Cult of Silvanus in Singidunum Area
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4 Chapter 11: the Roman Republic
Name Class Date FORMAL Chapter 11: The Roman Republic ASSESSMENT UNIT 4 CHAPTER TEST B Part 1: Multiple CHoice Choose the best answer for each question from the choices available. 1 Where is the city of Rome located? 7 What statement describes the life of the A east of the Apennines on the Italian Peninsula aristocracy? B on the island of Sicily A They lived and worked on small farms. C in the Alps in northern Italy B They owned most of the land and dominated the government. D on the west coast of the Italian Peninsula C They worked at manual labor for very low wages. 2 According to legend, who founded the city D They were craftspeople, teachers, and doctors. of Rome? A Roman gods 8 Which human qualities were important to the ancient Romans? B Romulus and Remus A beauty, grace, elegance C Aeneas and the Etruscans B curiosity, intelligence, imagination D Cicero and Cincinnatus C discipline, strength, loyalty 3 Which of the following did the Greeks introduce D honesty, humor, helpfulness to the early Romans? A the long epic poem 9 What was the legion in ancient Rome? B the grid system for city streets A a group of loyal Senators C stone houses B a group of well-trained professional soldiers D metalworking C a group of elected plebeians D a group of patriarchs 4 Which of the following was NOT a branch of the Roman government? 10 Who defeated the Roman army at Cannae during A executive the Second Punic War? B judicial A Scipio C patrician B Philip V D legislative C Marius D Hannibal 5 What was one result of the plebeian strike in 494 b.c.? A The plebeians were allowed to elect their own representatives. -
The Complexity of Roman Suicide Carmine Anthony Ruff
University of Richmond UR Scholarship Repository Master's Theses Student Research 1974 The complexity of Roman suicide Carmine Anthony Ruff Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Part of the Classics Commons Recommended Citation Ruff, Carmine Anthony, "The ompc lexity of Roman suicide" (1974). Master's Theses. Paper 937. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. THE COMPLEXITY OF ROMAN SUICIDE BY CARMINE ANTHONY RUFFA A THESIS SUBMITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS IN CLASSICAL STUDIES MAY 1974 APPROVAL SHEET ii TABLE OF CONTENTS PREFACE • . • • . .iv Chapter I. INTRODUCTION . • . • • • • . • • • • • . • 1 II. ANCIENT SUICIDE: A PROBLEM OF SEMANTICS. • • • • • • • • • • • • 5 Latin Citations to Suicide The Absence of A Standard Word Or Phrase III. PHILOSOPHIC SUICIDE . • .11 The Attitude of the Latin Philosophers Toward Suicide The Divergent Views of the Stoic Philosophers The Effect of Cato's Suicide on Stoicism IV. THE TREATMENT OF LUCRETIA'S SUICIDE BY LIVY AND AUGUSTINE • • • • • • • • • • • • • • • • • • • • 4 4 Section I: Livy's Lucretia Section II: Augustine's Denunciation of Lucretia v. SUICIDE IN THE AENEID • • • • • • . .61 Vergii's Development of Dido's Suicidal Personality The Condemnation of Suicides in the Underworld Amata's Suicide CONCLUSION. .80 APPENDIX I • • • • • • • • • • • • • • • • • • • • •• 83 APPENDIX II • . .86 BIBLIOGRAPHY . .91 VITA . .99 iii ACKNOWLEDGEMENTS The author would like to acknowledge two people who have influenced and inspired his academic and professional life. -
Faunus and the Fauns in Latin Literature of the Republic and Early Empire
University of Adelaide Discipline of Classics Faculty of Arts Faunus and the Fauns in Latin Literature of the Republic and Early Empire Tammy DI-Giusto BA (Hons), Grad Dip Ed, Grad Cert Ed Submitted in fulfilment of the requirements for the degree of Master of Philosophy October 2015 Table of Contents Abstract ................................................................................................................... 4 Thesis Declaration ................................................................................................... 5 Acknowledgements ................................................................................................. 6 Introduction ............................................................................................................. 7 Context and introductory background ................................................................. 7 Significance ......................................................................................................... 8 Theoretical framework and methods ................................................................... 9 Research questions ............................................................................................. 11 Aims ................................................................................................................... 11 Literature review ................................................................................................ 11 Outline of chapters ............................................................................................ -
The Cambridge Companion to Age of Constantine.Pdf
The Cambridge Companion to THE AGE OF CONSTANTINE S The Cambridge Companion to the Age of Constantine offers students a com- prehensive one-volume introduction to this pivotal emperor and his times. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a freshness of interpretation that will be welcomed by the experts. The volume is divided into five sections that examine political history, reli- gion, social and economic history, art, and foreign relations during the reign of Constantine, a ruler who gains in importance because he steered the Roman Empire on a course parallel with his own personal develop- ment. Each chapter examines the intimate interplay between emperor and empire and between a powerful personality and his world. Collec- tively, the chapters show how both were mutually affected in ways that shaped the world of late antiquity and even affect our own world today. Noel Lenski is Associate Professor of Classics at the University of Colorado, Boulder. A specialist in the history of late antiquity, he is the author of numerous articles on military, political, cultural, and social history and the monograph Failure of Empire: Valens and the Roman State in the Fourth Century ad. Cambridge Collections Online © Cambridge University Press, 2007 Cambridge Collections Online © Cambridge University Press, 2007 The Cambridge Companion to THE AGE OF CONSTANTINE S Edited by Noel Lenski University of Colorado Cambridge Collections Online © Cambridge University Press, 2007 cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press 40 West 20th Street, New York, ny 10011-4211, usa www.cambridge.org Information on this title: www.cambridge.org/9780521818384 c Cambridge University Press 2006 This publication is in copyright. -
Laurenti Divo: Faunus, Pan and Silvanus in Virgil's Aeneid
Fratantuono, Lee Michael Laurenti divo: Faunus, Pan and Silvanus in Virgil's Aeneid Synthesis 2020, vol. 27, nro. 2, e083 Fratantuono, L. (2020). Laurenti divo: Faunus, Pan and Silvanus in Virgil's Aeneid. Synthesis, 27 (2), e083. En Memoria Académica. Disponible en: http://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.12416/pr.12416.pdf Información adicional en www.memoria.fahce.unlp.edu.ar Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional https://creativecommons.org/licenses/by-nc-sa/4.0/ ARTÍCULO / ARTICLE Synthesis, vol. 27, nº 2, e083, diciembre 2020-mayo 2021. ISSN 1851-779X Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios Helénicos Laurenti divo: Faunus, Pan and Silvanus in Virgil’s Aeneid Laurenti divo: Fauno, Pan y Silvano en Eneida de Virgilio Lee Michael Fratantuono Ohio Wesleyan University, Estados Unidos [email protected] Resumen: Virgilio emplea varias deidades rurales en su Eneida como un medio para explicar cómo la relación conflictiva entre la Troya de Eneas y la Italia de Turno se reconciliarán en la futura Roma. Palabras clave: Virgilio, Fauno, Silvano, Pan, Italia, Troya. Abstract: Virgil employs various rural deities in his Aeneid as a means to explicate how the conflicted relationship between Aeneas’ Troy and Turnus’ Italy will be reconciled in the future Rome. Keywords: Virgil, Faunus, Silvanus, Pan, Italy, Troy. e rural deity Faunus is referenced several times in the second half of Virgil’s epic Aeneid. 1 Introduced in the opening book of what has been called Virgil’s Iliad (Gransden, 1984), the god figures in a significant scene of the twelh and last movement of the poem. -
PURCELL CHACONNE DIOCLESIAN Complete Masque from Timon of Athens
dio single booklet.qxd 19/3/08 10:52 am Page 1 Chan 0569/70 PURCELL CHACONNE DIOCLESIAN complete Masque from Timon of Athens Catherine Pierard James Bowman John Mark Ainsley Michael George Collegium Musicum 90 Richard Hickox CHAN 0569 - BOOK.qxd 19/3/08 10:43 am Page 2 Henry Purcell (1659–1695) Dioclesian Catherine Pierard soprano James Bowman alto Mark Padmore tenor* John Mark Ainsley tenor Michael George bass COMPACT DISC ONE 1 First Musick 2:12 2 Second Musick 1:25 3 Overture 3:45 ACT I 4 First Act Tune (Hornpipe) 0:43 ACT II 20:15 5 Song (Bass) ‘Great Diocles the Boar has kill’d’ – 2:20 Chorus ‘Sing Iô’s!’ 6 Song (Soprano) ‘Charon the peaceful Shade invites’ 1:29 Henry Purcell 7 Symphony for Trumpets and Violins 1:27 Mary Evans Picture Library 8 Duet (Soprano, Bass), Chorus ‘Let all mankind the 1:17 pleasure share’ 9 Martial Song (Tenor) ‘Let the soldiers rejoice’ 4:35 Trio (TT*B) ‘Rejoice with a general voice’ Retornello (for trumpets and hautboys) Trio (TT*B) ‘To Mars let ’em raise – Rejoice with a general voice’ Retornello (for trumpets and hautboys) 3 CHAN 0569 - BOOK.qxd 19/3/08 10:43 am Page 4 10 A Symphony of Flutes – Michael George a Bacchanalian, shepherd Nathan Berg a Silvan, a Bacchanalian Song (Alto) ‘Since the toils and the hazards’ Quartet (SATB) ‘Let the priests…’ – Chorus ‘All sing…’ 5:16 2 Cupid, Chorus ‘Call the nymphs’ 2:30 11 Dance of Furies 3:01 3 Duet (a Bacchanalian & a Silvan) ‘Come, come away’ 1:07 12 Second Act Tune 0:49 4 Chorus ‘Behold, O mighty’st of Gods’ 3:13 ACT III 9:41 5 Paspe (The first entry of heroes on the stage) 0:44 13 Two in one upon a Ground. -
Reading Death in Ancient Rome
Reading Death in Ancient Rome Reading Death in Ancient Rome Mario Erasmo The Ohio State University Press • Columbus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Erasmo, Mario. Reading death in ancient Rome / Mario Erasmo. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1092-5 (cloth : alk. paper) ISBN-10: 0-8142-1092-9 (cloth : alk. paper) 1. Death in literature. 2. Funeral rites and ceremonies—Rome. 3. Mourning cus- toms—Rome. 4. Latin literature—History and criticism. I. Title. PA6029.D43E73 2008 870.9'3548—dc22 2008002873 This book is available in the following editions: Cloth (ISBN 978-0-8142-1092-5) CD-ROM (978-0-8142-9172-6) Cover design by DesignSmith Type set in Adobe Garamond Pro by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents List of Figures vii Preface and Acknowledgments ix INTRODUCTION Reading Death CHAPTER 1 Playing Dead CHAPTER 2 Staging Death CHAPTER 3 Disposing the Dead 5 CHAPTER 4 Disposing the Dead? CHAPTER 5 Animating the Dead 5 CONCLUSION 205 Notes 29 Works Cited 24 Index 25 List of Figures 1. Funerary altar of Cornelia Glyce. Vatican Museums. Rome. 2. Sarcophagus of Scipio Barbatus. Vatican Museums. Rome. 7 3. Sarcophagus of Scipio Barbatus (background). Vatican Museums. Rome. 68 4. Epitaph of Rufus. -
War Gods in Archaic Greece and Rome Tyler Krentz Trinity University, [email protected]
Trinity University Digital Commons @ Trinity Classical Studies Honors Theses Classical Studies Department 4-19-2011 War Gods in Archaic Greece and Rome Tyler Krentz Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/class_honors Part of the Classics Commons Recommended Citation Krentz, Tyler, "War Gods in Archaic Greece and Rome" (2011). Classical Studies Honors Theses. 3. http://digitalcommons.trinity.edu/class_honors/3 This Thesis open access is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. War Gods in Archaic Greece and Rome Tyler Krentz A departmental senior thesis submitted to the Classical Studies Department at Trinity University in partial fulfillment of the requirements for graduation with departmental honors. April 19, 2006 _________________________ _________________________ Thesis Advisor Department Chair _________________________ Associate Vice President for Academic Affairs Student Copyright Declaration: the author has selected the following copyright provision (select only one): [x] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [ ] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission. -
Roman Domestic Religion : a Study of the Roman Lararia
ROMAN DOMESTIC RELIGION : A STUDY OF THE ROMAN LARARIA by David Gerald Orr Thesis submitted to the Faculty of the Graduate School of the University of Maryland in partial fulfillment of the requirements fo r the degree of Master of Arts 1969 .':J • APPROVAL SHEET Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia Name of Candidate: David Gerald Orr Master of Arts, 1969 Thesis and Abstract Approved: UJ~ ~ J~· Wilhelmina F. {Ashemski Professor History Department Date Approved: '-»( 7 ~ 'ii, Ii (, J ABSTRACT Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia David Gerald Orr, Master of Arts, 1969 Thesis directed by: Wilhelmina F. Jashemski, Professor This study summarizes the existing information on the Roman domestic cult and illustrates it by a study of the arch eological evidence. The household shrines (lararia) of Pompeii are discussed in detail. Lararia from other parts of the Roman world are also studied. The domestic worship of the Lares, Vesta, and the Penates, is discussed and their evolution is described. The Lares, protective spirits of the household, were originally rural deities. However, the word Lares was used in many dif ferent connotations apart from domestic religion. Vesta was closely associated with the family hearth and was an ancient agrarian deity. The Penates, whose origins are largely un known, were probably the guardian spirits of the household storeroom. All of the above elements of Roman domestic worship are present in the lararia of Pompeii. The Genius was the living force of a man and was an important element in domestic religion. -
Julius Caesar
Working Paper CEsA CSG 168/2018 ANCIENT ROMAN POLITICS – JULIUS CAESAR Maria SOUSA GALITO Abstract Julius Caesar (JC) survived two civil wars: first, leaded by Cornelius Sulla and Gaius Marius; and second by himself and Pompeius Magnus. Until he was stabbed to death, at a senate session, in the Ides of March of 44 BC. JC has always been loved or hated, since he was alive and throughout History. He was a war hero, as many others. He was a patrician, among many. He was a roman Dictator, but not the only one. So what did he do exactly to get all this attention? Why did he stand out so much from the crowd? What did he represent? JC was a front-runner of his time, not a modern leader of the XXI century; and there are things not accepted today that were considered courageous or even extraordinary achievements back then. This text tries to explain why it’s important to focus on the man; on his life achievements before becoming the most powerful man in Rome; and why he stood out from every other man. Keywords Caesar, Politics, Military, Religion, Assassination. Sumário Júlio César (JC) sobreviveu a duas guerras civis: primeiro, lideradas por Cornélio Sula e Caio Mário; e depois por ele e Pompeius Magnus. Até ser esfaqueado numa sessão do senado nos Idos de Março de 44 AC. JC foi sempre amado ou odiado, quando ainda era vivo e ao longo da História. Ele foi um herói de guerra, como outros. Ele era um patrício, entre muitos. Ele foi um ditador romano, mas não o único. -
What Temples Stood For
WHAT TEMPLES STOOD FOR: CONSTANTINE, EUSEBIUS, AND ROMAN IMPERIAL PRACTICE BY STEVEN J. LARSON B.S., PURDUE UNIVERSITY, 1987 B.A., UNIVERSITY OF MINNESOTA, 1992 M.T.S., HARVARD UNIVERSITY DIVINITY SCHOOL, 1997 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF RELIGIOUS STUDIES AT BROWN UNIVERSITY PROVIDENCE, RHODE ISLAND MAY 2008 © Copyright 2008 by Steven J. Larson VITA !"#$%"&'()"*)"!)+*$)$,'-*%."!)+*$)$"')"/$)0$(1"23."24567"!"8'9,-:;:+"$"&$8<:-'(=%" degree in Industrial Engineering at Purdue University in 1987. Following this, I worked as an engineer at Cardiac Pacemaker, Inc. in St. Paul, Minnesota. I left this position to pursue studies in the Humanities at the University of Minnesota. There I studied modern $(;"$)+">'+:()"?(::@"80-;0(:"$)+"-$)A0$A:"$)+"A($+0$;:+"#*;<"$"&$8<:-'(=%"+:A(::"*)"B(;" History from the Minneapolis campus in 1992. During this period I spent two summers studying in Greece. I stayed on in Minneapolis to begin coursework in ancient Latin and Greek and the major world religions. Moving to Somerville, Massachusetts I completed a 9$%;:(=%"+:A(::"$;"C$(D$(+"E)*D:(%*;1"F*D*)*;1"G8<''-"*)"244H"0)+:r the direction of Helmut Koester. My focus was on the history of early Christianity. While there I worked $%"$)":+*;'(*$-"$%%*%;$);"I'(";<:"%8<''-=%"$8$+:9*8"J'0()$-."Harvard Theological Review, as well as Archaeological Resources for New Testament Studies. In addition, I ,$(;*8*,$;:+"*)"K('I:%%'(%"L':%;:("$)+"F$D*+">*;;:)=%"MB(8<$:'-'A1"$)+";<:"N:#" O:%;$9:);P"8'0(%:.";($D:--*)A";'"%*;:%";<('0A<'0;"?(::8:"$)+"O0(@:17"O<$;"I$--."!"&:A$)" doctoral studies at Brown University in the Religious Studies departmen;"$%"$"F:$)=%" Fellow. -
Coversheet for Thesis in Sussex Research Online
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details UNIVERSITY OF SUSSEX GAVIN OSBOURNE THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY MOSAICS OF POWER: SUPERSTITION, MAGIC AND CHRISTIAN POWER IN EARLY BYZANTINE FLOOR MOSAICS VOLUME 1 SEPTEMBER 2014 3 UNIVERSITY OF SUSSEX GAVIN OSBOURNE THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY MOSAICS OF POWER: SUPERSTITION, MAGIC AND CHRISTIAN POWER IN EARLY BYZANTINE FLOOR MOSAICS SUMMARY This thesis argues that some Early Byzantine floor mosaics had, in addition to a practical and decorative role, a supernatural function. By this I mean the images and words depicted within the mosaic were perceived as devices to attract powers from a supernatural dimension, for the benefit of those that walked over the mosaic or the building that housed it. The thesis is ultimately a discussion of the Byzantines’ beliefs in the power of art and text, and how they were believed to intervene and affect everyday life.