Paço Do Frevo VERSÃO II
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UNIVERSITY of CALIFORNIA, SAN DIEGO Solidarity Economies
UNIVERSITY OF CALIFORNIA, SAN DIEGO Solidarity Economies, Networks and the Positioning of Power in Alternative Cultural Production and Activism in Brazil: The Case of Fora do Eixo A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Communication by Andrew C. Whitworth-Smith Committee in charge: Professor Daniel Hallin, Chair Professor Boatema Boateng Professor Nitin Govil Professor John McMurria Professor Toby Miller Professor Nancy Postero 2014 COPYRIGHT BY Andrew C. Whitworth-Smith 2014 Some Rights Reserved This work is licensed under a Creative Commons Attribution 3.0 United States License http://creativecommons.org/licenses/by/3.0/us/ The Dissertation of Andrew C. Whitworth-Smith is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Chair University of California, San Diego 2014 iii DEDICATION To Mia Jarlov, for your passion and humility, your capacity to presuppose the best in others, for your endurance and strength, and above -
CAMOC Newsletter 2013 SONNN Y3.Indd
03 2013 www.camoc.icom.museum View of Rio from the area currently planned for the City Museum Photo: © Jack Lohman Beyond Paradise: Brazil’s City Museums Today Jack Lohman* Brazil has frequently evoked images of earthly splendour, its realities. However tempting, it is a lazy view that sees no mere country, but a vast continent all of its own, a land modern Brazil no different than it was fifty or a hundred of mysterious forests and powerful rivers, of lushness and or five hundred years ago. For the country has changed, superabundance, of brilliant sunlight and dazzling sea. As like any modern state. It has developed its own style the historian Robert M. Levine reminds us, descriptions of of national presentation, and elaborated contemporary Brazil as a ‘tropical paradise’ circulated widely in Europe cultural forms that are not merely reflections of familiar from the beginning of the 16th century. Over four centuries tropes – of carnaval and bossa nova, barbecued later, the writer Stefan Zweig was still amazed at ‘this land churrasco and pictures of Pelé – but active forms of self- [that] comprises everything at once’. definition suitable to changing times, new political climates and advancing social needs. Yet beauty, mystery, grandeur or whatever it is that our notion of paradise might demand by way of definition, are Brazil’s city museums are among the most potent of these as much a distraction as a vision if we are to understand cultural forums, for they are both experiences to be had Brazil today. Brazil as a place of the mind can blind us to and a set of arguments put forward, * Professor Jack Lohman is Chief Executive Officer of the Royal BC Museum. -
RAQUEL PEREIRA CANAAN Doctora En Diseño, Pontifícia Universidade Católica Do Rio De Janeiro
Vivencia del frevo con los visitantes RAQUEL PEREIRA CANAAN Doctora en Diseño, Pontifícia Universidade Católica do Rio de Janeiro. Posgrado en Diseño, Universidade do Estado de Minas Gerais. Ph.D in Design, Pontifícia Universidade Católica do Rio de 90 Janeiro. Graduate degree in Design, Universidade do Estado de Minas Gerais. base #4 · diseño y patrimonio · cartografía de la innovación en diseño y patrimonio CARTOGRAFÍA DE LA INNOVACIÓN EN DISEÑO Y PATRIMONIO MAPPING OF INNOVATION IN DESIGN AND HERITAGE raquel pereira canaan, doctora en diseño / doctor in design Diseño y patrimonio cultural, alternativas para la valoración: Paço do Frevo, Recife, Pernambuco, Brasil Design and cultural heritage, alternatives for valorization: Paço do Frevo, Recife, Pernambuco, Brazil 91 fotografías_photos: archivo raquel pereira canaan base #4 · diseño y patrimonio · cartografía de la innovación en diseño y patrimonio el patrimonio cultural pertenece a un sitio específico y cultural heritage belongs to a specific place and constitutes constituye su identidad, distinguiéndose en determinadas its identity, distinguishing itself in certain characteristics. características. magalhães ya escribía en los años 80 magalhães was already writing in the 1980s, about the task acerca de la tarea de preservación del patrimonio cultural of preserving brazilian cultural heritage and its commitment brasileño y su compromiso de reflexión sobre el futuro. to reflect on the future. este artículo tiene como objetivo presentar un estudio de this article aims to present a case study of the project of a caso del proyecto de un museo para el frevo, patrimonio museum for the brazilian frevo, intangible heritage, in order inmaterial brasileño, con el fin de mostrar las actividades to show the activities developed and reflect on possible desarrolladas y reflexionar sobre posibles caminos para el paths for design and strategic planning geared to tourism. -
Foreign Land's Geography of Exclusion
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Central Archive at the University of Reading Back to the margins in search of the core: foreign land©s geography of exclusion Book or Report Section Published Version Nagib, L. (2013) Back to the margins in search of the core: foreign land©s geography of exclusion. In: Brandellero, S. (ed.) The Brazilian road movie: journeys of (self) discovery. Iberian and Latin American Studies. University of Wales Press, Cardiff, pp. 162-183. ISBN 9780708325988 Available at http://centaur.reading.ac.uk/32710/ It is advisable to refer to the publisher's version if you intend to cite from the work. Published version at: http://www.uwp.co.uk Publisher: University of Wales Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading's research outputs online Chapter Eight Back to the Margins in Search of the Core: Foreign Land ’s Geography of Exclusion 1 LÚCIA NAGIB ‘The Tagus is fairer than the river flowing through my village, But the Tagus isn’t fairer than the river flowing through my village Because the Tagus isn’t the river flowing through my village.’ Alberto Caeiro (Fernando Pessoa’s heteronym), ‘The Keeper of Flocks’2 ‘Lampião was great, but he often became small.’ Dadá, in Black God, White Devil 3 The crisis of the national project in the early 1990s, caused by a short-lived but disastrous government, led Brazilian art cinema, for the first time, to look at itself as periphery and reapproach the old colonial centre, Portugal. -
MÁRIO TAVARES: a Música Como Arte E Ofício BIOGRAFIA E CATÁLOGO DE OBRAS
1 André Cardoso MÁRIO TAVARES: a música como arte e ofício BIOGRAFIA E CATÁLOGO DE OBRAS Rio de Janeiro Academia Brasileira de Música 2019 DIRETORIA Presidente – João Guilherme Ripper Vice-presidente – André Cardoso 1o Secretário – Manoel Corrêa do Lago 2o Secretário – Ernani Aguiar 1o Tesoureiro – Ricardo Tacuchian 2o Tesoureiro – Turibio Santos CAPA E PROJETO GRÁFICO Juliana Nunes Barbosa REVISÃO DO TEXTO Valéria Peixoto EQUIPE ADMINISTRATIVA Diretora executiva - Valéria Peixoto Secretário - Ericsson Cavalcanti Bibliotecária - Dolores Brandão Alessandro de Moraes Sylvio do Nascimento 35 Todos os direitos reservados ACADEMIA BRASILEIRA DE MÚSICA Rua da Lapa 120/12o andar cep 20021-180 – Rio de Janeiro – RJ www.abmusica.org.br [email protected] SUMÁRIO Abreviaturas ............................................................................... 08 Siglas ............................................................................................. 10 Apresentação ............................................................................... 13 Introdução .................................................................................. 15 MÁRIO TAVARES: A MÚSICA COMO ARTE E OFÍCIO BIOGRAFIA E CATÁLOGO DE OBRAS 1- Ascendência e anos de formação................................... 17 2- Profissional no Rio de Janeiro: o violoncelo e a composição..................................................29 3- Na Rádio MEC: a regência e a música brasileira....... 38 4- A afirmação como compositor........................................ 54 5- No -
Discurso De Posse De Paulo Herkenhoff
A nova barbárie brasileira1 Paulo Herkenhoff Magnífico reitor da Universidade de São Paulo, professor Vahan Agopyan. Professor Guilherme Ary Plonski, vice-diretor do Instituto de Estudos Avançados da USP, o qual, com o diretor do Instituto, Paulo Saldiva, já nos conduz pelas investigações sobre o eixo arte e ciência. Professor Martin Grossmann, coordenador acadêmico da Cátedra Olavo Setubal, um irmão no amor à museologia. Professora Maria Alice Setubal, representante da família Setubal. Carrego a frustração de não ter realizado o propósito de tê-la no Conselho do MAR. Senhor Eduardo Saron, diretor do Instituto Itaú Cultural, que cumpre um plano que podemos classificar como ação de Estado, tal a sua abrangência, a exemplo do Instituto Ayrton Senna, da Fundação Roberto Marinho e de outras organizações civis. Catedrática Helena Nader, com que já aprendo a discutir a relação entre ciência e arte – e juntos debateremos a economia do conhecimento. Catedrática Eliana Sousa Silva, diretora da Redes da Maré, que elevou a taxa de aprovação de jovens da Maré na Universidade de 0,5% para 4%. Eliana e Heloisa Buarque de Hollanda, esta com a Universidade das Quebradas, foram uma força de propulsão do MAR (Museu de Arte do Rio) como um museu para o público suburbano. Catedrático Ricardo Ohtake, que me ofereceu tantas oportunidades para me dedicar a uma agenda sobre a arte. 1 Discurso de posse como titular da Cátedra Olavo Setubal de Arte, Ciência e Cultura proferido em cerimônia na Sala do Conselho Universitário da USP em 28 de março de 2019. 1 Estimado Luiz Chrysostomo de Oliveira Filho, meu apresentador, com quem vivo a aventura do MAR. -
A Year in Review Our Work
2016 A YEAR IN REVIEW OUR WORK One good idea holds enormous power. When supported and nurtured, it can become the solution that transforms a community. PAGE 2 BRAZILFOUNDATION ANNUAL REPORT 2016 OUR WORK BrazilFoundation is dedicated to identifying and supporting the promising ideas of community leaders across Brazil that will enable a future of equal access, social justice and opportunity for every Brazilian. PAGE 3 BRAZILFOUNDATION ANNUAL REPORT 2016 PROGRAM HIGHLIGHTS Program Highlights PAGE 4 BRAZILFOUNDATION ANNUAL REPORT 2016 PROGRAM HIGHLIGHTS IMPACT Together, we accomplished a lot in 2016. We invested US$2,097,440 in 259 initiatives Through 154 grantee partners Across 74 cities in 21 states PAGE 5 BRAZILFOUNDATION ANNUAL REPORT 2016 PROGRAM HIGHLIGHTS IMPACT North / 3.02% You helped us fund projects 14 Initiatives in every region of Brazil US$63,312 through our Donor Advised Central-West / 3.07% program, discretionary grants, 16 Initiatives and partnerships. US$64,381 Northeast / 12.80% 65 Initiatives US$268,492 Southeast / 7 7. 51 % 150 Initiatives US$1,625,698 South / 3.60% 21 Initiatives US$75,557 PAGE 6 BRAZILFOUNDATION ANNUAL REPORT 2016 PROGRAM HIGHLIGHTS IMPACT Education and Culture We funded projects 11,826 people impacted within 5 thematic areas US$287,849 through Discretionary and Socioeconomic Development Partnership Grants. 9,020 people impacted US$234,170 Human Rights and Civic Engagement 43,235 people impacted US$205,130 Health 10,119 people impacted US$72,768 Social Enterprise 8,085 people impacted US$70,836 PAGE -
Cfp Unidade Acadêmica De Ciências Socias - Uacs Curso De Licenciatura Em Geografia
1 UNIVERSIDADE FEDERAL DE CAMPINA GRANDE - UFCG CENTRO DE FORMAÇÃO DOS PROFESSORES - CFP UNIDADE ACADÊMICA DE CIÊNCIAS SOCIAS - UACS CURSO DE LICENCIATURA EM GEOGRAFIA MARIA ROSANA COELHO GEOGRAFIA E LITERATURA: UM ELO POSSÍVEL CAJAZEIRAS – PB 2014 2 MARIA ROSANA COELHO GEOGRAFIA E LITERATURA: UM ELO POSSÍVEL Trabalho de Conclusão de Curso – TCC, apresentado à Universidade Federal de Campina Grande – Campus de Cajazeiras, como cumprimento de um dos requisitos necessários para a obtenção do título de Licenciada em Geografia. Orientador: Ms. Marcos Assis Pereira de Souza Linha de pesquisa: Ensino de Geografia CAJAZEIRAS – PB 2014 3 MARIA ROSANA COELHO GEOGRAFIA E LITERATURA: UM ELO POSSÍVEL Trabalho de Conclusão de Curso – TCC, apresentado à Universidade Federal de Campina Grande – Campus de Cajazeiras, como cumprimento de um dos requisitos necessários para a obtenção do título de Licenciada em Geografia. Aprovada em: ___/___/______ ____________________________________ Profª. Ms. Marcos de Assis de Pereira Unidade Acadêmica de Ciências Sociais - UACS Universidade Federal de Campina Grande – UFCG ____________________________________ Prof°. Ms. Henaldo Gomes Morais (Orientador) Unidade Acadêmica de Ciências Sociais - UACS Universidade Federal de Campina Grande – UFCG ____________________________________ Profº. Dr. Marcelo Henrique de Melo Brandão Unidade Acadêmica de Ciências Sociais - UACS Universidade Federal de Campina Grande – UFCG CAJAZEIRAS – PB 2014 4 Dados Internacionais de Catalogação-na-Publicação - (CIP) Denize Santos Saraiva Lourenço - Bibliotecária CRB/15-1096 Cajazeiras - Paraíba C672g Coelho, Maria Rosana Geografia e literatura: um elo possível. / Maria Rosana Coelho. Cajazeiras, 2014. 39f. : il. Bibliografia. Orientador: Marcos Assis Pereira de Sousa. Monografia (Graduação) - UFCG/CFP 1. Geografia e literatura. 2. Geografia e literatura – estudo e ensino. -
45-DUOTONE.Vp
PANTONE 1525 PRETO Revista Brasileira Fase VII Outubro-Novembro-Dezembro 2005 Ano XII N o 45 Esta a glória que fica, eleva, honra e consola. Machado de Assis PANTONE 1525 PRETO ACADEMIA BRASILEIRA REVISTA BRASILEIRA DE LETRAS 2005 Diretoria Diretor Presidente: Ivan Junqueira João de Scantimburgo Secretário-Geral: Evanildo Bechara Primeira-Secretária: Ana Maria Machado Conselho editorial Segundo-Secretário: Marcos Vinicius Vilaça Miguel Reale, Carlos Nejar, Diretor-Tesoureiro: Cícero Sandroni Arnaldo Niskier, Oscar Dias Corrêa Membros efetivos Produção editorial e Revisão Affonso Arinos de Mello Franco, Nair Dametto Alberto da Costa e Silva, Alberto Venancio Filho, Alfredo Bosi, Assistente editorial Ana Maria Machado, Antonio Carlos Monique Cordeiro Figueiredo Mendes Secchin, Antonio Olinto, Ariano Suassuna, Arnaldo Niskier, Candido Mendes de Almeida, Projeto gráfico Carlos Heitor Cony, Carlos Nejar, Victor Burton Cícero Sandroni, Eduardo Portella, Evanildo Cavalcante Bechara, Evaristo Editoração eletrônica de Moraes Filho, Pe. Fernando Bastos Estúdio Castellani de Ávila, Helio Jaguaribe, Ivan Junqueira, Ivo Pitanguy, João de Scantimburgo, ACADEMIA BRASILEIRA DE LETRAS João Ubaldo Ribeiro, José Murilo de Av. Presidente Wilson, 203 – 4o andar Carvalho, José Sarney, Josué Montello, Rio de Janeiro – RJ – CEP 20030-021 Lêdo Ivo, Lygia Fagundes Telles, Marco Telefones: Geral: (0xx21) 3974-2500 Maciel, Marcos Vinicios Vilaça, Miguel Setor de Publicações: (0xx21) 3974-2525 Reale, Moacyr Scliar, Murilo Melo Filho, Fax: (0xx21) 2220.6695 Nélida Piñon, Oscar Dias Corrêa, E-mail: [email protected] Paulo Coelho, Sábato Magaldi, Sergio site: http://www.academia.org.br Paulo Rouanet, Tarcísio Padilha, Zélia Gattai. As colaborações são solicitadas. PANTONE 1525 PRETO Sumário Editorial João de Scantimburgo Tudo passa . -
Livro Mda DIGITAL INGLES.Pdf
HOW MuseuDO WE WANT do TO Amanhã PROCEED? Museu do Amanhã A MUSEUM FOR RIO AND ITS NEW AGE Everyone who lands at a port – any port – has the awareness, if not the vision, that a future is about to unfold. They sense that this future is not something distant in time and abstract: it begins now, always at the moment in which one’s feet, previously on the deck of a ship, in the uncertainty (and infinite possibilities) of the sea, touch the well-trodden stones of the quay, as in a famous samba song. For many of the men and women who have arrived at the Port of Rio de Janeiro over time, the future and its possibilities often seemed uncertain. However, despite the inevitably One of the greatest legacies of the revitalization unpromising setting, it was these men and of Rio’s port region is certainly the opportunity women who to a large extent built the city of to reexamine this history. Today, thanks to the Rio and left a legacy of art, religion, science, thorough archeological and historical work culture – everything, in short, that human inge- undertaken at the quay and in the surrounding nuity is capable of creating. area, we have a deeper and better understanding of the trajectory of a large share of Rio’s popula- tion. We know it was the world’s biggest entry port for African slaves, and as a result we are well aware of what tomorrow and its possibilities may represent. Above all, we recognize its creative and transformational power. -
O MISTÉRIO BUFO Marcia Sá Cavalcante Schuback
EDITORIAL Caros amigos, saudações! Este é um número comemorativo: comemoramos o fato de estarmos no- vamente aqui, desta vez em companhia de Beti Rabetti, Luiz Arthur Nunes, Márcia Sá Cavalcante Schuback e Bia Lessa, a quem muito agradecemos. Comemoramos os vinte anos do texto A serpente, comemoramos o cente- nário de nascimento de Brecht e saudamos Dario Fo, que recebeu o Prêmio Nobel de Literatura. Um grande abraço e boa leitura. ÍNDICE O EFEITO DE ESTRANHEZA Maurice Blanchot ........................................................................... 2 COM A PALAVRA, O MISTÉRIO BUFO Marcia Sá Cavalcante Schuback ................................................... 8 A SERPENTE Luiz Arthur Nunes ........................................................................... 10 HISTÓRIA DO TEATRO COMO HISTÓRIA DA CULTURA Beti Rabetti ..................................................................................... 16 O TÍTULO: PRIMEIRO SENTIDO DO TEXTO TEATRAL Walter Lima Torres ......................................................................... 22 NOTAS SOBRE O TEATRO, DE LENZ Fátima Saadi ................................................................................... 30 A VANGUARDA DA VIDA Entrevista com Bia Lessa .............................................................. 36 1 O EFEITO DE ESTRANHEZA de Maurice Blanchot tradução de Ângela Leite Lopes* Poesia: dispersão que enquanto tal encontra sua forma. Aqui, uma luta suprema é trava- da contra a essência da divisão e, no entanto, a partir dela; a linguagem responde a -
Cersaie Bologna | International Exhibition of Ceramic Tile
INTINTERNATIONAL EXHIBITION OF CERAMIC TILE AND BATHROOM FURNISHINGS 28 SEPTEMBER - 2 OCTOBER 201 Cersaie Bologna | International Exhibition of Ceramic Tile ... ERNATIONAL EXHIBITION OF CERA AND BATHROOM FURNISHINGS Home > Events > Protagonists Protagonists Claudio Musso Digicult Network Oscar G. Colli Biographical notes Columnist for the magazine “il Bagno Oggi e Domani” of which he was co-founder and editorial director. He is been part for about 16 years of the ADI’s Permanent Observatory of Design. From 2008 to 2010 he directed the selection and publication on the ADI-Design-Index of the best products and services among which the winners of the “Compasso d’Oro” are selected. He held many conferences and talks with students in various universities and he is often moderator for conventions and seminars about interior design and industrial design. Marco Vismara Architect Biographical notes Studio D73 by Marco Vismara and Andrea Viganò is specialized in architectural and design projects in a wide international dimension. Studio D73 deals with interior design, different commercial and private projects, from analysis to production, and carries out the project phases thanks to a very efficient team of professionals based in the headquarter in Italy and the two other offices in Moscow, Tunis and Tbilisi. Within the past few years, Studio D73 has grown and reached many countries abroad, mainly in Russia, East Europe and North Africa, with the aim of keeping growing in new countries in the near future. State-of- the-art design project solutions by Studio D73 include Spa, hotel, showroom, and residential buildings. Giampietro Sacchi Interior designer Biographical notes Interior designer and director of the masters “High education design” at POLI.design – Polytechnic University of Milan.