Tuhinga 24: 85–104 Copyright © Te Papa Museum of New Zealand (2013) Polyvocal Tongan barkcloths: contemporary ngatu and nomenclature at the Museum of New Zealand Te Papa Tongarewa Billie Lythberg Mira Szászy Research Centre for Mäori and Pacific Economic Development, University of Auckland, Auckland, New Zealand (
[email protected]) ABSTRACT: The Museum of New Zealand Te Papa Tongarewa (Te Papa) collects and exhibits Tongan barkcloth (ngatu) to illustrate curatorial narratives about Pacific peoples in New Zealand. I discuss the materiality and provenances of five ngatu at Te Papa, their trajectories into the museum’s Pacific Cultures collection and, where relevant, how they have been exhibited. I consider the role of Tongan curators and communities in determining how, when and which ngatu will enter the collection, and how Tongan identity will be imaged by the objects. The paper concludes with a close examination of contemporary descriptive and evaluative nomenclature for ngatu made with synthetic materials, including examples at Te Papa. KEYWORDS: Te Papa, Pacific Cultures collection, ngatu, barkcloths, Tonga, New Zealand, nomenclature. Introduction values by Polynesians, the ways in which Polynesian and Western popular culture have melded, and also the The Pacific Cultures collection at the Museum of New possibilities presented by these transactions (Refiti 1996: Zealand Te Papa Tongarewa (Te Papa) includes Tongan bark- 124).1 As well as being a literal descriptor of the multiple cloths (ngatu) representative of material and technological and overlapping Tongan systems of nomenclature for innovation, significant historical events, and the confluence contempo rary ngatu (see Table 1), the term polyvocal encom- of seemingly divergent Tongan and museological politics passes the many voices employed to talk about bark- of prestige.