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Mise En Page 1 octobre 2013 La lettre n° 235 R D - e g n a h c u D e h p o t s i r h C r a p é i h p a r g o t o h p , r i o s e c s t r o m t n o s s o r é h s o N , t l u a r r e P d i v a D e d m l i f les entretiens de l'AFC : u d e g a n r AFC u THIERRY ARBOGAST o t e l r pour Malavita u s e de Luc Besson > p. 16 n è t s g n CHRISTOPHE DUCHANGE u t u a pour Nos héros sont morts ce soir s e l u de David Perrault > p. 18 o p m a AFC ' d JEANNE LAPOIRIE n o i t pour Un château en Italie a l l a t de Valeria Bruni Tedeschi > p. 20 s n I e s i e a e u i FILMS AFC SUR LES ÉCRANS > p. 2 ACTIVITÉS AFC > p. 4 ç q h i n p h a r a s p r F r a g r u IN MEMORIAM > p. 4 FESTIVALS > p. 8 ÇÀ ET LÀ > p. 9 n o e g t o t i o o c t t e h a a i r i p c m LA CST > p. 22 NOS ASSOCIÉS > p. 23 PRESSE > p. 26 d o a é l s s n s i e e C d d A LECTURE > p. 27 INTERNET > p. 27 SUR LES ÉCRANS : 9 mois ferme Dictionnaire embarqué d’Albert Dupontel, photographié par dans l'application Vincent Mathias AFC Dictionnaire de traductions de termes techniques du cinéma Avec Sandrine Kiberlain, Albert et de l’audiovisuel Dupontel, Philippe Uchan Avec le soutien du CNC , de Film France et de la commission Île-de-France Sortie le 16 octobre 2013 [ p. 12 ] Le Cinedico devient une application entièrement installé e sur votre iPhone ou iPad ne nécessitant plus de connexion à Internet Au bonheur des ogres de Nicolas Bary, photographié par Patrick Duroux AFC Avec Raphaël Personnaz, Bérénice Bejo, Emir Kusturica ReVUe LUmières, Sortie le 16 octobre 2013 Les Cahiers de l’AFC [ p. 14 ] Des directeUrs L'Extravagant voyage du jeune et de la prodigieux T.S. Spivet photographie de Jean-Pierre Jeunet, photographié parlent de cinéma, par Thomas Hardmeier AFC leUr métier Avec Helena Bonham Carter, Judy Davis, Callum Keith Rennie http://WWW.afcinema.com/-LUmieres-magaZine-.htm l Sortie le 16 octobre 2013 [ p. 15 ] Malavita de Luc Besson, photographié par Thierry Arbogast AFC Micro Salon 2013 Robert De Niro, Michelle Pfeiffer, Tommy Lee Jones Les dernières images mises en ligne Sortie le 23 octobre 2013 Le reportage sur le dernier Micro Salon est enfin au [ p. 16 ] complet avec la publication des deux derniers albums contenant les photographies prises par Pauline Maillet au Fonzy 2e étage de La fémis. Ils sont consultables aux adresses d’Isabelle Doval , photographié par AFC suivantes : Gilles Henry http://www.afcinema.com/Micro-Salon-2013-en-images-un-4e- Avec José Garcia, Lucien Jean- album.html Baptiste, Audrey Fleurot http://www.afcinema.com/Micro-Salon-2013-en-images-un- Sortie le 30 octobre 2013 [ p. 19 ] 5eme-et-dernier-album.html Que nos membres associés Un château en Italie présents sur les divers de Valeria Bruni Tedeschi, espaces de cet étage AFC photographié par Jeanne Lapoirie veuillent bien excuser le délai Avec Valeria Bruni Tedeschi, Louis dû à ce qui fut, pris dans son Garrel, Filippo Timi ensemble, un travail de Sortie le 30 octobre 2013 longue haleine. (JNF) [ p. 20 ] La Goualeuse n’éclairait pas facile, à croire qu’elle avait des oursins dans les fouilles, de naissance. Auguste le Breton, L’Argot chez les vrais de vrais , Presse de la Cité, 1975 Eclairer : payer Les 7 et 8 féVrier 2014 à La fémis AFC la lettre n°235 / 2 Le traVail dU chapeaU On vous le dit : les métiers du cinéma sont des métiers à part, ils ne l ressemblent à aucun autre. Voici l’argument souvent repris pour justifier une dérégulation au doigt mouillé de toute une branche d’activité… a Quelle déception pour le chirurgien entamant la troisième thoracotomie de la journée sous l’œil médusé du jeune interne, i pour le gardien de phare refermant son hublot pour échapper aux embruns, pour le dompteur, la tête enfouie dans la gueule du fauve : ce qu’ils font n’ont rien d’exceptionnel. Ils pensaient, eux r aussi, pratiquer LE métier pas comme les autres. Quel orgueil ! Il n’en est rien : c’est le cinéma qui a ce privilège ! Lorsque l’on nous demande à quoi peuvent bien ressembler nos métiers, les images vont bon train. Certains parleront d’un o orchestre sous la baguette de son chef, d’autres du bâtiment qui se construit sous l’œil de l’architecte… t Akira Kurosawa, dans son livre de mémoires Comme une autobiographie (Seuil – Cahiers du cinéma – 1985), tentait lui aussi i de répondre à cette question. Shinga Naoya, un écrivain japonais venait alors de faire publier dans une revue littéraire un texte écrit par son petit-fils. Le titre en était Mon chien . Cela commençait ainsi : « Mon chien ressemble à un ours ; il ressemble aussi à un blaireau ; il ressemble d aussi à un renard… » Après une longue énumération de tous les animaux qui pouvaient lui faire penser à son chien, l’enfant finissait par conclure : « Mais c’est avant tout un chien, donc il ressemble surtout à un chien. » é Belle définition, en creux, de notre profession… Nos métiers, au gré des scénarios et des décors, nous permettent de côtoyer des univers très divers. Nous avons tous tourné dans des usines, dans des prisons, dans les sphères de la haute finance, aux urgences de l’hôpital, dans les mines, les écoles… Force nous est de constater que nous pratiquons un métier à part dans un monde où tous les métiers sont à part. Le seul privilège que nous avons au milieu de ce monde de bizarreries est d’en être au mieux les témoins, au pire les touristes. Matthieu Poirot-Delpech AFC 3 / n°235 la lettre AFC [ actiVités AFC | in memoriam | festiVals | çà et là | entretiens AFC | films AFC | la CST | associés | presse | lectUre| Internet ] CaméfleX Amiens 2013 dU 8 aU 16 noVembre 2013 Le Festival international du film d’Amiens et l’AFC organisent ensemble pour la deuxième année consécutive " Caméflex " – manifestation culturelle et professionnelle unique en France dédiée aux directeurs de la photographie. CaméflexalieudanslecadreduFesti - A la mémoire de Luc Drion, disparu bru - val, dont la 33 e édition se tiendra du 8 au talement il y a quelques mois, une pro - 16novembre2013,etproposedesprojec - jection en avant-première de Belle et Sé - tions et des activités réunies autour d’un bastien , le film de NicolasVanierquiluiest hommagecentralconsacréàundirecteur dédié, aura lieu au cours du festival. de la photographie choisi par ses pairs. Enfin, c’est Gérard de Battista qui repré - En 2012, Caméflex Amiens a rendu hom - sentera l’AFC au sein du jury. mage à Ricardo Aronovich AFC, ADF, ABC et à Tousles détailsde laprogrammation des cette occasion, le festival lui a décerné films projetés àAmiens mettanten valeur une Licorne d’or pour l’ensemble de son le métier de la lumière ainsi que les diffé - hommage par exemple à Haskell œuvre. Pendantcethommage, ilétaiten - rentes manifestations associées seront Wexle r ASC ,à Guillermo Navarro AMC, ASC ,ou touré de Georges Lechaptois, Gérard de communiqués ultérieurement. en consacrant, en 2011, une large rétros - Battist a AFC , EricGuichar d AFC , Yves Angelo, pective auxopérateursmexicains (de Ga - directeurs de la photographie invités, et FabienGaffez, directeurartistiqueduFes - briel Figueroa à nos jours). de Michel Abramowicz, qui, au nom de tival d’Amiens écrivait, il y a un an : Desoncôté,l’AFCréunitensonseinleplus l’AFC, faisait partie du jury du festival. «Au moment oùle passage aunumérique grand nombre des directeurs de la pho - Cette année, c’est à Denis Lenoir AFC, ASC soulève bien des questions, dans des tographie français et œuvre de bien des queCaméflexrendrahommage et offrira temps de mutations techniques et es - manièrespoursensibiliserlepublicàl’art une large rétrospective des films qu’il a thétiques, il nous a semblé important de majeurdelalumière.C’estpourquoinous photographiés. Il sera entouré de Yorick remettre en perspective l’histoire d’un avonsdécidé,sousl’impulsiond’AlainCoif - Le Saux etde plusieurs autres directeurs métier souvent méconnu du grand pu - fier,d’unirnosforcespourinitier"Camé - dela photo dontlefestivalprojettera éga - blic. Depuis quelques années, le Festival fle x",manifestationappeléeàdevenirpé - lement une sélection de films. d’Amiens a ouvert ce chantier, rendant renne. » I in memoriam Gilbert TaYlor BSC par Marc Salomon membre consUltant AFC Taylor appartenait à cette génération de grands opérateurs britanniques comme Morris, Unsworth, Cardiff, Challis, Krasker, Hildyard, Slocombe... révélés au sortir de la Seconde Guerre Mondiale. Né le 21 avril 1914 à Bushey Heath, fils NumberSeventeen,d’AlfredHitchcock,en HarryWaxman( LeGangdestueurs )etGun - d’uncélèbreentrepreneurenbâtimentdu tant que clapman au côté de Jack Cox. Il therKrampf( FameistheSpur ,deRoyBoul - Hertfordshire, Gilbert Taylor avait côtoyé seconde encore Freddie Young à Elstree ting, en 1949). trèsjeuneunoncleopérateurd’actualités (NellGwynn en1934etEscapeMeNever en Il assura pour Ossie Morris des prises de qu’il assista dès son plus jeune âge, s’ini - 1935)dontilgardaitunsouvenirmitig é:« vuesensecondeéquipesurL’Enquêteest tiant ainsi au maniement de la caméra en Freddie Young était le genre d’homme à close , de Jacques Tourneur, en 1950. bois Williamson et aux manipulations de exigerquevousgrattiezlesoldelacham - Chef opérateur à la fin des années 1940 laboratoire.
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