Customs Censorship, 1985-2020
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
November 2019 - No
MEANWHILE FORM FOLLOWS DYSFUNCTION 741.5 NEW EXPERIMENTAL COMICS BY -HUIZENGA —WARE— HANSELMANN- NOVEMBER 2019 - NO. 35 PLUS...HILDA GOES HOLLYWOOD! Davis Lewis Trondheim Hubert Chevillard’s Travis Dandro Aimee de Jongh Dandro Sergio Toppi. The Comics & Graphic Novel Bulletin of Far away from the 3D blockbuster on funny animal comics stands out Galvan follows that pattern, but to emphasize the universality of mentality of commercial comics, a from the madding crowd. As usu- cools it down with geometric their stories as each make their new breed of cartoonists are ex- al, this issue of KE also runs mate- figures and a low-key approach to way through life in the Big City. In panding the means and meaning of rial from the past; this time, it’s narrative. Colors and shapes from contrast, Nickerson’s buildings the Ninth Art. Like its forebears Gasoline Alley Sunday pages and a Suprematist painting overlay a and backgrounds are very de- RAW and Blab!, the anthology Kra- Shary Flenniken’s sweet but sala- alien yet familiar world of dehu- tailed and life-like. That same mer’s Ergot provides a showcase of cious Trots & Bonnie strips from manized relationships defined by struggle between coherence and today’s most outrageous cartoon- the heyday of National Lampoon. hope and paranoia. In contrast to chaos is the central aspect of ists presenting comics that verge But most of this issue features Press Enter to Continue, Sylvia Tommi Masturi’s The Anthology of on avant garde art. The 10th issue work that comes on like W.S. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
List of American Comics Creators 1 List of American Comics Creators
List of American comics creators 1 List of American comics creators This is a list of American comics creators. Although comics have different formats, this list covers creators of comic books, graphic novels and comic strips, along with early innovators. The list presents authors with the United States as their country of origin, although they may have published or now be resident in other countries. For other countries, see List of comic creators. Comic strip creators • Adams, Scott, creator of Dilbert • Ahern, Gene, creator of Our Boarding House, Room and Board, The Squirrel Cage and The Nut Bros. • Andres, Charles, creator of CPU Wars • Berndt, Walter, creator of Smitty • Bishop, Wally, creator of Muggs and Skeeter • Byrnes, Gene, creator of Reg'lar Fellers • Caniff, Milton, creator of Terry and the Pirates and Steve Canyon • Capp, Al, creator of Li'l Abner • Crane, Roy, creator of Captain Easy and Wash Tubbs • Crespo, Jaime, creator of Life on the Edge of Hell • Davis, Jim, creator of Garfield • Defries, Graham Francis, co-creator of Queens Counsel • Fagan, Kevin, creator of Drabble • Falk, Lee, creator of The Phantom and Mandrake the Magician • Fincher, Charles, creator of The Illustrated Daily Scribble and Thadeus & Weez • Griffith, Bill, creator of Zippy • Groening, Matt, creator of Life in Hell • Guindon, Dick, creator of The Carp Chronicles and Guindon • Guisewite, Cathy, creator of Cathy • Hagy, Jessica, creator of Indexed • Hamlin, V. T., creator of Alley Oop • Herriman, George, creator of Krazy Kat • Hess, Sol, creator with -
Check All That Apply)
Form Version: February 2001 EFFECTIVE TERM: Fall 2003 PALOMAR COLLEGE COURSE OUTLINE OF RECORD FOR DEGREE CREDIT COURSE X Transfer Course X A.A. Degree applicable course (check all that apply) COURSE NUMBER AND TITLE: ENG 290 -- Comic Books As Literature UNIT VALUE: 3 MINIMUM NUMBER OF SEMESTER HOURS: 48 BASIC SKILLS REQUIREMENTS: Appropriate Language Skills ENTRANCE REQUIREMENTS PREREQUISITE: Eligibility for ENG 100 COREQUISITE: NONE RECOMMENDED PREPARATION: NONE SCOPE OF COURSE: An analysis of the comic book in terms of its unique poetics (the complicated interplay of word and image); the themes that are suggested in various works; the history and development of the form and its subgenres; and the expectations of comic book readers. Examines the influence of history, culture, and economics on comic book artists and writers. Explores definitions of “literature,” how these definitions apply to comic books, and the tensions that arise from such applications. SPECIFIC COURSE OBJECTIVES: The successful student will: 1. Demonstrate an understanding of the unique poetics of comic books and how that poetics differs from other media, such as prose and film. 2. Analyze representative works in order to interpret their styles, themes, and audience expectations, and compare and contrast the styles, themes, and audience expectations of works by several different artists/writers. 3. Demonstrate knowledge about the history and development of the comic book as an artistic, narrative form. 4. Demonstrate knowledge about the characteristics of and developments in the various subgenres of comic books (e.g., war comics, horror comics, superhero comics, underground comics). 5. Identify important historical, cultural, and economic factors that have influenced comic book artists/writers. -
LOCAS: the MAGGIE and HOPEY STORIES by Jaime Hernandez Study Guide Written by Art Baxter
NACAE National Association of Comics Art Educators STUDY GUIDE: LOCAS: THE MAGGIE AND HOPEY STORIES by Jaime Hernandez Study guide written by Art Baxter Introduction Comic books were in the midst of change by the early 1980s. The Marvel, DC and Archie lines were going through the same tired motions being produced by second and third generation artists and writers who grew up reading the same books they were now creating. Comic book specialty shops were growing in number and a new "non- returnable" distribution system had been created to supply them. This opened the door for publishers who had small print runs, with color covers and black and white interiors, to emerge with an alternative to corporate mainstream comics. These new comics were often a cross between the familiar genres of the mainstream and the personal artistic freedom of underground comics, but sometimes something altogether different would appear. In 1976, Harvey Pekar began self-publishing his annual autobiographical comics collection, American Splendor, with art by R. Crumb and others, from his home in Cleveland, Ohio. Other cartoonists self-published their mainstream- rejected comics, like Cerebus (Dave Sim, 1977) and Elfquest (Wendy & Richard Pini, 1978) to financial and critical success. With proto-graphic novel publisher, Eclipse, mainstream rebels produced explicit versions of their earlier work, such as Sabre (Don McGreggor & Paul Gulacy, 1978) and Stewart the Rat (Steve Gerber & Gene Colan, 1980). Underground comics evolved away from sex and drugs toward maturity in two anthologies, RAW (Art Spiegleman & Francoise Mouly, eds., 1980) and Weirdo (R. Crumb, ed., 1981). Under the Fantagraphics Books imprint, Gary Groth and Kim Thompson began to publish comics which aspired to an artistic quality that lived up to the high standard set forth in the pages of their critical magazine, The Comics Journal. -
Morte Nel Mar Rosso "™™™"™ "*""****""*******""''''''" Paul Accola
Giornali- i Libro d'Arte Anno 40", nuova sene n.-19 Spedizione n abbonamento postale gr 1/70 Ila I. :Ì0()0 / arretrati!. GODO Lunedì 16 dicembre 1991 * FOraìtGiornale fondato da Antoniào Gramsci Editoriale Una nave egiziana, la Salem Express, è affondata dopo aver urtato una barriera corallina La tragedia ha colpito pellegrini di ritomo dai luoghi sacri dell'Islam. Soccorsi in ritardo Super Tomba Quarto successo |x'r Alt>erto Partito degli onesti? Tomba (nella foto) in Cop vince ancora pa del mondo len sulle nevi e torna primo dell'Alta Badia il campione Meglio i referendum bolognese si e aggiudicato in Coppa lo slalom gigante davanti agli svizzeri Steve 1-ocher e — AUGUSTO BARBERA Morte nel Mar Rosso "™™™"™ "*""****""*******""''''''" Paul Accola. Con questo nuovo successo Alberto Tomba torna in testa alla classifica generale con trenta punti di vantaggio su Accola E domani a campagna referendaria entra nell'ultima fa la sfida tra Tomba e Accola si rinnova nello slalom speciale se, quella in cui, superata la soglia di sicurez di Madonna di Campiglio. NELLO SPORT za, diventa fondamentale raggiungere l'obiet tivo politico del massimo delle firme. Il Pds è Naufragio con quasi 500 vittime .^^L^ stato parte fondamentale di Questa campa- Un pari Un'altra giornata favorevole na. il suo ruolo va al di la dell assai rilevante al Milan. I rossoneri pareg ?lime raccolte dai suoi militanti, giù 250.000. Quattrocento persone disperse in mare. Una nave all'Olimpico giano (1-1) all'Olimpico Non sembri una lorzatura: proporsi oggi, in questo paese, fa felice contro la Lazio e guadagna di raccordare precisamente tra di loro consenso, poteri e egiziana, la «Salem Express», è naufragata la notte di no un punto in classifica sul responsabilità, assume un carattere rivoluzionario rispetto sabato al largo del porto di Safaga, sul Mar Rosso. -
THE COMIX BOOK LIFE of DENIS KITCHEN Spring 2014 • the New Voice of the Comics Medium • Number 5 Table of Contents
THE COMIX BOOK LIFE OF DENIS KITCHEN 0 2 1 82658 97073 4 in theUSA $ 8.95 ADULTS ONLY! A TwoMorrows Publication TwoMorrows Cover art byDenisKitchen No. 5,Spring2014 ™ Spring 2014 • The New Voice of the Comics Medium • Number 5 TABLE OF CONTENTS HIPPIE W©©DY Ye Ed’s Rant: Talking up Kitchen, Wild Bill, Cruse, and upcoming CBC changes ............ 2 CBC mascot by J.D. KING ©2014 J.D. King. COMICS CHATTER About Our Bob Fingerman: The cartoonist is slaving for his monthly Minimum Wage .................. 3 Cover Incoming: Neal Adams and CBC’s editor take a sound thrashing from readers ............. 8 Art by DENIS KITCHEN The Good Stuff: Jorge Khoury on artist Frank Espinosa’s latest triumph ..................... 12 Color by BR YANT PAUL Hembeck’s Dateline: Our Man Fred recalls his Kitchen Sink contributions ................ 14 JOHNSON Coming Soon in CBC: Howard Cruse, Vanguard Cartoonist Announcement that Ye Ed’s comprehensive talk with the 2014 MOCCA guest of honor and award-winning author of Stuck Rubber Baby will be coming this fall...... 15 REMEMBERING WILD BILL EVERETT The Last Splash: Blake Bell traces the final, glorious years of Bill Everett and the man’s exquisite final run on Sub-Mariner in a poignant, sober crescendo of life ..... 16 Fish Stories: Separating the facts from myth regarding William Blake Everett ........... 23 Cowan Considered: Part two of Michael Aushenker’s interview with Denys Cowan on the man’s years in cartoon animation and a triumphant return to comics ............ 24 Art ©2014 Denis Kitchen. Dr. Wertham’s Sloppy Seduction: Prof. Carol L. Tilley discusses her findings of DENIS KITCHEN included three shoddy research and falsified evidence inSeduction of the Innocent, the notorious in-jokes on our cover that his observant close friends might book that almost took down the entire comic book industry .................................... -
Rip Off Press Mail Order • PO Box 4686 • Auburn, CA 95604 • 530 885
Rip Off Press Mail Order • PO Box 4686 • Auburn, CA 95604 • 530 885-8183 Toll Free inside the U.S.: 888-978-3049 • e-mail: [email protected] •www.ripoffpress.com MINI ORDER FORM AND IN-STOCK PRODUCT LIST - MARK ITEMS WANTED AND MAIL WITH PAYMENT or charge card information SHIP TO: PAYMENT WORKSHEET Name___________________________________________________ MERCHANDISE TOTAL__________ Address_________________________________________________ (This is the amount on which your Shipping Rate is based - see the chart below) City_____________________________________________________ CALIFORNIA SALES TAX__________ State_________ ZIP_____________________________ (For shipment inside CALIF. ONLY: 7.5%--No tax outside Calif.) Day Phone_____________________e-mail___________________ SHIPPING & HANDLING CHARGE__________ Based on the Merchandise Total for each type of items ordered -- See the CHARTS below. I AM OVER 18 (Sign for ordering * titles) ___________________________ SUBTRACT ANY CREDITS__________ For Charge Card orders please fill in the blanks: YOUR COPY OF CREDIT MEMO/GIFT CERT./DISCOUNT CERT. MUST BE ENCLOSED ACCT. No._____________________________________________ Sec. Code_______ ADD ANY BALANCE DUE FROM BEFORE__________ Thank you!! Signature________________________________________________Exp.__________ GRAND TOTAL__________ Cardholder name (print)_________________________________________________ Enclose check or money order made out in U.S. dollars Acct. Addr. (if different from “Ship To”)_________________________________________ Or fill -
Report on Micro Data, Sorted by Title
English Language Graphic Novels Winners and Nominations of Comics and Graphic Novels Awards up to 2004 (list sorted first by title) Prepared by Olivier Charbonneau [email protected] Concordia University Data current as of May 18, 2004 PS. Please feel free to use and circulate this list – as long as the person using or receiving it does not use it for commercial purposes (selecting books for a library is OK) and agrees to send me a thank you letter at the following address: Olivier Charbonneau, Webster Library, room LB-279 Concordia University 1400 de Maisonneuve Blvd. W. Montreal, Quebec, H3G 1M8 Page 1 of 56 Title Publisher Wins Nominations 100 Unknown 1 Workman, John letterer 100 BulletDC 4 5 Azzarello, Brian writer Johnson, Dave cover 2002-2003 Risso, Eduardo artist 1001 Nights of BacchusDark Horse Comics 1 Schutz, Diana editor 1963 Image 2 Moore, Alan 20 Nude Dancers 20Tundra 1 Martin, Mark 20/20 VisionsDC/Vertigo 1 Alonso, Axel editor Berger, Karen editor 300Dark Horse Comics 2 2 Miller, Frank Varley, Lynn colorist 32 Stories Drawn & Quarterly 1 Tomine, Adrian A Contract with GodDC 2 Eisner, Will A Decade of Dark HorseDark Horse Comics 1 Stradley, Randy editor A History of ViolenceParadox 1 Wagner, John A Jew in Communist PragueNBM 1 4 Giardino, Vittorio Nantier, Terry editor A Small KillingVG Graphics/Dark Horse 1 1 Moore, Alan Zarate, Oscar A1Atomeka 1 2 Elliott, Dave editor Abraham StonePlatinum/Malibu 2 Kubert, Joe Page 2 of 56 Title Publisher Wins Nominations Acid Bath CaseKitchen Sink Press 1 Schreiner, Dave editor -
Scarica Il Catalogo / Download Pdf File
1 L’ARENGARIO Via Pratolungo 192 STUDIO BIBLIOGRAFICO 25064 Gussago (BS) Dott. Paolo Tonini e Bruno Tonini ITALIA Web www.arengario.it E-mail [email protected] Tel. (+39) 030 252 2472 Bruno e Paolo Tonini Fax Fotografia di Tano D’Amico (+39) 030 252 2458 Il fumetto italiano d’avanguardia Volumi già pubblicati: n. 1: Andrea Pazienza. Zanardi: cronologia delle storie, 17 settembre 2016. n. 2: Prima pagare. Storie immagini ricordi di Andea Pazienza, 17 ottobre 2016. 2 L’ARENGARIO STUDIO BIBLIOGRAFICO PRIMA PAGARE Storie immagini ricordi di Andrea Pazienza Con un testo di Vincenzo Sparagna Andrea Pazienza: arte e rivoluzione EDIZIONI DELL’ARENGARIO Il fumetto italiano d’avanguardia 2 1 Andrea Pazienza, Ancora un postdatato del Monte dei Paschi Norvegesi!, 1985. Disegno originale inedito, matita su carta 32,8x23,5 cm. 2 3 Pagare caro pagare tutto Ho conosciuto Andrea Pazienza un anno fa. Nel 1977 ave- vo smesso da un pezzo di leggere fumetti: studiavo Hegel e Carlo Marx, avevo 17 anni come Rimbaud – on n’est pas sérieux quand on a dix-sept ans. L’ho conosciuto solo un anno fa non ricordo come, sfogliando a caso non so che libro o giornale, dopo anni che raccolgo materiale sul Mo- vimento ’77. Andrea Pazienza se n’è andato via dalla vita nel giugno del 1988. Non so se saremmo stati amici ieri o oggi, ma credo che in lui ci fosse quel che di più irriducibile e disperato potesse produrre quel movimento, la sua poe- sia. E così ho fatto questo catalogo, pagando tutto quello che era necessario pagare.