Duets with Piano
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
CURRICULUM VITAE Greta Alfaro Spain 1977. Contact
CURRICULUM VITAE Greta Alfaro Spain 1977. Contact: [email protected] Education - 2009/2011 Royal College of Art. MA Fine Art-Photography. London. - 2002/2003 Randolph-Macon Woman’s College. Fine Art Department. VA, USA. - 1996-2001 Graduate in Fine Arts. Universidad Politécnica de Valencia, Spain. Grants, Awards and Residencies 2014 - Real Academia de España en Roma. Residency of nine months funded by the Ministry of External Affairs of Spain. - Special Award Les Rencontres cinématographiques de Cerbère-Portbou, France. - Special Cinema Jury Award at Erarta Motion Pictures Film Festival. Saint Petersburg, Russia. 2013 - Generación 2014. Art Projects Caja Madrid, Spain. - The James Prize. Moving Image Video Art Fair, New York. 2011 - CAM grant for Visual Arts, Spain. Residency in Mexico City in 2012. 2009 - Genesis Foundation Award, London. - IX Prize of Photography for young artists El Cultural. Madrid, Spain. - Visual arts grant from the Government of Navarra. 2008 - Matadero 08 International Mobility for artists from City Council of Madrid. - Explum Arte Actual 08. Puerto Lumbreras, Spain. * 2007 - XII Premio de Artes Visuales Ciudad de Burriana. Burriana, Spain. * - Última, Creació Contemporània Jove. Valencia, Spain. * 2006 - Casa de Velázquez. Two years residency at Casa de Velázquez, Madrid. 2005 - Government of Mexico. Grant for foreign artists. Six months in Mexico City. - Fundación Bilbao Arte. One year residency. Bilbao, Spain. - Rogaland Art Centre. Two months residency granted by Rogaland Art Centre and Bilbao Arte. Stavanger, Norway. 2002 Bolsería 21, 46001. Valencia . Spain www.rosasantos.net - Randolph Macon Woman’s College. One year of extracurricular studies in Fine Arts. Granted by RMWC. Lynchburg VA, USA. - Leonardo Da Vinci from European Union. -
2019 Preview Notes • Week Two • Persons Auditorium
2019 Preview Notes • Week Two • Persons Auditorium Saturday, July 20 at 8:00pm Flute Quartet in D Major, K. 285 (1777-78) Wolfgang Amadeus Mozart Born January 27, 1756 • Died December 5, 1791 Duration: approx. 15 minutes Last Marlboro performance: 2011 When Mozart was just a few years younger than the junior participants in this group, he travelled throughout Europe with his mother in search of employment. While in Mannheim on his way to Paris, he met a Dutch merchant named Willem van Britten Dejong who happened to be an amateur flute player. Dejong, who had made his fortune in India, was happy to commission three concertos and three quartets for his instrument. Mozart, who needed the funds, was happy to accept. However, he only completed the quartets and two concertos (one a transcription of a previously-composed oboe concerto) by the time he left Mannheim. What he did write, though, charmingly showcases the flute. In this quartet, that instrument takes the lead throughout a buoyant Allegro beginning, a delicate Adagio accompanied by sparkling plucking from the strings, and a boisterous but well-balanced Rondo conclusion. Participants: Giorgio Consolati, flute; Hiroko Yajima, violin; Jordan Bak, viola; Alexander Hersh, cello Octet (2004) Jörg Widmann Born June 19, 1973 • In residence 2008, 2019 Duration: approx. 30 minutes Marlboro Premiere Though Widmann’s Octet features frequent microtones, he admits that the piece is “almost throughout, a tonal piece,” which was “risky to write in 2004.” The instrumentation suggests a clear connection to Schubert’s genre-making octet, and the piece’s central third movement, which is titled Lied ohne Worte, is a plangent nod to the composer who wrote so many Lieder over the course of his short life. -
Performance Editions of Three Works for Winds by Gyorgy Druschetzky
PERFORMANCE EDITIONS OF THREE WORKS FOR WINDS BY GYORGY DRUSCHETZKY Brandon K. McDannald, B.M.E., M.A. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: William Scharnberg, Major Professor Peter Mondelli, Committee Member Kathleen Reynolds, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School McDannald, Brandon K. Performance Editions of Three Works for Winds by Gyorgy Druschetzky. Doctor of Musical Arts (Performance), August 2018, 266 pp., 3 appendices, references, 23 titles. Gyorgy Druschetzky was a noted Czech composer of Harmoniemusik, who wrote more than 150 partitas and serenades, along with at least thirty-two other selections for larger wind groups. This is in addition to twenty-seven symphonies, eleven concertos (most for wind instruments), two fantasias, forty-seven string quartets, two operas, a ballet that is lost, and other miscellaneous chamber music for various combinations of wind/string instruments. Three of his works for winds have existed only in manuscript form since their composition: Concerto in E-flat pour 2 clarinett en B, 2 cors en E-flat, 2 fagott; Overture to Mozart’s Die Zauberflöte; and Partitta a la camera a corno di bassetto primo, secondo, terzo, due corno di caccia, due fagotti. These works remain remarkably interesting to modern ears and deserve to be heard in the twenty-first century. Along with a brief examination of Druschetzky’s life and how it figures into the history of Harmoniemusik, this work presents each piece edited into a modern performance edition. -
Tuba Syllabus / 2003 Edition
74058_TAP_SyllabusCovers_ART_Layout 1 2019-12-10 10:56 AM Page 36 Tuba SYLLABUS / 2003 EDITION SHIN SUGINO SHIN Message from the President The mission of The Royal Conservatory—to develop human potential through leadership in music and the arts—is based on the conviction that music and the arts are humanity’s greatest means to achieve personal growth and social cohesion. Since 1886 The Royal Conservatory has realized this mission by developing a structured system consisting of curriculum and assessment that fosters participation in music making and creative expression by millions of people. We believe that the curriculum at the core of our system is the finest in the world today. In order to ensure the quality, relevance, and effectiveness of our curriculum, we engage in an ongoing process of revitalization, which elicits the input of hundreds of leading teachers. The award-winning publications that support the use of the curriculum offer the widest selection of carefully selected and graded materials at all levels. Certificates and Diplomas from The Royal Conservatory of Music attained through examinations represent the gold standard in music education. The strength of the curriculum and assessment structure is reinforced by the distinguished College of Examiners—a group of outstanding musicians and teachers from Canada, the United States, and abroad who have been chosen for their experience, skill, and professionalism. An acclaimed adjudicator certification program, combined with regular evaluation procedures, ensures consistency and an examination experience of the highest quality for candidates. As you pursue your studies or teach others, you become an important partner with The Royal Conservatory in helping all people to open critical windows for reflection, to unleash their creativity, and to make deeper connections with others. -
Working Paper #2019/35 the AIRBNB EFFECT on the RENTAL
Working Paper #2019/35 THE AIRBNB EFFECT ON THE RENTAL MARKET: THE CASE OF MADRID1 Jorge Luis Casanova Ferrando2 UAM-Accenture Working Papers ISSN: 2172-8143 Edited by: UAM-Accenture Chair on the Economics and Management of Innovation, Autonomous University of Madrid, Faculty of Economics Editado por: Cátedra UAM-Accenture en Economía y Gestión de la Innovación E-mail: [email protected] URL: https://www.catedrauamaccenture.com/uam-accenture-working-papers/ 1 Este documento ha sido elaborado sobre la metodología, resultados y conclusiones de la Tesina para la obtención del Grado en Económicas. Dirigido por el Prof. Juan Carlos Salazar-Elena. Mayo, 2019 2 Correo de contacto: [email protected] ABSTRACT The debate over Airbnb is increasingly gaining attention both in academic and non- academic spheres. However, in specialized literature almost all analyses have ignored the spatial dependence behind it, that is, when landlord’s decisions to raise or keep prices are related to each other. In the City of Madrid, non-spatial and spatial regressions were compared over individual rental prices. Results suggest that traditional models were biased and, once contemplating these effects, the impact of Airbnb is no longer significant. The causes could be the lower profitability, lack of legal guarantees and a strong competition of professional hosts. As a result, there are less incentives to displace dwellings from the rental market and push rental prices up. Keywords: Airbnb, housing rents, endogeneity, spatial dependence. Table of Contents -
Biographies (A-Z) Lecturers and Master Staff
Biographies (A-Z) Lecturers and Master Staff Tommaso Agasisti Tommaso Agasisti is Associate Professor at Politecnico di Milano, Department of Management, Economics and Industrial Engineering (where he teaches Economia e Organizzazione Aziendale and Public Management) and Codirector of I&PA – MIP Politecnico di Milano Graduate School of Business. He is Associate Editor of the academic journal Higher Education Quarterly (HEQ), and member of the editorial board of other two academic journals, Tertiary Education And Management (TEAM) and Educational Researcher (ER). His studies are in the field of Public Economics and Finance, Public Management and Policy, Public Administration, with particular reference to the educational sector. His research is published in several international peer-reviewed academic journals, in both fields of Economics and Education. He also served as consultant for Italian universities and public administrations. Deborah Agostino Deborah Agostino is Assistant professor at Politecnico di Milano (Department of Management, Economics and Industrial Engineering), where she got a Master Degree and a PhD in Management Engineering respectively in 2008 and 2012. She teaches Business Administration at Bs in Biomedical Engineering. She is also lecturer in Management Accounting and Control at MIP (international MBA courses and master courses in the educational area). Her research interests cover mainly two areas: performance management in public networks, with a specific attention to the public transport field. In this area, the design, implementation and use of Key Performance Indicators are the main investigated issues. The second research interest is related to performance measurement in the social media era, with a particular focus on social technologies in the cultural field. -
Beyond the Horizon Works by Georg Hajdu, Todd Harrop, Ákos Hoffmann, Nora-Louise Müller, Sascha Lino Lemke, Benjamin Helmer, Manfred Stahnke and Frederik Schwenk
Beyond the Horizon Works by Georg Hajdu, Todd Harrop, Ákos Hoffmann, Nora-Louise Müller, Sascha Lino Lemke, Benjamin Helmer, Manfred Stahnke and Frederik Schwenk Nora-Louise Müller Clarinet / Bohlen-Pierce Clarinet Ákos Hoffmann Clarinet / Bohlen-Pierce Clarinet Beyond the Horizon Works by Georg Hajdu, Todd Harrop, Ákos Hoffmann, Nora-Louise Müller, Sascha Lino Lemke, Benjamin Helmer, Manfred Stahnke and Frederik Schwenk Nora-Louise Müller Clarinet / Bohlen-Pierce Clarinet Ákos Hoffmann Clarinet / Bohlen-Pierce Clarinet Georg Hajdu (*1960) 01 Burning Petrol (after Alexander Nikolayevich Scriabin) (2014) ....... (05' 4 5 ) 1, 2, 3, 5, 7, 8 (2 BP-Soprano Clarinets, BP-Tenor Clarinet) Todd Harrop (*1970) 02 Maelstrom (2015) 1, 2, 5 (BP Clarinet, BP-Tenor Clarinet) .................. (07' 2 3 ) Ákos Hoffmann (*1973) 03 Duo Dez (2015) 1, 2, 3 (2 BP-Soprano Clarinets, BP-Tenor Clarinet) ........... (04' 1 4 ) Nora-Louise Müller (*1977) 04 Morpheus (2015) 1, 2, 3 (2 BP-Soprano Clarinets, BP-Tenor Clarinet) ......... (03' 1 0 ) Georg Hajdu 05 Beyond the Horizon (2008) 1, 2, 8 (2 BP-Clarinets) ..................... (07' 1 6 ) Todd Harrop 06 Bird of Janus (2012) 1 (BP-Clarinet) ..................................(06' 1 1 ) Sascha Lino Lemke (*1976) 07 Pas de deux (2008) 1, 2, 9 (Clarinet in Bb, BP-Clarinet) .................... (07' 0 6 ) Benjamin Helmer (*1985) 08 Preludio e Passacaglia (2015) 1, 4, 5, 6 (BP-Tenor Clarinet) ............... (05' 4 2 ) Manfred Stahnke (*1951) 09 Die Vogelmenschen von St. Kilda (2007) 1, 2 (2 BP-Clarinets) ......... -
A Brief History of the Sonata with an Analysis and Comparison of a Brahms’ and Hindemith’S Clarinet Sonata
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1968 A Brief History of the Sonata with an Analysis and Comparison of a Brahms’ and Hindemith’s Clarinet Sonata Kenneth T. Aoki Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Composition Commons, and the Education Commons Recommended Citation Aoki, Kenneth T., "A Brief History of the Sonata with an Analysis and Comparison of a Brahms’ and Hindemith’s Clarinet Sonata" (1968). All Master's Theses. 1077. https://digitalcommons.cwu.edu/etd/1077 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. A BRIEF HISTORY OF THE SONATA WITH AN ANALYSIS AND COMPARISON OF A BRAHMS' AND HINDEMITH'S CLARINET SONATA A Covering Paper Presented to the Faculty of the Department of Music Central Washington State College In Partial Fulfillment of the Requirements for the Degree Master of Music Education by Kenneth T. Aoki August, 1968 :N01!83 i iuJ :JV133dS q g re. 'H/ £"Ille; arr THE DEPARTMENT OF MUSIC CENTRAL WASHINGTON STATE COLLEGE presents in KENNETH T. AOKI, Clarinet MRS. PATRICIA SMITH, Accompanist PROGRAM Sonata for Clarinet and Piano in B flat Major, Op. 120 No. 2. J. Brahms Allegro amabile Allegro appassionato Andante con moto II Sonatina for Clarinet and Piano .............................................. 8. Heiden Con moto Andante Vivace, ma non troppo Caprice for B flat Clarinet ................................................... -
The Inspiration Behind Compositions for Clarinetist Frederick Thurston
THE INSPIRATION BEHIND COMPOSITIONS FOR CLARINETIST FREDERICK THURSTON Aileen Marie Razey, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Kimberly Cole Luevano, Major Professor Warren Henry, Committee Member John Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Razey, Aileen Marie. The Inspiration behind Compositions for Clarinetist Frederick Thurston. Doctor of Musical Arts (Performance), August 2018, 86 pp., references, 51 titles. Frederick Thurston was a prominent British clarinet performer and teacher in the first half of the 20th century. Due to the brevity of his life and the impact of two world wars, Thurston’s legacy is often overlooked among clarinetists in the United States. Thurston’s playing inspired 19 composers to write 22 solo and chamber works for him, none of which he personally commissioned. The purpose of this document is to provide a comprehensive biography of Thurston’s career as clarinet performer and teacher with a complete bibliography of compositions written for him. With biographical knowledge and access to the few extant recordings of Thurston’s playing, clarinetists may gain a fuller understanding of Thurston’s ideal clarinet sound and musical ideas. These resources are necessary in order to recognize the qualities about his playing that inspired composers to write for him and to perform these works with the composers’ inspiration in mind. Despite the vast list of works written for and dedicated to Thurston, clarinet players in the United States are not familiar with many of these works, and available resources do not include a complete listing. -
Beethoven, Bagels & Banter
Beethoven, Bagels & Banter SUN / OCT 21 / 11:00 AM Michele Zukovsky Robert deMaine CLARINET CELLO Robert Davidovici Kevin Fitz-Gerald VIOLIN PIANO There will be no intermission. Please join us after the performance for refreshments and a conversation with the performers. PROGRAM Ludwig van Beethoven (1770-1827) Trio in B-flat major, Op. 11 I. Allegro con brio II. Adagio III. Tema: Pria ch’io l’impegno. Allegretto Olivier Messiaen (1908-1992) Quartet for the End of Time (1941) I. Liturgie de cristal (“Crystal liturgy”) II. Vocalise, pour l'Ange qui annonce la fin du Temps (“Vocalise, for the Angel who announces the end of time”) III. Abîme des oiseau (“Abyss of birds”) IV. Intermède (“Interlude”) V. Louange à l'Éternité de Jésus (“Praise to the eternity of Jesus”) VI. Danse de la fureur, pour les sept trompettes (“Dance of fury, for the seven trumpets”) VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps (“Tangle of rainbows, for the Angel who announces the end of time) VIII. Louange à l'Immortalité de Jésus (“Praise to the immortality of Jesus”) This series made possible by a generous gift from Barbara Herman. PERFORMANCES MAGAZINE 20 ABOUT THE ARTISTS MICHELE ZUKOVSKY, clarinet, is an also produced recordings of several the Australian National University. American clarinetist and longest live performances by Zukovsky, The Montréal La Presse said that, serving member of the Los Angeles including the aforementioned Williams “Robert Davidovici is a born violinist Philharmonic Orchestra, serving Clarinet Concerto. Alongside her in the most complete sense of from 1961 at the age of 18 until her busy performing schedule, Zukovsky the word.” In October 2013, he retirement on December 20, 2015. -
A Plutón Para Saxo Alto Y Piano
Fémina Clásica inicia hoy su segunda andadura después del exitoso primer concierto el año pasado. Asunto de dos, concierto de todos, pretende ser una metáfora de la concordia y la ilusión con que se inician las relaciones entre dos personas, pero también como un reclamo a la responsabilidad que todos debemos tener ante las consecuencias que puedan generar las discordias y los actos de violencia en la pareja, mayoritariamente contra la mujer. La buena influencia de la música puede contribuir a que las relaciones entre dos personas no generen violencia; y con este propósito las compositoras e intérpretes que participan han querido contribuir para que algún día, más temprano que tarde, el placer de disfrutar la música reemplace al Día Internacional contra la Violencia de Género. Por eso, depende de cada uno de nosotros convertir el asunto de dos en un concierto de todos. El concierto fémina Clásica’09 y su grabación en directo para un disco promocional se enmarcan dentro de las actividades de apoyo al Día Internacional contra la Violencia de Género. 05 I II MARÍA DOLORES MALUMBRES: A Plutón (2007) para saxo alto y piano CRUZ LÓPEZ DE REGO: Tríptico cubano para soprano y piano (1994) Manuel Miján, saxo alto / Sebastián Mariné, piano Consejo, texto: Rafael Estenger Disfraz, texto: Raúl González de Cascorro SOFÍA MARTÍNEZ: La liberación del círculo para violín y viola (2009) * Y te busqué por pueblos, texto: José Martí Guacimara Alonso, violín / Alejandro Garrido, viola Celia Alcedo, soprano / Ana Vega Toscano, piano BEATRIZ ARZAMENDI: Prismas -
Programme Artikulationen 2017
Programme ARTikulationen 2017 Introduction 2 Research Festival Programme 4 Thursday, 5 October 2017 6 Friday, 6 October 2017 29 Saturday, 7 October 2017 43 Further Doctoral Researchers (Dr. artium), Internal Supervisors and External Advisors 51 Artistic Doctoral School: Team 68 Venues and Public Transport 69 Credits 70 Contact and Partners 71 1 Introduction ARTikulationen. A Festival of Artistic Research (Graz, 5–7 October 2017) Artistic research is currently a much-talked about and highly innovative field of know- ledge creation which combines artistic with academic practice. One of its central features is ambitious artistic experiments exploring musical and other questions, systematically bringing them into dialogue with reflection, analysis and other academic approaches. ARTikulationen, a two-and-a-half day festival of artistic research that has been running under that name since 2016, organised by the Artistic Doctoral School (KWDS) of the Uni- versity of Music and Performing Arts Graz (KUG), expands the pioneering format deve- loped by Ulf Bästlein and Wolfgang Hattinger in 2010, in which the particular moment of artistic research – namely audible results, which come about through a dynamic between art and scholarship that is rooted in methodology – becomes something the audience can understand and experience. In Alfred Brendel, Georg Friedrich Haas and George Lewis, the festival brings three world- famous and influential personalities and thinkers from the world of music to Graz as key- note speakers. George Lewis will combine his lecture with a version of his piece for soloist and interactive grand piano. The presentations at ARTikulationen encompass many different formats such as keynotes, lecture recitals, guest talks, poster presentations and a round table on practices in artistic research.