The Bee Gees
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
An Amber Attractions Production the Golden Days of Australian Bandstand a Musical Look at 60'S Culture
An Amber Attractions Production The Golden days of Australian Bandstand A musical look at 60's Culture Australia’s longest running TV pop show ran for 15 years on channel nine and was beamed into, two million Australian loungeroom’s each week. Hosted by the mild mannered Brian Henderson, it featured regular Australian singers who became known as the "Bandstand Family". The show popularised the talents of Col Joye, Little Patti, Bryan Davies, Judy Stone, The Seekers, Johnny Farnham and The Bee Gees to name a few. As the program grew in popularity the audience was introduced to many overseas stars such as Dusty Springfield, Petula Clark, Tom Jones, Hermans Hermits, Chubby Checker plus many more. While other pop shows presented screaming fans and long-haired beat groups, Bandstand somehow seemed to ignore the extreme trends in music that happened in the mid and late 1960s. Although it showcased a range of pop performers, it shied away from the brash and the scruffy, becoming a more family orientated programme than a show strictly for teenagers. Each episode featured the "Bandstand Ballet" who kept the audience up to date with the latest dance trends. The Audience will RE-LIVE those swinging days of BANDSTAND. Be transported back to their loungeroom's with memorable Film clips BOP along with the DANCERS on screen and sing their heart's out to those unforgettable songs. Produced and Presented by Australia's favourite entertainers, Eddie Daniels and Suzie Lee. BANDSTAND Playlist examples Happy Together - The Turtles Boom bang a Bang - Lulu Do -
Summit Guide Guide Du Sommet Guía De La Cumbre Contents/Sommaire/Sumario
New Frontiers for Creators in the Marketplace 9-10 June 2009 – Ronald Reagan Center – Washington DC, USA www.copyrightsummit.com Summit Guide Guide du Sommet Guía de la Cumbre Contents/Sommaire/Sumario Page Welcome 1 Conference Programme 3 What’s happening around the Summit? 11 Additional Summit Information 12 Page Bienvenue 14 Programme des conférences 15 Autres événements autour du sommet ? 24 Informations supplémentaires du sommet 25 Página Bienvenidos 27 Programa de las Conferencias 28 ¿Lo que pasa alrededor del conferencia? 38 Información sobre el conferencia 39 Page Sponsor & Advisory Committee Profiles 41 Partner Organization Profiles 44 Media Partner Profiles 49 Speaker Biographies 53 9-10 June 2009 – Ronald Reagan Center – Washington DC, USA New Frontiers for Creators in the Marketplace Welcome Welcome to the World Copyright Summit! Two years on from our hugely successful inaugural event in Brussels it gives me great pleasure to welcome you all to the 2009 World Copyright Summit in Washington, DC. This year’s slogan for the Summit – “New Frontiers for Creators in the Marketplace” – illustrates perfectly what we aim to achieve here: remind to the world that creators’ contributions are fundamental for cultural, economic and social development but also that creators – and those who represent them – face several daunting challenges in this new digital economy. It is imperative that we bring to the forefront of political debate the creative industries’ future and where we, creators, fit into this new landscape. For this reason we have gathered, under the CISAC umbrella, all the stakeholders involved one way or another in the creation, production and dissemination of creative works. -
Les Mis, Lyrics
LES MISERABLES Herbert Kretzmer (DISC ONE) ACT ONE 1. PROLOGUE (WORK SONG) CHAIN GANG Look down, look down Don't look 'em in the eye Look down, look down You're here until you die. The sun is strong It's hot as hell below Look down, look down There's twenty years to go. I've done no wrong Sweet Jesus, hear my prayer Look down, look down Sweet Jesus doesn't care I know she'll wait I know that she'll be true Look down, look down They've all forgotten you When I get free You won't see me 'Ere for dust Look down, look down Don't look 'em in the eye. !! Les Miserables!!Page 2 How long, 0 Lord, Before you let me die? Look down, look down You'll always be a slave Look down, look down, You're standing in your grave. JAVERT Now bring me prisoner 24601 Your time is up And your parole's begun You know what that means, VALJEAN Yes, it means I'm free. JAVERT No! It means You get Your yellow ticket-of-leave You are a thief. VALJEAN I stole a loaf of bread. JAVERT You robbed a house. VALJEAN I broke a window pane. My sister's child was close to death And we were starving. !! Les Miserables!!Page 3 JAVERT You will starve again Unless you learn the meaning of the law. VALJEAN I know the meaning of those 19 years A slave of the law. JAVERT Five years for what you did The rest because you tried to run Yes, 24601. -
In the Lands of the Romanovs: an Annotated Bibliography of First-Hand English-Language Accounts of the Russian Empire
ANTHONY CROSS In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of The Russian Empire (1613-1917) OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/268 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917) Anthony Cross http://www.openbookpublishers.com © 2014 Anthony Cross The text of this book is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt it and to make commercial use of it providing that attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Cross, Anthony, In the Land of the Romanovs: An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917), Cambridge, UK: Open Book Publishers, 2014. http://dx.doi.org/10.11647/ OBP.0042 Please see the list of illustrations for attribution relating to individual images. Every effort has been made to identify and contact copyright holders and any omissions or errors will be corrected if notification is made to the publisher. As for the rights of the images from Wikimedia Commons, please refer to the Wikimedia website (for each image, the link to the relevant page can be found in the list of illustrations). -
The Bee 1St Edition Pdf, Epub, Ebook
THE BEE 1ST EDITION PDF, EPUB, EBOOK Noah Wilson-Rich | 9781400852192 | | | | | The Bee 1st edition PDF Book More information about this seller Contact this seller 2. Previous owner's name on the front flyleaf. Archived from the original on 7 November Kenny later said that writing the song "Sweet Music Man" made him cut his hair and let it go gray, plus get rid of the earring. Inscription to the f. Searching for a new image, he soon developed a more middle-of-the-road, gravel-voiced style. The album cover was designed by Klaus Voormann , who had previously done the cover for Revolver by The Beatles , amongst others. Some discoloring to title page. Published by Bee- Line Books. Published by Candlewick Press MA He released one self-titled solo LP in which was reissued with one new song in , and also wrote commercial jingles. He was awarded the Nobel Prize in Literature in ]. Add to Basket Used Hardcover. Australian Chart Book — From Wikipedia, the free encyclopedia. From: Dale A. As he would continue to do in his solo career, Rogers cloaked some mature subject matter with a gentle delivery. Hung Medien. He is still listed as a working musician. Still a nice volume. This is the first printing. Covers a bit grubby. Very good. Dust Jacket Condition: Very Good. Seller Inventory aemo. Clair studio in on the Spicks and Specks sessions and was officially added first, accounting for some early photos with him and not Melouney, such as the one later used on the cover of Best of Bee Gees. -
MUSIC WEEK JUNE 16, 1984 TOP IIS Singi 1* 1 TIMF AFTER TIME
MUSIC WEEK JUNE 16, 1984 A BIGGER SPLASH DONT BELIEVE A WORDISilcnce ABM AM 196 Pic Bag; AMX 196 1!" Pic Bag ii i track Don't Believe A IS * TOP IIS SiNGI ABMSWEWHEELS THE PRISONEfUCHRISTIANNE IDouble-fll Clay CLAY OTZCLAY 33 12" inc eatra track Black Icalher Girt IPI 1* 1 TIMF AFTER TIME. Cyndi Laupor Portrait . "ALMOND Marc THE BOY WHO CAME BACK/Jocy Demento Some BinareJPhonogrom BZS 2310 10" Pic Bag IH Capitol i-.v '•AND ALSO THE TREES THE SECRET SEA/There Were No Bounds/Tease The Tear/Midnight Garden/Wallpaper Dying Reflex 12 7* 4 tup bffi EX. Duran Duron only Pic Bag IliRT) 3 2 LET'S HEAR IT.... Denieca Williams Columbia/CBS ANDY. Horace CONFUSlONIIVersionl Music Hawk MHD 13 1? only US) ARRON HOT-HOT-HOT/llnst) Air/ChrYsalis ARROX 1 Pc Bag IF) 4 3 nu SHFRRIE. Steve Perry Columbia/CBS BELLE STARS 80's ROMANCBIfs Me Stiff BUY 200 Pic Bag ICI MCA • BIG COUNTRY HARVEST HQME/Balcony/Flag Of Nations ISwimmmgl MercurYlPhonogram COUNT 12 12 m 5 5 SISTER CHRISTIAN, Night Ranger BIG COUNTRY IN A BIG COUNTRY (THE PURE MIXllln A Big CountiY/All Of Us MercurYlPhonogram COUNT 312 U IN S* 6 THEHEARTOFROCK'N*ROLL.Huey Lewis Chrysalis ^Ei BIG COUNTRY CHANCE/The Tracks 01 My Tears/The Crossing MercurylPhonogram COUNT 412 12" IF) Atlantic BIG COUNTRY WONDERLAND IEXT VERSlONI/WonderlandlGiants MercurY/Phooogram COUNT 512 12" IF) 7* 9 SELF CONTROL, Laura Branigon BIG COUNTRY FIELDS OF FIRE lAHemative M.xJlFlELDS OF FIRE MOO MILESl/Angle Park MercurYlPhonogram COUNT 212 u in Planet BILK, Acker ACKER'S LUlLABYlOnc More Time PRT 7P 313 (A) 8* 10 JUMP IFOR MY LOVE). -
LIT2013000004 - Andy Gibb.Pdf
•, \.. .. ,-,, i ~ .«t ~' ,,; ~-· ·I NOT\CE OF ENTR'Y.OF APPEARANCE AS AllORNE'< OR REPRESEN1' Al\VE DATE In re: Andrew Roy Gibb October 27, 1978 application for status as permanent resident FILE No. Al I (b)(6) I hereby enter my appearanc:e as attorney for (or representative of), and at the reQUest of, the fol'lowing" named person(s): - NAME \ 0 Petitioner Applicant Andrew Roy Gibb 0 Beneficiary D "ADDRESS (Apt. No,) (Number & Street) (City) (State) (ZIP Code) Mi NAME O Applicant (b)(6) D ADDRESS (Apt, No,) (Number & Street) (City} (ZIP Code) Check Applicable ltem(a) below: lXJ I I am an attorney and a member in good standing of the bar of the Supreme Court of the United States or of the highest court of the following State, territory; insular possession, or District of Columbia A;r;:ka.nsa§ Simt:eme Coy;ct and am not under -a (NBme of Court) court or administrative agency order ·suspending, enjoining, restraining, disbarring, or otherwise restricting me in practicing law. [] 2. I am an accredited representative of the following named religious, charitable, ,social service, or similar organization established in the United States and which is so recognized by the Board: [] i I am associated with ) the. attomey of record who previously fited a notice of appearance in this case and my appearance is at his request. (If '!J<?V. check this item, also check item 1 or 2 whichever is a1wropriate .) [] 4. Others (Explain fully.) '• SIGNATURE COMPLETE ADDRESS Willi~P .A. 2311 Biscayne, Suite 320 ' By: V ? Litle Rock, Arkansas 72207 /I ' f. -
Download File
SOWCmech2 12/9/99 5:29 PM Page 1 THE STATE OF THE WORLD’S CHILDREN 2000 e yne THE STATE OF THE WORLD’S CHILDREN 2000 The United Nations Children’s Fund (UNICEF) © The Library of Congress has catalogued this serial publication as follows: Any part of THE STATE OF THE WORLD’S CHILDREN 2000 The state of the world’s children 2000 may be freely reproduced with the appropriate acknowledgement. UNICEF, UNICEF House, 3 UN Plaza, New York, NY 10017, USA. ISBN 92-806-3532-8 E-mail: [email protected] Web site: www.unicef.org UNICEF, Palais des Nations, CH-1211 Geneva 10, Switzerland Cover photo UNICEF/92-702/Lemoyne Back cover photo UNICEF/91-0906/Lemoyne THE STATE OF THE WORLD’S CHILDREN 2000 Carol Bellamy, Executive Director, United Nations Children’s Fund Contents Foreword by Kofi A. Annan, Secretary-General of the United Nations 4 The State of the World’s Children 2000 Reporting on the lives of children at the end of the 20th century, The State of the World’s Children 5 2000 calls on the international community to undertake the urgent actions that are necessary to realize the rights of every child, everywhere – without exception. An urgent call to leadership: This section of The State of the World’s Children 2000 appeals to 7 governments, agencies of the United Nations system, civil society, the private sector and children and families to come together in a new international coalition on behalf of children. It summarizes the progress made over the last decade in meeting the goals established at the 1990 World Summit for Children and in keeping faith with the ideals of the Convention on the Rights of the Child. -
Mythos BEE GEES: Alle Gibb-Brüder in Einer 4CD-Box „MYTHOLOGY“
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] Mythos BEE GEES: Alle Gibb-Brüder in einer 4CD-Box „MYTHOLOGY“ Disc One (Barry) 1. SPIRITS (HAVING FLOWN) 2. YOU WIN AGAIN 3. JIVE TALKIN’ 4. TO LOVE SOMEBODY 5. TRAGEDY 6. TOO MUCH HEAVEN 7. FIRST OF MAY 8. MORE THAN A WOMAN 9. LOVE SO RIGHT 10. NIGHT FEVER 11. WORDS 12. DON’T FORGET TO REMEMBER 13. IF I CAN’T HAVE YOU 14. ALONE 15. HEARTBREAKER 16. HOW DEEP IS YOUR LOVE 17. LOVE YOU INSIDE AND OUT 18. STAYIN’ ALIVE 19. BARKER OF THE UFO 20. SWAN SONG 21. SPICKS AND SPECKS Disc Two (Robin) 1. I AM THE WORLD 2. NEW YORK MINING DISASTER 3. I CAN’T SEE NOBODY 4. HOLIDAY 5. MASSACHUSETTS 6. SIR GEOFFREY SAVED THE WORLD 7. AND THE SUN WILL SHINE 8. THE SINGER SANG HIS SONG 9. I’VE GOTTA GET A MESSAGE TO YOU 10. I STARTED A JOKE 11. ODESSA 12. SAVED BY THE BELL – Robin Gibb 13. MY WORLD 14. RUN TO ME 15. LOVE ME 16. JULIET – Robin Gibb 17. THE LONGEST NIGHT 18. FALLEN ANGEL 19. RINGS AROUND THE MOON 20. EMBRACE 21. ISLANDS IN THE STREAM Disc Three (Maurice) 1. MAN IN THE MIDDLE 2. CLOSER THAN CLOSE 3. DIMENSIONS 4. HOUSE OF SHAME 5. SUDDENLY 6. RAILROAD 7. OVERNIGHT 8. IT’S JUST THE WAY 9. LAY IT ON ME 10. TRAFALGAR 11. OMEGA MAN 12. WALKING ON AIR 13. COUNTRY WOMAN 14. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Countdown and Cult Music Television Programmes
Giuffre, Liz Countdown and Cult Music Television Programmes Countdown and cult music television programmes: an Australian case study Liz Giuffre Abstract Music television programs, programs that focus on music for their core content, have been produced all over the world for all types of markets. However there remains little sustained work on them beyond studies of key production periods, franchise waves or biography-like narratives. This article shows that theories of Cult TV can be applied to music television programs to help explore this neglected form, as well as helping to expand Cult TV’s theoretical reach beyond its traditional fare of narrative driven, fiction series. This article offers 1970s and ‘80s Australian music television program Countdown as a prime example of Cult TV, first in the context of its initial production and consumption in 1970s and ‘80s Australia, and also in terms of its subsequent influence on contemporary audiences from a historical perspective. The Cult TV frame extends to the program itself in its original incarnation, as well as additional recontextualisations in new music television programs, and the continued work of its former host, Ian ‘Molly’ Meldrum. Introduction1 Music television is an unusual type of programming. It provides both regular entertainment that is watched intensely while on air, and produces key moments that survive well in audience collective memory. ‘Live’ music performance and interview series Countdown remains an icon of the Australian television and music industries.2 Created by the national public service broadcaster, the Australian Broadcasting Corporation (ABC),3 the show was broadcast from 1974 to 1987 on Sunday evenings and was highly influential with television audiences and the broader music industry.4 Countdown provided opportunities for music artists and audiences to engage with each other in a way that had not previously been possible.