Studying Chinese Politics: Farewell to Revolution?
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Journal of Current Chinese Affairs
3/2006 Data Supplement PR China Hong Kong SAR Macau SAR Taiwan CHINA aktuell Journal of Current Chinese Affairs Data Supplement People’s Republic of China, Hong Kong SAR, Macau SAR, Taiwan ISSN 0943-7533 All information given here is derived from generally accessible sources. Publisher/Distributor: Institute of Asian Affairs Rothenbaumchaussee 32 20148 Hamburg Germany Phone: (0 40) 42 88 74-0 Fax:(040)4107945 Contributors: Uwe Kotzel Dr. Liu Jen-Kai Christine Reinking Dr. Günter Schucher Dr. Margot Schüller Contents The Main National Leadership of the PRC LIU JEN-KAI 3 The Main Provincial Leadership of the PRC LIU JEN-KAI 22 Data on Changes in PRC Main Leadership LIU JEN-KAI 27 PRC Agreements with Foreign Countries LIU JEN-KAI 30 PRC Laws and Regulations LIU JEN-KAI 34 Hong Kong SAR Political Data LIU JEN-KAI 36 Macau SAR Political Data LIU JEN-KAI 39 Taiwan Political Data LIU JEN-KAI 41 Bibliography of Articles on the PRC, Hong Kong SAR, Macau SAR, and on Taiwan UWE KOTZEL / LIU JEN-KAI / CHRISTINE REINKING / GÜNTER SCHUCHER 43 CHINA aktuell Data Supplement - 3 - 3/2006 Dep.Dir.: CHINESE COMMUNIST Li Jianhua 03/07 PARTY Li Zhiyong 05/07 The Main National Ouyang Song 05/08 Shen Yueyue (f) CCa 03/01 Leadership of the Sun Xiaoqun 00/08 Wang Dongming 02/10 CCP CC General Secretary Zhang Bolin (exec.) 98/03 PRC Hu Jintao 02/11 Zhao Hongzhu (exec.) 00/10 Zhao Zongnai 00/10 Liu Jen-Kai POLITBURO Sec.-Gen.: Li Zhiyong 01/03 Standing Committee Members Propaganda (Publicity) Department Hu Jintao 92/10 Dir.: Liu Yunshan PBm CCSm 02/10 Huang Ju 02/11 -
Chinese Literature in the Second Half of a Modern Century: a Critical Survey
CHINESE LITERATURE IN THE SECOND HALF OF A MODERN CENTURY A CRITICAL SURVEY Edited by PANG-YUAN CHI and DAVID DER-WEI WANG INDIANA UNIVERSITY PRESS • BLOOMINGTON AND INDIANAPOLIS William Tay’s “Colonialism, the Cold War Era, and Marginal Space: The Existential Condition of Five Decades of Hong Kong Literature,” Li Tuo’s “Resistance to Modernity: Reflections on Mainland Chinese Literary Criticism in the 1980s,” and Michelle Yeh’s “Death of the Poet: Poetry and Society in Contemporary China and Taiwan” first ap- peared in the special issue “Contemporary Chinese Literature: Crossing the Bound- aries” (edited by Yvonne Chang) of Literature East and West (1995). Jeffrey Kinkley’s “A Bibliographic Survey of Publications on Chinese Literature in Translation from 1949 to 1999” first appeared in Choice (April 1994; copyright by the American Library Associ- ation). All of the essays have been revised for this volume. This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by David D. W. Wang All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. -
The Poetry of Bei Dao, Yang Lian, and Duoduo
Constructing a System of Irregularities Constructing a System of Irregularities: The Poetry of Bei Dao, Yang Lian, and Duoduo By Chee Lay Tan Constructing a System of Irregularities: The Poetry of Bei Dao, Yang Lian, and Duoduo By Chee Lay Tan This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Chee Lay Tan All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8026-4 ISBN (13): 978-1-4438-8026-8 For my father, Tan Lian Kim (1950-1986), and his appreciation of art and beauty One of the most intriguing and characteristically Chinese techniques in Chinese traditional paintings is “liubai,” meaning to “leave whiteness behind.” A painter may consciously keep parts of a painting empty to contrast black paint with white space. While such whiteness can be regarded as negative space because of the absence of ink, it also represents an active space emitting positive power. Not only does this white space empower the artist to balance the entire painting, unite the various images, and manage space, but it also enhances the legibility and visibility of individual elements, including images, colours, and strokes. Mistiness is a form of liubai in poetics. TABLE OF CONTENTS List of Charts ............................................................................................. -
A Study of Xu Xu's Ghost Love and Its Three Film Adaptations THESIS
Allegories and Appropriations of the ―Ghost‖: A Study of Xu Xu‘s Ghost Love and Its Three Film Adaptations THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Qin Chen Graduate Program in East Asian Languages and Literatures The Ohio State University 2010 Master's Examination Committee: Kirk Denton, Advisor Patricia Sieber Copyright by Qin Chen 2010 Abstract This thesis is a comparative study of Xu Xu‘s (1908-1980) novella Ghost Love (1937) and three film adaptations made in 1941, 1956 and 1995. As one of the most popular writers during the Republican period, Xu Xu is famous for fiction characterized by a cosmopolitan atmosphere, exoticism, and recounting fantastic encounters. Ghost Love, his first well-known work, presents the traditional narrative of ―a man encountering a female ghost,‖ but also embodies serious psychological, philosophical, and even political meanings. The approach applied to this thesis is semiotic and focuses on how each text reflects the particular reality and ethos of its time. In other words, in analyzing how Xu‘s original text and the three film adaptations present the same ―ghost story,‖ as well as different allegories hidden behind their appropriations of the image of the ―ghost,‖ the thesis seeks to broaden our understanding of the history, society, and culture of some eventful periods in twentieth-century China—prewar Shanghai (Chapter 1), wartime Shanghai (Chapter 2), post-war Hong Kong (Chapter 3) and post-Mao mainland (Chapter 4). ii Dedication To my parents and my husband, Zhang Boying iii Acknowledgments This thesis owes a good deal to the DEALL teachers and mentors who have taught and helped me during the past two years at The Ohio State University, particularly my advisor, Dr. -
The Thought Remolding Campaign of the Chinese Communist Party-State Publications Series
The Thought Remolding Campaign of The Thought Remolding Campaign the Chinese Communist Party-state the Chinese Communist The Thought Publications Series Monographs 7 Remolding Campaign The Thought Theof the ThoughtChinese Communist RemoldingHu Ping is a distinguished public intellectual and chief Remolding editor of the New York-based journal Beijing Spring. Party-state Hu Ping This is the definitive study of the theory, implementation, and legacy of the Chinese Communist Party’s thought remolding campaign – a massive regimen of “re- education.” Hu Ping With a rare combination of psychological insight and philosophical Translated by rigor, Hu Ping takes us on an empathetic and sometimes wry journey Philip F. Williams and Yenna Wu along the twisting pathways of compliance and resistance. His astute analysis culminates in a clarion call to resist the overwhelming power of the state. Andrew Nathan, Professor of Political Science, Columbia University An incisive critique of the intellectual chicanery, psychological manipulation, and physical coercion that form the core of Chinese communism. Hu Ping makes a significant contribution to the literature on totalitarianism in the tradition of Vaclav Havel. Professor Steven Levine, University of North Carolina This book provides us with Hu Ping’s mature and panoramic analysis of the relation between words and thought in both the totalitarian and post-totalitarian phases of China’s recent history. Perry Link, Professor Emeritus, Princeton University 9 789089 644107 www.aup.nl ISBN 978 90 8964 410 7 The Thought Remolding Campaign of the Chinese Communist Party-state Publications Series General Editor Paul van der Velde Publications Officer Martina van den Haak Editorial Board Wim Boot (Leiden University); Jennifer Holdaway (Social Science Research Council); Christopher A. -
Studying Chinese Politics: Farewell to Revolution?
STUDYING CHINESE POLITICS: FAREWELL TO REVOLUTION? Elizabeth J. Perry Nearly three decades after Mao’s death and more than fifteen years after the Tiananmen uprising, China is still a Leninist Party-state. In fact, one might well argue that the prospects for fundamental political transformation look less promising today than they did in the 1980s when leaders like Hu Yaobang and Zhao Ziyang spearheaded serious, if short-lived, efforts at political reform.1 But while political progress appears to have stalled, the Chinese economy continues to demonstrate impressive growth. Perhaps not surprisingly, then, scholarly interest in village elections and other signs of “democratization” has in recent years been somewhat eclipsed by debates about political economy: can China sustain high rates of economic growth without a clear specification of property rights, as has occurred in many formerly Communist countries? 2 Will China succumb to the scourge of crony capitalism which has hamstrung a number of This paper was originally prepared for presentation at the conference to celebrate the Fiftieth Anniversary of the Fairbank Center for East Asian Research at Harvard University (December 2005). I am grateful to the conference organizers, Wilt Idema and Roderick MacFarquhar, as well as to the many conference participants who raised challenging comments and suggestions. 1 On the early post-Mao experiments in political reform, see Merle Goldman, Sowing the Seeds of Democracy in China: Political Reform in the Deng Xiaoping Era (Cambridge: Harvard University Press, 1994); Shiping Zheng, Party versus State in Post-1949 China: The Institutional Dilemma (New York: Cambridge University Press, 1997). On stalled political reform, see Joseph Fewsmith, China Since Tiananmen: The Politics of Transition (New York: Cambridge University Press, 2001). -
Cultural Revolution Narratives: Rethinking History Through the Prism of Post-Mao Literature
Cultural Revolution Narratives: Rethinking History through the Prism of Post-Mao Literature Dáša Pejchar Mortensen A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Masters of Arts in the Department of History. Chapel Hill 2011 Approved by: Michael Tsin Michelle T. King Christopher J. Lee ©2011 Dáša Pejchar Mortensen ALL RIGHTS RESERVED ii ABSTRACT DÁŠA PEJCHAR MORTENSEN: Cultural Revolution Narratives: Rethinking History through the Prism of Post-Mao Literature (Under the direction of Michael Tsin) Chinese “educated youth,” or zhiqing, who were sent to the countryside for re- education during the Great Proletarian Cultural Revolution (1966-1976), began to re-frame their historical narratives of this tumultuous decade in the post-Mao period. This essay examines how two distinct genres of post-Mao literature, the “Literature of the Wounded (shanghen wenxue)” and “Nostalgic Literature (huaijiu wenxue),” reproduced an imaginary binary between individual memories of the Cultural Revolution and the officially-sanctioned history of this period, while a third genre of literature, the “Narration of the Absurd (huangdan xushi),” rejected a memory/history dichotomy. Instead of relying on a single narratorial voice, which silences the plurality of voices located in and out of the historical record, the Narration of the Absurd opened up radically new possibilities for narrating, in a non-linear fashion, a multiplicity of perspectives, memories, and uncertainties about the past. iii TABLE OF CONTENTS Chapter I. INTRODUCTION.................................................................................................. 1 II. THE POLITICAL ROLE OF HISTORY IN POST-1949 CHINA……………… 8 III. A FLOOD OF COMPETING MEMORIES.......................................................... -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE PROSE POEM AND AESTHETIC INSIGHT: LU XUN’S YECAO DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas A. -
THE MAGNITUDE of MING Command, Allotment, and Fate in Chinese Culture
TheMagnitudeofMing THE MAGNITUDE OF MING Command, Allotment, and Fate in Chinese Culture Edited by Christopher Lupke University of Hawai`i Press Honolulu ( 2005 University of Hawai`i Press All rights reserved Printed in the United States of America 050607080910654321 Library of Congress Cataloging-in-Publication Data The magnitude of ming : command, allotment, and fate in Chinese culture / edited by Christopher Lupke. p. cm. Includes bibliographical references and index. ISBN 0-8248-2739-2 (hardcover : alk. paper) 1. Fate and fatalism. 2. Philosophy, Chinese. I. Lupke, Christopher. BJ1461.M34 2005 1230.0951Ðdc22 2004014194 Publication of this book has been assisted by a grant from the Chiang Ching-kuo Foundation for International Scholarly Exchange. University of Hawai`i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by University of Hawai`i Press production staff Printed by The Maple-Vail Book Manufacturing Group For My Mother, Clara Lupke Contents Preface ix Diverse Modes of Ming: An Introduction Christopher Lupke 1 Part I The Foundations of Fate Early Chinese Conceptions of Ming 1 Command and the Content of Tradition David Schaberg 23 2 Following the Commands of Heaven: The Notion of Ming in Early China Michael Puett 49 3 Languages of Fate: Semantic Fields in Chinese and Greek Lisa Raphals 70 4 How to Steer through Life: Negotiating Fate in the Daybook Mu-chou Poo 107 Part II Escape Attempts from Finitude Ming in the Later Han and Six Dynasties -
Western Theory and Chinese Reality Author(S): Zhang Longxi Reviewed Work(S): Source: Critical Inquiry, Vol
Western Theory and Chinese Reality Author(s): Zhang Longxi Reviewed work(s): Source: Critical Inquiry, Vol. 19, No. 1 (Autumn, 1992), pp. 105-130 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/1343756 . Accessed: 05/12/2012 02:37 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org This content downloaded by the authorized user from 192.168.82.215 on Wed, 5 Dec 2012 02:37:12 AM All use subject to JSTOR Terms and Conditions Western Theory and Chinese Reality Zhang Longxi 1 Lu Xun, fiction writer, essayist, and foremost iconoclast in modern Chinese history, whose observations of the Chinese national character strike us today as no less shrewd and insightful than they were half a cen- tury ago, once caricatured the Chinese resistance to anything "foreign." The Chinese, he wrote in 1934, developed a strong enmity against what they called an ostentatious foreign air [yang qi]-that is, things or atti- tudes that seemed un-Chinese and therefore were to be shunned by all Chinese patriots: And because we have been suffering from aggression for years, we make enemies to this "foreign air." We even go one step further and deliberately run counter to this "foreign air": as they like to act, we An earlier version of this essay was presented in November 1991 at the Center for Ideas and Society, the University of California, Riverside, and at UCLA's Focus Research Unit of Critical Studies and the Human Sciences. -
Liu Zaifu: Selected Critical Essays
Liu Zaifu: Selected Critical Essays Zaifu Liu - 9789004449121 Downloaded from Brill.com09/25/2021 10:25:49AM via free access Zaifu Liu - 9789004449121 Downloaded from Brill.com09/25/2021 10:25:49AM via free access Liu Zaifu: Selected Critical Essays Edited by Howard Y. F. Choy Jianmei Liu LEIDEN | BOSTON Zaifu Liu - 9789004449121 Downloaded from Brill.com09/25/2021 10:25:49AM via free access Cover illustration: Alan Z. Huang’s painting, “A Scholar in the Bamboo Forest”. Depicted is a scholar who chose to forge his own path and discover the vivid aesthetic of the bamboo forest, an abstract space allow- ing free contemplation and creativity. Fleeing from the dogmatic factionalism of an outside world, here he is able to engage intellectually with the seven aesthetic spirits who embody various aspects of Buddhism, Confucianism, and Daoism. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at https://lccn.loc.gov/2021010823 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. ISBN 978-90-04-44911-4 (hardback) ISBN 978-90-04-44912-1 (e-book) Copyright 2021 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Nijhoff, Brill Hotei, Brill Schöningh, Brill Fink, Brill mentis, Vandenhoeck & Ruprecht, Böhlau Verlag and V&R Unipress. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
Female Consciousness in Contemporary Chinese Women's Writing
Female Consciousness In Contemporary Chinese W~men's Writing A Thesis submitted in partial fulfilment of the requirement for the degree of Doctor of Philosophy in the University of Canterbury by Haixin Jiang University of Canterbury 2000 Acknowledgement My heart-felt thanks to Dr Xiaoming Wu and Dr Denis Walker, without whose scholastic insight and patient help the present thesis would be a sure impossibility. 2 2 NOV 2000 Contents Abstract 1 Introduction 2 Female Consciousness 6 Appropriate Concealment of the Feminine 16 Women and Details: Desublimating the Grand Narrative 33 Part One Female Consciousness: the Discourse of Love 41 Chapter One Love in the Chinese Context 43 Feminine Grief: Entering the Conjugal Area of Love 44 Love in the Changing History 49 Chapter Two Love and the Patriarchal Socialism 54 Love Undermining the Patriarchal-socialist Scheme 55 The Ironic Intervention of Love 62 Chapter Three Love in the Personal Domain 73 Self as the Object of Love 75 Rewriting the Hymen 82 Expressing Female Desire 88 Conclusion: Play out of the Quest 98 Part Two Female Consciousness: the Dilemmas 101 Chapter J~our The Socialist New Woman 104 The Socialist New Woman: Fruit of Utopia 104 The Dilemma of Virilization 114 Chapter Five Between Career and Family 123 ii Re-presenting the Old Dilemma 127 The "Selfish" Wife: To be or Not to Be 132 Chapter Six Rewriting Motherhood 142 Rewriting the Mother IBaby Oneness 147 The Anti-Mother Narrative 156 Conclusion: A Negative Textual Stance 163 Part Three Female Consciousness: the Detail 165 Chapter