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King Lfred's Version Off the Consolations of Boethius
King _lfred's Version off the Consolations of Boethius HENRY FROWDE, M A. PUBLISHER TO THE UNIVERSITY OF OF_0RD LONDON, EDINBURGH_ AND NEW YORK Kring e__lfred's Version o_/"the Consolations of Boethius _ _ Z)one into c_gfodern English, with an Introduction _ _ _ _ u_aa Litt.D._ Editor _o_.,I_ing .... i .dlfred_ OM Englis.h..ffgerAon2.' !ilo of the ' De Con.d.¢_onz,o,e 2 Oxford : _4t the Claro_don:,.....: PrestO0000 M D CCCC _eee_ Ioee_ J_el eeoee le e_ZNeFED AT THE_.e_EN_N PI_.._S _ee • • oeoo eee • oeee eo6_o eoee • ooeo e_ooo ..:.. ..'.: oe°_ ° leeeo eeoe ee •QQ . :.:.. oOeeo QOO_e 6eeQ aee...._ e • eee TO THE REV. PROFESSOR W. W. SKEAT LITT.D._ D.C.L._ LL.D.:_ PH.D. THIS _800K IS GRATEFULLY DEDICATED PREFACE THE preparationsfor adequately commemoratingthe forthcoming millenary of King Alfred's death have set going a fresh wave of popularinterest in that hero. Lectares have been given, committees formed, sub- scriptions paid and promised, and an excellent book of essays by eminent specialists has been written about Alfred considered under quite a number of aspects. That great King has himself told us that he was not indifferent to the opinion of those that should come after him, and he earnestly desired that that opinion should be a high one. We have by no means for- gotten him, it is true, but yet to verymany intelligent people he is, to use a paradox, a distinctly nebulous character of history. His most undying attributes in the memory of the people are not unconnected with singed cakes and romantic visits in disguise to the Danish viii Preface Danish camp. -
Parker Curtis
MARC RIBOT “CERAMIC DOG” Marc Ribot, guitarra, voz; Shahzad Ismaily, bajo, electrónica; Ches Smith, batería, electrónica. www.marcribot.com https://www.youtube.com/watch?v=EyhGNklqArU (Full performance) https://www.youtube.com/watch?v=SP7bdigwRgU (Never again, muslim jewish resistance) https://vimeo.com/114354148 (Take Five at Cully Festival) Un colectivo free/punk/funk/experimental, con Marc Ribot (John Zorn, Tom Waits, etc.), más dos de los mejores músicos jóvenes de la escena rock underground improv/experimental de Nueva York y California Shahzad Ismaily: bajo/electrónica (Ben Frost, Carla Kihlstedt, Sam Amidon) y Ches Smith: batería (Xiu Xiu, Secret Chiefs 3, Trevor Dunn, Carla Bozulich). El último álbum de Ceramic Dog, Your Turn, ha estado en varias listas como “mejor álbum de 2013”, como en las de las revistas PopMatters, Alarm Magazine y Something Else. ARCO Y FLECHA www.arcoyflecha.es Telf. 93 238.76.62. Fax 93 23872 98 [email protected] P.O.BOX.9093 - 08080 - BARCELONA Ceramic Dog es “una banda de verdad”. “Un colectivo - tal y como lo definen sus componentes– de free, punk, funk, música experimental, psicodelia y post electrónica”. En éste, uno de sus proyectos más recientes, Marc Ribot vuelve a dirigir uno de sus característicos collages sonoros en los que la improvisación colectiva, el espíritu rock underground y la experimentación electrónica se dan la mano. Lo acompañan Shahzad Ismaily (Two Foot Yard, Secret Chiefs 3) al bajo y efectos, y Ches Smith (Good for Cows, Convulsant, Ben Goldberg) a la batería y efectos, dos jóvenes músicos en los que ha encontrado la complicidad y la energía para volver a salir de gira y tragar kilómetros de carretera como una (auténtica) banda de rock que pretende ir siempre más allá. -
TRONDHEIM, MARINEN 21.-22. AUGUST Årets Nykommer 2008 Norsk Rockforbund
- FESTIVALAVIS-FESTIVALAVIS-FESTIVALAVIS-FESTIVALAVIS-FES TRONDHEIM, MARINEN 21.-22. AUGUST Årets nykommer 2008 Norsk Rockforbund 24 band på 3 scener i 2 dager. Tenk deg om 2 ganger før du finner på noe annet. RÖYKSOPP, MOTORPSYCHO, ANE BRUN, ULVER, THÅSTRÖM(SE) CALEXICO(US), LATE OF THE PIER(UK), PRIMAL SCREAM(UK) GANG OF FOUR(UK), JAGA JAZZIST, RUPHUS, SKAMBANKT, HARRYS GYM, BLACK DEBBATH, SLAGSMÅLSKLUBBEN(SE), FILTHY DUKES(UK) MARINA AND THE DIAMONDS (UK), I WAS A KING, KIM HIORTHØY, STINA STJERN, 22, AMISH 82, THE SCHOOL, FJORDEN BABY! Blåsvart er aktivitet og mat FESTIVALINFO FESTIVALINFO Blått er scener Grønt er servering og bong Rødt er toaletter Orange er inngang Lilla er kino Pstereo no igjæn? Greit å vite FESTIVALSMARTS I sine tre første leveår Marinen Vi ber publikum være forsiktig med elvebredden og Vi gadd ikke å forfatte egne regler for festivalvett så vi har Pstereo opplevd Marinen er Trondheims mest idylliske friluftsområde. kanten ved kanonoppstillingen. Om vaktene ber deg flytte tjuvlånte de som allerede er nedskrevet av Norsk Rockfor- en bratt oppadgående Området ligger helt nede ved Nidelvens bredder, og har deg fra kanten eller elvebredden så er det kult om du hører bund. De kan for øvrig også oppsummeres slik; Man skal formkurve. Festivalen Nidarosdomen som nærmeste nabo. Når du kommer etter. Ingen ønsker skader under festivalen. ikke plage andre, man skal være grei og snill, og for øvrig har altså kommet for å inn på festivalområdet, så ønsker vi at du skal ta hensyn kan man gjøre hva man vil. bli. Tre ganger gjen- til områdets verdighet. -
Studentmagasinet for HF-Fakultetet Uib Nr. 4 2006 14.Årgang Inkluderer
studentmagasinet for HF-fakultetet UiB nr. 4 2006 14.årgang inkluderer: (side 4) O DU FRÖHLICHE, O DU SELIGE jakten på julestemningen (side 6) SYNDROMET FRA STOCKHOLM en artikkel om sympati for slemme mennesker (side 8) VINDEN SOM RYSTER KORNET en smakebit fra årets BIFF (side 10 ) OM Å BLØ MINNER MAN ALDRI HAR OPPLEVD Alan Øyen og samtidsdans (side 12) STANDUP SUKSESS PÅ KVARTERET moro for unga (side 15) EN PUBHISTORIE fyll og perspektiver (side 16) BYEN SOM NEKTET Å DØ slaget ved Leningrad (side 20) DET ER IKKE DEG... hvordan avslutte et forhold? (side 24) OM Å SAMLE frimerker og andre dingsebomser (side 26) W.W.O.D.? om Oprah selvfølgelig (side 30) EI MUSIKALSK LEIKEGRIND artistportrett av Jaga Jazzist (side 32) KULTURELLE VITAMINER Edinburgh International Festival – kultur med kilt (side 35) INDIEROCKERE MED SÆRPREG artistportrett av the Shins samt: (side 36) SØNDAGSTANKER et repeterende mønster (side 37) FEMANNISTEN Buffy og mannen som skapte henne tema: MELLOM DRØM (side 41) DEN LILLE STORE ONDSKAPEN OG VIRKELIGHET bokanmeldelse av Pär Lagerkvists Dvärgen side 14 (side 42) HENDING OG ROM side 22-23 Lars Sætre om Text, Action and Space-prosjektet side 31 side 34 (side 44) UNFOLDING MUSIC side 40 intervju med masterstudent Annabel Balean Guaita side 45 (side 46) HORDENE INNTAR HUMANISTISK INFORMATIKK en ikke-traust fagpresentasjon (side 47) PENSUMFRITT hva leser folk i adventstiden? 2 LEDER: alvorsord En kvinne er myrdet i Moskva. man i det hele tatt kan påpeke og egge til debatt derimot, er kanskje Hun så for mye, hørte for mye, en selvfølge, men også et privilegium. -
Lidský Hlas Je Podivuhodný Zdroj Zvuku. Chápeme Ho Jako Prostředek K Přenášení Smysluplných
editorial obsah Glosář Matěj Kratochvíl 2 Donaufestival Karel Veselý 4 Bronius Kutavičius Vítězslav Mikeš 5 aktuálně Turecké dmutí Vítězslav Mikeš 6 Divné hlasy Karel Veselý 8 Urszula Dudziak Jan Faix 12 Lidský hlas je podivuhodný zdroj zvuku. Chápeme ho jako prostředek k přenášení smysluplných sdě- Amelia Cuni a Werner Durand Jaroslav Šťastný 14 lení, očekáváme, že mu budeme rozumět. Když se téma dostaneme do situace, že hlas slyšíme, ale nero- zumíme mu, náš mozek se usilovně snaží nějakého Ute Wasserman Petr Slabý 18 významu dobrat. Jako když se pokoušíme porozumět cizí řeči. Možná právě v tom je kouzlo všech těch Slyšíš ten řev, vidíš ten křik… Petr Ferenc 22 vokalistů kroutících hlasivky, objevujících nepravděpo- dobné kombinace fonémů, sahajících po krajnostech fyzických možností a stírajících hranice mezi hlasem Peter Ablinger G. Douglas Barrett 26 a jiným hudebním nástrojem. Nutí nás, posluchače domýšlet či vymýšlet si možné významy skryté v jejich hlasech, zapojit fantazii. Nebo to může být jinak: Tonspur Wanda Dobrovská 32 Umožňují nám vychutnávat si jinou stránku hlasu – tu, která nemíří k rozumu ale k emocím –, dovolují užívat si zvuky osvobozené od významu. Experimenty Andy Moor Petr Vrba 34 s lidským hlasem každopádně nabízejí docela odlišný posluchačský zážitek než podobné kejkle s hudebními nástroji. Balancování mezi lidskostí a nelidskostí může Tomáš Sýkora Vladimír Kouřil 38 být zdrojem pocitů libých, ale někdy i docela zneklid- ňujících. V tomto čísle tedy najdete několik portrétů „hlaso- Kazety Petr Ferenc 42 vých umělců“. Při pohledu na jména, která se tu sešla, je nápadný nepoměr mezi muži a ženami. Ačkoliv jsme si nedělali žádný statistický průzkum, zdá se, že na Rozprava o metodě Marc Richter 45 práci s hlasem se zaměřují ženy častěji než muži, z čehož by se jistě daly vyvozovat zajímavé úvahy antro- pologické, sociologické a jiné. -
Marc Ribot Trio Wo 29 Okt 2008 [email protected] T +32 (0)3 248 28 28 F +32 (0)3 248 28 00
2008-2009 architectuur theater dans muziek 2008-2009 BLAUWE ZAAL deSingel Desguinlei 25 / B-2018 Antwerpen ma vr 10 19 uur / za 16 19 uur MARC RIBOT TRIO www.desingel.be WO 29 OKT 2008 [email protected] T +32 (0)3 248 28 28 F +32 (0)3 248 28 00 deSingel is een kunstinstelling van de Vlaamse Gemeenschap en geniet de steun van hoofdsponsor mediasponsors 2008-2009 / JAZZ ZA 6 SEP 2008 OPENINGSCONCERT FREE MUSIC FESTIVAL WO 22 OKT 2008 DAVE DOUGLAS 3 WO 29 OKT 2008 MARC RIBOT TRIO do 20 NOV 2008 BRUSSELS JAZZ ORCHESTRA & RICHARD GALLIANO VR 6 MRT 2009 DUO RAVA - BOLLANI WO 18 MRT 2009 TRIO MAHANTHAPPA-DRESSER-HEMINGWAY WO 27 MEI 2009 FLY inleiding door Hugo De Craen, 19.15 uur, foyer de kunsthaven begin 20.00 uur pauze omstreeks 20.45 uur einde omstreeks 21.50 uur teksten programmaboekje Didier Wijnants coördinatie programmaboekje deSingel MARC RIBOT TRIO MARC RIBOT gitaar HENRY GRIMES contrabas ChAD TAYLOR drums gelieve uw GSM uit te schakelen De inleidingen kan u achteraf beluisteren via www.desingel.be Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. Op www.desingel.be kan u uw visie, opinie, commentaar, appreciatie, … REAGEER betreffende het programma van deSingel met andere toeschouwers delen. & WIN Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. Neemt u deel aan dit forum, dan maakt u meteen kans om tickets te winnen. Bij elk concert worden cd’s te koop aangeboden door ’t KLAverVIER, Kasteeldreef 6, Schilde, 03 384 29 70 > www.tklavervier.be foyer de kunsthaven enkel open bij avondvoorstellingen -
Une Danse Empreinte De Violence
COMPAORÉ, RIBOT & TACUMA Alternative / FRANCE-USA PRESS PACK LA BOÎTE À MUSIQUE Friche la Belle de Mai - 41 rue Jobin - 13003 Marseille - FRANCE Mob : +33 (0)6 25 47 01 55 - Mail : [email protected] www.musiquerebelle.com - www.facebook.com/ahmadcompaoremusic COMPAORÉ, RIBOT & TACUMA Alternative / FRANCE-USA © BAM Productions © Chico de Luigi © pxls Ahmad Compaoré met Marc Ribot and Jamaaladeen Tacuma in the early 1990s during a European tour with Fred Frith. Their paths have crossed regularly since then: concerts in Spain with the band Oriental Fusion in 2003 or as a trio at the Musique Action festival in Nancy in 2008. Their collaboration continued in 2011 at the Festival Jazz des Cinq Continents in Marseilles, marked by the release of the album "Trio Compaoré". The three musicians' artistic approach has followed a similar evolution, freeing itself from the constraints set by musical traditions in order to create an inventive style: an experimental approach born of their work in improvisation. « To know how to go beyond the limits of one style to play pure music », according to Ornette Coleman. Their wish to play together again shows a same musical dazzling spirit, reflecting perfectly their state of mind and diversity of expression. That way, they continue to explore new territories, creating a hybrid music mixing jazz, rock and funk. LA BOÎTE À MUSIQUE Friche la Belle de Mai - 41 rue Jobin - 13003 Marseille - FRANCE Mob : +33 (0)6 25 47 01 55 - Mail : [email protected] www.musiquerebelle.com - www.facebook.com/ahmadcompaoremusic AHMAD COMPAORÉ - Drums, percussion Drummer, percussionist, composer and improviser, Ahmad Compaoré is an unmissable musician. -
Dossier De Presse Saison 2015-2016
DOSSIER DE PRESSE SAISON 2015-2016 contacts Hélène berthier VIRGINIE TRICHET Responsable de communication Assistante de communication 02 28 25 25 09 02 28 25 25 13 [email protected] [email protected] 1 2 Sommaire édito ..............................................................................................5 calendrier .....................................................................................6 diversité de la programmation ......................................................8 THéâtre ........................................................................................................8 JEUNE PUBLIC ................................................................................................9 musique ......................................................................................................10 evènements ................................................................................................15 spécificité danse ...........................................................................18 Transcendanse ...........................................................................................19 rencontre nationale danse .......................................................................20 nijinskid ..................................................................................................... 21 artiste associé : Denis Plassard .................................................................22 ACCESSIBILITé .................................................................................23 -
The Nordic Noise in Jazz
THE NORDIC NOISE IN JAZZ – EN SJANGERDISKUSJON OMKRING JAZZ FRA NORGE OG SKANDINAVIA ETTER 2000 ole albrekt nedrelid masteroppgave institutt for musikkvitenskap universitetet i oslo mai 2010 II FORORD Jeg vil rette en stor takk til veileder Anne Danielsen, som har vært til svært god hjelp med språklig opprydning og strukturering i avslutningsfasen av dette arbeidet. Takk også til Odd Skårberg, som de første semestrene av masterstudiet ga fornuftige retningslinjer for hvilken vei dette prosjektet kunne gå. Jeg vil jeg dessuten takke Per Christian Rolin og Alma Nedrelid for konstruktive refleksjoner og hjelpsomme tilbakemeldinger på sluttproduktet. Oslo, 3. mai 2010 Ole Albrekt Nedrelid III IV INNHOLD FORORD...............................................................................................................III 1. INTRODUKSJON............................................................................................... 1 1.1 Oppgavens utgangspunkt................................................................................. 1 Problemstilling, mål og struktur......................................................................... 1 Personlig bakgrunn............................................................................................ 2 Om forståelse .................................................................................................... 3 1.2 Tone kontra støy.............................................................................................. 5 Norsk jazzforskning og -presse......................................................................... -
C:\Users\Randy\Documents\Wesley
Moral and Sacred Poems (1744)1 Volume 1 [Baker List, #78] Editorial Introduction: Poetry played a prominent role in genteel culture in eighteenth-century Britain. In addition to well- selling collections by poets like John Dryden, Alexander Pope, and Edward Young, there were regular sections of poetry in most of the leading periodicals. The genre was embraced for political critique, moral instruction, philosophical argument, religious devotion, light diversion, and a range of other public purposes. John Wesley was typical of many in his day in keeping a manuscript notebook during his Oxford years where he copied poems that he found instructive or worthy of reading repeatedly (see the MS Poetry Miscellany in this collection). While Wesley’s manuscript collection includes several selections that he would have viewed as entertaining, it is clear that he particularly valued poems with strong moral and religious themes. Thus, he was sympathetic to a suggestion made by Selina Hastings, Countess of Huntingdon, in 1742 that public culture would greatly benefit from a collection of “chaste” moral and sacred poems. Wesley soon began work on such a collection. It was issued as a series of unbound leaflets, beginning in 1743. The last installment appeared in 1744 and the full compliment were bound as a three-volume set. While the target audience of Wesley’s Collection of Psalms and Hymns series was Anglican worshipers, and the Hymns and Sacred Poems series was particularly aimed at those involved in the renewal movement, the hoped- for audience of this series was the larger public, particularly those of genteel society. -
DAVID JOHNSON - TELEFUN (1968) 19 DAS POP-ANALPHABET 64 LIVE IM W 71: in MEMORIAM ALBERT AYLER 82 LIVE IM W 71: the NU BAND 84
BAD ALCHEMY 61 1 Despite all the uniformity. Despite all those even. Despite all those indifferent. Despite all those mediocre. Despite all those grey. Despite all those dull. Despite all those cowardly. Despite all those cautious. Despite all those dusty. Despite all the fear. Despite all the injustice. Despite all the sorrow. Despite all the memories. Despite all the things you can‘t do anything about, that are incomprehensible and cry in corners. Despite everything. Leif Elggren 2 BA # 61 (p) Januar 2009 INHALT KOBAIA IS DE HUNDIN – FREAKPARADE FESTIVAL 2008 4 FREAKSHOWS: FRENCH TV - RATIONAL DIET 10 ART AF ORYX 12 SATOKO FUJII 13 WICKED WAYS TO THE HEART OF DARKNESS: 15 KTL - SUM OF R - NU & APA NEAGRA PORTISHEAD 18 VOR 40 JAHREN: DAVID JOHNSON - TELEFUN (1968) 19 DAS POP-ANALPHABET 64 LIVE IM w 71: IN MEMORIAM ALBERT AYLER 82 LIVE IM w 71: THE NU BAND 84 AMBIANCES MAGNÉTIQUES 20 – AUDIOPHOB 23 BASKARU 24 - BIP-HOP 25 – CREATIVE SOURCES 26 CRÓNICA 29 - CUNEIFORM 30 - DIE STADT 32 DRONE / SUBSTANTIA INNOMINATA 33 - EE TAPES 35 ESP 36 – FIREWORK EDITION 39 – FMP 40 FYLKINGEN 41 - INTAKT 43 KORM PLASTICS / PLINKITY PLONK 45 – LEO 47 LOW IMPEDANCE 51 - MEGO 52 - MOONJUNE 53 PRELE 54 - PSI 55 – RASTER-NOTON 57 SPEKK 58 – TOCADO 59 TZADIK 60 - ZEITKRATZER 62 BA GOODIES 2008 ART AF ORYX - FIRST BOOK OF SOUND (BERLIN-MOVES) CERAMIC DOG – PARTY INTELLECTUALS (YELLOW BIRD) GUSTAV – VERLASS DIE STADT (CHICKS ON SPEED) HEAVEN AND - SWEETER AS THE YEARS ROLL BY (STAUBGOLD) KOLKHÖZE PRINTANIUM – VOL 1 KOLKHÖZNITSA (D’AUTRES CORDES) SEAN NOONAN’S BREWED BY NOON – BOXING DREAMS (SONGLINES) PORTISHEAD - THIRD (ISLAND RECORDS) SECRET CHIEFS 3 - PLAYS MASADA BOOK TWO: XAPHAN (TZADIK) SPRING HEEL JACK – SONGS & THEMES (THIRSTY EAR) OTOMO YOSHIHIDE INVISIBLE SONGS – SORA (EAST WORKS) 3 KOBAIA IS DE HUNDIN A Weekend of Some Expected and Some Unexpected Progressiveness FREAKPARADE FESTIVAL 2008 Auf nach ‚Charlytown‘ hieß es am 1. -
Journey Into Sound Radio Darmstadt - Radar 103,4 Mhz / Livestream: Live.Radiodarmstadt.De Artist Track Album Label Sendetermin
On Air every months's first Thursday 2100 - 2300 CET Journey into Sound Radio Darmstadt - RadaR 103,4 MHz / Livestream: live.radiodarmstadt.de Artist Track Album Label Sendetermin !!! AM/FM Strange Weather, isn't it? Warp 01.07.2010 Individual Dance Safarai !!! Hello? Is this Thing on? Hello? Is this thing on? Warp 28.08.2004 Math on lone Beats !!! Hello? Is this Thing on? V/A Warp 02.12.2010 Warp20 (Elemental) Christmas Mix Vol. IX !!! Shit, Scheisse, Merde Pt.2 2 Tracks Clean Edits Warp 22.05.2004 A Doctor's Journey !!! Steady as the Sidewalk cracks Strange Weather, isn't it? Warp 02.09.2010 Sweet voodoo message music !!! Sunday 5:17 am Hello? Is this thing on? Warp 28.08.2004 Math on lone Beats !((OrKZa1 How to kill N'Sync How to kill N'Sync Commie 26.04.2003 Open word soundscapes (Read by) Andreas Pietschmann CD1 Carlos Ruiz Zafón - Der Schatten des Windes Hoffmann und Campe 05.07.2007 La Sombra del Viento (Read by) Andreas Pietschmann CD2 Carlos Ruiz Zafón - Der Schatten des Windes Hoffmann und Campe 05.07.2007 La Sombra del Viento (read by) Andreas Pietschmann Mpipidi und der Motlopi-Baum Nelson Mandela - Meine afrikanischen Hoffmann und Campe 29.05.2005 Lieblingsmärchen African Myths (read by) Christian Brückner Löwe , Hase und Hyäne Nelson Mandela - Meine afrikanischen Hoffmann und Campe 29.05.2005 Lieblingsmärchen African Myths (read by) Eva Mattes Die Schlange mit den 7 Köpfen Nelson Mandela - Meine afrikanischen Hoffmann und Campe 29.05.2005 Lieblingsmärchen African Myths (read by) Judy Winter Bescherung bei König Löwe Nelson Mandela - Meine afrikanischen Hoffmann und Campe 29.05.2005 Lieblingsmärchen African Myths (read by) Leslie Malton Die Mutter, die zu Staub zerfiel Nelson Mandela - Meine afrikanischen Hoffmann und Campe 29.05.2005 Lieblingsmärchen African Myths ..