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TEEN AGE -A Construção Da Narrativa Gráfica a Partir Da Autobiografia

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TEEN AGE -A Construção Da Narrativa Gráfica a Partir Da Autobiografia TEEN AGE A Construção da Narrativa Gráfica a Partir da Autobiografia Ana Raquel Cunha Diogo Relatório de Projeto para Obtenção de grau de Mestre em Artes Plásticas, Especialização em Desenho Orientador Professor Doutor Mário Moura Porto, 2019 Agradecimentos | i Quero agradecer ao meu orientador, Professor Mário Moura, pela sua disponibilidade em orientar-me, e acompanhar-me ao longo deste processo de trabalho. Agradeço principalmente aos meus pais pelo apoio e esforço que sempre fizeram ao longo destes anos de estudo. A Bárbara e Maria, que sempre me acompanharam durante este caminho e sempre me incentivaram para continuar, às suas recomendações e conhecimentos partilhados. Ao Pedro, pela paciência e motivação, e por me ajudar a nunca desistir. Aos meus colegas e amigos de mestrado, pelos bons e maus momentos, entreajuda, partilha de ideias e opiniões. Resumo | ii O presente relatório de projeto tem como principal objetivo abordar a banda desenhada autobiográfica como um modo expressivo de contar histórias aos quadradinhos em que os autores se assumem nas suas histórias como personagens, da mesma forma que se expressam perante a sociedade. O nosso caso de estudo é a banda desenhada do movimento artístico norte-americano criado na década de 60 e chamado Comix-Underground. A autobiografia é uma forma inevitável de exprimir o pessoal de cada um, visível ao leitor. Falamos assim de um projeto autorrepresentativo e do papel da mulher na sociedade nomeadamente na prática de skate na qual é assumida com a dominação masculina e se torna visível a desigualdade entre estes experienciando assim pequenos episódios de discriminação, preconceitos e estereótipos presentes na modalidade. A criação do objeto artístico, um álbum intitulado “TEEN AGE”, resulta da conceção de pequenas narrativas gráficas autobiográficas. PALAVRAS-CHAVE: Autobiografia; Banda Desenhada; Comix-Underground; Quadradinhos; Histórias. Abstract | iii This project report aims to approach autobiographical comics as an expressive way of telling stories to comics in which the authors assume themselves in their stories as characters, just as they express themselves before society. Our case study is the comic strip of the American art movement created in the 60's and called Comix-Underground. Autobiography is an inevitable way of expressing one's own people, visible to the reader.Thus we talk about a self-representative project and the role of women in society, particularly in skateboarding, where male domination is assumed and the inequality between them becomes visible, thus experiencing small episodes of discrimination, prejudice and stereotypes present in the sport. The creation of the artistic object, an album titled “TEEN AGE”, results from the design of short autobiographical graphic narratives. Keywords: Autobiography; Comics; Comix-Underground; Comics; Stories. Índice | iv Agradecimentos | i Resumo | ii Abstract | iii Índice | iv Índice de figuras | v Introdução 1. Motivações | 12 2. Apresentação da investigação | 14 3. Metodologias | 15 4. Estrutura do relatório | 16 Capítulo I – A Banda desenhada autobiográfica 1. A autobiografia como género na BD | 18 2. A autobiografia na Banda Desenhada e a sua veracidade | 24 3.O que é um comic autobiográfico? | 36 3. A autobiografia nos comix-underground | 42 4. O feminismo no comix-underground | 56 Capítulo Il - Desenvolvimento do projeto prático: “TEEN AGE” 1.Enquadramento | 71 2.Metodologia | 72 3. Documentação processual | 74 3.1. Criação de uma linguagem e identidade próprias | 81 3.2. Técnicas, ferramentas, meios de produção | 84 3.3. Maquete final | 89 Considerações finais 1. Conclusão e perspetivas de trabalho no futuro | 94 Referências Bibliográficas Índice de figuras | v Figura1. Capa da BD “Share Your Smile “(2019) de Reina Telgemeier. Fonte: goodreads.com Figura2. Prancha do livro “SMILE” (2010) de Reina Telgemeier. Fonte:Amazon Figura.3 Maus: A história de um Sobrevivente - Art Spiegelman (1980) Fonte: http://estandybooks.blogspot.com Figura.4 "Meu diário de Nova York”, parte um" Página 3 de Julie Doucet Fonte: www.nybooks.com Figura. 5 Prancha de BD de Seth. Fonte: digitalmediatree.com Figura.6 Entrevista com Robert Crumb, cuja resposta ao ataque Charlie Hebdo apareceu no Libération. Fonte: /www.theparisreview.org/ Figura.7 Aline Kominsky-Crumb and R. Crumb, “Self-Loathing Comics No. 2” (1997) Fonte: hyperallergic.com Figura.8 “Fun Home”, Alison Bechedel (2012) Lisboa; Edições Contraponto, páginas 46/47 Fonte: Fun home Figura.9 “Bink Brown Meets the Holy Virgin Mary” (1972) de Justin Green Fonte: Wikipédia Figura.10 “The New Adventures of Jesus: The Second Coming” (1964) de Frank Stack, página 114. Fonte: https://www.flickriver.com/photos/fantagraphics/317361884/ Figura.11 God Nose (1964) de Jack Jackson. Fonte: https://www.pinterest.es/pin/413134965798747577/ Figura.12 “Head First” da revista Zap Comics 2 (1968) de S. Clay Wilson Fonte: https://www.lambiek.net Figura 13. “Binky realizando um exorcismo “ (1972) de Justin Green. Fonte: http://www.closure.uni-kiel.de/closure5/thomsen Figura.14 Estudo para a capa do RAW no. 7, tencnica mista. Ca. 1985 de Art Spiegelman. Fonte: https://artillerymag.com/featured-review-art-spiegelman/ Figura 15. Vinheta da sétima parte de 'Paracuellos' de Carlos Giménez (2016). Fonte:https://elpais.com/cultura/2016/11/23/actualidad/1479926041_3036 84.html Figura 16. Vinheta da sétima parte de 'Paracuellos', de Carlos Giménez (2016)Fonte:https://elpais.com/cultura/2016/11/23/actualidad/1479926041 _303684.html Figura 17. Edição final de “Bijou Funnies” #8, publicada em novembro de 1973 de Harvey Kurtzman Fonte: https://comixjoint.com/bijoufunnies8- 2nd.html Figura 18/19. Capa It Aint Me Babe, publicada em julho de 1970, por Trina Robbins and Barbara "Willy" Mendes, editora Last Gasp Eco-Funnie.1º, º e 3º númerosFonte: https://comixjoint.com/itaintmebabe-1st.html Figura.20 "Breaking Out" história da revista It Aint Me Babe, (1970) por Trina Robbins and Barbara "Willy" Mendes, editora Last Gasp Eco-Funnie Fonte: https://alumnae.mtholyoke.edu/blog/it-aint-me-babe-breaking-out/ Figura.21 Capa da revista “Wimmen's Comix” #1, November 1972.de Patricia Moodian. Fonte:wikipedia Figura.22 Primeiro painel de “I Had a Teenage Abortion” de Wimmen’s Comix #1 (1972). Fonte: https://womenscomix.wordpress.com/tag/wimmens-comix/ Figura.23 Capa da revista nº 17 com o nome “Wimmin's Comix” (1992) Fonte: https://www.comics.org/series/35937/ Figura. 24 Storyboards realizadas durante a licenciatura. Fonte: Arquivo pessoal Figura. 25 Imgens do interior do “Punk boy” de Felipe Almendros, edição Glénat. Figura 26. Primeiros esboços da personagem. Fonte: Arquivo pessoal Figura. 27 Esboços do estudo a personagem principal.Fonte: Arquivo pessoal Figura. 28 Desenho da artista Lela Brandão Fonte: https://www.instagram.com/lela.brandao/?hl=pt-br Figura. 29 Prancha de uma BD aleatória de Power Paola . Fonte: http://powerpaola.blogspot.com/ Figura 30 Prancha de uma BD aleatória de Marcos Farrajota.Fonte: Editora Chilli com Carne Figura 31. Estudo da personagem através uma linguagem própria Fonte: Arquivo pessoal Figura 32. Estudo da personagem através uma linguagem própria Fonte: Arquivo pessoal Figura 33. Estudo da personagem através uma linguagem própria Fonte: Arquivo pessoal Figura 34. Layouts Fonte: Arquivo pessoal Figura 35. Prancha de story board Fonte: Arquivo pessoal Figura 36. Prancha de story board Fonte: Arquivo pessoal Figura 37. Prancha de story board Fonte: Arquivo pessoal Figura.38 Estudo do espaço a cores Fonte: Arquivo pessoal Figura.39 Estudo do espaço a cores Fonte: Arquivo pessoal Figura.40 Fotos de teste a preto e branco relativamente ao tamanho A5 e A4. Fonte: Arquivo do autor Figura.41 Foto da capa cores no tamanho 20x28 Fonte: Arquivo do autor Figura.42 Imagem da alteração de alguns pormenores na capa tamanho 20x28 Fonte: Arquivo do autor Figura.43 Foto de teste a um separador em tamanho A4 Fonte: Arquivo do autor Figura.44 Foto de uma página de Bd e um separador e balonagem na finalizados em tamanhão 20x28 Fonte: Arquivo do autor Figura. 45 Foto de BD já finalizada no formato 20x28 Fonte: Arquivos do autor Figura. 46 Foto de BD já finalizada no formato 20x28 Fonte: Arquivos do autor Figura. 46 Foto de BD já finalizada no formato 20x28 Fonte: Arquivos do autor Introdução Motivações Este projeto surge no âmbito do Mestrado em Artes Plásticas especialização em Desenho na Faculdade de Belas Artes da Universidade do Porto. O objetivo a desenvolver neste relatório de projeto é a construção da narrativa gráfica a partir da autobiografia, explorando assim a forma como ela possa ser contada, e a sua importância e origem como género na banda desenhada. Durante a minha licenciatura em Banda Desenhada e Ilustração, na Escola Superior Artística do Porto – Guimarães, em propostas de algumas unidades curriculares realizava sempre, por impulso, narrativas gráficas de histórias que me tinham acontecido ou presenciado. Mais tarde, vim a dar conta que o meu foco e interesse na banda desenhada era o género da autobiografia. Tive também oportunidade de conhecer alguns autores dentro do género, o que me motivou ainda mais a continuar a fazer histórias. A licenciatura em BD e Ilustração foi bastante enriquecedora, deu-me muita liberdade para poder construir narrativas gráficas das mais diversas formas, como nas mais distintas técnicas e materiais de produção. A realização desses projetos anteriores suscitou-me interesse na publicação independente. Mais tarde, surgiu esta ideia de fazer uma banda desenhada com
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