Michael Powell and Emeric Pressburger, ‘I KNOW WHERE I’M GOING’ (1945, 91 Minutes)
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Michael Powell and Emeric Pressburger, a MATTER of LIFE and DEATH/ STAIRWAY to HEAVEN (1946, 104 Min)
December 8 (XXXI:15) Michael Powell and Emeric Pressburger, A MATTER OF LIFE AND DEATH/ STAIRWAY TO HEAVEN (1946, 104 min) (The version of this handout on the website has color images and hot urls.) Written, Produced and Directed by Michael Powell & Emeric Pressburger Music by Allan Gray Cinematography by Jack Cardiff Film Edited by Reginald Mills Camera Operator...Geoffrey Unsworth David Niven…Peter Carter Kim Hunter…June Robert Coote…Bob Kathleen Byron…An Angel Richard Attenborough…An English Pilot Bonar Colleano…An American Pilot Joan Maude…Chief Recorder Marius Goring…Conductor 71 Roger Livesey…Doctor Reeves Robert Atkins…The Vicar Bob Roberts…Dr. Gaertler Hour of Glory (1949), The Red Shoes (1948), Black Narcissus Edwin Max…Dr. Mc.Ewen (1947), A Matter of Life and Death (1946), 'I Know Where I'm Betty Potter…Mrs. Tucker Going!' (1945), A Canterbury Tale (1944), The Life and Death of Abraham Sofaer…The Judge Colonel Blimp (1943), One of Our Aircraft Is Missing (1942), 49th Raymond Massey…Abraham Farlan Parallel (1941), The Thief of Bagdad (1940), Blackout (1940), The Robert Arden…GI Playing Bottom Lion Has Wings (1939), The Edge of the World (1937), Someday Robert Beatty…US Crewman (1935), Something Always Happens (1934), C.O.D. (1932), Hotel Tommy Duggan…Patrick Aloyusius Mahoney Splendide (1932) and My Friend the King (1932). Erik…Spaniel John Longden…Narrator of introduction Emeric Pressburger (b. December 5, 1902 in Miskolc, Austria- Hungary [now Hungary] —d. February 5, 1988, age 85, in Michael Powell (b. September 30, 1905 in Kent, England—d. Saxstead, Suffolk, England) won the 1943 Oscar for Best Writing, February 19, 1990, age 84, in Gloucestershire, England) was Original Story for 49th Parallel (1941) and was nominated the nominated with Emeric Pressburger for an Oscar in 1943 for Best same year for the Best Screenplay for One of Our Aircraft Is Writing, Original Screenplay for One of Our Aircraft Is Missing Missing (1942) which he shared with Michael Powell and 49th (1942). -
PLACES of ENTERTAINMENT in EDINBURGH Part 5
PLACES OF ENTERTAINMENT IN EDINBURGH Part 5 MORNINGSIDE, CRAIGLOCKHART, GORGIE AND DALRY, CORSTORPHINE AND MURRAYFIELD, PILTON, STOCKBRIDGE AND CANONMILLS, ABBEYHILL AND PIERSHILL, DUDDINGSTON, CRAIGMILLAR. ARE CIRCUSES ON THE WAY OUT? Compiled from Edinburgh Theatres, Cinemas and Circuses 1820 – 1963 by George Baird 2 TABLE OF CONTENTS MORNINGSIDE 7 Cinemas: Springvalley Cinema, 12 Springvalley Gardens, 1931; the seven cinemas on the 12 Springvalley Gardens site, 1912 – 1931; The Dominion, Newbattle Terrace, 1938. Theatre: The Church Hill Theatre; decision taken by Edinburgh Town Council in 1963 to convert the former Morningside High Church to a 440 seat theatre. CRAIGLOCKHART 11 Skating and Curling: Craiglockhart Safety Ponds, 1881 and 1935. GORGIE AND DALRY 12 Cinemas: Gorgie Entertainments, Tynecastle Parish Church, 1905; Haymarket Picture House, 90 Dalry Road, 1912 – became Scotia, 1949; Tivoli Picture House, 52 Gorgie Road, 1913 – became New Tivoli Cinema, 1934; Lyceum Cinema, Slateford Road, 1926; Poole’s Roxy, Gorgie Road, 1937. Circus: ‘Buffalo Bill’, Col. Wm. Frederick Cody, Gorgie Road, near Gorgie Station, 1904. Ice Rink: Edinburgh Ice Rink, 53 Haymarket Terrace, 1912. MURRAYFIELD AND CORSTORPHINE 27 Cinema: Astoria, Manse Road, 1930. Circuses: Bertram Mills’, Murrayfield, 1932 and 1938. Roller Skating Rink: American Roller Skating Rink, 1908. Ice Rink: Murrayfield Ice Rink; scheme sanctioned 1938; due to open in September 1939 but building was requisitioned by the Government from 1939 to 1951; opened in 1952. PILTON 39 Cinema: Embassy, Boswall Parkway, Pilton, 1937 3 STOCKBRIDGE AND CANONMILLS 40 St. Stephen Street Site: Anderson’s Ice Rink, opened about 1895;Tivoli Theatre opened on 11th November 1901;The Grand Theatre opened on 10th December 1904;Building used as a Riding Academy prior to the opening of the Grand Picture House on 31st December 1920;The Grand Cinema closed in 1960. -
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
Modus Operandi Films and High Point Media Group Present
Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten. -
TPTV Schedule December 14Th to December 20Th 2020
th th TPTV Schedule December 14 to December 20 2020 Date Time Programme Synopsis Mon 14 01:40 Piccadilly Third Stop 1960. Drama. Directed by Wolf Rilla. Starring Terence Morgan, Yoko Tani & John Crawford. Dec 20 Morgan as a playboy petty thief looking for the big time & Crawford as a yank in London and bad tempered crook. (SUBTITLES AVAILABLE ) Mon 14 03:25 The David Niven The Lady from Winnetka. Jacques Bergerac, Argentina Brunetti & Eduardo Ciannelli. British Dec 20 Show actor David Niven, introduces this 1950s US anthology series. (S1, E7) Mon 14 03:55 Who Were You With Glimpses. 1963. 'Who Were You With Last Night' with the Paramount Jazz Quartet. Dec 20 Last Night - Glimpses Mon 14 04:00 Hannay Death with Due Notice. 1988. Stars Robert Powell, Christopher Scoular & Gavin Richards. A Dec 20 quiet break in the country turns into a weekend of murder when Hannay is targeted by a killer. (S1, E04) Mon 14 05:00 Amos Burke: Secret Whatever Happened To Adriana, and Why Won't She Stay Dead. Burke must remove the Dec 20 Agent blackmail threat from a Sicillian official and stop the shipment of missiles. Mon 14 06:00 Christmas Is a Legal 1962 Drama. Directed by Robert Ellis Miller. Mr Jones (James Whitmore), a lawyer who Dec 20 Holiday pursues the case of the underdog with determination and his own style. Barbara Bain, Don Beddoe & Hope Cameron. Mon 14 06:30 All For Mary 1955. Comedy. Director: Wendy Toye. Stars Nigel Patrick, Kathleen Harrison & David Dec 20 Tomlinson. In an Alpine resort, an officer & upper-class Humpy Miller set their sights on the landlord's daughter. -
Reading List for Atypically British: the Films of Powell and Pressburger
DEPARTMENT FOR CONTINUING EDUCATION Rewley House, 1 Wellington Square, Oxford, OX1 2JA Tel: +44 (0)1865 270360 Fax: +44 (0)1865 280760 [email protected] www.conted.ox.ac.uk READING LIST Course Title: Atypically British: The Films of Powell and Pressburger Location: Ewert House, Oxford Term Dates: 21 Apr 2020 to 16 Jun 2020 Tutor: Pete Boss The reading list below was supplied by the course tutor. If you have enrolled on a course starting in the autumn, you can become a borrowing member of the Rewley House library from 1st September. If you are enrolled on a course starting in other terms, you can become a borrowing member once the previous term has ended. For example, students starting in January can join the Library in early December and those starting in April can join in early March. If you are planning to purchase any books, please keep in mind that courses with insufficient students enrolled will be cancelled. The Department accepts no responsibility for books bought in anticipation of a course running. Preparatory Reading List The items on this list are to give you some background to the materials and ideas that we will be covering on the course. Author Title Christie, I Arrows of Desire: The Films of Michael Powell and Emeric Pressburger Gough-Yates, K Michael Powell Jawolke, S Emeric Pressburger: The Life and Death of a Screenwriter Jawolke, S The Films of Michael Powell and the Archers Moor, A Powell & Pressburger : A Cinema of Magic Spaces Powell, M A Life in Movies: An Autobiography Course Reading List The items on this list are to support your learning while you are taking the course. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Mise En Page 1
octobre 2013 La lettre n° 235 R D - e g n a h c u D e h p o t s i r h C r a p é i h p a r g o t o h p , r i o s e c s t r o m t n o s s o r é h s o N , t l u a r r e P d i v a D e d m l i f les entretiens de l'AFC : u d e g a n r AFC u THIERRY ARBOGAST o t e l r pour Malavita u s e de Luc Besson > p. 16 n è t s g n CHRISTOPHE DUCHANGE u t u a pour Nos héros sont morts ce soir s e l u de David Perrault > p. 18 o p m a AFC ' d JEANNE LAPOIRIE n o i t pour Un château en Italie a l l a t de Valeria Bruni Tedeschi > p. 20 s n I e s i e a e u i FILMS AFC SUR LES ÉCRANS > p. 2 ACTIVITÉS AFC > p. 4 ç q h i n p h a r a s p r F r a g r u IN MEMORIAM > p. 4 FESTIVALS > p. 8 ÇÀ ET LÀ > p. 9 n o e g t o t i o o c t t e h a a i r i p c m LA CST > p. 22 NOS ASSOCIÉS > p. 23 PRESSE > p. 26 d o a é l s s n s i e e C d d A LECTURE > p. -
Proud to Sponsor Canterbury Festival
CANTERBURY FESTIVAL KENT’S INTERNATIONAL ARTS FESTIVAL 20 OCT - 3 NOV 2018 canterburyfestival.co.uk i Welcome & Sponsors Box Office: 01227 787787 canterburyfestival.co.uk WELCOME PARTNER AND PRINCIPAL SPONSOR FUNDERS from Rosie Turner Festival Director Per ardua ad astra (through struggle to the stars) has been our watchword in preparing this Canterbury Christ Church University welcomes the SPONSORS year’s star-studded Festival. opportunity to work with Canterbury Festival in 2018, for the ninth consecutive year. We are delighted to be Massive thanks to our sponsors and associated with such a prestigious and popular event in donors – led by Canterbury Christ the city, as both Principal Sponsor and Partner. Church University – who have stayed Venue Sponsor loyal, increased their commitment, Canterbury Festival plays both a vital role in the city’s or joined us for the first time, proving excellent cultural programme and the UK festival that Canterbury needs, loves and calendar. It brings together the people of Canterbury, deserves a fantastic Festival. Now visitors, and international artists in an annual celebration you can support us by booking early, of arts and culture, which contributes to a prosperous telling your friends, organising a and more vibrant city. This year’s Festival promises to work’s night out… we need to sell be as ambitious and inspirational as ever, with a rich Technical Sponsor more tickets than ever before and and varied programme. there’s lots to tempt you. The University is passionate about, and contributes From Knights and Dames to significantly to, the region’s creative economy. We are performing Socks – please look proud to work closely with a range of local and national through the entire programme as cultural organisations, such as the Canterbury Festival, some of our unique events defy to collectively offer an artistically vibrant, academically simple classification. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
Francis Ford Coppolari Eskai- Adimena
PROGRAMAZIOA 2 / PROGRAMACION PROGRAMME osteguna, 2002ko irailaren 19a SECCION OFICIAL ZABALTEGI… 11:00 KURSAAL, 1 22:00 PRINCIPAL THE GOOD THIEF LA ESPERA DIR.:NEIL JORDAN • GRAN BRETAÑA-FRANCIA-IRLANDA • DIR.:ALDO GARAY • URUGUAY • 65 M. • SÓLO PRENSA Y 110 M. • ACREDITÁDOS. PRIORIDAD PRENSA • NUEVOS DIRECTORES• 19:30 PRINCIPAL 24:00 KURSAAL, 2 LUGARES COMUNES PASOS DE BAILE/THE DANCER DIR.:ADOLFO ARISTARÁIN • ARGENTINA-ESPAÑA • 112 M. UPSTAIRS • SÓLO PRENSA Y ACREDITÁDOS. PRIORIDAD PRENSA • DIR.:JOHN MALKOVICH • ESPAÑA-USA • 135 M. • día 19 INAUGURACIÓN. PERLA DEL PÚBLICO• 21:00 KURSAAL, 1 24:00 PRINCIPAL HOY THE GOOD THIEF DIR.:NEIL JORDAN • GRAN BRETAÑA-FRANCIA-IRLANDA • LES DIABLES 110 M. • INAUGURACIÓN • DIR.:CHRISTOPHE RUGGIA • FRANCIA • 105 M. • SÓLO 50 DE LOS 50 CONOCER A VOLKER PRENSA Y ACREDITÁDOS. PRIORIDAD PRENSA • NUEVOS HOMENAGE A DIRECTORES• 17:00 PRINCIPE, 2 SCHLÖNDORFF FRANCIS FORD ANNA MICHAEL POWELL DIR.:ALBERTO LATTUADA • ITALIA •1951• 107 M. • COPPOLA ZABALTEGI… 17:00 PRINCIPE, 6 BIENVENIDO MISTER MARSHALL 17:00 PRINCIPE, 1 19:30 PRINCIPE, 1 16:30 PRINCIPE, 3 DIR.:LUIS GARCÍA BERLANGA • ESPAÑA •1952• 78 M. • DER JUNGE TÖRLESS 16:00 PRINCIPAL RYNOX ONE FROM THE HEART EL JOVEN TÖRLESS ALEMANIA-FRANCIA •1966 87 M.• CORAZONADA • USA • 1982• 103 M. • PASOS DE BAILE/THE DANCER 1931• 47 M. • 19:30 PRINCIPE, 6 UPSTAIRS MONKEY BUSINESS 22:30 PRINCIPE, 1 DIR.:JOHN MALKOVICH • ESPAÑA-USA • 135 M. • SÓLO 16:30 PRINCIPE, 3 ME SIENTO REJUVENECER • DIR.:HOWARD HAWKS • USA • MICHAEL KOHLHAAS-DER PRENSA Y ACREDITÁDOS. PRIORIDAD PRENSA • HOTEL SPLENDIDE 1952 • 92 M. • REBELL 1932 • 53 M. • MADE IN 16:30 KURSAAL, 2 20:30 PRINCIPE, 5 EL REVELDE • ALEMANIA • 1969 • 100 M. -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles.