! AUDITION PACKET

WHAT: AUDITIONS FOR MUSICAL THE HUNCHBACK OF NOTRE DAME

WHEN: MONDAY DECEMBER 19TH OR TUESDAY DECEMBER 20TH 3:15-6:45 P.M. (You only need to attend 1 of the 2 audition days)

(THIS IS THE GENERAL AUDITION FOR EVERYONE)

CALLBACKS—WEDNESDAY, DEC. 21ST 3:15-7:15 P.M.

WHERE: NORTH AUDITORIUM AND CHOIR ROOM

WHO: ANY NORTH STUDENT GRADES 9-12 A SPECIAL FREE DANCE CAMP WILL BE OFFERED FOR THOSE INTERESTED ON: Saturday, December 17th from 10:00 a.m. to Noon in the North auditorium.

AUDITION PACKET CONTENTS: *AUDITION FORM (AT END OF THIS PACKET) TO BE FILLED OUT AND BROUGHT TO YOUR AUDITION

* VOCAL MUSICAL SELECTIONS FOR GENERAL AUDITION ON DECEMBER 19TH AND 20TH (ON BLUE PAPER)

*SEVERAL ADDITIONAL SELECTIONS FOR CALLBACKS ON DECEMBER 21st (ON YELLOW PAPER)

*TWO SOLO ACTING SELECTIONS (ON PINK PAPER)

AUDITION REQUIREMENTS:

YOU SHOULD PREPARE TO SING THE GENERAL AUDITION PIECES (ON BLUE PAPER) ON EITHER DECEMBER 19TH OR 20TH .

YOU SHOULD ALSO PREPARE ONE OF THE SOLO READINGS (THE MALE OR FEMALE READING DEPENDING ON YOUR GENDER) AT YOUR AUDITION. YOU SHOULD, HOWEVER, BE PREPARED TO PERFORM ANY OF THE MUSICAL CALLBACK PIECES (ON YELLOW PAPER) APPROPRIATE TO YOUR GENDER ON DECEMBER 21st IF CALLED BACK.

EVERYONE WILL LEARN A BRIEF DANCE ROUTINE ON DECEMBER 19th OR 20th AS WELL.

IN ADDITION, YOU MAY BE ASKED TO PRESENT A BRIEF IMPROVISATION AT CALLBACKS AND DO FURTHER DANCE AUDITIONING.

WHILE THERE WILL BE A SMALL DANCE CORPS WHICH WILL BE FEATURED IN THE HUNCHBACK OF NOTRE DAME , EVERYONE WILL HAVE TO TAKE PART IN ALL PHASES OF THE AUDITION INCLUDING SINGING AND READING. YOU MAY INDICATE ON THE AUDITION FORM IF YOU WOULD LIKE TO BE CONSIDERED FOR DANCE ONLY. PLEASE BE PROMPT . YOU WILL BE ABLE TO LEAVE AFTER YOUR AUDITION. PLEASE HAVE YOUR AUDITION SHEET COMPLETED WHEN YOU ARRIVE. BE DRESSED TO MOVE. FREQUENTLY ASKED QUESTIONS

QUESTION: DO I HAVE TO BE IN CHOIR OR IN A THEATRE CLASS TO BE IN THE MUSICAL? ANSWER: NO—AUDITIONS ARE OPEN TO ANY NORTH STUDENT GRADES 9-12. NO PREVIOUS EXPERIENCE IS NECESSARY!

QUESTION: DO I HAVE TO ATTEND BOTH AUDITIONS ON DECEMBER 19TH AND 20TH? ANSWER: NO—YOU MAY ATTEND EITHER OF THE TWO DAYS. IF YOU ARE CALLED BACK, HOWEVER YOU MUST ATTEND THE CALLBACK AUDITIONS ON DECEMBER 21ST .

QUESTION: WHAT IS A DANCE CAMP AND DO I HAVE TO ATTEND THE DANCE CAMP? ANSWER: THE DANCE CAMP IS NOT MANDATORY AND IS NOT REQUIRED TO AUDITION. IT IS AVAILABLE TO THOSE WHO WISH SOME EXTRA PREPARATION ASSISTANCE FOR AUDITIONS.

QUESTION: WHAT ARE CALLBACKS? ANSWER: CALLBACKS OCCUR AFTER INITIAL AUDITIONS AND ARE AN OPPORTUNITY FOR THE DIRECTORS TO SEE AND HEAR PARTICULAR INDIVIDUALS IN MORE DETAIL. QUESTION: IF I’M NOT CALLED BACK, DOES THAT MEAN THAT I DIDN’T MAKE THE MUSICAL? ANSWER: NO! CALLBACKS ARE ONLY FOR THOSE INDIVIDUALS WHO WE NEED TO SEE OR HEAR AGAIN TO HELP US DECIDE CERTAIN ROLES. MOST STUDENTS WHO ARE SELECTED FOR THE MUSICAL ARE NOT CALLED BACK.

QUESTION: HOW DO I KNOW IF I’M CALLED BACK? ANSWER: A CALL BACK LIST WILL BE POSTED WEDNESDAY MORNING, DECEMBER 21ST BOTH ON THE THEATRE NOTES BOARD AND ON THE NORTH THEATRE WEBSITE: www.appletonnorththeatre.com

QUESTION: HOW DO I KNOW IF I MADE THE MUSICAL? ANSWER: A CAST LIST WILL BE POSTED ON THURSDAY, DECEMBER 22ND .

QUESTION: WHEN WILL REHEARSALS BEGIN? ANSWER: REHEARSALS WILL BEGIN THE WEEK OF JANUARY 2ND WITH THE FIRST CAST MEETING ON TUESDAY, JANUARY 3RD . ALL CAST MEMBERS WILL MEET ALSO ON WEDNESDAY AND THURSDAY, JANUARY 4TH AND 5TH FOR A SHOWING OF A VIDEO OF THE FIRST AMERICAN PROFESSIONAL PRODUCTION AND DISCUSSION OF THE DESIGN CONCEPT AND APPROACH AS WELL AS THE REHEARSAL SCHEDULE.

QUESTION: IS THE SOLO DRAMATIC READING THE LYRICS TO A SONG? ANSWER: YES. JUST READ THEM AS IF THEY WERE A MONOLOGUE. FOCUS ON THE EXPRESSION AND MEANING. QUESTION: WHAT IF I JUST WANT TO DANCE FOR THE MUSICAL? DO I STILL HAVE TO DO THE SINGING AUDITION? ANSWER: YES—THERE WILL BE A SEPARATE DANCE/MOVEMENT AUDITION RUNNING CONCURRENTLY WITH ACTING AND SINGING AUDITIONS. THERE WILL BE A SMALL SEPARATE DANCE CORPS WHICH WILL DO SOME OF THE MORE COMPLEX MOVEMENT PARTS OF THE SHOW. YOU CAN INDICATE YOUR INTEREST IN DANCE ON YOUR AUDITION FORM. EVERYONE WILL HAVE TO TAKE PART IN SINGING, ACTING, AND DANCING FOR AUDITIONS. (SINCE ALL CAST MEMBERS WILL BE REQUIRED TO DO SOME DANCE/MOVEMENT) BUT THOSE IN THE DANCE CORPS WILL NOT NECESSARILY BE REQUIRED TO SING DURING THE SHOW.

QUESTION: WILL THERE BE ACCOMPANIMENT FOR THE AUDITION? ANSWER: YES—THERE WILL BE EITHER LIVE OR RECORDED ACCOMPANIMENT AT TRYOUTS.

QUESTION: WHAT IF I DON’T HAVE A LOT OF EXPERIENCE, DO I STILL HAVE A CHANCE AT A GOOD PART? ANSWER: ALL PARTS IN A MUSICAL ARE GOOD SINCE THERE IS SO MUCH GOING ON, BUT YOU WILL BE JUDGED SOLELY ON YOUR AUDITION, NOT PAST PRODUCTIONS YOU HAVE BEEN IN. THE CAST SIZE FOR THE HUNCHBACK OF NOTRE DAME IS VERY LARGE, SO YOU HAVE A GOOD CHANCE OF BEING SELECTED!

QUESTION: IF I MAKE IT, WHEN ARE REHEARSALS? ANSWER: REHEARSALS WILL TYPICALLY BE HELD AFTER SCHOOL FROM 3:15 TO 6:15. THERE WILL BE SOME WEEKENDS IN FEBRUARY AS WELL. MOST CAST MEMBERS WILL NOT BE REQUIRED TO ATTEND EVERY REHEARSAL, AT FIRST. A FULL SCHEDULE WILL BE GIVEN AT THE FIRST WEEK OF MEETINGS OF THE CAST.

QUESTION: WILL THIS MUSICAL BE DOUBLE-CAST? ANSWER: YES. LIKE PREVIOUS SHOWS AT NORTH, MANY, IF NOT ALL OF THE CHARACTER ROLES WILL BE DOUBLED. THIS ALLOWS MANY MORE STUDENTS TO BE INVOLVED.

QUESTION: WHEN WILL THE MUSICAL BE PERFORMED? ANSWER: PERFORMANCES ARE SCHEDULED FOR TWO WEEKENDS—

Thursday, March 9th —7:00 p.m Friday, March 10th —7:00 p.m. Saturday, March 11th — 1:00 p.m. and 7:00 p.m. Sunday March 12th –1:00 p.m. Thursday, March 16th —7:00 p.m Friday, March 17th —7:00 p.m. Saturday, March 18TH — 1:00 p.m. and 7:00 p.m. Sunday March 19TH –1:00 p.m.

*matinees for schools on March 9th and 15th

QUESTION: CAN I REQUEST A PART I WANT? ANSWER: YOU CAN EXPRESS INTEREST IN PARTICULAR ROLES ON YOUR AUDITION FORM, BUT IT DOES NOT GUARANTEE THAT YOU WILL BE SELECTED FOR THAT ROLE.

QUESTION: ARE SOME PARTS OPEN TO BE PLAYED BY THE OPPOSITE GENDER? ANSWER: YES! IN FACT, SEVERAL OF THE CHARACTERS IN THE MUSICALMAY BE PLAYED BY EITHER A MALE OR FEMALE INCLUDING FROLLO, JEHAN, QUASIMODO, CLOPIN, AND MANY OTHERS.

QUESTION: WILL OTHER PEOPLE BE WATCHING MY AUDITION? ANSWER: YOU WILL BE BROUGHT IN INDIVIDUALLY FOR YOUR INITIAL AUDITION AND HEARD ONLY BY MR PARKER, AND MR. AUMANN. YOU WILL AUDITION IN GROUPS FOR DANCE FOR MS. WILLIAMSON.

QUESTION: IF I’M NOT SELECTED, CAN I STILL BE INVOLVED? ANSWER: YES! THERE ARE MANY TECHNICAL SUPPORT POSITIONS AVAILABLE. MANY OF THOSE LEADERSHIP POSITIONS WILL BE CHOSEN FROM THOSE WHO AUDITIONED AND WERE NOT SELECTED TO PERFORM.

QUESTION: WHAT IF I CAN’T READ MUSIC? ANSWER: A CD WITH ALL THE AUDITION SONGS CAN BE CHECKED OUT IMMEDIATELY AFTER SCHOOL FROM THE STAGE MANAGERS IN MR. PARKER’S ROOM, 1118 ; YOU CAN ALSO ACCESS ALL THE AUDITION MUSIC ON OUR WEBSITE www.appletonnorththeatre.com .

QUESTION: WHAT DO THE TRACK NUMBERS MEAN ON THE AUDITION MUSIC? ANSWER: THOSE ARE THE NUMBERS OF THE SONGS WHICH CORRESPOND TO TRACKS LISTED ON THE WEBSITE LINK AND ON THE CD AVAILABLE FOR CHECKOUT.

QUESTION: WHAT IF I JUST WANT TO WORK BACKSTAGE OR IN A TECHNICAL AREA—DO I STILL HAVE TO AUDITON?

ANSWER: NO—THERE WILL BE A SIGN UP SHEET ON THE GREEN ROOM DOOR BEGINNING THE WEEK ON DECEMBER 19TH FOR THOSE INTERESTED IN WORKING TECH. PUT YOUR NAME DOWN AND YOU WILL BE CONTACTED. QUESTION: WHAT IF I WANT TO PLAY IN THE PIT ORCHESTRA? ANSWER: THE HUNCHBACK OF NOTRE DAME WILL HAVE A LARGE PIT. SEE MR. THALDORF IF YOU ARE INTERESTED IN PLAYING IN THE PIT ORCHESTRA.

QUESTION: WHO ARE THE CHARACTERS IN THE HUNCHBACK OF NOTRE DAME? ANSWER:

Claude Frollo Archdeacon of Notre Dame Cathedral and the most powerful cleric in Paris, he is the reluctant caretaker of Quasimodo. He will do whatever it takes to rid the city of the gypsy “vermin,” even as he lusts after Esmeralda. Calculating, manipulative, and obsessive. Gender: male Age: 40 to 50 Vocal range top: Bb4 Vocal range bottom: E2

Jehan Frollo Claude’s reckless younger brother. With the gypsy Florika, he fathers Quasimodo, who he leaves in his brother’s care. Wild, passionate, and strong-willed. Gender: male Age: 20 to 30 Vocal range top: Eb5 Vocal range bottom: F3

Florika A gypsy and Quasimodo’s mother. Gender: female Age: 20 to 30 Vocal range top: F#5 Vocal range bottom: E4 Father Dupin A priest of Notre Dame and Claude and Jehan’s guardian. Gender: male Age: 40 to 60 Vocal range top: A3 Vocal range bottom: C3

Quasimodo The deformed bell-ringer of Notre Dame and Claude Frollo’s charge. Lonely and staunchly obedient to Frollo, he possesses a vivid imagination that brings to life the bells and gargoyles of the cathedral. Despite his shyness and uncertainty, he quickly befriends Esmeralda. Big-hearted, and brave when need be. Gender: male Age: 20 to 30 Vocal range top: Bb5 Vocal range bottom: Bb2

Clopin Trouillefou The clever and charismatic King of the Gypsies. An air of mystery surrounds Clopin, who often leaves the scene in a puff of smoke. As the master of ceremonies for the Feast of Fools, he is witty and playful, but he boasts a darker, serious nature when not performing for the crowd. Gender: male Age: 30 to 40 Vocal range top: F#5 Vocal range bottom: D3

Captain Phoebus de Martin Returning to Paris after serving in the war, Phoebus takes up his new position as Captain of the Cathedral Guard. Overconfident yet charming, this handsome, strong soldier makes the ladies swoon, yet his moral compass is also strong, and he openly defies the corrupted Frollo. Gender: male Age: 25 to 40 Vocal range top: Ab4 Vocal range bottom: A2

Lieutenant Frederic Charlus Lieutenant of the Cathedral Guard and loyal friend to Phoebus. Gender: male Age: 20 to 30

Esmeralda A beautiful and free-spirited gypsy who possesses the strong sense of justice and morality that Frollo lacks. Compassionate, she frees Quasimodo from the frenzied mob at the Feast of Fools and, against her better judgment, falls for the cocky Phoebus. Gender: female Age: 20 to 30 Vocal range top: D5 Vocal range bottom: E3 King Louis XI

King of France, nicknamed the Prudent. Gender: male Age: 40 to 50

Tribunal A judicial officer. Gender: male Age: 20 to 50 Vocal range top: E4 Vocal range bottom: G2

Madam Owner of a brothel and safe haven for gypsies. Gender: female Age: 35 to 50

Saint Aphrodisius A stained-glass image that comes to life. Gender: male Age: 30 to 50 Vocal range top: E4 Vocal range bottom: B3

Gargoyles/Statues They reflect the mind of Quasimodo and act as his supporters and advisors Gender: both

Gypsies, soldiers, monks, and citizens of Paris. Gender: both A congregation of storytellers narrates THE HUNCHBACK OF NOTRE DAME. QUESTION: WHAT IS THE HUNCHBACK OF NOTRE DAME ABOUT? ANSWER: Act One A company of actors emerges, intoning a Latin chant ("Olim") with the onstage Choir. As "The Bells of Notre Dame" echo throughout the cathedral/theater, the Congregation narrates the dawn of the Feast of Fools, a day when all – even criminals (or worse, gypsies) – are free to roam the streets of Paris without fear of reprisal. From the pulpit, Dom Claude Frollo, the most powerful cleric in Paris, warns his flock against the wickedness of the festival. In flashback, the Congregation reveals the archdeacon’s backstory. Frollo and his brother Jehan were taken in as orphans by the cathedral priests. Whereas Frollo thrived under the strict rules of the Church, the much wilder Jehan eventually took up with gypsies and was expelled. Many years passed, during which Frollo ascended through the ranks of the Church, until one day he was summoned to his estranged brother’s deathbed. Although Jehan rejected Frollo’s offer of sanctuary, he did ask his brother to care for his gypsy baby. In grief, Frollo reluctantly agreed to do so and named the deformed child Quasimodo (“half-formed”). Frollo kept Quasimodo secluded in the cathedral bell tower for many years… Now grown, Quasimodo is the lonely but staunchly obedient bell-ringer at Notre Dame. Frollo continues to offer him "Sanctuary" within the confines of the cathedral, but Quasimodo longs to be "Out There", and so he drums up the courage to defy Frollo and sneak out of the tower to attend the Feast of Fools. Down below in the square, Clopin leads the gypsies in their annual takeover of Paris ("Topsy Turvy") just as Captain Phoebus de Martin arrives from the battlefront to assume command of the Cathedral Guard. Looking forward to some "Rest and Recreation" first, Phoebus is disappointed to find himself taking his new positon early and reporting to the reproachful Frollo. Both men are instantly captivated by the arrival of the beautiful gypsy, Esmeralda, as she dances in public to the "Rhythm of the Tambourine". The frenzied crowd then joins together to crown the King of Fools ("Topsy Turvy - Part 2"). They choose Quasimodo for the mock honor, but as Frollo predicted, the people treat him with remarkable cruelty when their celebration of his deformity turns to contempt. Hostilities rise as the mob surrounds Quasimodo, ties him up, and beats him while Frollo looks on in cold silence. Esmeralda rescues Quasimodo from the abuse, enduring frustrated taunts from the crowd, before she disappears in a flash of smoke amid exclamations of witchcraft. Frollo steps forward to collect a chastened Quasimodo, who promises to never again leave the tower ("Sanctuary II"). Concerned about Quasimodo’s welfare, Esmeralda ventures into the cathedral ("The Bells of Notre Dame – Reprise"), where Frollo, still overwhelmed by her beauty, offers her sanctuary and spiritual guidance. While she ponders this opportunity ("God Help the Outcasts"), Phoebus happens upon her and they duel flirtatiously. Eventually, Esmeralda finds Quasimodo, who shows her the view from the bell tower ("Top of the World"). Frollo finds them there and confronts Esmeralda with his offer, but when she refuses, he has Phoebus escort her from the cathedral. He encourages Quasimodo to forget about the unclean gypsy. However, Frollo cannot stop thinking about Esmeralda and roams the streets in the shadow of darkness. One night, he comes upon a tavern where the gypsies spiritedly sing and dance ("Tavern Song – Thai Mol Piyas"). Inside, a charmed Phoebus seeks out Esmeralda, and their flirtation escalates, climaxing in a kiss. The spying Frollo, enticed and horrified, runs off. Back in the bell tower, Quasimodo remains smitten by Esmeralda’s beauty and kindness ("Heaven's Light"). Meanwhile, Frollo convinces himself that Esmeralda is a demon sent to tempt his very soul ("Hellfire"). The next morning, Frollo convinces King Louis XI to put out a warrant for Esmeralda’s death, and a search commences ("Esmerelda/ Act I Finale"). Frollo targets a brothel that he suspects has been harboring Esmeralda. When Phoebus refuses a direct order to burn it down, Frollo has him arrested. Esmeralda appears from the crowd and a fight breaks out. Frollo stabs Phoebus and blames Esmeralda, who escapes with the injured Phoebus. Frollo continues the hunt while Quasimodo watches the burning chaos from above. Act Two The Choir sings the "Entr’acte" in Latin. In the bell tower ("Agnus Dei"), Esmeralda implores Quasimodo to hide the wounded Phoebus until he is stronger. Quasimodo agrees to help, and she offers him an amulet that will lead him to where she hides. Envisioning himself as her savior and protector ("Flight Into Egypt"), Quasimodo lies to Frollo when asked if he knows where Esmeralda might be ("Esmerelda – Reprise"). Frederic interrupts to reveal that the soldiers have found the gypsy lair, and Frollo declares they will attack at dawn. Quasimodo and the injured Phoebus use the amulet to find Esmeralda before Frollo does ("Rest and Recreation Reprise"). Arriving at the gypsy lair, Phoebus and Quasimodo are captured by Clopin and the gypsies, who sentence them to death ("The Court of Miracles"). Esmeralda intervenes, and the two men warn of Frollo’s impending attack. As the gypsies prepare to flee, Phoebus decides to go with Esmeralda. She consents and matches his commitment to a life together while Quasimodo watches, heartbroken ("In a Place of Miracles"). Frollo barges in, sends Quasimodo back to the tower, and arrests Esmeralda and Phoebus ("The Bells of Notre Dame – Reprise II"). In prison, Frollo confesses his love to Esmeralda and attacks her ("The Assault"). When Esmeralda refuses him, Frollo threatens Phoebus’s life as well and then has him brought into her cell so she can rethink his offer. Esmeralda and Phoebus spend their final night alive together ("Someday"). Now bound in the tower, Quasimodo believes he is the only one who can save Esmeralda ("While the City Slumbered"), but Frollo has made him doubt himself ("Made of Stone"). In the square the next morning, Phoebus watches from his cage as Esmeralda is tied to a wooden stake ("Judex Crederis"). Frollo again offers to save her if she will be his ("Kyrie Eleison"). Her steadfast refusal enrages him, and he lights the pyre himself. Witnessing the horror from above, Quasimodo gains courage, breaks free of his bonds, and swoops down to free the badly injured Esmeralda. He then enters the cathedral with her in his arms, claims sanctuary, bars the doors, and returns her to safety in his tower. Violence breaks out in the square as Phoebus and Clopin rally the crowd against Frollo. When the Cathedral Guard breaks down the church doors, Quasimodo’s last defense is to pour molten lead down on them, which ends the attack. Quasimodo returns to Esmeralda, who declares him a good friend before she dies in his arms ("Top of the World - Reprise"). Frollo enters and tries to comfort the distraught Quasimodo ("Esmerelda - Frollo Reprise"), but he finally sees the archdeacon for the monster he is and throws him from the tower to his death ("Finale Ultimo"). Phoebus arrives, weak and broken from the battle, and collapses on Esmeralda’s body in grief. Quasimodo comforts him then picks up Esmeralda and carries her into the square, where the Congregation has gathered to mourn.

QUESTION: HOW CLOSE IS THE MUSICAL VERSION TO THE ORIGINAL ANIMATED FILM? ANSWER: WHILE MANY OF THE SONGS FROM THE ANIMATED FILM ARE INCLUDED IN THE MUSICAL VERSION (ALONG WITH NEW SONGS) THE STORY IS MUCH MORE SERIOUS AND DARKER IN TONE. IT IS MUCH CLOSER TO THE ORIGINAL NOVEL BY VICTOR HUGO. IT RESEMBLES MUSICALS LIKE LES MISERABLES AND PHANTOM OF THE OPERA THAN IT DOES OTHER DISNEY MUSICALS NORTH HAS DONE SUCH AS THE LITTLE MERMAID OR MARY POPPINS. IN FACT, OUR PRODUCTION WILL BE RATED PG TO LET THE PUBLIC KNOW THAT IT IS DIFFERENT FROM THE ANIMATED VERSION.

**ANY OTHER QUESTIONS? SEE MR. PARKER IN RM. 1118

PRODUCTION TEAM:

DIRECTOR: MR. PARKER VOCAL DIRECTOR: MR. AUMANN CHOREOGRAPHER: MS. WILLIAMSON ORCHESTRA CONDUCTOR: MR. THALDORF STRINGS COACH: MR. KELLENBERGER COSTUME DESIGNER: CECE SHOAF SET DESIGNER: PROF. ROY HOGLUND TECHNICAL DIRECTOR: JASON POHLKOTE SET CONSTRUCTION/TECHNICAL DIRECTOR: MR. ABRAHAM LIGHTING DESIGNER: ADAM GUNN SCENIC ARTIST: ALLISON O’BRIEN STAGE MANAGERS: MADDY CUFF AND KAMY VEITH ASST. STAGE MANAGER: RACHEL STEINHOFF STAGE MANAGER IN TRAINING: HANNAH SCHECKLMAN Fill out the audition form at the end of this packet and bring it with you to auditions on either December 19th or 20th.

SEE YOU AT AUDITIONS!!!! ☺

PLEASE FILL THIS OUT AND BRING WITH YOU TO AUDITIONS

AUDITION FORM—THE HUNCHBACK OF NOTRE DAME

AUDITION NUMBER (to be assigned at auditions) : ______

NAME:

GRADE:

PHONE NUMBER: HEIGHT: HAIR COLOR: WEIGHT: GENDER:

VOCAL CLASSIFICATION (Circle one): SOPRANO ALTO TENOR BASS

LIST MAJOR PERFORMING EXPERIENCE/ROLES (SINGING, ACTING, DANCING) YOU HAVE HAD (IF ANY):

HAVE YOU EVER AUDITIONED FOR A PLAY BEFORE AT NORTH? YES/NO

PLEASE LIST ANY AFTER SCHOOL OR EVENING OBLIGATIONS WHICH MIGHT INTERFERE WITH REHEARSALS. BE AS SPECIFIC AS POSSIBLE.

IF YOU ARE NOT SELECTED AS A MEMBER OF THE CAST WOULD YOU BE WILLING TO WORK BACKSTAGE AS PART OF THE TECHNICAL CREW? YES/NO

I WOULD LIKE TO BE CONSIDERED ONLY FOR THE DANCE CORPS YES/NO

IF YOU HAVE ANY PREFERENCES FOR PARTICULAR CHARACTERS OR ROLES INDICATE THESE BELOW:

PLEASE INDICATE THE HIGHEST AND LOWEST NOTE YOU FEEL YOU CAN SING WELL (IF YOU KNOW): HIGHEST:______LOWEST: ______

AUDITION EVALUATION FORM

AUDITION NUMBER: ______

STUDENT NAME: ______VOCAL SELECTION

NAME OF SONG:______

______EVALUATION RANKING (1 – 10)

PITCH: RHYTHM:

MUSICALITY/EXPRESSION:

COMMENTS:

SOLO READING

AUDITION PIECE:______

______PROJECTION:

______ARTICULATION:

______VOCAL QUALITY:

______EXPRESSION:

______MOVEMENT:

______STAGE PRESENCE:

IMPROVISATION:

______CALL BACK