Kelvin 9 Saxophone Shapter Cody 9 Saxophone Torres Jorge 9 Saxophone Castillo Christian 11 Saxophone Calito Otto 12 Saxophone Tenor Mares Noel 9 Saxophone Parada Adrian 9 Bari Sax Moreno Oscar 9 Trumpet Morvan Christopher (Patrick) 9 Trumpet Vicente Brissa 9 Trumpet Zachary Brandon 9 Trumpet Arellano George 9 Horn Castillo Isaac 9 Horn Guadarrama Christopher 9 Horn Sanchez Alan 9 Horn Craft Joshua 10 Horn Garcia Hernandez Gabriela 9 Trombone Hidrogo Leonardo 9 Trombone Lynch Ricardo 9 Trombone Yepez Christopher 9 Trombone Cummings Maicee 10 Trombone Eyi Ethan 9 Euphonium Lira Jaasiel 9 Euphonium Madi Adam 9 Euphonium Martinez Rubio Dulce 9 Euphonium Suppa Jackson 11 Euphonium Alfaro Javier 9 Tuba Vargas Alazio 9 Tuba Valdez Raul 10 Tuba Andrade Martinez Nelson 9 Chavez Nino Diego 9 Sim Samali 9 VargasValdez Luis 9 Dagley Anthony 10 Merez Nadelyn 10 Mfebe Nwebi Jason 10 Molina Samara 10 Morales Isabela 10 . -
800.4Wenger (800.493.6437) • Instrument and Garment Storage
“Wenger instrument storage cabinets are our first choice because they hold up well and look good. Wenger has been around a long time – they’ve worked out all the kinks. They offer many different cabinet options – doors, sizes – and are helpful in planning the proper layout.” – Rick Ghinelli, Performing & Visual Arts Director Spring Independent School District, Houston, Texas Sequoia High School, Redwood, California 800.4WENGER (800.493.6437) • www.wengercorp.com INSTRUMENT AND GARMENT STORAGE Instrument Storage AcoustiCabinets ™ Attic Storage Percussion Cabinets Page 51 Page 54 Workstation Pages 48-53 Page 60 Instrument storage cabinets New soft-sided storage The most trusted way to that are designed to be an protects equipment and A lockable, mobile storage secure and protect valuable integral part of your room’s creates storage space on solution and practical work instruments. Available in a acoustical treatment. top of your instrument area all rolled into one single variety of colors, sizes and storage cabinets. durable tool. styles. Tuba/Sousaphone Stringed Instrument Stringed Instrument Rack ’n Roll ® Rack Cabinet Racks Garment Rack Page 61 Page 62 Page 63 Page 64 Move and store any Store a variety of stringed Safely store and transport The easy way to move combination of tubas and instruments easily and Cellos, Basses, Violins and garments from place sousaphones safely and securely in one location. Violas. to place. securely. Garment Storage Music Library System Music Sorting Rack Folio Cabinets Cabinets Page 66 Page 67 Pages 68-69 Page 65 Cut your sheet music A portable, rolling cabinet Keep all your folios Whether it’s band uniforms, storage space needs by for sorting and distributing organized and right where choir robes, or theatre more than 50% with our sheet music. -
Magnus Lindberg 1
21ST CENTURY MUSIC FEBRUARY 2010 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $96.00 per year; subscribers elsewhere should add $48.00 for postage. Single copies of the current volume and back issues are $12.00. Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. email: [email protected]. Typeset in Times New Roman. Copyright 2010 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Copy should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors are encouraged to submit via e-mail. Prospective contributors should consult The Chicago Manual of Style, 15th ed. (Chicago: University of Chicago Press, 2003), in addition to back issues of this journal. -
Beginning Band and Orchestra Information and Welcome
______________________________________________________________________________________________________ Beginning Band and Orchestra Information and Welcome Welcome to the Warrior Instrumental Music Program at Heritage and Friendly Hills Middle Schools! This packet contains information regarding required class materials, as well as information specific to instruments in our bands and orchestras and how to obtain your instrument. In order to be ready to play in band or orchestra, students need to acquire their instrument/book. The following page outlines the 3 options for obtaining your instrument/book: 1) Rent-to-own from a local Music Store 2) Purchase online, family, or friend 3) Rent from the school. Our goal is to begin using instruments/books the week of October 5. Renting Large Instruments: Students playing larger instruments (F horn, baritone, tuba, bass) will be able to keep their rented instrument at home and use a school instrument during any at-school playing. Rental Fees and Financial Limitations No student will be turned away from participating in instrumental music due to the inability to pay for a rental. If financial limitations prevent a family from renting, each middle school has a limited supply of instruments available to families at a reduced rate (or free if needed). Please inform your teacher if you think you might need a school instrument. *We need to know how you plan on obtaining your instrument/book by Friday, September 25th. All the best, District 197 Middle School Music Staff Lauri Booth Claire Dill Galen -
RODGERS, HAMMERSTEIN &Am
CONCERT NO. 1: IT'S ALL IN THE NUMBERS TUESDAY JUNE 14, 2005 ARTEL METZ DRIVE, 7:30 pm SOLOISTS: Trumpet Quartet Lancaster HS Concert Choir - Gary M. Lee, Director SECOND CENTURY MARCH A. Reed SECOND SUITE FOR BAND G. Holst FOUR OF A KIND J. Bullock Trumpet Quartet IRISH PARTY IN THIRD CLASS R. Saucedo SELECTIONS FROM A CHORUS LINE J. Cavacas IRVING BERLIN'S AMERICA J. Moss WHEN THE SAINTS GO MARCHIN' IN Traditional Lancaster HS Concert Choir - Gary M. Lee, Director 23 SKIDOO Whitcomb STAR SPANGLED SPECTACULAR G. Cohan GALLANT SEVENTH MARCH J. P. Sousa CONCERT NO. 2: RODGERS, HAMMERSTEIN & HART, WITH HEART TUESDAY JUNE 21, 2005 ARTEL METZ DRIVE, 7:30 pm SOLOISTS: Deborah Jasinski, Vocalist Bryan Banach, Piano Pre-Concert Guests: Lancaster H.S. Symphonic Band RICHARD RODGERS: SYMPHONIC MARCHES Williamson SALUTE TO RICHARD RODGERS T. Rickets LADY IS A TRAMP Hart/Rodgers/Wolpe Deborah Jasinski, Vocalist SHALL WE DANCE A. Miyagawa SHOWBOAT HIGHLIGHTS Hammerstein/Kerr SLAUGHTER ON 10TH AVENUE R. Saucedo Bryan Banach, Piano YOU'LL NEVER WALK ALONE arr. Foster GUADALCANAL MARCH Rodgers/Forsblad CONCERT NO. 3: SOMETHING OLD, NEW, BORROWED & BLUE TUESDAY JUNE 28, 2005 ARTEL METZ DRIVE, 7:30 pm SOLOISTS: Linda Koziol, Soloist Dan DeAngelis & Ben Pulley, Saxophones The LHS Acafellas NEW COLONIAL MARCH R. B. Hall THEMES LIKE OLD TIMES III Barker SHADES OF BLUE T. Reed Dan DeAngelis, Saxophone BLUE DEUCE M. Leckrone Dan DeAngelis & Ben Pulley, Saxophones MY OLD KENTUCKY HOME Foster/Barnes MY FAIR LADY Lerner/Lowe BLUE MOON Rodgers/Hart/Barker Linda Koziol, Soloist FINALE FROM NEW WORLD SYMPHONY Dvorak/Leidzon BOYS OF THE OLD BRIGADE Chambers CONCERT NO. -
Iiiiiii 1HE UNIVERSI'iy WIND SINFONIETTA --.- Walter C
Sunday Hub Ballroom February 23, 1969 3:30 P.M. IiiIIii 1HE UNIVERSI'IY WIND SINFONIETTA --.- Walter C. Welke, Conduator PROGRAM R*(-S2.~~ ~rr. R. F. GOLDMAN Washington's Grand March (1784) !('1S: eM g-ll..et (b. 1910) HYACINTHE JADIN (;tflt Overture in F (1795) Rfl ~-17-,q (1769-1800) FRANK ERICKSON I~Joo Double Concerto for Trumpet, Trombone and Band (1952)" (b. 1923) * Terry Nickels, trwnpet CH !J-II-G' * Bobbi Presson, trombone CARL M. von WEBER6~/~Concerto No. II for Clarinet 0 . 1786-1826) Introduction &Polacca * John Albert, alarinet DOMENICO CIMAROSA Con~to for ~oe c, (1749-1801) Mary Oppelt, oboe JOHN CACAVAS /fror Parada Espagno1a, Concert March (1968) ell '3-il-61 INTERMISSION (Cantiones Profane) 1936) OH "3-1/-'7 (Band Arrangement) (1967) EUGENE BOZZA En Foret Op. 40 for French Horn \I (b.1905) * Cynthia Wagner, Frenah Horn EDWARD MADDEN Fantasia on a Folk Tune (1968) JOSEPH CONSTANTINO Warwick - A Festival Piece for Band (1968) * Students of Walter C. Welke ,," .;, ~. l' . ':.~. 'h:. ,r "': ,~ ',' " . ' .. " " , UNIVERSITY WIND SINFONIETTA PERSONNEL PiaaoZo Baritone Saxophone '~ ......) Kathy Albert Martin Lund Ftute Fr-eneh Hor-n George J. Cohan Quartet A Janet Flickinger Cynthia Wagner Robbie Buell Marshall Boyd Kathy Kirschner John Kirkpatrick Oboe Leroy Lehman Quar-tet B Mary K. Oppelt Martin Hill Trina Clouse Jackie Bertran Raymond Smith Steven Kenyon EngZish Hor-n Jeanette Collins Cor-net-Trwnpet Mary K. OppeIt Bassoon Terry Nickels John Wines Ralph Jeffords Ginni Paynton Kathy Krogslund Thomas Hopkins Eb CZarinet James -
Takemi Sosa Magnus Lindberg — Musical Gesture and Dramaturgy
Magnus Lindberg —Musical Gesture and Dramaturgy ACTA SEMIOTICA FENNICA Editor Eero Tarasti Associate Editors Paul Forsell Richard Littlefield Editorial Board Pertti Ahonen Jacques Fontanille André Helbo Pirjo Kukkonen Altti Kuusamo Ilkka Niiniluoto Pekka Pesonen Hannu Riikonen Vilmos Voigt Editorial Board (AMS) Márta Grabócz Robert S. Hatten Jean-Marie Jacono Dario Martinelli Costin Miereanu Gino Stefani Ivanka Stoianova TAKEMI SOSA Magnus Lindberg — Musical Gesture and Dramaturgy in Aura and the Symphonic Triptych Acta Semiotica Fennica LIII Approaches to Musical Semiotics 26 Academy of Cultural Heritages, Helsinki Semiotic Society of Finland, Helsinki 2018 E-mail orders [email protected] www.culturalacademy.fi https://suomensemiotiikanseura.wordpress.com Layout: Paul Forsell Cover: Harumari Sosa © 2018 Takemi Sosa All rights reserved Printed in Estonia by Dipri OÜ ISBN 978-951-51-4187-3 (nid.) ISBN 978-951-51-4188-0 (PDF) ISSN 1235-497X Acta Semiotica Fennica LIII ISSN 1458-4921 Approaches to Musical Semiotics 26 Department of Philosophy and Art Studies Faculty of Arts University of Helsinki Finland Takemi Sosa Magnus Lindberg — Musical Gesture and Dramaturgy in Aura and the Symphonic Triptych Doctoral Dissertation Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki (the main building), in auditorium XII on 04 May 2018 at 12 o’clock noon. For my Sachiko, Asune and Harunari 7 Abstract The Finnish composer Magnus Lindberg (b. 1958) is one of the leading figures in the field of contemporary classical music. Curiously, despite the fascinating characteristics of Lindberg’s works and the several interesting subjects his mu- sic brings up, his works have not been widely researched. -
Orquestra Sinfónica
31 Jan 2015 Orquestra 18:00 Sala Suggia Sinfónica do Porto Casa da Música Baldur Brönnimann direcção musical 1ª PARTE Kaija Saariaho Verblendungen (1984; c.14min.) Luca Francesconi Cobalt and Scarlet (2000; c.17min.) 2ª PARTE Pascal Dusapin Reverso, solo para orquestra nº 6 (2006; c.20min.) Magnus Lindberg Cantigas (1999; c.19min.) 17:00 Cibermúsica Palestra pré ‑concerto por Baldur Brönnimann MECENAS ORQUESTRA SINFÓNICA A CASA DA MÚSICA É MEMBRO DE Foi Compositora em Residência na Casa Kaija Saariaho da Música em 2010, e nesse âmbito foram HELSÍNQUIA, 14 DE OUTUBRO DE 1952 interpretadas obras suas pelo Remix Ensem‑ ble, Coro Casa da Música e Orquestra Sin‑ A compositora finlandesa Kaija Saariaho fónica do Porto Casa da Música – três das estudou Artes Visuais na actual Universidade quais em estreia nacional. Também por oca‑ de Arte e Design, composição com Paavo sião do Focus Nørdico, em 2008, o ano dedi‑ Heinnen na Academia Sibelius, e ainda com cado pela Casa da Música aos países nór‑ Klaus Huber e Brian Ferneyhough na Freiburg dicos, foram várias as peças de Saariaho a im Breisgau Musikhochschule. Interessou‑se integrar a programação, entre as quais Ver‑ pela música assistida por computador no blendungen. Mais recentemente, em 2013, IRCAM, em 1982. a ópera Émilie foi apresentada na Casa da O seu trabalho seguiu a tradição da escola Música pela Orquestra Gulbenkian. espectral, centrada desde os anos oitenta na exploração do princípio do “eixo tímbrico”, Verblendungen segundo o qual “uma textura granulosa e rui‑ dosa pode ser ligada à dissonância, ao passo O material de base usado na fita de Verblen‑ que uma textura suave e límpida pode corres‑ dungen consiste em dois sons de violino, uma ponder à consonância”. -
MTO 16.1: Martin, Harmonic Progression in Twine
Volume 16, Number 1, February 2010 Copyright © 2010 Society for Music Theory Harmonic Progression in Magnus Lindberg’s Twine Ed Martin NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.10.16.1/mto.10.16.1.martin.php KEYWORDS: Magnus Lindberg, piano, harmonic progression, harmony, chaconne, 12-tone, dodecaphonic ABSTRACT: In the 1980s and early 1990s, Magnus Lindberg (b. 1958) developed a sophisticated harmonic system to organize progressions of dodecaphonic chords centering on his innovative use of chaconne. This article delves into Lindberg’s harmonic system by analyzing an early work in which it is fully developed: Twine (1988) for solo piano. I will discuss the construction of the composer’s dodecaphonic chords, show the inventive techniques by which he applies chaconne to systematically arrange these harmonies into progressions, and demonstrate how these progressions define the large-scale formal structure of Twine . Received January 2009 Introduction [1] In the 1980s and early 1990s, Finnish composer Magnus Lindberg (b. 1958) developed a distinct and sophisticated harmonic system for arranging dodecaphonic chords into recurring progressions centering on his inventive use of chaconne. While much has been written about the composer’s work on a surface level—including its dazzling orchestration, intricate patterns and figures, and sheer power—and several authors have mentioned the composer’s use of chaconne, this article will delve into the composer’s underlying harmonic system by analyzing an early work in which it is fully realized: Twine (1988) for solo piano. (1) I will discuss the construction of Lindberg’s dodecaphonic chords and illustrate how he applies his innovations to the chaconne technique to systematically arrange these harmonies into progressions. -
Contemporary Youth Orchestra Says Happy 80Th Birthday to Joan Tower by Mike Telin
Contemporary Youth Orchestra says happy 80th birthday to Joan Tower by Mike Telin On September 6 of 2018, Joan Tower celebrated her 80th birthday. On Saturday, March 9 at 7:00 pm, in Cuyahoga Community College’s Metro Auditorium, the Contemporary Youth Orchestra, under the direction of Liza Grossman, will honor that occasion with a concert dedicated to the eminent composer’s music. The program will include the Ohio premieres of Fanfare for the Uncommon Woman No. 6, Stroke, and In Memory (For String Orchestra), as well as Tambor. Tickets are available online. Among her numerous accolades — Tower has just been named the recipient of the League of American Orchestra’s 2019 Gold Baton Award — she was the first woman to win the Grawemeyer Award for Music in 1990. The New Yorker called her “one of the most successful woman composers of all time,” and she has served as a source of inspiration to Grossman dating back to CYO’s fourth season in 1998. “I was researching women composers and Joan was one of the first to come up,” Grossman said during a telephone conversation. The conductor said that she quickly became “fascinated” with Tower’s music and history. “The way she was carving a path for women composers and inspiring them to write really was inspirational to me.” Still, it was not until August of 2000 that Grossman decided that the orchestra was ready to play one of Tower’s works. “I got ahold of her number and I called and left a message — and she called me back. -
Style and Performance Considerations in Three Works Involving Flute by Joan Tower
Style and Performance Considerations in Three Works Involving Flute by Joan Tower: Snow Dreams , Valentine Trills , and A Little Gift by TAMMY EVANS YONCE (Under the Direction of Angela Jones-Reus and David Haas) ABSTRACT Joan Tower is a highly regarded contemporary composer who is known for her early serial style and subsequent organic style. Her compositional process is most frequently a collaborative one; a performer herself, she prefers to work with the musicians for whom she is writing. In addition to her Hexachords for solo flute (1972) and Flute Concerto (1989), which are her most commonly studied flute works, she has also written seventeen other chamber or solo works involving flute. This document contains a biography of the composer and an analysis of three chamber and solo works involving flute: Snow Dreams , Valentine Trills, and A Little Gift . A listing of Tower’s chamber and solo works involving flute and an interview with the composer are included as appendices. In addition to identifying formal aspects of the works, specific musical elements that are most salient to each work will be discussed. One of these elements in particular, density, will be analyzed in relation to how it creates or dispels intensity. Tower often employs the same compositional features in all three works to create this feeling of motion versus stasis, which is well illuminated through the analysis of the most salient musical elements. INDEX WORDS: Joan Tower, Snow Dreams , Valentine Trills , A Little Gift , A Gift, Flute, Chamber Music, Solo Music -
The Music of Joan Tower • 2008 Karel Husa Visiting Professor of Composition
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 2-5-2008 Concert: The uM sic of Joan Tower Karel Husa Ithaca College Symphony Orchestra Kulmusik Contemporary Chamber Ensemble Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Husa, Karel; Ithaca College Symphony Orchestra; and Kulmusik Contemporary Chamber Ensemble, "Concert: The usicM of Joan Tower" (2008). All Concert & Recital Programs. 4180. https://digitalcommons.ithaca.edu/music_programs/4180 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. The Music of Joan Tower • 2008 Karel Husa Visiting Professor of Composition Ford Auditorium Tuesday, February 5, 2008 8:15 p.m. PROGRAM Fanfare for the Uncommon Woman #1 \ Members of the Ithaca College Symphony Orchestra • Hom: Lori Roy, principal; Liz Teucke, assistant Rachel Haselbauer; Ella Nace; Andrea Silvestrini Trumpet: Omar Williams, principal; Ethan Urtz; Caro!Jumper; Trombone: Aiice Rogers, principal; Erin Lindon; Phil Truex, bass Tuba: Bryan Lewis Percussion: Andrew Sickmeier, timpani; Seth Nicoletti, principal; Lee Treat Jeffery Meyer*, conductor Ascent Jean Radice*, organ Big Sky Susan Waterbury*, violin 'Elizabeth Simkin*, cello Jennifer Hayghe*, piano Petroushskates • Members of Kulmusik Lisa Thornton, flute Adam Butalewicz, clarinet Susan Waterbury*, violin Sara Wolfe, cello Mary Holzhauer, piano DNA Colleen Clark, Nate Dominy, Chris Ganey, Peter Kielar, Kaye Sevier, percussion Aian Dust, conductor * Ithaca College faculty • Photographic, video, and sound recording and/ or transmitting devices are not permitted in the Whalen Center concert halls.