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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
HIS Voice 3/2009
editorial obsah Glosář Matěj Kratochvíl 2 Sunn O))) Petr Ferenc 4 Tim Hecker Karel Veselý 5 aktuálně Vážení a milí čtenáři, Alio Die Pavel Zelinka 6 již řada čísel našeho časopisu byla věnována V pasti orientalismu Karel Veselý 8 hudbě z různých koutů světa, to aktuální v nasto- lené sérii však pokračuje jen zdánlivě. Zatímco v číslech věnovaných Polsku, Francii či Slovensku Sun City Girls Thomas Bailey 12 jsme mířili za skutečnou hudbou skutečných zemí, Orient na nejnovější obálce v sobě spojuje reálný základ a notnou dávku fantazie. Spíše než o geo- Acid Mothers Temple Petr Ferenc 15 grafickou oblast nám jde o nahlédnutí za oponu téma imaginárního Východu, oblasti, do níž si mnozí hudebníci i posluchači promítají své sny. I když První císař a dialektika Druhého Jan Chmelarčík 18 si v mnoha případech půjčují skutečné nástroje a další hudební prvky, ve vzduchu visí představa pohádkových světů. Hudební Orient má častokrát Vlastislav Matoušek Matěj Kratochvíl 22 podobně neurčitou lokaci jako říše kněze Jana, do níž mířil Baudolino, hrdina stejnojmenné knihy Umberta Eca. „Na nejzazším východě těchto krajů, Georgs Pelēcis Vítězslav Mikeš 28 oddělených od oceánu zeměmi obývanými zrůd- nými bytostmi, jimiž ostatně budeme muset také Postepilog Alfreda Šnitkeho Vítězslav Mikeš 30 projít, se nachází Pozemský ráj. (…) My se tudíž současná kompozice musíme ubírat k východu, nejdřív dorazit k Eufratu, pak k Tigridu a nakonec k řece Ganges, a potom odbočit k dolním krajům východním.“ Střet reál- Christina Kubisch Pavel Klusák 34 ného a imaginárního může mít mnoho různých podob, od dokumentární činnosti značky Sublime Frequencies přes východně-západní hudbu skla- Cuong Vu Jan Faix 38 datele Tana Duna po psychedelický rock japonské skupiny Acid Mothers Temple. -
Music Icon Bret Michaels to Play South Dakota State Fair
DEPARTMENT of AGRICULTURE and NATURAL RESOURCES JOE FOSS BUILDING 523 E CAPITOL AVE PIERRE SD 57501-3182 danr.sd.gov FOR IMMEDIATE RELEASE: May 18, 2021 MEDIA CONTACT: Candi Briley, (605) 353-7340 Music Icon Bret Michaels to Play South Dakota State Fair HURON, S.D. –The South Dakota State Fair and Pioneer welcome music icon Bret Michaels to the grandstand on Friday, September 3, 2021. With over three generations of fans, Bret Michaels is revered as a legend in the entertainment industry. One of music’s most iconic and enduring singer/songwriters, Michaels’ massive success includes selling over 50 million records worldwide and numerous hit singles. As a reality TV star, Michaels has appeared in an extensive library of hit shows including VH1’s smash show “Rock Of Love”, winning the highest rated season of NBC’s Celebrity Apprentice and Travel Channel’s “Rock My RV” currently featured on the Discovery + streaming platform. As he solidified his place as the “King Of Streaming” Bret’s shows can be seen on networks such as Apple TV, Hulu, Tubi, Pluto TV and even his own “Classics Acoustic” streaming series available now by visiting http://www.BretMichaels.video. Known for his charitable and philanthropic work, Michaels continues to give back through his Life Rocks Foundation. The Foundation recently made a grant to the betterment of student’s education as Michaels served as World College Radio Day and College Radio Ambassador. With the long-awaited return to touring, Michaels is ready to kick the party back into high gear. He’ll perform the hits he’s known for as the frontman for Poison including ‘Nothin’ but a Good Time’, ‘Every Rose Has Its Thorn’, and ‘Something to Believe In’. -
Ups and Downs of Gabrielle Upton See Page 14 See Page 16 See Page 30
First published 1953 Unsw Student Publication. August, 2016 FREE FEATURES FEATURES SPOTLIGHT ON UPS AND DOWNS OF GABRIELLE UPTON SEE PAGE 14 SEE PAGE 16 SEE PAGE 30 LETTER FROM THE EDITOR Here are a few things that have If anything, she should stand down irked me this past month. from her Senate seat because, let’s face it, plagiarism is a very serious offence. Electronic voting For now, I’m going to blame her Like Pokémon Go, it’s a really bad Senate presence on contaminated idea. #democracysausages in Queensland, and potentially WA and NSW, because 1. Bad sports hack the game and ruin the reality that people actually copied the fun for everyone. and pasted her into Parliament is the 2. It crashes just as you’re about to definition of distressing. collect ‘em all. 3. Your grandparents hate it. Hysterical Steve Price 4. You press a whole lot of buttons It is not ok to make jokes about NATALIE and find something unexpected violence against women. It is not ok SEKULOVSKA like a dead body or Tony Abbott as to make jokes about violence against your PM again. anyone. / 5. It’s just a fad, so interest will be at MANAGING EDITOR an all time high before it comes It is not ok to downplay the crashing back down. situation by saying, “But they apologised immediately.” Because if politicians think there’s something wrong with the process, It is not ok to downplay their they need to take a long hard look at behaviour by saying, “But they were a themselves first. -
BEST of 2011 – OUR FAVOURITE ALBUMS of the YEAR 1317 Commercial Drive Vancouver, BC Tel: 604-251-6964 Email: [email protected] Web: Highlifeworld.Com
HIGHLIFE Donec Egestas Scelerisque WORLD dolor: MUSIC BEST OF 2011 – OUR FAVOURITE ALBUMS OF THE YEAR 1317 Commercial Drive Vancouver, BC tel: 604-251-6964 email: [email protected] web: highlifeworld.com BEST OF 2011 BOMBINO Agadez Niger From the Saharan sands of Niger comes this recording by the brilliant guitarist/vocalist Bombino, who manages to create a distinctive desert blues style with echoes of both Ali Farka Toure and Tinariwen. An essential recording! TOM WAITS Bad As Me USA Gravelly-voiced poet and musical maverick Tom Waits returns with this strong batch of rocking blues stompers and tender ballads, joined by the likes of Keith Richards, Marc Ribot and David Hidalgo. Beginning with a train journey north to Chicago and ending in a bar on New Year’s eve (singing ‘Auld Lang Syne’ no less) this is a trip worth taking. Highly recommended! KIRAN AHLUWALIA Aam Zameen: Common Ground Canada Indo-Canadian vocalist Kiran Ahluwalia, known for her beautifully updated Ghazal music, this time does some continent hopping as she collaborates with desert blues sensations Tinariwen and Terakaft. From the opening take on Nusrat Fateh Ali Khan’s classic ‘Mustt Mustt’, propelled by handclaps and call and response vocals, we are in for an exciting cross-cultural musical feast. WILCO The Whole Love USA The 8th release by Jeff Tweedy and cohorts impressively reprises the various musical inclinations of this effortlessly creative group. From the off-kilter whirlwind of the opener to the epic beauty of the 12 minute closer, this is an album by a band at the top of their game. -
URMC V118n83 20091210.Pdf (9.241Mb)
THE ROCKY MOUNTAIN Fort Collins, Colorado COLLEGIAN Volume 118 | No. 8 T D THE STUDENT VOICE OF COLORADO STATE UNIVERSITY SINCE 1891 B ASCS ICE, ICE, BABY BOG Leg. a airs director wants student voice on governing board B KIRSTEN SIVEIRA The Rocky ountain Collegian After CSU’s governing board decided to ban concealed weapons on campus, spark- TODAYS IG ing intense controversy student leaders said Wednesday that there must be a student vot- 25 degrees ing member on the board because its mem- bers refuse to listen to students. So far this season, CSU To secure that voting member, Associ- has received a total of 44.2 ated Students of CSU Director of Legislative inches of snow with fi ve full YEAR SEASONA Affairs Matt Worthington drafted a resolu- months of the snow season TOTA IN INCES tion that would allow state leaders to appoint still ahead, according to re- a student to vote on the CSU System Board search from the Department 1 9 9 9 - 2 0 0 0 : 3 . of Governors. The ASCSU Senate moved his of Atmospheric Science. 2 0 0 0 - 2 0 0 1 : 5 resolution to committee Wednesday night. Even if the city receives 2 0 0 1 - 2 0 0 2 : 4 4 .1 ASCSU President Dan Gearhart and CSU- no more snow this winter, 2 0 0 2 - 2 0 0 3 : 1. Pueblo student government President Steve Fort Collins has already re- 2 0 0 3 - 2 0 0 4 : 9 .1 Titus both currently sit on the BOG as non- ceived more snow than in six 2 0 0 4 - 2 0 0 5 : 5 . -
Que Pasa in La
FEBRUARY 2011 ISSUE QUÉ PASA IN L.A.? By Rudy Mangual The 2010 holiday season in Los Angeles was a total blast, with celebrations that featured everything from salsa, bachata and flamenco, to disco and reggaetón. Highlights included Los Van Van’s Conga Room performances (on December 15th and 16th) and a New Year’s Eve Party on December 31st, featuring the salsa diva known as India. Costa Azul, a local group led by brothers Freddy and Johnny Crespo returned to Alma del Barrio (L.A.’s number one salsa/Latin jazz program, transmitted through KXLU-FM 88.9 and currently celebrating its 36th anniversary) for a live presentation on Sunday, January 2nd, 2011. Costazul’s performance was enhanced by the participation of guest musicians such as Johnny Polanco, Artie Webb, Arturo Velazco, Joey de León, Papo Rodríguez, Francisco Torres, Ileanna García, Eddie Resto and Dennis Jirón, among others. The broadcast of this live performance was organized by Alma del Barrio DJs Guido Herrera, Rosalba Lara and Lily Regalado, plus guest DJ Allen Geik. The band, powered by four amazing trombones and a solid rhythm section (reforced by Johnny Polanco on tres, Artie Webb on flute, and Freddy and Johnny Crespo on lead vocals) delivered a high-octane set of classic salsa tunes. Standouts included the selections Isla del Encanto, No Critiques, and Mujer Sandunguera. We thank Costazul and all the musicians that were a part of this live event, as well as all the DJs of Alma del Barrio that made it possible. Bobby Matos and his Afro-Latin Jazz Ensemble (with special guest Poncho Sánchez) performed at the Radisson Hotel’s Jazz Club in Culver City on Friday, January 15th to an appreciative crowd, while El Gran Combo de Puerto Rico took the stage of the Conga Room on January 27th, continuing a solid live musical beginning of 2011 in the City of Angels. -
SUMMIT ENTERTAINMENT Presents a MR. MUDD Production Starring
! ! SUMMIT!ENTERTAINMENT!Presents! ! A!MR.!MUDD!Production! ! ! Starring!Logan!Lerman,!Emma!Watson!and!Ezra!Miller! ! Screenplay!by!Stephen!Chbosky!based!on!his!book! ! Directed!by!Stephen!Chbosky! ! Produced!by!Lianne!Halfon,!Russell!Smith!and!John!Malkovich!! ! Running!Time:!103!minutes! Rated!PG"13! In!Theaters!September!21,!2012!(NY!&!LA)! September!28,!2012!(Expanding)! ! National!Publicity! Eric!Kops!/!Summit!LA!!! 310.255.3007!! [email protected]! Clarissa!Colmenero!/!Summit!NY!! 212.386.6847!! [email protected]! Mike!Rau!/!Summit!LA!!! 310.255.3232!! [email protected]!! ! Regional!Publicity! Sabryna!Phillips!/!Summit!!! 310.309.8420!! [email protected]! ! Online!Publicity! Ryan!Fons!/!Fons!PR!!! 323.445.4763!! [email protected]! THE!PERKS!OF!BEING!A!WALLFLOWER! ! A!sensitive!teenager!learns!to!navigate!the!soaring!highs!and!perilous!lows!of!adolescence!in!The! Perks!of!Being!a!Wallflower,!a!powerful!and!affecting!coming"of"age!story!based!on!the!wildly!popular! young!adult!novel!by!Stephen!Chbosky.!Starring!Logan!Lerman!(Percy!Jackson!and!the!Olympians),!Emma! Watson!(the!Harry!Potter!franchise)!and!Ezra!Miller!(We!Need!to!Talk!About!Kevin,!Another!Happy!Day),! The!Perks!of!Being!a!Wallflower!captures!the!complexities!of!growing!up!with!uncommon!grace,!humor! and!compassion.! It’s!1991!and!academically!precocious,!socially!awkward!Charlie!(Logan!Lerman)!is!a!wallflower,! always!watching!from!the!sidelines,!until!a!pair!of!charismatic!seniors!take!him!under!their!wing.! Beautiful,!free"spirited!Sam!(Emma!Watson)!and!her!fearless!stepbrother,!Patrick!(Ezra!Miller),!shepherd! -
Your Free Copy
YOUR FREE COPY THE ESSENTIAL GUIDE TO LIFE, TRAVEL & ENTERTAINMENT IN ICELAND Issue 01 – January 8 - February 4 – 2010 www.grapevine.is + COMPLETE CITY LISTINGS - INSIDE! The Reykjavík Grapevine Issue 01 — 2010 2 Editorial | Haukur S Magnússon 2009 in Pictures JULIA STAPLES Art Director: Hörður Kristbjörnsson YOUR FREE COPY THE ESSENTIAL GUIDE TO LIFE, TRAVEL & ENTERTAINMENT IN ICELAND www.grapevine.is + Issue 01 – January 8 - February 4 – 2010 COMPLETE CITY LISTINGS - INSIDE! [email protected] Design: Jóhannes Kjartansson [email protected] Photographers: Hörður Sveinsson / hordursveinsson.com Julia Staples / juliastaples.com Sales Director: Aðalsteinn Jörundsson Cover llustration by: [email protected] Hugleikur Dagsson Guðmundur Rúnar Svansson [email protected] Printed by Landsprent ehf. in 25.000 copies. Distribution: [email protected] The Reykjavík Grapevine Proofreader: Hafnarstræti 15, 101 Reykjavík Jim Rice www.grapevine.is [email protected] Press releases: Published by Fröken ehf. [email protected] www.froken.is Submissions inquiries: Member of the Icelandic Travel Industry [email protected] Association - www.saf.is These images are from a series titled "Home". Subscription inquiries: +354 540 3605 / [email protected] They summon up feelings about a distant Editorial: General inquiries: [email protected] idea of home and one that is deteriorating. +354 540 3600 / [email protected] Haukur’s 19th Editorial They are all taken this past summer in Advertising: Founders: “No comment” Rhode Island, USA, one of the places that +354 540 3605 / [email protected] Hilmar Steinn Grétarsson, Publisher: was home to me in my adolescence. Hörður Kristbjörnsson, I have nothing to say for now. There +354 540 3601 / [email protected] Jón Trausti Sigurðarson, is enough editorialising in this issue JS Oddur Óskar Kjartansson, Publisher: Valur Gunnarsson already. -
ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums). -
Nightlight: Tradition and Change in a Local Music Scene
NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene. -
A Shape for Queerness: Glimpses, Loops, Holes, Language
A Shape for Queerness: Glimpses, Loops, Holes, Language A Support Paper for the Exhibition titled A Wreath of Snakes, A Lexicon Devil, A Hole in Time, A Single Thought Submitted to the Faculty of Graduate Studies and Research in Partial Fulfillment of the Requirements For the Degree of Masters of Fine Art in Visual Arts University of Regina by James Nicholas Wilson Regina, Saskatchewan April 2019 ©2019: James Wilson UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE James Nicholas Wilson, candidate for the degree of Master of Fine Arts Visual Arts, has presented an Exhibition titled, A Wreath of Snakes, A Lexicon Devil, A Hole in Time, A Single Thought and a Support Paper titled A Shape for Queerness: Glimpses Loops, Holes, Language, in an oral examination held on February 13, 2019. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Mr. John G. Hampton, MacKenzie Art Gallery Co-Supervisor: Dr. Risa Horowitz, Department of Visual Arts Co-Supervisor: Prof. Sean Whalley, Department of Visual Arts Committee Member: Prof. David Garneau, Department of Visual Arts Committee Member: Prof. Leesa Streifler, Department of Visual Arts Chair of Defense: Dr. Darlene Juschka, Department of Women’s & Gender Studies Revised Oct.4/06 1 i Abstract A Wreath of Snakes, A Lexicon Devil, A Hole in Time, A Single Thought is a sculptural installation of 24 large-scale drawings and an artist’s book. The work is concerned with the formation of consciousness and the ways that the shared experience of queerness affects notions of time, lineage and orientation.